Annick Smith:
An Inventory of Her Papers, 1940-2000 and undated, at the
Southwest Collection/Special Collections Library
| | |
|
|
| Creator | Smith, Annick, 1936- |
| Title: | Annick Smith Papers,
|
| Dates: | 1940-2000 and undated |
| Abstract: | Papers of the writer
Annick Smith from 1940-2000. |
| Collection # | R 9.1 |
| Quantity: | 29 boxes (28.0 linear
feet) |
| Language | English. |
| Repository: | Southwest Collection/Special Collections
Library, Texas Tech University |
Annick Smith is a writer and filmmaker whose work deals primarily with
the literature and history of Montana, memoir, travel, and environmental
issues. Born in Paris, France, in 1936, she grew up in Chicago, Illinois. Since
1964, she has lived in Montana, where her husband, David Smith taught at the
University of Montana. After his death, she stayed on their rural homestead and
raised their four sons. Annick Smith has worked as a high school teacher, a
book editor for the University of Washington Press and and editor for The
Montana Business Quarterly. She is known for her film credits, which include
Heartland, based on Elinore Pruitt Stewart's
Letters of a Woman Homesteader, co-producer of
Robert Redford's adaptation of Norman Maclean's A River
Runs Through It, and associate producer of Peacock's War. Smith is a founding board member of the
Sundance Film Institute in Utah. In Missoula, she founded the Hellgate Writers,
a literary center. She has participated in numerous workshops and conferences.
Smith and William Kittredge edited The Last Best
Place, a best selling Montana anthology. In addition to her books,
Homestead and Big
Bluestem, her numerous articles, poems, and stories have appeared in
Audubon, Outside,
National Geographic Traveler,
Story and other magazines and journals.
A list of her publications includes:
- Smith, Annick, co-editor. The Last Best
Place: Montana Anthology. Helena: Montana Historical Society,
1988.
- Smith, Annick. Homestead.
Minneapolis, MN: Publishers Group West, 1995.
- Smith, Annick. Big Bluestem: Journey into
the Tall Grass. Tulsa, Okla.: Council Oak Books, 1996.
- Smith, Annick, editor. Headwaters: Montana
Writers on Water and Wilderness. Missoula : Hellgate Writers,
1996.
- Smith, Annick. In This We Are Native:
Memoirs and Journeys. Guilford, Conn.: The Lyons Press, 2001.
A list of her films includes:
- Heartland. Produced by Wilderness Women, 1979.
- Peacock's War. Produced by Earthrise Entertainment, 1989.
- A River Runs Through It. Produced by Allied Filmmakers,
1992.
The collection has a variety of materials pertaining to the literary
and film works of Annick Smith. Included are manuscripts of draft copies of
published works, short stories and poems, final copies, revisions, research
materials to Smith's works, film proposals, photocopied news clippings,
business and literary correspondence, reviews, film projects, computer files
and audio recordings. Some of the works include “The Balance of Fishes,” “Big
Bluestem: Journey into the Tall Grass,” and “Homestead.”
The collection of reel-to-reel audio and videotapes, including
cassette video tapes, were transferred to the SWC/SCL Audio/Visual Unit.
The collection is in good condition and is part of the James Sowell
Family Collection in Literature, Community and the Natural World.
| | |
Organization
|
| The collection is organized by correspondence, literary production,
project files, printed material, and research materials. |
| The Following items: Audio, Computer Disks, Film, and Video are
located in the SWC audio visual area. |
| Some films have been transferred to the A-V cold storage vault. These
items will need time to acclimate before they can be used. The acclimation
process takes 24-48 hours. |
Access Restrictions
Open for research. Copyright is retained by authors or creators of
items in this collection, or their descendants, as stipulated by U.S. copyright
law. Items stored in A-V cold storage vault (16 mm film) will need time to
acclimate before they can be used. The acclimation process takes 24-48
hours.
| | |
|
|
| The subject headings used by the Southwest Collection/Special
Collections Library are derived from the Library of Congress and/or locally
developed. |
| Subjects (Persons) |
| | Hugo, Richard,
1923-1982 |
| | Harjo, Joy |
| | Hogan, Linda |
| | Kittredge,
William |
| | Maclean, Norman,
1902-1990 |
| | Smith, Annick,
1936- |
| | Smith, Annick, 1936-
--Archives |
| | Smith, Annick, 1936-
--Correspondence |
| | Smith, Annick, 1936-
--Literary collections |
| | Smith, Annick, 1936-
--Journeys--Oklahoma--Tallgrass Prairie National Preserve |
| | Smith, Annick, 1936-
--Manuscripts |
| | Smith, David- |
| | Stewart, Elinore Pruitt,
1878-(1936?) -- Letters of a Woman Homesteader |
| | Welch, James,
1940- |
| | Whitman, Narcissa
Prentiss, 1808-1847 |
| | Nez Perce Indians |
| | Osage Indians |
| Subjects (Organizations) |
| | Hellgate
Writers |
| | Sundance
Institute |
| Subjects |
| | American literature--West
(U.S.) |
| | Authors, American--20th
century |
| | Authors--United
States--Correspondence |
| | Natural history |
| | Natural history in
literature |
| | Natural history--Literary
collections |
| | Natural history
literature--United States |
| | Nature--Literary
collections |
| | Novelists--United
States--Correspondence |
| | Storytelling--Social
aspects--West (U.S.) |
| | A River Runs Through It
(Motion picture) |
| | Heartland (Motion
picture) |
| Places |
| | Montana |
| | Oklahoma |
| | |
|
For related materials located in the Southwest Collection/Special
Collections Library, see the following collections:
|
| |
- William Kittredge Papers, 1954-2000 and undated
- Max Crawford Papers, 1960-2000 and undated
- Rick Bass Papers, 1958-2001 and undated
- Barry Lopez Papers, 1964-2001 and undated
- Barry Lopez, an Inventory of his Audio/Visual Material, 1964-2007
and undated
- Barry Lopez, an Inventory of Photographs from the Barry Lopez
Papers, 1964-2001 and undated
- Bill McKibben Papers, 1971-2001 and undated
- Doug Peacock Papers, 1950-2000 and undated
- David Quammen Papers, 1856-1999 and undated
- Pattiann Rogers Papers, 1960-1999 and undated
- Pattiann Rogers Papers, 1977-2000
- David James Duncan Papers, 1959-2002 and undated
|
Annick Smith Papers, 1940-2000 and undated, Southwest
Collection/Special Collections Library, Texas Tech University, Lubbock,
Texas
Collection accession #(s):
2001-0009-X
Purchase, 2001
Abel Ramirez, 2001; reprocessed by Curtis Peoples, 2003
Collection Inventory
| | | | | | | | | | | | | |
| |
Correspondence
|
| box | folder |
| 1 | 1 | | A.B. Guthrie Conference, Bonner, Montana Business
correspondence and materials,
1997 |
| 2 | | Aldo Leopold conference in Madison, Wisconsin, Business
correspondence and materials,
1999 |
| 3 | | American Parks and Wildlands Campaign, Business
correspondence, contracts and materials,
1987 |
| 4 | | Art of the Wild and Squaw Valley Community of Writers
(California), Business correspondence and materials,
1995-2000 |
| 5 | | Asian Settlers in Early Montana project, Business
correspondence and materials,
1998 |
| 6 | | Balance of Fishes Business correspondence, “Balance of
Fishes” book,
1993 |
| 7 | | Bancroft Business correspondence and receipts, winning
the Carolyn Bancroft History Prize for 1996 (Denver Public Library Bancroft
Prize),
1996-1998 |
| 8 | | Big Bluestem Business correspondence and contracts with
Council Oak Books, “Big Bluestem,” plus ephemera,
1993-1998 |
| 9 | | Big Bluestem Business correspondence with Western
Writers of America Inc., “Big Bluestem” book,
1997 |
| 10 | | Big Sky Journal, Business correspondence, “Best Last
Place” essay,
1999-2000 |
| 11 | | Chamberlain, Karen Business correspondence, Karen
Chamberlain – On Native Ground Conference,
1992-1993 |
| 12 | | Chatham, Russell Business correspondence, grant
application, vitae and film proposal, Russell Chatham film,
1992 |
| 13 | | Colburg, film bio on Jeanette Rankin,
1972 |
| 14 | | Denver Center Productions, Business correspondence with
Denver Center Productions, Western Stories project,
1992-1993 |
| 15 | | Flathead Library Conference in Kalispell, Montana,
Business correspondence and materials,
2000 |
| 16 | | Great Bear Project, Business correspondence and resumes,
1984-1985 |
| 17 | | Great Bear Project, Business correspondence,
1984-1985 |
| 18 | | Great Bear Project, Business correspondence,
1984-1985 |
| 19 | | Great Bear Project, Business correspondence,
1984-1987 |
| 20 | | Great Bear Project, Business correspondence,
1985 |
| 21 | | Great Bear Project, Business correspondence,
1985 |
| 22 | | Headwater’s anthology, Business correspondence and
notes,
1996-1997 |
| 23 | | Heartland Legal correspondence with lawyers, “Heartland”
