Descriptive Summary
Smith, Annick, 1936-
Annick Smith Papers,
1940-2000 and undated
Papers of the writer
Annick Smith from 1940-2000.
R 9.1
Southwest Collection/Special Collections
Library, Texas Tech University
29 boxes (28.0 linear
feet)
English.
Biographical Sketch
Annick Smith is a writer and filmmaker whose work deals primarily with
the literature and history of Montana, memoir, travel, and environmental
issues. Born in Paris, France, in 1936, she grew up in Chicago, Illinois. Since
1964, she has lived in Montana, where her husband, David Smith taught at the
University of Montana. After his death, she stayed on their rural homestead and
raised their four sons. Annick Smith has worked as a high school teacher, a
book editor for the University of Washington Press and and editor for The
Montana Business Quarterly. She is known for her film credits, which include
Heartland, based on Elinore Pruitt Stewart's
Letters of a Woman Homesteader, co-producer of
Robert Redford's adaptation of Norman Maclean's A River
Runs Through It, and associate producer of Peacock's War. Smith is a founding board member of the
Sundance Film Institute in Utah. In Missoula, she founded the Hellgate Writers,
a literary center. She has participated in numerous workshops and conferences.
Smith and William Kittredge edited The Last Best
Place, a best selling Montana anthology. In addition to her books,
Homestead and Big
Bluestem, her numerous articles, poems, and stories have appeared in
Audubon, Outside,
National Geographic Traveler,
Story and other magazines and journals.
A list of her publications includes:
- Smith, Annick, co-editor. The Last Best
Place: Montana Anthology. Helena: Montana Historical Society,
1988.
- Smith, Annick. Homestead.
Minneapolis, MN: Publishers Group West, 1995.
- Smith, Annick. Big Bluestem: Journey into
the Tall Grass. Tulsa, Okla.: Council Oak Books, 1996.
- Smith, Annick, editor. Headwaters: Montana
Writers on Water and Wilderness. Missoula : Hellgate Writers,
1996.
- Smith, Annick. In This We Are Native:
Memoirs and Journeys. Guilford, Conn.: The Lyons Press, 2001.
A list of her films includes:
- Heartland. Produced by Wilderness Women, 1979.
- Peacock's War. Produced by Earthrise Entertainment, 1989.
- A River Runs Through It. Produced by Allied Filmmakers,
1992.
Scope and Contents
The collection has a variety of materials pertaining to the literary
and film works of Annick Smith. Included are manuscripts of draft copies of
published works, short stories and poems, final copies, revisions, research
materials to Smith's works, film proposals, photocopied news clippings,
business and literary correspondence, reviews, film projects, computer files
and audio recordings. Some of the works include “The Balance of Fishes,” “Big
Bluestem: Journey into the Tall Grass,” and “Homestead.”
The collection of reel-to-reel audio and videotapes, including
cassette video tapes, were transferred to the SWC/SCL Audio/Visual Unit.
The collection is in good condition and is part of the James Sowell
Family Collection in Literature, Community and the Natural World.
Organization
The collection is organized by correspondence, literary production,
project files, printed material, and research materials.
The Following items: Audio, Computer Disks, Film, and Video are
located in the SWC audio visual area.
Some films have been transferred to the A-V cold storage vault. These
items will need time to acclimate before they can be used. The acclimation
process takes 24-48 hours.
Index Terms
The subject headings used by the Southwest Collection/Special
Collections Library are derived from the Library of Congress and/or locally
developed.
Subjects (Persons)
Hugo, Richard,
1923-1982
Harjo, Joy
Hogan, Linda
Kittredge,
William
Maclean, Norman,
1902-1990
Smith, Annick,
1936-
Smith, Annick, 1936-
--Archives
Smith, Annick, 1936-
--Correspondence
Smith, Annick, 1936-
--Literary collections
Smith, Annick, 1936-
--Journeys--Oklahoma--Tallgrass Prairie National Preserve
Smith, Annick, 1936-
--Manuscripts
Smith, David-
Stewart, Elinore Pruitt,
1878-(1936?) -- Letters of a Woman Homesteader
Welch, James,
1940-
Whitman, Narcissa
Prentiss, 1808-1847
Nez Perce Indians
Osage Indians
Subjects (Organizations)
Hellgate
Writers
Sundance
Institute
Subjects
American literature--West
(U.S.)
Authors, American--20th
century
Authors--United
States--Correspondence
Natural history
Natural history in
literature
Natural history--Literary
collections
Natural history
literature--United States
Nature--Literary
collections
Novelists--United
States--Correspondence
Storytelling--Social
aspects--West (U.S.)
A River Runs Through It
(Motion picture)
Heartland (Motion
picture)
Places
Montana
Oklahoma
Acquisition
Collection accession #(s):
2001-0009-X
Purchase, 2001
Access Restrictions
Open for research. Copyright is retained by authors or creators of
items in this collection, or their descendants, as stipulated by U.S. copyright
law. Items stored in A-V cold storage vault (16 mm film) will need time to
acclimate before they can be used. The acclimation process takes 24-48
hours.
Processed by
Abel Ramirez, 2001; reprocessed by Curtis Peoples, 2003
Preferred Citation
Annick Smith Papers, 1940-2000 and undated, Southwest
Collection/Special Collections Library, Texas Tech University, Lubbock,
Texas
For related materials located in the Southwest Collection/Special
Collections Library, see the following collections:
- William Kittredge Papers, 1954-2000 and undated
- Max Crawford Papers, 1960-2000 and undated
- Rick Bass Papers, 1958-2001 and undated
- Barry Lopez Papers, 1964-2001 and undated
- Barry Lopez, an Inventory of his Audio/Visual Material, 1964-2007
and undated
- Barry Lopez, an Inventory of Photographs from the Barry Lopez
Papers, 1964-2001 and undated
- Bill McKibben Papers, 1971-2001 and undated
- Doug Peacock Papers, 1950-2000 and undated
- David Quammen Papers, 1856-1999 and undated
- Pattiann Rogers Papers, 1960-1999 and undated
- Pattiann Rogers Papers, 1977-2000
- David James Duncan Papers, 1959-2002 and undated
Collection Inventory
Correspondence
1
1
A.B. Guthrie Conference, Bonner, Montana Business
correspondence and materials,
1997
1
2
Aldo Leopold conference in Madison, Wisconsin, Business
correspondence and materials,
1999
1
3
American Parks and Wildlands Campaign, Business
correspondence, contracts and materials,
1987
1
4
Art of the Wild and Squaw Valley Community of Writers
(California), Business correspondence and materials,
1995-2000
1
5
Asian Settlers in Early Montana project, Business
correspondence and materials,
1998
1
6
Balance of Fishes Business correspondence, “Balance of
Fishes” book,
1993
1
7
Bancroft Business correspondence and receipts, winning
the Carolyn Bancroft History Prize for 1996 (Denver Public Library Bancroft
Prize),
1996-1998
1
8
Big Bluestem Business correspondence and contracts with
Council Oak Books, “Big Bluestem,” plus ephemera,
1993-1998
1
9
Big Bluestem Business correspondence with Western
Writers of America Inc., “Big Bluestem” book,
1997
1
10
Big Sky Journal, Business correspondence, “Best Last
Place” essay,
1999-2000
1
11
Chamberlain, Karen Business correspondence, Karen
Chamberlain – On Native Ground Conference,
1992-1993
1
12
Chatham, Russell Business correspondence, grant
application, vitae and film proposal, Russell Chatham film,
1992
1
13
Colburg, film bio on Jeanette Rankin,
1972
1
14
Denver Center Productions, Business correspondence with
Denver Center Productions, Western Stories project,
1992-1993
1
15
Flathead Library Conference in Kalispell, Montana,
Business correspondence and materials,
2000
1
16
Great Bear Project, Business correspondence and resumes,
1984-1985
1
17
Great Bear Project, Business correspondence,
1984-1985
1
18
Great Bear Project, Business correspondence,
1984-1985
1
19
Great Bear Project, Business correspondence,
1984-1987
1
20
Great Bear Project, Business correspondence,
1985
1
21
Great Bear Project, Business correspondence,
1985
1
22
Headwater’s anthology, Business correspondence and