film,
1970-1981 |
| 24 | | Heartland Manila envelope of postcards, Christmas cards,
and ephemera, “Heartland” film,
1979-1984 |
| 25 | | Heartland Business correspondence with the Screen Actors
Guild, “Heartland” film,
1979-1987 |
| 26 | | Heartland Wilderness Contracts between Wilderness
Productions, Inc. and the Directors Guild of America, film,
1980-1983 |
| 27 | | Heartland Business correspondence and contracts with the
Warner/Amex, “Heartland” film,
1981-1982 |
| 28 | | Heartland Viewer response and miscellaneous
correspondence, “Heartland” film,
1981-1982 |
| 29 | | Heartland Business correspondence and contracts with
Showtime Entertainment, “Heartland” film,
1982 |
| 30 | | Heartland film,
1982 |
| 31 | | Heartland Business correspondence with the William
Morris Agency, “Heartland” film,
1982-1983 |
| 32 | | Heartland Wilderness Contracts between Wilderness
Wilderness Productions, Inc. and various Agencies, film,
1983-1984 |
| 33 | | Heartland Business correspondence, winning the Oklahoma
Book Award for 1997,
1997 |
| 34 | | Heathen Ground film, Business correspondence,
1978 |
| 35 | | Heathen Ground film, Business correspondence,
1979 |
| 36 | | Heathen Ground film, Business correspondence,
|
| 37 | | Homestead, Business correspondence with Milkweed
Editions, “Homestead” book, including some manuscript pages and contents list
(includes copies of letters [blurbs] from: Gretel Ehrlich, Terry Tempest
Williams, James Welch, Annie Dillard, Ivan Doig, etc.),
1994-1999 |
| 38 | | Hugo Business Correspondence The first Richard Hugo
film, “Richard Hugo Reads,”
1967 |
| 39 | | Kittredge, Smith, and Maclean, correspondence, business
correspondence, contracts, legal papers, etc.,
1980-1993 |
| 40 | | Livingston Writers Conference, Livingston, Montana,
Business correspondence and materials,
1998 |
| 41 | | Monot, Gaston Business correspondence with Gaston Monot,
French film festival, “Women and the New World” (“Heartland” film),
1992 |
| 42 | | Montana Centennial video series, Business
correspondence, contracts, and materials,
1989 |
| 43 | | Montana State University Business correspondence with
Montana State University, “Montana Movie Project” film proposal,
1994 |
| 44 | | Nelson, Barney; One letter and award from Barney Nelson
of Sul Ross State University,
1997 |
| 45 | | Orion Society, Business correspondence,
1996-1999 |
| 46 | | Orion Society’s “Fire and Grit” conference, Business
correspondence and materials,
1999 |
| box | folder |
| 2 | 1 | | Prairie Festival in Salina, Kansas, Business
correspondence and materials,
1999 |
| 2 | | Prairies Viking Films; Business correspondence with
Prairies Viking Films, their adaptation of O.E. Rolvaag’s “Giants of the Earth”
novel,
1993 |
| 3 | | Recursos workshop in Santa Fe, New Mexico, Business
correspondence and materials,
1999 |
| 4 | | Salt Lake Tribune National Writer’s Workshop, Business
correspondence,
1994 |
| 5 | | Shadows on the Waters (i.e. “Whale Hunters”),
1972 |
| 6 | | Snake River Institute Business correspondence, Snake
River Institute, Jackson Hole, Wyoming, including P.R. materials,
1994-1998 |
| 7 | | Story Magazine, Business correspondence,
1990-1995 |
| 8 | | Student and fan/reader correspondence,
1992-1998 |
| 9 | | Teller Wildlife Refuge Business correspondence, Teller
Wildlife Refuge, “Environmental Writing Teller Refuge,”
May 1994 |
| 10 | | Travel and Leisure Magazine, Business correspondence,
1988 |
| 11 | | Traveler’s Tales, Business correspondence,
1994 |
| 12 | | UCAR Symposium in Boulder, Colorado, Business
correspondence and materials,
1993 |
| 13 | | University of Wisconsin Press Business correspondence
with Milkweed Editions, “Homestead” book, including speaking engagement
schedules,
1995-1999 |
| 14 | | University of Wisconsin Press Business correspondence
with University of Wisconsin Press, Prairie Prospects, Book Report,
1998 |
| 15 | | Various Copies of Annick Smith’s early resume and
business correspondence, job hunting in Los Angeles, including drafts of a
letter to Roger Corman, etc., includes a small spiral notebook marked “David’s
notes including Memorial Day film project” (not dated),
1966-1974 |
| 16 | | Various correspondence,
1974-1980 |
| 17 | | Various correspondence, including some literary,
1976-1996 |
| 18 | | Various Business correspondence with various publishers,
submissions, rejections, and awards, including one letter from Kay Boyle,
1982-1997 |
| 19 | | Various literary and artist correspondence,
1990 |
| 20 | | Various literary and artist correspondence,
1990 |
| 21 | | Various literary correspondence with Rick Bass and
materials, Yaak Valley Forest Council, including partial manuscript of Smith’s
essay, “The Best Last Place,”
1992-1999 |
| 22 | | Various business correspondence and materials,
miscellaneous conferences,
1993-1995 |
| 23 | | Various business correspondence with various publishers,
jacket blurbs,
1995-2000 |
| 24 | | Various business correspondence, conferences, etc.,
1996 |
| 25 | | Various business correspondence, various literary or
environmental conferences,
1997 |
| 26 | | Various business correspondence, literary and media,
1997 |
| 27 | | Various business correspondence, plus holograph notes
for “Three Ways to Walk the Blackfoot,”
1998 |
| 28 | | Various literary correspondence, includes letters from:
Doug Peacock, Laura and Rick Avedon, George Butler, Annie Dillard, Mary Blew,
Cort Conley, Richard Ford, Linda Gregg, Elaine and Saul Bass, Linda Hogan, Dana
Boussard,
1998 |
| 29 | | Various business correspondence and materials,
conferences,
1998-2000 |
| 30 | | Western Women Writer’s Conference, Business
correspondence and materials,
1992 |
| 31 | | Writer’s at Work Conference, Business correspondence and
materials,
1994 |
| 32 | | Writers and Readers Rendezvous in Boise, Business
correspondence and materials, Idaho,
1994 |
| 33 | | Yosemite National Park Documentary, Business
correspondence, contracts, and materials,
1986 |
| | | | | | | | | | | | | |
| |
Literary Production
|
| box | folder |
| 3 | 1 | | “Actual Miles”: film script treatment, proposal,
correspondence of this William Kittredge/Annick Smith collaboration,
1980 |
| 2 | | “All the Gold in California”: drafts, plus
correspondence and notes,
1984 |
| 3 | | “American Riviera: The Santa Barbara Coast”: proposal,
1997 |
| 4 | | “An Act of Faith”: screenplay by Blasé Bonpane, Theresa
Kileen Bonpane and Bob Young: bound typescript, Sundance Institute,
undated |
| 5 | | “Animal Films”: drafts, notes, and correspondence,
1992 |
| 6 | | “Ask Now the Beasts” (a.k.a. “Peacock’s War”): proposal
for the Peacock film, grizzlies,
1982-1983 |
| 7 | | "Audubon Book": proposal for a book by William Kittredge
and Annick Smith,
1980 |
| 8 | | “Audubon Film”: proposals and outlines, plus
correspondence,
1980 |
| 9 | | “Audubon”: a biographical sketch directed toward
delineation of a six-part film by William Kittredge and Annick Smith (38 pages)
(proposal for a TV series on Audubon), plus variant drafts,
1981 |
| 10 | | “Audubon Film”: proposal for a film by William Kittredge
and Annick Smith, plus biographical materials on Audubon,
1982 |
| 11 | | “Aunt Moon” a.k.a. “Aunt Moon’s Young Man” by Linda
Hogan: short story manuscript and teleplay manuscript with cover letter Joy
Harjo,
1985-1986 |
| 12 | | “Balance of Fishes” by Marnie Prange and Annick Smith:
one folder of notes, outlines, and sample chapters,
1988-1991 |
| 13 | | “Balance of Fishes” by Marnie Prange and Annick Smith:
William Kittredge’s edit, representing the latest draft version,
1992 |
| 14 | | “Balance of Fishes” by Marnie Prange and Annick Smith:
one large folder of variant drafts of chapters with notes and corrections (~250
pages),
undated |
| 15 | | “Balance of Fishes” by Marnie Prange and Annick Smith:
typescript draft with corrections, annotations, and editorial comments of this
co-authored mystery novel,
1993 |
| 16 | | “Balance of Fishes” by Marnie Prange and Annick Smith:
one folder of miscellaneous drafts and revisions of later chapters (~150pages),
undated |
| 17 | | “Before I Was Born”: three variant drafts,
1994 |
| 18 | | “Big Bluestem” “Personal Observations/Diary Notes”:
typewritten draft, book (61 pages),
1993 |
| box | folder |
| 4 | 1 | | “Big Bluestem: Journey into the Tall Grass”:
permissions, bibliographies, sources, notes,
1993-1996 |
| 2 | | “Big Bluestem” Annick Smith’s chapter outlines,
correspondence with the Nature Conservancy and revisions, etc.,(~50 pages of
material),
March 14, 1994 |
| 3 | | “Big Bluestem: A Journey into the Tallgrass Prairie”:
typescript of variant drafts with corrections, MS Versions,
1995 |
| 4 | | “Big Bluestem: Journey into the Tallgrass Prairie”:
typescript of draft #1 with corrections (252 pages) dated May 30, 1995 (second
copy),
1995 |
| 5 | | “Big Bluestem: Journey into the Tall Grass”: page
proofs, plus memorandums, recommended changes, comments, revisions, etc.,
1996 |
| 6 | | “Big Bluestem: Journey into the Tall Grass”: typescript
with corrections (276 pages),
1996 |
| 7 | | “Big Bluestem: Journey into the Tall Grass”: typescript
with corrections (183 pages), with “Suggestions for Further Reading” and rough
cover proof,
1996 |
| 8 | | “Black Fox”, “Big Bluestem: Journey into the Tallgrass
Prairie”: typescript of draft #1 with corrections (252 pages) dated May 30,
1995, plus additional notes, oil,
1995 |
| 9 | | “Blackfoot Highway”: drafts and correspondence,
1993 |
| 10 | | “Blowouts and Moving Dunes” (a.k.a. “Moving Dunes):
drafts and correspondence,
1993 |
| 11 | | “Blue Canadian Rockies: The Banff Springs Hotel and
Spa”: draft, plus correspondence,
1995 |
| 12 | | “Call to Arms” etc.: a very early group of typewritten
poems by James Welch, when he was still a student at University of Montana,
plus newspaper,
1969 |
| 13 | | “Camping in Montana”: drafts and correspondence,
1991 |
| 14 | | “Cauldron” magazine, Transcript of an interview with
Annick Smith on August 22, 1994 by Sara Knight with correspondence,
1994-1995 |
| 15 | | “Child Went Forth in Idaho” (a.k.a. “Idaho Leaves Me
Wondering”): drafts and correspondence,
1994 |
| 16 | | “Dakah” by Sandra Johnson Osawa: bound manuscript,
“First Draft October 29, 1982” with cover letter (related to Whale Hunters
script by Macau filmmaker),
1982-1983 |
| 17 | | “David Smith” by Dick Hugo: memorial to David Smith,
plus notes for a criminal justice book Annick Smith picked up after David died,
1976 |
| 18 | | “Don’t Blame Montana” and “To Sir, With Love”: drafts
and correspondence,
1993 |
| 19 | | “Dovecote”: six variant drafts, plus correspondence,
undated |
| box | folder |
| 5 | 1 | | “Eagle and the Snake: At Play in Chief Joseph’s Land”:
drafts and correspondence,
1991 |
| 2 | | “Eugene Who Works With Clay”: seven variant drafts, plus
correspondence and notes (Annick Smith’s first attempt to write a story),
undated |
| 3 | | “Falling Into the Canyon”: drafts, plus correspondence
with Kathleen Ryan and P.R. materials, “Writing Down the River,”
1996-2000 |
| 4 | | “Fishing the Tundra”: drafts and correspondence,
1994 |
| 5 | | “Gleaning Wild Gardens”: drafts and correspondence of
this essay, huckleberries, plus revisions for Linda Hogan’s book on “Women and
Plants”,
1999-2000 |
| 6 | | “Great Bear”: eight variant treatments by William
Kittredge for “The Great Bear” film,
1983-1985 |
| 7 | | “Great Bear”: bound proposal, synopsis, and treatment
for “The Great Bear” film (two copies),
1985 |
| 8 | | “Great Bear”: bound proposal, synopsis, and treatment
for “The Great Bear” film (two copies),
1985 |
| 9 | | “Great Bear”: chronological treatment by Eric Whitehead
(39 pages), plus miscellaneous notes, articles, etc.,
1985 |
| 10 | | “Great River” by Eddie Kurtz: variant drafts of
beginnings of screenplay for this dramatic TV series,
1986-1987 |
| 11 | | “Great River: An Original Screenplay by Newton E.
Renfro”: bound manuscript (87 pages), 1988 Publication,
1988 |
| 12 | | “Great River” by Eddie Kurtz: holograph notes (1987);
correspondence from Newton Renfro to Glen Pitre; plus research, Nicolas de La
Salle,
1987 |
| 13 | | “Great River” by Eddie Kurtz: script suggestions and
revisions, plus miscellaneous business materials, correspondence, clippings,
etc.,
1988-1990 |
| 14 | | “Great River”: variant drafts of dramatic treatments,
1987 |
| 15 | | “Great River”: variant drafts of dramatic treatments,
plus correspondence,
1987 |
| 16 | | “Great River”: variant manuscripts of initial proposals,
1987-1988 |
| 17 | | “Great River”: bound screenplay by Glen Pitre, “First
Draft, revised February 27, 1988” (109 pages),
1988 |
| 18 | | “Great River”: LEH Media Proposal dated May 23, 1988:
bound copy of manuscripts, budgets, summaries, etc.,
1988 |
| 19 | | “Great River”: one manila folder of revisions by Eddie
Kurtz with cover letter (12 pages),
1988 |
| 20 | | “Great River” by Eddie Kurtz: script suggestions and
revisions,
1989 |
| 21 | | “Great River”: bound screenplay by Glen Pitre, “Draft of
October 24, 1990” (108 pages),
1990 |
| box | folder |
| 6 | 1 | | “Great River”: notes of scene breakdowns,
1990 |
| 2 | | “Great River”: notes of scene breakdowns,
1990 |
| 3 | | “Great River”: notes of scene breakdowns,
1990 |
| 4 | | “Great River”: screenplay by Glen Pitre, “Interim Draft
July 18, 1990” (101 pages),
1990 |
| 5 | | “Great River”: screenplay by Glen Pitre: variant draft
(116 pages),
1990 |
| 6 | | “Guilty Pleasures in the Nouveau West: Amangani at
Jackson Hole”: drafts and correspondence of this essay, plus notes,
1998 |
| 7 | | “Headwaters”: one folder of manuscripts submissions for
“Headwaters” anthology, Blackfoot River with cover letters,
1996 |
| 8 | | “Headwaters”: page and cover proofs with notes and
corrections, plus contributor notes,
1996 |
| 9 | | “Headwaters”: manuscript copy, outlines, contracts, and
business correspondence with Roman Kuczer,
1996-1997 |
| 10 | | “Heathen Ground: Narcissa Whitman and the Cayuse
Indians” by Annick Smith: stapled manuscript (127 pages),
1978 |
| 11 | | “Heathen Ground: Narcissa Whitman and the Cayuse
Indians”: draft with cover-letter (127 pages),
1978 |
| 12 | | “Heathen Ground: The Story of Narcissa Whitman” by
Annick Smith: drafts, revisions, notes,
1978 |
| 13 | | “Heathen Ground: The Story of Narcissa Whitman and the
Cayuse Indians” by Annick Smith: later manuscript (123 pages),
1979 |
| 14 | | “Heathen Ground” The NEH rejection of with reader’s
comments,
1980 |
| 15 | | “Homestead”: two drafts, plus proofs,
1988 |
| 16 | | “Homestead”: one group of page proofs, and early
manuscript of essays that would be collected into the finished book, plus
Milkweed Editions promo materials,
1990-1994 |
| 17 | | “Homestead or West to Montana”: one group of individual
essays collected and dated April 8, 1994
1994 |
| 18 | | “Homestead” One copy of an original cover proof for
book,
1994 |
| 19 | | “Homestead”: early manuscript pages with corrections and
cover letter,
August 9, 1994 |
| 20 | | “Homestead”: early manuscript pages with corrections and
cover letter from Peter Anderson of the Snake River Institute,
October 10,
1994 |
| box | folder |
| 7 | 1 | | “Homestead”: one group of individual essays collected,
September 9,
1994 |
| 2 | | “Homestead”: one group of revised versions of essays,
1994 |
| 3 | | “Homestead”: page proofs,
December 14,
1994 |
| 4 | | “Homestead”: page proofs with notes from Annick Smith
attached,
November 10,
1994 |
| 5 | | “Hunting and Trespassing”: proposal,
undated |
| 6 | | “I Am Not Thinking: Chronicle of a Father’s Dying”
(a.k.a. “My Father’s Wallet): six variant drafts and correspondence,
1997-1998 |
| 7 | | “I Am Not Thinking: Chronicle of a Father’s Dying”:
draft,
July 2000 |
| 8 | | “Immigrant Vision (Settlement of Washington’s Yakima
Valley)” by Suzanne Tedesko: bound manuscript,
1986 |
| 9 | | “In This We Are Native” (i.e. “Homestead”): early draft
with alternate title in Fed Ex folder dated February 3, 1994
1994 |
| 10 | | “In This We Are Native”: thirteen variant drafts, plus
correspondence,
1991 |
| 11 | | “In This We Are Native”: two drafts, plus
correspondence,
1991 |
| 12 | | “In This We Are Native”: draft plus correspondence,
1994 |
| 13 | | “In This We Are Native”: drafts, plus correspondence,
1994 |
| 14 | | “In This We Are Native”: three drafts, plus
correspondence,
1994 |
| 15 | | “In This We Are Native”: draft with Kittredge’s notes
(Hollywood Essay),
July 2000 |
| 16 | | “Interview with Norman Maclean” by William Kittredge and
Annick Smith: two variant drafts,
1976-1982 |
| 17 | | “Isla Negra, House in the Sand”: drafts and
correspondence, essay, plus travel notes, receipts, etc.,
1999 |
| 18 | | “It’s Come to This”: ten variant drafts, plus
correspondence,
1991 |
| 19 | | “Kananaskis: Alberta’s Secret”: drafts and
correspondence of this essay, plus notes, etc.,
1999-2000 |
| box | folder |
| 8 | 1 | | “Lady in Kicking Horse Reservoir” by Richard Hugo: bound
poetry manuscript in black folder,
undated |
| 2 | | “Last Batfouler”: screenplay by Barry Pritchard: bound
typescript with cover letter, Sundance Institute,
1981 |
| 3 | | “Learning to Stay Put” (introduction to Mildred Walker’s
“Fireweed”): drafts and correspondence,
1994 |
| 4 | | “Lost Land of Ka-Zar”: drafts, plus notes and
correspondence,
1993 |
| 5 | | “Margitsziget, Margaret island, Isle of Ten Thousand
Trees”: drafts and correspondence,
1997 |
| 6 | | “Midstream with Robert Redford”: typescript of interview