notes,
1996-1997
1
23
Heartland Legal correspondence with lawyers, “Heartland”
film,
1970-1981
1
24
Heartland Manila envelope of postcards, Christmas cards,
and ephemera, “Heartland” film,
1979-1984
1
25
Heartland Business correspondence with the Screen Actors
Guild, “Heartland” film,
1979-1987
1
26
Heartland Wilderness Contracts between Wilderness
Productions, Inc. and the Directors Guild of America, film,
1980-1983
1
27
Heartland Business correspondence and contracts with the
Warner/Amex, “Heartland” film,
1981-1982
1
28
Heartland Viewer response and miscellaneous
correspondence, “Heartland” film,
1981-1982
1
29
Heartland Business correspondence and contracts with
Showtime Entertainment, “Heartland” film,
1982
1
30
Heartland film,
1982
1
31
Heartland Business correspondence with the William
Morris Agency, “Heartland” film,
1982-1983
1
32
Heartland Wilderness Contracts between Wilderness
Wilderness Productions, Inc. and various Agencies, film,
1983-1984
1
33
Heartland Business correspondence, winning the Oklahoma
Book Award for 1997,
1997
1
34
Heathen Ground film, Business correspondence,
1978
1
35
Heathen Ground film, Business correspondence,
1979
1
36
Heathen Ground film, Business correspondence,
1
37
Homestead, Business correspondence with Milkweed
Editions, “Homestead” book, including some manuscript pages and contents list
(includes copies of letters [blurbs] from: Gretel Ehrlich, Terry Tempest
Williams, James Welch, Annie Dillard, Ivan Doig, etc.),
1994-1999
1
38
Hugo Business Correspondence The first Richard Hugo
film, “Richard Hugo Reads,”
1967
1
39
Kittredge, Smith, and Maclean, correspondence, business
correspondence, contracts, legal papers, etc.,
1980-1993
1
40
Livingston Writers Conference, Livingston, Montana,
Business correspondence and materials,
1998
1
41
Monot, Gaston Business correspondence with Gaston Monot,
French film festival, “Women and the New World” (“Heartland” film),
1992
1
42
Montana Centennial video series, Business
correspondence, contracts, and materials,
1989
1
43
Montana State University Business correspondence with
Montana State University, “Montana Movie Project” film proposal,
1994
1
44
Nelson, Barney; One letter and award from Barney Nelson
of Sul Ross State University,
1997
1
45
Orion Society, Business correspondence,
1996-1999
1
46
Orion Society’s “Fire and Grit” conference, Business
correspondence and materials,
1999
2
1
Prairie Festival in Salina, Kansas, Business
correspondence and materials,
1999
2
2
Prairies Viking Films; Business correspondence with
Prairies Viking Films, their adaptation of O.E. Rolvaag’s “Giants of the Earth”
novel,
1993
2
3
Recursos workshop in Santa Fe, New Mexico, Business
correspondence and materials,
1999
2
4
Salt Lake Tribune National Writer’s Workshop, Business
correspondence,
1994
2
5
Shadows on the Waters (i.e. “Whale Hunters”),
1972
2
6
Snake River Institute Business correspondence, Snake
River Institute, Jackson Hole, Wyoming, including P.R. materials,
1994-1998
2
7
Story Magazine, Business correspondence,
1990-1995
2
8
Student and fan/reader correspondence,
1992-1998
2
9
Teller Wildlife Refuge Business correspondence, Teller
Wildlife Refuge, “Environmental Writing Teller Refuge,”
May 1994
2
10
Travel and Leisure Magazine, Business correspondence,
1988
2
11
Traveler’s Tales, Business correspondence,
1994
2
12
UCAR Symposium in Boulder, Colorado, Business
correspondence and materials,
1993
2
13
University of Wisconsin Press Business correspondence
with Milkweed Editions, “Homestead” book, including speaking engagement
schedules,
1995-1999
2
14
University of Wisconsin Press Business correspondence
with University of Wisconsin Press, Prairie Prospects, Book Report,
1998
2
15