with Annick Smith,
1991-1992 |
| 7 | | “Monte Dolack: the Artist as a Cool Cat”, draft with
correspondence,
2000 |
| 8 | | “Mother and Me”: drafts and correspondence,
1993 |
| 9 | | “Mountain Home”: draft and correspondence with Summit
Publications,
1994-1995 |
| 10 | | “Narcissa: Tell Us of the Night” by Annick Smith: bound
manuscript, “First Draft” (94 pages) with corrections (precedes “Heathen
Ground”),
1977 |
| 11 | | “Narcissa: Tell Us of the Night” by Annick Smith: bound
manuscript, “First Draft” (94 pages),
1978 |
| 12 | | “Narcissa”: chapter outline, proposal and manuscript
drafts with corrections of this historical novel by William Kittredge and
Annick Smith, Narcissa Whitman, the first white woman to cross the Rocky
Mountains in 1836 as a missionary to the Nez Perce Indians,
1978 |
| 13 | | “Narcissa”: chapter outline, proposal and manuscript
drafts with corrections of this historical novel by William Kittredge and
Annick Smith, Narcissa Whitman was the first white woman to cross the Rocky
Mountains in 1836 as a missionary to the Nez Perce Indians,
1978 |
| 14 | | “Narcissa”: one group of holograph notebooks of outlines
and scenes, Narcissa Whitman,
1978 |
| 15 | | “Narcissa”: proposal for a western historical novel by
William Kittredge and Annick Smith: chapter outlines (136 pages) and draft for
Chapter One (31 pages), plus outlines,
1978 |
| 16 | | “Nature of Discovery”: drafts and correspondence,
1990 |
| 17 | | “Neversweat” by William Kittredge and Annick Smith, plus
“The War of the Copper Kings” by Scott Chestnut and John Dahl, plus contracts,
correspondence with Wayne H. Chestnut, one notebook of notes, etc.,
1987-1990 |
| 18 | | “No Alibis: Norman Maclean, 1902-1990”: drafts and
correspondence,
1990-1997 |
| 19 | | “Old Bannock Trail”: drafts and correspondence,
1989-1990 |
| 20 | | “Palo Duro Canyon”: draft,
1998 |
| 21 | | “Panimarida”: drafts and correspondence of this essay,
plus notes, etc., New York Times,
1993 |
| 22 | | “Peacock’s War”: disbound second draft of this
screenplay for a feature film by Charles Gaines (67 pages), plus correspondence
from Doug Peacock, holograph notes, variant drafts, outlines, etc., “The Great
Bear” film,
1981-1983 |
| 23 | | “Peacock’s War”: bound second draft of this screenplay
for a feature film by Charles Gaines, plus correspondence,
1982-1983 |
| 24 | | “Poetry for People in Missoula, Montana” by Annick
Smith, plus business materials and correspondence, Hellgate Writers Conference
#1 (includes photos of Etheridge Knight, C.K. Williams, and Carolyn Forche),
1989 |
| 25 | | “Real Cowboys look Back: to the Ranch They Worked and
the Life They Remember”: one purple ring binder of remarks from interviews with
cowboys (156 pages),
1991 |
| 26 | | “Richard Hugo Reads David Smith’s transcripts, the first
Richard Hugo film,”
1964-1966 |
| box | folder |
| 9 | 1 | | “Ride, Ride, Ride”: draft,
1993 |
| 2 | | “Right Life: Maurice ‘Mickey’ McDermott” (a.k.a. “Good
Ol’ Boy of Summer”): drafts and correspondence,
1990 |
| 3 | | “Rites of Snow”: drafts and correspondence,
1992 |
| 4 | | “River Runs Through It” by Norman Maclean, screenplay by
William Kittredge: four variant drafts, plus treatment, contracts,
correspondence, and notes,
1985-1986 |
| 5 | | “River That Runs Through It”: drafts and correspondence,
1989-1990 |
| 6 | | “River Runs Through It”: screenplay by Richard
Friedenberg (third draft with scene # April 11, 1991) (109 pages), plus story
outline and correspondence,
1991 |
| 7 | | “River That Runs Through It”: drafts and correspondence,
1993-1998 |
| box | folder |
| 6 | 8 | | “Sacred Tree”: photocopy of proposal for TV series on
Native American writers,
1992 |
| box | folder |
| 9 | 9 | | “Sacred Tree”: unbound copy of proposal, variant drafts,
revisions, correspondence, invoices, Annick Smith’s “Yellow Woman” manuscript,
plus photocopy of a Linda Hogan story, etc.,
1992 |
| 10 | | “Sacred Tree”: variant drafts/revisions of proposal,
correspondence, plus Annick Smith’s “Yellow Woman” manuscript,
1992 |
| 11 | | “Sculpting with Light: My Father, Stephen Deutch”:
drafts and correspondence,
1993 |
| 12 | | “Shadow on the Waters” (124 pages) (based on the novel
by Jack Thomas Leahy), plus production play,
1981 |
| 13 | | “She Said/He Said”: draft of this joint article between
Annick Smith and William Kittredge,
1996-1997 |
| 14 | | “Sink or Swim”: drafts and correspondence,
1995-1996 |
| 15 | | “Sink or Swim”: drafts and correspondence,
1997 |
| 16 | | “Sorrento”: drafts and correspondence,
1994-1998 |
| 17 | | “Spirit of the Last Great Places” One copy of the Nature
Conservancy’s booklet, teachers guide,
1994 |
| 18 | | “Stevens Expedition”: script by Dan Whipple with
applications, resumes, correspondence logs, notes of this video project,
“Visions of the Northern West,”
1985-1987 |
| 19 | | “Summering Ground”: drafts and correspondence of this
essay, plus notes,
1998 |
| 20 | | “Thanksgiving: Warren Dunes State Park,” draft plus
correspondence,
1999 |
| 21 | | “Three Chinamen”: screenplay by Barry Pritchard: bound
typescript, Sundance Institute,
1981 |
| 22 | | “Three Ways of Walking the Blackfoot”: three drafts,
plus correspondence,
1998-2000 |
| 23 | | “Three Ways to Ronda”: drafts and correspondence,
1993-1994 |
| 24 | | “Titicaca: Rock of the Mountain Cat”: drafts and
correspondence, essay,
1999 |
| 25 | | “Trickster is Us”: drafts and correspondence,
1990 |
| 26 | | “Two Frontiers of Mary Ronan”: drafts and
correspondence,
1988 |
| 27 | | “Two Worlds of Norman Maclean: Interviews in Montana and
Chicago” by William Kittredge and Annick Smith: draft with introduction (31
pages), plus two audio cassette tapes (cassettes moved to A-V section),
1983 |
| 28 | | “Virtue and Charity”: draft, plus miscellaneous poem
drafts and notes, outlines, etc.,
undated |
| 29 | | “Virtue”: six variant drafts and correspondence,
1993 |
| box | folder |
| 10 | 1 | | “Whale Hunters”: screenplay by David J. Smith and Annick
Smith (105 pages) (based on the novel “Shadow on the Waters” by Jack Thomas
Leahy), plus holograph notes,
1981 |
| 2 | | “Whale Hunters” (treatment—120 pages); (revised first
draft dated July 22, 1982—135 pages); (draft dated March 28, 1983 (?)—122
pages); (revised first draft dated July 22, 1982—135 pages, second copy); plus
notes,
1982 |
| 3 | | “Whale Hunters”: script development agreement,
contracts, business materials,
1982 |
| 4 | | “Whale Hunters”: concept and story idea for a
Feature-Length Fiction Film by Annick Smith (in collaboration with Sandy
Osawa): Alaska version of “Whale Hunters”: draft, scene outlines, notes, etc.,
1983 |
| 5 | | “Whale Hunters”: original screenplay by Annick Smith
(Draft #2, March 25, 1983), corrected copy,
1983 |
| 6 | | “Whale Hunters”: first draft ONLY (127 pages),
undated |
| 7 | | “What You See is What You Got”: drafts and
correspondence,
1991 |
| 8 | | “Where the Sky Began: Land of the Tallgrass Prairie”:
variant draft scripts dated June 27, 1997; October 29, 1997; August 26, 1997;
September 10, 1997; plus scripts of select takes,
1997 |
| 9 | | “Where the Sky began: Land of the Tallgrass Prairie”:
variant section drafts and research materials,
1997 |
| 10 | | “Where Water Meets Stone: A Review of Annie Dillard’s
‘the Living’”: drafts and correspondence,
1992 |
| 11 | | “White Woman Blues”: seven variant drafts of this short
story,
undated |
| 12 | | “Who’s Who”, Annick Smith’s biography and resume,
1993-1998 |
| 13 | | “Wildcats I Have Not Known”: draft, plus correspondence
with Sasquatch Books, Elizabeth Grossman and Sue Halpern and P.R.materials,
1998-1999 |
| 14 | | “Wilderness Women” Proposal for book, which preceded
“Heartland” film,
1978 |
| 15 | | “Winter in the Blood”, story by James Welch, script
outline by William Kittredge and Annick Smith: drafts, outlines,
correspondence, notes, includes James Welch’s proposal outline for a novel,
“The Indian Lawyer,”
1987-1990 |
| 16 | | “Words from the Wilderness”: draft,
undated |
| 17 | | “World Down to Size: Two Talks with Richard Hugo”,
edited by David Smith: draft (40 pages),
1969 |
| 18 | | “World Down to Size: Two Talks with Richard Hugo”,
edited by David Smith: numerous variant drafts,
1969 |
| 19 | | “Yellow Woman” treatment by Annick Smith: photocopy of
draft of “Sacred Tree” proposed TV series on Native American writers,
1992 |
| 20 | | “Yonnondio”: screenplay by Marty Nicholson and Ken Fink:
bound typescript, Sundance Institute,
1982 |
| 21 | | French texts: Cavallier de La Salle,
undated |
| 22 | | Reviews by Annick Smith (including Max Crawford’s “Lords
of the Plain”), miscellaneous essays, 1980-1985
1980-1985 |
| 23 | | Various poem drafts: “Old Woman’s Goat Song”, etc.,