Various Copies of Annick Smith’s early resume and
business correspondence, job hunting in Los Angeles, including drafts of a
letter to Roger Corman, etc., includes a small spiral notebook marked “David’s
notes including Memorial Day film project” (not dated),
1966-1974
2
16
Various correspondence,
1974-1980
2
17
Various correspondence, including some literary,
1976-1996
2
18
Various Business correspondence with various publishers,
submissions, rejections, and awards, including one letter from Kay Boyle,
1982-1997
2
19
Various literary and artist correspondence,
1990
2
20
Various literary and artist correspondence,
1990
2
21
Various literary correspondence with Rick Bass and
materials, Yaak Valley Forest Council, including partial manuscript of Smith’s
essay, “The Best Last Place,”
1992-1999
2
22
Various business correspondence and materials,
miscellaneous conferences,
1993-1995
2
23
Various business correspondence with various publishers,
jacket blurbs,
1995-2000
2
24
Various business correspondence, conferences, etc.,
1996
2
25
Various business correspondence, various literary or
environmental conferences,
1997
2
26
Various business correspondence, literary and media,
1997
2
27
Various business correspondence, plus holograph notes
for “Three Ways to Walk the Blackfoot,”
1998
2
28
Various literary correspondence, includes letters from:
Doug Peacock, Laura and Rick Avedon, George Butler, Annie Dillard, Mary Blew,
Cort Conley, Richard Ford, Linda Gregg, Elaine and Saul Bass, Linda Hogan, Dana
Boussard,
1998
2
29
Various business correspondence and materials,
conferences,
1998-2000
2
30
Western Women Writer’s Conference, Business
correspondence and materials,
1992
2
31
Writer’s at Work Conference, Business correspondence and
materials,
1994
2
32
Writers and Readers Rendezvous in Boise, Business
correspondence and materials, Idaho,
1994
2
33
Yosemite National Park Documentary, Business
correspondence, contracts, and materials,
1986
Literary Production
3
1
“Actual Miles”: film script treatment, proposal,
correspondence of this William Kittredge/Annick Smith collaboration,
1980
3
2
“All the Gold in California”: drafts, plus
correspondence and notes,
1984
3
3
“American Riviera: The Santa Barbara Coast”: proposal,
1997
3
4
“An Act of Faith”: screenplay by Blasé Bonpane, Theresa
Kileen Bonpane and Bob Young: bound typescript, Sundance Institute,
undated
3
5
“Animal Films”: drafts, notes, and correspondence,
1992
3
6
“Ask Now the Beasts” (a.k.a. “Peacock’s War”): proposal
for the Peacock film, grizzlies,
1982-1983
3
7
"Audubon Book": proposal for a book by William Kittredge
and Annick Smith,
1980
3
8
“Audubon Film”: proposals and outlines, plus
correspondence,
1980
3
9
“Audubon”: a biographical sketch directed toward
delineation of a six-part film by William Kittredge and Annick Smith (38 pages)
(proposal for a TV series on Audubon), plus variant drafts,
1981
3
10
“Audubon Film”: proposal for a film by William Kittredge
and Annick Smith, plus biographical materials on Audubon,
1982
3
11
“Aunt Moon” a.k.a. “Aunt Moon’s Young Man” by Linda
Hogan: short story manuscript and teleplay manuscript with cover letter Joy
Harjo,
1985-1986
3
12
“Balance of Fishes” by Marnie Prange and Annick Smith:
one folder of notes, outlines, and sample chapters,
1988-1991
3
13
“Balance of Fishes” by Marnie Prange and Annick Smith:
William Kittredge’s edit, representing the latest draft version,
1992
3
14
“Balance of Fishes” by Marnie Prange and Annick Smith:
one large folder of variant drafts of chapters with notes and corrections (~250
pages),
undated
3
15
“Balance of Fishes” by Marnie Prange and Annick Smith:
typescript draft with corrections, annotations, and editorial comments of this
co-authored mystery novel,
1993
3
16
“Balance of Fishes” by Marnie Prange and Annick Smith:
one folder of miscellaneous drafts and revisions of later chapters (~150pages),
undated
3
17
“Before I Was Born”: three variant drafts,
1994
3
18
“Big Bluestem” “Personal Observations/Diary Notes”:
typewritten draft, book (61 pages),
1993
4
1
“Big Bluestem: Journey into the Tall Grass”:
permissions, bibliographies, sources, notes,
1993-1996
4
2
“Big Bluestem” Annick Smith’s chapter outlines,
correspondence with the Nature Conservancy and revisions, etc.,(~50 pages of
material),
March 14, 1994
4
3
“Big Bluestem: A Journey into the Tallgrass Prairie”:
typescript of variant drafts with corrections, MS Versions,
1995
4
4
“Big Bluestem: Journey into the Tallgrass Prairie”:
typescript of draft #1 with corrections (252 pages) dated May 30, 1995 (second
copy),
1995
4
5
“Big Bluestem: Journey into the Tall Grass”: page
proofs, plus memorandums, recommended changes, comments, revisions, etc.,
1996
4
6
“Big Bluestem: Journey into the Tall Grass”: typescript
with corrections (276 pages),
1996
4
7
“Big Bluestem: Journey into the Tall Grass”: typescript
with corrections (183 pages), with “Suggestions for Further Reading” and rough
cover proof,
1996
4
8
“Black Fox”, “Big Bluestem: Journey into the Tallgrass
Prairie”: typescript of draft #1 with corrections (252 pages) dated May 30,
1995, plus additional notes, oil,
1995
4
9
“Blackfoot Highway”: drafts and correspondence,
1993
4
10
“Blowouts and Moving Dunes” (a.k.a. “Moving Dunes):
drafts and correspondence,
1993
4
11
“Blue Canadian Rockies: The Banff Springs Hotel and
Spa”: draft, plus correspondence,
1995
4
12
“Call to Arms” etc.: a very early group of typewritten
poems by James Welch, when he was still a student at University of Montana,
plus newspaper,
1969
4
13
“Camping in Montana”: drafts and correspondence,
1991
4
14
“Cauldron” magazine, Transcript of an interview with
Annick Smith on August 22, 1994 by Sara Knight with correspondence,
1994-1995
4
15
“Child Went Forth in Idaho” (a.k.a. “Idaho Leaves Me
Wondering”): drafts and correspondence,
1994
4
16
“Dakah” by Sandra Johnson Osawa: bound manuscript,
“First Draft October 29, 1982” with cover letter (related to Whale Hunters
script by Macau filmmaker),
1982-1983
4
17
“David Smith” by Dick Hugo: memorial to David Smith,
plus notes for a criminal justice book Annick Smith picked up after David died,
1976
4
18
“Don’t Blame Montana” and “To Sir, With Love”: drafts
and correspondence,
1993
4
19
“Dovecote”: six variant drafts, plus correspondence,
undated
5
1
“Eagle and the Snake: At Play in Chief Joseph’s Land”:
drafts and correspondence,
1991
5
2
“Eugene Who Works With Clay”: seven variant drafts, plus
correspondence and notes (Annick Smith’s first attempt to write a story),
undated
5
3
“Falling Into the Canyon”: drafts, plus correspondence
with Kathleen Ryan and P.R. materials, “Writing Down the River,”
1996-2000
5
4
“Fishing the Tundra”: drafts and correspondence,
1994
5
5
“Gleaning Wild Gardens”: drafts and correspondence of
this essay, huckleberries, plus revisions for Linda Hogan’s book on “Women and
Plants”,
1999-2000
5
6
“Great Bear”: eight variant treatments by William
Kittredge for “The Great Bear” film,
1983-1985
5
7
“Great Bear”: bound proposal, synopsis, and treatment
for “The Great Bear” film (two copies),
1985
5
8
“Great Bear”: bound proposal, synopsis, and treatment
for “The Great Bear” film (two copies),
1985
5
9
“Great Bear”: chronological treatment by Eric Whitehead
(39 pages), plus miscellaneous notes, articles, etc.,
1985
5
10
“Great River” by Eddie Kurtz: variant drafts of
beginnings of screenplay for this dramatic TV series,
1986-1987
5
11
“Great River: An Original Screenplay by Newton E.