1977 |
| | | | | | | | | | | | | |
| |
Business Materials/Financial Materials
|
| box | folder |
| 11 | 1 | | American Academy of Achievement Business materials,
notes, and correspondence, the 1993 conference of the American Academy of
Achievement, Glacier Park, Montana,
1993 |
| 2 | | Audubon and BBC Natural History Unit Business materials,
notes, correspondence, BBC Natural History Unit and “Audubon,”
1982 |
| 3 | | Audubon Business materials, notes, and correspondence,
WGBH and “Audubon,”
1981 |
| 4 | | Big Bluestem Notes and correspondence, “Big Bluestem”
book,
undated |
| 5 | | Big Bluestem, Records, expenses, receipts,
1994 |
| 6 | | Big Bluestem: Journey into the Tall Grass by Annick
Smith, Tulsa, Oklahoma: Council Oak Books, 1996. First edition, signed
“Annick.” Photography by Harvey Payne,
1996 |
| 7 | | Evangeliners of New Orleans Business materials, notes,
and correspondence, the Evangeliners of New Orleans, which Annick Smith did a
piece on for “Esquire,”
1993 |
| 8 | | Female prison inmates in Montana Business materials,
notes, and correspondence, the state of female prison inmates in Montana, and
writer’s lecture series at women’s prison,
1989-1992 |
| 9 | | Film proposals; Two blue notebooks of early film
treatments and film proposals with first husband, David Smith, includes:
“Proposal for a Film on Pesticide Use in East Africa,” “Corrections Reform: A
Film Proposal,” “Proposal for a 25-30 minute documentary film on Jeanette
Rankin,” “Doors of Perception,” and “Seeing Red,”
1958-1968 |
| 10 | | Fishtrap Gathering Business materials, notes, and
correspondence, Fishtrap Gathering (of writers),
1990 |
| 11 | | Flathead Lake Writers Conference,
1988-1994 |
| 12 | | Great River Business and financial materials, “Great
River,”
1987 |
| 13 | | Great River Story outlines, business correspondence and
materials, “Great River,”
1987 |
| 14 | | Great River Business and financial materials, “Great
River,”
1987-1988 |
| 15 | | Great River, One application for NEH funding,
1987-1988 |
| 16 | | Great River Business materials and correspondence,
“Great River” TV film,
1988 |
| 17 | | Great River,
1988-1990 |
| 18 | | Great River Business correspondence and materials,
“Great River,”
1990 |
| 19 | | Great River Business correspondence and materials,
“Great River,”
1990 |
| 20 | | Great River Business materials and correspondence,
“Great River” movie for television about LaSalle and his discovery of the
Mississippi River (not produced),
1990 |
| 21 | | Great River Legal papers and contracts, TV movie,
1990 |
| 22 | | Great River Legal papers and contracts, TV movie,
1990 |
| 23 | | Great River Business and legal materials, “Great River,”
1990-1991 |
| 24 | | Great River, Production estimates dated,
January 7,
1991 |
| 25 | | Great River Business materials, “Great River,”
1992 |
| 26 | | Heartland Financial records, loan for Wilderness Women,
“Heartland” film,
1972-1983 |
| 27 | | Heartland Business and organizational papers, budgets,
applications, forms for fundraising, “Heartland” film,
1978 |
| 28 | | Heartland Financial and tax records, “Burnt Fork
Budgets”, “Heartland” film,
1979 |
| 29 | | Heartland Business and organizational papers,
“Heartland” film,
1979-1982 |
| 30 | | Heartland Correspondence and legal records, “Heartland”
film – Errors and Omissions Insurance,
1979-1982 |
| 31 | | Heartland Correspondence and legal records, “Heartland”
film,
1979-1983 |
| 32 | | Heartland Business materials, notes, and correspondence,
WNET-TV (13) and “Heartland” etc.,
1980-1981 |
| 33 | | Heartland Grant Award for film, Publication,
undated |
| 34 | | Heathen Ground Budget proposals and outlines, “Heathen
Ground” film,
1979 |
| 35 | | Heathen Ground Budget proposals and outlines, “Heathen
Ground” film,
1979 |
| 36 | | Heathen Ground Vitaes and photography, “Heathen Ground”
film,
1979 |
| 37 | | Heathen Ground Budget proposals and outlines, “Heathen
Ground” film,
1980 |
| 38 | | Hellgate Writers Conference Business material and
correspondence, Hellgate Writers Conference (for screenwriters) that William
Kittredge and Annick Smith set up in Missoula, Montana, as part of the Sundance
Institute outreach program,
1986-1987 |
| 39 | | Hellgate Writers Conference Business material and
correspondence, Hellgate Writers Conference,
1987 |
| 40 | | Hellgate Writers Conference Business, legal, and tax
records, Hellgate Writers Conference,
1987 |
| 41 | | Hellgate Writers Conference Business material and
correspondence, Hellgate Writers Conference,
1987-1988 |
| 42 | | Hugo, David Smith’s notes, plus Hugo’s notes to David,
the first Richard Hugo film, “Richard Hugo Reads,”
1964-1966 |
| 43 | | Hugo, David Smith’s notes, correspondence, outlines,
scene drafts, the first Richard Hugo film, “Richard Hugo Reads,”
1966-1970 |
| box | folder |
| 12 | 1 | | Hugo Correspondence, receipts, and grant material,
second Richard Hugo film, a documentary by Annick Smith,
1977 |
| 2 | | Hugo Poems, script outline with corrections, second
Richard Hugo film, “Kicking the Loose Gravel Home,” a documentary by Annick
Smith,
1977 |
| 3 | | Hugo Holograph notes, film logs, and scene outlines,
second Richard Hugo film, “Kicking the Loose Gravel Home,” a documentary by
Annick Smith,
1977-1978 |
| 4 | | Independent Feature Project Holograph notes, materials,
and publications, the Independent Feature Project, Annick Smith was on the
steering committee,
1979 |
| 5 | | Independent Feature Project Materials and holograph
notes, the Independent Feature Project, Annick Smith was on the steering
committee,
1979 |
| 6 | | Independent Feature Project Materials and publications,
the Independent Feature Project, Annick Smith was on the steering committee,
1979 |
| 7 | | Independent Feature Project Materials and publications,
the Independent Feature Project, Annick Smith was on the steering committee,
1979 |
| 8 | | Independent Feature Project Materials, the Independent
Feature Project, Annick Smith was on the steering committee,
1980-1984 |
| 9 | | Institute of the American West Business correspondence,
publications, flyers, and material, the Institute of the American West, Sun
Valley, Idaho,
1978-1985 |
| 10 | | Institute of the American West Business correspondence,
publications, and materials, the Institute of the American West, Sun Valley,
Idaho, including holograph notes by William Kittredge,
1979-1981 |
| 11 | | Institute of the American West Business correspondence,
publications, materials, the Institute of the American West, Sun Valley, Idaho,
1982 |
| 12 | | International Wildlife Film Festivals Business
correspondence, schedules, applications, notes, and materials, the
International Wildlife Film Festivals; Annick Smith was a judge, speaker, and
programmer,
1983-1987 |
| 13 | | Japanese immigration Business materials and
correspondence, proposed film about early Japanese immigration,
1979 |
| 14 | | “Kicking the Loose Gravel Home, Second Richard Hugo
film,” a documentary by Annick Smith,
1976-1977 |
| 14 | | “Kicking the Loose Gravel Home, Second Richard Hugo
film,” a documentary by Annick Smith,
1975-1977 |
| 16 | | Last Best Place,
1986-1987 |
| 17 | | Last Best Place,
1986-1987 |
| 18 | | Last Best Place anthology,
1986-1988 |
| 19 | | Last Best Place anthology,
1986-1989 |
| 20 | | Last Best Place Business materials and holograph notes,
“Last Best Place” video, “Montana Myths,”
1987 |
| 21 | | Last Best Place anthology,
1987 |
| 22 | | Last Best Place anthology,
1987 |
| box | folder |
| 13 | 1 | | Last Best Place anthology,
1987 |
| 2 | | Last Best Place anthology,
1987 |
| 3 | | Last Best Place Scripts and business materials, “Last
Best Place” anthology and video,
1987 |
| 4 | | Last Best Place video, “Montana Myths,”
1987 |
| 5 | | Last Best Place, Centennial Commission Sanction/Fund
Raising,
1987 |
| 6 | | Last Best Place video, “Montana Myths,”
1987-1988 |
| 7 | | Last Best Place and Montana Myths Business materials,
applications, and resumes, “Last Best Place” video project, “Montana Myths,”
1987-1989 |
| 8 | | Last Best Place Business materials and correspondence,
Montana Council for the Humanities and “Last Best Place,”
1987-1989 |
| 9 | | Last Best Place “Last Best Place” anthology,
1988 |
| 10 | | Last Best Place Biographical notes and information,
“Last Best Place” anthology’s contributors,
1988 |
| 11 | | Last Best Place Business and organizational materials,
“Last Best Place” anthology,
1988 |
| 12 | | Last Best Place Business and organizational materials,
“Last Best Place” anthology,
1988 |
| 13 | | Last Best Place Business and organizational materials,
“Last Best Place” anthology,
1988 |
| 14 | | Last Best Place Business materials, script, notes, “Last
Best Place” video,
1988 |