Renfro”: bound manuscript (87 pages), 1988 Publication,
1988
5
12
“Great River” by Eddie Kurtz: holograph notes (1987);
correspondence from Newton Renfro to Glen Pitre; plus research, Nicolas de La
Salle,
1987
5
13
“Great River” by Eddie Kurtz: script suggestions and
revisions, plus miscellaneous business materials, correspondence, clippings,
etc.,
1988-1990
5
14
“Great River”: variant drafts of dramatic treatments,
1987
5
15
“Great River”: variant drafts of dramatic treatments,
plus correspondence,
1987
5
16
“Great River”: variant manuscripts of initial proposals,
1987-1988
5
17
“Great River”: bound screenplay by Glen Pitre, “First
Draft, revised February 27, 1988” (109 pages),
1988
5
18
“Great River”: LEH Media Proposal dated May 23, 1988:
bound copy of manuscripts, budgets, summaries, etc.,
1988
5
19
“Great River”: one manila folder of revisions by Eddie
Kurtz with cover letter (12 pages),
1988
5
20
“Great River” by Eddie Kurtz: script suggestions and
revisions,
1989
5
21
“Great River”: bound screenplay by Glen Pitre, “Draft of
October 24, 1990” (108 pages),
1990
6
1
“Great River”: notes of scene breakdowns,
1990
6
2
“Great River”: notes of scene breakdowns,
1990
6
3
“Great River”: notes of scene breakdowns,
1990
6
4
“Great River”: screenplay by Glen Pitre, “Interim Draft
July 18, 1990” (101 pages),
1990
6
5
“Great River”: screenplay by Glen Pitre: variant draft
(116 pages),
1990
6
6
“Guilty Pleasures in the Nouveau West: Amangani at
Jackson Hole”: drafts and correspondence of this essay, plus notes,
1998
6
7
“Headwaters”: one folder of manuscripts submissions for
“Headwaters” anthology, Blackfoot River with cover letters,
1996
6
8
“Headwaters”: page and cover proofs with notes and
corrections, plus contributor notes,
1996
6
9
“Headwaters”: manuscript copy, outlines, contracts, and
business correspondence with Roman Kuczer,
1996-1997
6
10
“Heathen Ground: Narcissa Whitman and the Cayuse
Indians” by Annick Smith: stapled manuscript (127 pages),
1978
6
11
“Heathen Ground: Narcissa Whitman and the Cayuse
Indians”: draft with cover-letter (127 pages),
1978
6
12
“Heathen Ground: The Story of Narcissa Whitman” by
Annick Smith: drafts, revisions, notes,
1978
6
13
“Heathen Ground: The Story of Narcissa Whitman and the
Cayuse Indians” by Annick Smith: later manuscript (123 pages),
1979
6
14
“Heathen Ground” The NEH rejection of with reader’s
comments,
1980
6
15
“Homestead”: two drafts, plus proofs,
1988
6
16
“Homestead”: one group of page proofs, and early
manuscript of essays that would be collected into the finished book, plus
Milkweed Editions promo materials,
1990-1994
6
17
“Homestead or West to Montana”: one group of individual
essays collected and dated April 8, 1994
1994
6
18
“Homestead” One copy of an original cover proof for
book,
1994
6
19
“Homestead”: early manuscript pages with corrections and
cover letter,
August 9, 1994
6
20
“Homestead”: early manuscript pages with corrections and
cover letter from Peter Anderson of the Snake River Institute,
October 10,
1994
7
1
“Homestead”: one group of individual essays collected,
September 9,
1994
7
2
“Homestead”: one group of revised versions of essays,
1994
7
3
“Homestead”: page proofs,
December 14,
1994
7
4
“Homestead”: page proofs with notes from Annick Smith
attached,
November 10,
1994
7
5
“Hunting and Trespassing”: proposal,
undated
7
6
“I Am Not Thinking: Chronicle of a Father’s Dying”
(a.k.a. “My Father’s Wallet): six variant drafts and correspondence,
1997-1998
7
7
“I Am Not Thinking: Chronicle of a Father’s Dying”:
draft,
July 2000
7
8
“Immigrant Vision (Settlement of Washington’s Yakima
Valley)” by Suzanne Tedesko: bound manuscript,
1986
7
9
“In This We Are Native” (i.e. “Homestead”): early draft
with alternate title in Fed Ex folder dated February 3, 1994
1994
7
10
“In This We Are Native”: thirteen variant drafts, plus
correspondence,
1991
7
11
“In This We Are Native”: two drafts, plus
correspondence,
1991
7
12
“In This We Are Native”: draft plus correspondence,
1994
7
13
“In This We Are Native”: drafts, plus correspondence,
1994
7
14
“In This We Are Native”: three drafts, plus
correspondence,
1994
7
15
“In This We Are Native”: draft with Kittredge’s notes
(Hollywood Essay),
July 2000
7
16
“Interview with Norman Maclean” by William Kittredge and
Annick Smith: two variant drafts,
1976-1982
7
17
“Isla Negra, House in the Sand”: drafts and
correspondence, essay, plus travel notes, receipts, etc.,
1999
7
18
“It’s Come to This”: ten variant drafts, plus
correspondence,
1991
7
19
“Kananaskis: Alberta’s Secret”: drafts and
correspondence of this essay, plus notes, etc.,
1999-2000
8
1
“Lady in Kicking Horse Reservoir” by Richard Hugo: bound
poetry manuscript in black folder,
undated
8
2
“Last Batfouler”: screenplay by Barry Pritchard: bound
typescript with cover letter, Sundance Institute,
1981
8
3
“Learning to Stay Put” (introduction to Mildred Walker’s
“Fireweed”): drafts and correspondence,
1994
8
4
“Lost Land of Ka-Zar”: drafts, plus notes and
correspondence,
1993
8
5
“Margitsziget, Margaret island, Isle of Ten Thousand
Trees”: drafts and correspondence,
1997
8
6
“Midstream with Robert Redford”: typescript of interview
with Annick Smith,
1991-1992
8
7
“Monte Dolack: the Artist as a Cool Cat”, draft with
correspondence,
2000
8
8
“Mother and Me”: drafts and correspondence,
1993
8
9
“Mountain Home”: draft and correspondence with Summit
Publications,
1994-1995
8
10
“Narcissa: Tell Us of the Night” by Annick Smith: bound
manuscript, “First Draft” (94 pages) with corrections (precedes “Heathen
Ground”),
1977
8
11
“Narcissa: Tell Us of the Night” by Annick Smith: bound
manuscript, “First Draft” (94 pages),
1978
8
12
“Narcissa”: chapter outline, proposal and manuscript
drafts with corrections of this historical novel by William Kittredge and
Annick Smith, Narcissa Whitman, the first white woman to cross the Rocky
Mountains in 1836 as a missionary to the Nez Perce Indians,
1978
8
13
“Narcissa”: chapter outline, proposal and manuscript
drafts with corrections of this historical novel by William Kittredge and
Annick Smith, Narcissa Whitman was the first white woman to cross the Rocky
Mountains in 1836 as a missionary to the Nez Perce Indians,
1978
8
14
“Narcissa”: one group of holograph notebooks of outlines
and scenes, Narcissa Whitman,
1978
8
15
“Narcissa”: proposal for a western historical novel by
William Kittredge and Annick Smith: chapter outlines (136 pages) and draft for
Chapter One (31 pages), plus outlines,
1978
8
16
“Nature of Discovery”: drafts and correspondence,
1990
8
17
“Neversweat” by William Kittredge and Annick Smith, plus
“The War of the Copper Kings” by Scott Chestnut and John Dahl, plus contracts,