| 15 | | Last Best Place anthology,
1988-1992 |
| 16 | | Last Best Place Scripts and correspondence, “Last Best
Place” theater piece, “Out West: Stories from the Big Sky,”
1989-1990 |
| 17 | | Last Best Place video,
1989-1990 |
| 18 | | Last Best Place Business materials, notes, and
correspondence, Montanan State Library, reading for prisoners from “Last Best
Place” for a recording for the blind,
1990-1992 |
| 19 | | Literature and Language Business correspondence, poetry
and prose manuscripts, and script material, “Literature and Language”
promotional video for Lewis and Clark College in Portland, Oregon,
1990 |
| 20 | | Montana Arts Council Business and organizational
materials,
1980-1985 |
| 21 | | Montana Arts Council Business materials, notes, and
correspondence, Montana Arts Council,
1987-1990 |
| 22 | | Montana Committee for the Humanities,
1988-1992 |
| 23 | | Montana Council for the Humanities Business materials,
notes, and correspondence, Montana Council for the Humanities; Montana Big Sky
Chapter, newspaper clippings, etc.,
1985-1988 |
| 24 | | Montana Council for the Humanities Business materials,
notes, and correspondence, Montana Council for the Humanities,
1990 |
| 25 | | National Endowment for the Arts, Business materials,
notes, and correspondence,
1981 |
| 26 | | National Writers Workshop Business materials and
correspondence, National Writers Workshop in Salt Lake City, Utah,
1993 |
| 27 | | North Carolina Video Group,
1987 |
| 28 | | North Country Media Group,
undated |
| 29 | | One Wilderness Women Production checkbook with stubs,
1987-1999 |
| 30 | | Real People Business materials, notes, and
correspondence, Native American project in Spokane, Washington, “Real People,”
a TV series for KEPS- TV, the first Annick Smith project after David Smith's
death,
1974-1978 |
| box | folder |
| 14 | 1 | | A River Runs Through It,
1986-1988 |
| 2 | | Screenwriting weekend on Casper, Wyoming,
1990 |
| 3 | | Speaking engagements Business materials and
correspondence, various speaking engagements,
1987 |
| 4 | | Sundance Institute Planning Conference Summary,
1980 |
| 5 | | Sundance Institute,
1980-1981 |
| 6 | | Sundance Institute,
1980-1981 |
| 7 | | Sundance Institute,
1981 |
| 8 | | Sundance Institute, Holograph notes, business and
promotional materials, Sundance Institute,
1981 |
| 9 | | Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1981-1982 |
| 10 | | Sundance Institute, Business materials, notes, and
correspondence,
1981-1982 |
| 11 | | Sundance Institute (Annick Smith was on the original
board of the Sundance Film Institute from 1981-1985),
1981 |
| 12 | | Sundance Institute, Miscellaneous materials,
1981-1987 |
| 13 | | Sundance Institute, Business and promotional materials,
Sundance Institute,
1981-1990 |
| 14 | | Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1982 |
| 15 | | Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1982-1983 |
| 16 | | Sundance Institute Business materials and
correspondence, Sundance Institute,
1982-1984 |
| 17 | | Sundance Film Institute,
1983 |
| 18 | | Sundance Institute, Board Members Handbook and
Participant Directory, plus business materials and correspondence, (Annick
Smith was on the original board of the Sundance Film Institute from 1981-1985),
1983 |
| 19 | | Sundance Institute, Bound copy of the Board of Trustees
Meeting (October 9, 1983) Board Members Handbook and Participant Directory,
plus business materials and correspondence,
1983 |
| 20 | | Sundance Institute, Business material and project
applications, Sundance Film Institute,
1983 |
| 21 | | Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1983-1984 |
| 22 | | Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1984 |
| 23 | | Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1984-1985 |
| box | folder |
| 15 | 1 | | Sundance Institute June Laboratory for Filmmakers,
1985 |
| 2 | | Sundance Institute Newsletter,
May 1985 |
| 3 | | Sundance Institute June Laboratory for Filmmakers,
1986 |
| 4 | | Sundance Institute,
1990 |
| 5 | | Sundance Institute’s Summer Programs,
1990 |
| 6 | | Sundance Institute, Bound notebook,
undated |
| 7 | | The Great Bear Research materials, business
correspondence, holograph notes, etc., “The Great Bear” Project,
1979-1984 |
| 8 | | The Great Bear Loose holograph notes, film logs, and
outlines, “The Great Bear” film,
1983 |
| 9 | | The Great Bear Business correspondence and financial
information, “The Great Bear” Project,
1983-1984 |
| 10 | | The Great Bear Business correspondence, notes, etc.,
“The Great Bear” Project,
1983-1985 |
| 11 | | The Great Bear Business correspondence and grant
information, “The Great Bear” Project,
1985 |
| 12 | | The Great Bear Business correspondence and grant
information, “The Great Bear” Project,
1985 |
| 13 | | The Nature Conservancy: conference in Choteau, Montana,
1990 |
| 14 | | Thoreau conference Materials, Thoreau conference number
2,
1991-1992 |
| 15 | | Thoreau conference “In the Thoreau Tradition”: group of
notes, business and organizational materials, Thoreau conference number 2,
1992 |
| 16 | | Thoreau conference Materials, Thoreau conference number
3,
1993 |
| 17 | | Thoreau conference “In the Thoreau Tradition”: business
and organizational materials, Thoreau conference number 3, includes Smith’s
essay, “Beasts of the Field,”
1993-1995 |
| 18 | | Tribute to Norman Maclean, University of Montana,
1992 |
| 19 | | Turner, Ted Business correspondence and materials, Ted
Turner,
1989 |
| 20 | | University of Great Falls Business materials, notes, and
correspondence, University of Great Falls, Montana conference,
1995-1996 |
| 21 | | University of Idaho Business materials, notes, and
correspondence, University of Idaho writers workshop,
1991 |
| 22 | | University of Montana Business materials, notes, and
correspondence, Montanan Advisory Board, University of Montana, Missoula,
Montana (Smith was a member),
1995-1998 |
| 23 | | Various Business materials, notes, and correspondence,
various readings and conferences,
1989-1990 |
| 24 | | Visions of the Northern West “Visions of the Northern
West” series: correspondence logs, proposal, correspondence, holograph
notebooks, proposed TV series,
1984-1986 |
| 25 | | Western women Business materials and notes, fundraising
for film series on Western women,
1981 |
| 26 | | Whale Hunters Sundance Institute folder containing
holograph notes/outlines for “Whale Hunters,” plus information on film
distribution,
1983 |
| 27 | | Wyoming Outdoor Council Business materials, notes, and
correspondence, Wyoming Outdoor Council,
1992 |
| 28 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1988 |
| 29 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1989 |
| 30 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1990 |
| 31 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1991 |
| 32 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1991 |
| 33 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1992 |
| box | folder |
| 16 | 1 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1993 |
| 2 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1994 |
| 3 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1994-1995 |
| 4 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1995 |
| 5 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1997 |
| 6 | | Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1997 |
| | | | | | | | | | | | | |
| |
Research Materials
|
| box | folder |
| 16 | 7 | | Big Bluestem book, Photocopies of research materials,
1940-1990 |
| 8 | | Big Bluestem book Bison, with cover letter,
1993 |
| 9 | | Big Bluestem book, Holograph notebook of writings and
notes labeled: #4 Notes on Buffalo// Plowed ground// Key to P.C.// April 1994//
Fred A. Drummond International// Frederick Drummond International// Frances
[Schirmer] International// Mary Lawrence International,”
1994 |
| 10 | | Bison, the release of the bison in the Tallgrass Prairie
reserve in October of 1993, plus materials about the reserve,
1993 |
| 11 | | Blaffer Gallery in Houston, Texas, P.R. materials,
1993 |
| 12 | | Dinner Party, Information for a conference of Western
writers that took place in 1991 in Jackson Hole, Wyoming; includes letters from
Terry Tempest Williams and color copies of original artwork,
1991 |
| 13 | | Five Rivers Festival of Film in Missoula, Montana,
Holograph notes and P.R. materials,
1998 |
| 14 | | Great River; KRG Deal, Holograph notes, budget material
and a copy of the American Indian Talent Directory,
1988-1989 |
| 15 | | Heartland film, Newspaper clippings,
1981 |
| 16 | | Last Best Place, Stray notebook of holograph notes,
undated |
| 17 | | Montana Festival of the Book, Holograph notes and P.R.
materials,
2000 |
| 18 | | Narcissa Whitman, “Heathen Ground: Narcissa Whitman and
the Cayuse Indians” by Annick Smith; early version of filmscript with holograph
notes,
1978 |
| 19 | | Narcissa Whitman,
1978 |
| 20 | | Narcissa Whitman, Folder of postcards from Fort
Vancouver,
1978 |
| 21 | | Narcissa Whitman, including illustrations and photo
negatives,
1978 |
| 22 | | Narcissa Whitman, Research and postcards,
1978 |
| 23 | | Nature, Writing, and the Discovery of Self, Loose notes
for a talk,
1991 |
| 24 | | Notes, Pocket-size notebook of from April, 1994, “Notes
for other books//Bill’s notes—complexity and chaos// Harvey Payne account of
National park episode// Dinner with Marty,”
1994 |
| 25 | | Okeh Country series (ideas), Loose notes,
1978-1980 |
| 26 | | Osage Indians with cover letter and reports (sent by Liz
Medley),
1993 |
| 27 | | Osage Indians, miscellaneous research materials,
prairie, etc.,
1993-1994 |
| 28 | | Osage, Photocopy of portions of Terry Wilson’s book,
(Tallgrass Prairie),
1988 |
| 29 | | Prairie, Pocket-size spiral notebook of notes from
August,
1993 |
| 30 | | Pocket-size spiral notebook of notes, prairie,
1994 |
| 31 | | Prairie, Pocket-size spiral notebook of notes from
November,
1993 |
| 32 | | Prairie, Pocket-size spiral notebook of notes,
March and October,
1994 |
| 33 | | Prairie, Pocket-size spiral notebook of notes,
June 1995 |
| 34 | | Richard Hugo Reads, Holograph notebook of scene
outlines, the first Richard Hugo film,
1964-1966 |
| 35 | | Toshiba Explora Vision Awards, Information (Potomac
School),
1994 |
| 36 | | Various, Group of five miscellaneous notebooks going
back to 1958 when Annick Smith was a student at the University of Washington in
Seattle, through early film and video notes, house plans, Native American
notes,
1958-1968 |
| 37 | | Various, Loose notes, miscellaneous/various film ideas,
1978-1980 |
| 38 | | Whale Hunters,
1981-1982 |
| 39 | | Whale Hunters, Holograph notebook of outlines,
1992 |
| | | | | | | | | | | | | |
| |
Appointment Books
|
| box | folder |
| 17 | 1 | | One group of six pocket appointment books with notes by
Annick Smith from the years 1978, 1980, 1981, 1984, 1987, 1991
1978-1991 |
| | | | | | | | | | | | | |
| |
Business Diary
|
| box | folder |
| 17 | 2 | | Business diary with notes by Annick Smith,
1975 |
| | | | | | | | | | | | | |
| |
Calendars
|
| box | folder |
| 17 | 3 | | Three calendars with notations by Annick Smith for the
years: 1973-1974, 1984, 1986-1987,
1973-1987 |
| 4 | | Group of five wall calendars with notes by Annick Smith
from the years 1980, 1985, 1986, 1989, and 1990,
1980-1990 |
| 5 | | One Engagement Calendar with notes by Annick Smith,
1992 |
| | | | | | | | | | | | | |
| |
Interview
|
| box | folder |
| 17 | 6 | | Transcript of an interview with Ollie Johnson Rider and
Ben Johnson, Jr. by Marty Marina of the Nature Conservancy for “Big Bluestem”
book,
1992 |
| | | | | | | | | | | | | |
| |
Maps
|
| box | folder |
| 17 | 7 | | Various maps of Osage Country, Oklahoma and the
Tallgrass Prairie Reserve,
1992 |
| | | | | | | | | | | | | |
| |
Publications
|
| box | folder |
| 17 | 8 | | Cards, brochures, etc.,
1993 |
| 9 | | Group of miscellaneous publications, includes copies of
Oklahoma Conservator News, Nature Conservancy, Atlas Video catalog, Inside
Osage, Pawhuska Daily Journal, plus a drawing “Little Turtle,”
1967-1994 |
| 10 | | Book: One copy of the “Osage Indian Tribe Centennial
Celebration, 1872-1972,”
1972 |
| 11 | | Stray copy of “Profiles” publication used for research
for Wilderness Women (and “Heartland” film),
1978 |
| 12 | | One copy of the Chicago Tribune’s “Sunday” Magazine,
February 9,
1986 |
| 13 | | Newspaper clippings, Hellgate Writers Conference,
1987 |
| 14 | | “In the Thoreau Tradition”: photocopy of the original
brochure for the first Thoreau conference, May 24-26, 1990 in Missoula,
Montana, a major literary conference on nature and writing that Annick Smith
organized with others in 1990, 1992, and 1994,
1990-1994 |
| 15 | | Headwater’s Newspaper clippings, “Headwaters,”
1996 |
| 16 | | “Headwate’s: Montana Writers on Water and Wilderness”:
one copy of the finished book,
1996 |
| 17 | | Heartland Newspaper clippings, tearsheets, reviews of
“Heartland” film,
1979-1982 |
| 18 | | Newspaper clippings,
1979-1986 |
| 19 | | Benefit reading for “Vital Ground” with Doug Peacock,
Rick Bass, William Kittredge, etc., East Glacier/Whitefish,
August 29,
1993 |
| | | | | | | | | | | | | |
| |
Photographs
|
| box | folder |
| 17 | 20 | | Color photos of Sundance Film Institute participants,
1982 |
| 21 | | Two groups of original color photographs, “Last Best
Place,”
1986-1987 |
| 22 | | “Headwaters”: photo negative of unused illustration for
book with cover letter,
1996 |
| 23 | | Three packets of photographs of the Tallgrass Reserve of
Oklahoma,
1993-1994 |
| | | | | | | | | | | | | |
| |
Oversize
|
| box | folder |
| 18 | 1 | | “Big Bluestem: Journey into the Tall Grass”: page proofs
(253 pages),
1996 |
| | | | | | | | | | | | | |
| |
Audio Recordings
|
| box | item |
| 19 | 1 | | One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965 |
| 2 | | One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965 |
| 3 | | One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965 |
| 4 | | One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965 |
| 5 | | One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965 |
| 6 | | One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965 |
| 7 | | One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965 |
| 8 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 9 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 10 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 11 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 12 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 13 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 14 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 15 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 16 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 17 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 18 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 19 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 20 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 21 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 22 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 23 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 24 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 25 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 26 | | One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976 |
| 27 | | Talk N.W. film,
1980-1981 |
| 28 | | Untitled (no markings),
undated |
| 29 | | Cine Study Heartland interview with Annick Smith,
Executive Producer 11/11/81,
1981 |
| 30 | | Copy of realistic micro cassette,
undated |
| 31 | | Study with Annick Smith 11/2/81,
1981 |
| 32 | | Copy of TDK micro cassette,
undated |
| 33 | | Kittredge Interview,
undated |
| 34 | | Heartland Background music for Chicago radio spot
cassette,
undated |
| 35 | | Heartland Background music for Chicago radio spot, reel
to reel 7.5 ips,
undated |
| 36 | | One of two audio cassette tapes of soundtrack music for
“A River Runs Through It” by Tom Cooper, plus correspondence,
1984 |
| 37 | | One of two audio cassette tapes of soundtrack music for
“A River Runs Through It” by Tom Cooper, plus correspondence,
1984 |
| 38 | | The Whale Hunters Side 1 and 2,
undated |
| 39 | | The Whale Hunters Side 3 and 4,
undated |
| 40 | | Interviews: Jim Welch, Amy Levin, Alan Cook,
undated |
| 41 | | #4 Logging at B.C. and Long Discussion- ?,
undated |
| 42 | | #5 Logging Site Long Discussion about technology and its
ramifications,
undated |
| 43 | | 28 May interview Roger, Coleen,
undated |
| 44 | | Roll 9 Mrs. Bauer; Pat Kittredge,
undated |
| 45 | | Roll 10 28 May Interviews Lois Welch and Dave Stadles,
undated |
| 46 | | Oral Notes shadow on the Water (but the text is marked
through),
undated |
| 47 | | #8 McDonalds 24 April,
undated |
| 48 | | Tom’s Campaign Meeting Smith’s Friday April 24 ¾
Recorded; UHER,
undated |
| 49 | | #9 McDonalds 24 April; Rally 5 May,
undated |
| 50 | | April 24 Campaign Strategy #1 UHER; Helena Pre-Filing,
undated |
| 51 | | CHARLO #3 24 April Film Reel 2,
undated |
| 52 | | # 4 24 April Strategy at Smith’s,
undated |
| 53 | | #5 24 April Meeting at McDonalds,
undated |
| 54 | | #1 Reel 1 Film April 23 walking, filing, press,
undated |
| 55 | | #6 24 April Meeting at McDonalds,
undated |
| 56 | | #7 24 April Meeting at McDonalds,
undated |
| 57 | | #2 24 April strategy meeting at Smith’s reel 2-3,
undated |
| 58 | | #10 Rally May 5,
undated |
| 59 | | Last Best Place Mixed Music Track 15 ips spliced heads
out,
undated |
| 60 | | Last Best Place Ray Horan Audio Raw Work Parts 15 ips
Missoula Public Radio 2-89,
1989 |
| | | | | | | | | | | | | |
| |
Video/Film
|
| box | item |
| 20 | 1 | | Last Best Place, Meriwether Lewis Sequence, Ryan Dam
Missouri River, Raw Footage, Reel 1,
1988 |
| 2 | | Last Best Place, Meriwether Lewis Sequence, Ryan Dam
Missouri River, Raw Footage, Reel 2,
1988 |
| 3 | | Last Best Place, Ripley Hugo Sequence, Homestead
Scenics, Raw Footage, Reel 3,
1988 |
| 4 | | Last Best Place, Ripley Hugo sequence, Homestead CMR
museum, Rapheal Christie, Raw Footage, Reel 4,
1988 |
| 5 | | Last Best Place, CMR Museum, Rapheal Christie Paintings,
Raw Footage, Reel 5,
1988 |
| 6 | | Last Best Place, CMR Museum, Rapheal Christie,
Paintings, Exteriors, Raw Footage, Reel 6,
1988 |
| 7 | | Last Best Place, Ft. Belnap, Jeanie Elder, Raw Footage,
Reel 7,
1988 |
| 8 | | Last Best Place, Buffalo Scenics, Plenty Coups, Pryor
Area, Raw Footage, Reel 8,
1988 |
| 9 | | Last Best Place, Plenty Coups A. Horses/Scenic Wildlife,
Raw Footage, Reel 9,
1988 |
| 10 | | Last Best Place, Bozeman Area Cave Drawings with Jeanie
Eder Raw Footage, Reel 10,
1988 |
| box | item |
| 21 | 1 | | Last Best Place, Ed Lahey-Butte Poet, Butte-City Scapes,
Scenics, Raw Footage, Reel 11,
1988 |
| 2 | | Last Best Place, Ed Lahey-Btute, Depot Interior, City
Scapes, Raw Footage, Reel 12,
1988 |
| 3 | | Last Best Place, Mt. Historical Society Helena, Raw
Footage of Exhibits displays and pictures, Reel 13,
1988 |
| 4 | | Last Best Place, Mt. Historical Society Helena, Raw
Footage of Paintings and Pictures, Reel 14,
1988 |
| 5 | | Last Best Place, Lewis and Clark Pictures, Reel 15 Part
2,
1988 |
| 6 | | Last Best Place, Lewis and Clark Off-Line Revised,
Ripley Hugo Revised,
1988 |
| 7 | | Last Best Place, Ft Belknap Revised, Cave
1988 |
| 8 | | Montana Myths Last Best Place,
1988 |
| 9 | | The Great Bear,
undated |
| 10 | | VC 602,
undated |
| 11 | | Last Best Place Montana Myths, Offline Master
undated |
| box | item |
| 22 | 1 | | Last Best Place, Montana Myths Raw Footage, Reel 1,
Meriwether Lewis Sequence, Ryan Missouri River,
1988 |
| 2 | | Last Best Place, Montana Myths Raw Footage Reel 2,
Meriwether Lewis Sequence, Ryan Dam Missouri River,
1988 |
| 3 | | Last Best Place, Montana Myths Raw Footage Reel 3,
Ripley Hugo Sequence, Homestead Scenics,
1988 |
| 4 | | Last Best Place, Montana Myths Raw Footage Reel 4,
Ripley Hugo Sequence, Homesteads, CMR Museum, Rapheal Christie,
1988 |
| 5 | | Last Best Place, Montana Myths Raw Footage Reel 5, CMR
Museum, Rapheal Christie Paintings,
1988 |
| box | item |
| 23 | 1 | | Last Best Place, Montana Myths Raw Footage Reel 6,CMR ,
Rapheal Christie Paintings, Exteriors,
1988 |
| 2 | | Last Best Place, Montana Myths Raw Footage Reel 7, Ft.
Belknap, Jeanie Eder Scenics,
1988 |
| 3 | | Last Best Place, Montana Myths Raw Footage Reel 8,
Buffalo Scenics Plenty Coups Pryor Area,
1988 |
| 4 | | Last Best Place, Montana Myths Raw Footage Reel 9,
Plenty Coups Area, Horses, Scenics Wildlife,
1988 |
| 5 | | Last Best Place, Montana Myths Raw Footage Reel l0,
Bozeman Area Cave Drawings with Jeanie Eder,
1988 |
| box | item |
| 24 | 1 | | Last Best Place, Montana Myths Raw Footage Reel 11,Ed
Lahey-Butte Poet, Butte City Scapes and Scenics,
1988 |
| 2 | | Last Best Place, Montana Myths Raw Footage Reel 12, Ed
Lahey- Butte Poet, Depot Interiors City Scapes,
1988 |
| 3 | | Last Best Place, Montana Myths Raw Footage Reel 13,
Montana Historical Society, Helena, Exhibits, Displays, Pictures,
1988 |
| 4 | | Last Best Place, Montana Myths Raw Footage Reel 14,
Montana Historical Society, Helena, Paintings, Pictures,
1988 |
| 5 | | Last Best Place, Montana Myths Raw Footage Reel 15,
Montana Historical Society, Helena, Paintings, Pictures,
1988 |
| box | item |
| 25 | 1 | | Butte 4th Parade,
1988 |
| 2 | | Butte 4th Parade,
1988 |
| 3 | | Last Best Place Mt. Myths Sync Roll Unmixed,
1989 |
| 4 | | Last Best Place Mt. Myths Sync Roll SFX Tracks,
1989 |
| box | item |
| 26 | 1 | | Last Best Place Edited Master 2 Channel Audio Mix,
1989 |
| 2 | | Last Best Place Raw Footage Reel 15, Abandoned Farm,
Homestead Ray Horan Audio,
1988 |
| 3 | | Last Best Place Edited Master 2 Channel Audio mixed Dub
Copy,
1989 |
| 4 | | Last Best B-Roll,
1989 |
| box | item |
| 27 | 1 | | Bison Release News Coverage,
1988 |
| 2 | | Annick Smith Bears and Etc.,
1988 |
| 3 | | Kicking the Loose Gravel Home,
1988 |
| 4 | | Heartland: A Frontier Love Story,
1979 |
| | | | | | | | | | | | | |
| |
Computer Disks
|
| box | item |
| 28 | 1 | | “The Whale Hunters,”
1982 |
| 2 | | Two boxes of miscellaneous computer diskettes with
material from Annick Smith’s various books,
1983-1992 |
| 3 | | Two boxes of miscellaneous computer diskettes with
material from Annick Smith’s various books,
1983-1992 |
| 4 | | One computer back-up disk,
July 28, 1993 |
| 5 | | “Headwater”: one large group of computer diskettes
containing essays for the anthology,
1996 |
| | | | | | | | | | | | | |
| |
16mm Film in A/V Vault
|
| box | item |
| 29 | 1 | | 16 mm Film, “Head is on Head of Reel with 2-100’s,” One
16 mm Film Core in 7” canister, Tom McDonald vs. Mike Mansfield campaign,
undated |
| 2 | | 16 mm Film, “Swain/Excerpt Head 50’ Forced 2 Stops”,
One16 mm Film Core in 7” canister, Tom McDonald vs. Mike Mansfield,
undated |
| 3 | | 16 mm Film, “Swain,” One 16 mm film core in 7” canister,
Tom McDonald vs. Mike Mansfield Campaign,
undated |
| 4 | | 16mm, Tom McDonald Color Original, one 16mm film Core in
7” canister, Tom McDonald vs. Mike Mansfield campaign,
undated |
| 5 | | 16 mm, Tom’s Speech at—t crowd, one 16 mm film core in
3” canister Tom McDonald vs. Mike Mansfield Campaign ,
|
|