correspondence with Wayne H. Chestnut, one notebook of notes, etc.,
1987-1990
8
18
“No Alibis: Norman Maclean, 1902-1990”: drafts and
correspondence,
1990-1997
8
19
“Old Bannock Trail”: drafts and correspondence,
1989-1990
8
20
“Palo Duro Canyon”: draft,
1998
8
21
“Panimarida”: drafts and correspondence of this essay,
plus notes, etc., New York Times,
1993
8
22
“Peacock’s War”: disbound second draft of this
screenplay for a feature film by Charles Gaines (67 pages), plus correspondence
from Doug Peacock, holograph notes, variant drafts, outlines, etc., “The Great
Bear” film,
1981-1983
8
23
“Peacock’s War”: bound second draft of this screenplay
for a feature film by Charles Gaines, plus correspondence,
1982-1983
8
24
“Poetry for People in Missoula, Montana” by Annick
Smith, plus business materials and correspondence, Hellgate Writers Conference
#1 (includes photos of Etheridge Knight, C.K. Williams, and Carolyn Forche),
1989
8
25
“Real Cowboys look Back: to the Ranch They Worked and
the Life They Remember”: one purple ring binder of remarks from interviews with
cowboys (156 pages),
1991
8
26
“Richard Hugo Reads David Smith’s transcripts, the first
Richard Hugo film,”
1964-1966
9
1
“Ride, Ride, Ride”: draft,
1993
9
2
“Right Life: Maurice ‘Mickey’ McDermott” (a.k.a. “Good
Ol’ Boy of Summer”): drafts and correspondence,
1990
9
3
“Rites of Snow”: drafts and correspondence,
1992
9
4
“River Runs Through It” by Norman Maclean, screenplay by
William Kittredge: four variant drafts, plus treatment, contracts,
correspondence, and notes,
1985-1986
9
5
“River That Runs Through It”: drafts and correspondence,
1989-1990
9
6
“River Runs Through It”: screenplay by Richard
Friedenberg (third draft with scene # April 11, 1991) (109 pages), plus story
outline and correspondence,
1991
9
7
“River That Runs Through It”: drafts and correspondence,
1993-1998
6
8
“Sacred Tree”: photocopy of proposal for TV series on
Native American writers,
1992
9
9
“Sacred Tree”: unbound copy of proposal, variant drafts,
revisions, correspondence, invoices, Annick Smith’s “Yellow Woman” manuscript,
plus photocopy of a Linda Hogan story, etc.,
1992
9
10
“Sacred Tree”: variant drafts/revisions of proposal,
correspondence, plus Annick Smith’s “Yellow Woman” manuscript,
1992
9
11
“Sculpting with Light: My Father, Stephen Deutch”:
drafts and correspondence,
1993
9
12
“Shadow on the Waters” (124 pages) (based on the novel
by Jack Thomas Leahy), plus production play,
1981
9
13
“She Said/He Said”: draft of this joint article between
Annick Smith and William Kittredge,
1996-1997
9
14
“Sink or Swim”: drafts and correspondence,
1995-1996
9
15
“Sink or Swim”: drafts and correspondence,
1997
9
16
“Sorrento”: drafts and correspondence,
1994-1998
9
17
“Spirit of the Last Great Places” One copy of the Nature
Conservancy’s booklet, teachers guide,
1994
9
18
“Stevens Expedition”: script by Dan Whipple with
applications, resumes, correspondence logs, notes of this video project,
“Visions of the Northern West,”
1985-1987
9
19
“Summering Ground”: drafts and correspondence of this
essay, plus notes,
1998
9
20
“Thanksgiving: Warren Dunes State Park,” draft plus
correspondence,
1999
9
21
“Three Chinamen”: screenplay by Barry Pritchard: bound
typescript, Sundance Institute,
1981
9
22
“Three Ways of Walking the Blackfoot”: three drafts,
plus correspondence,
1998-2000
9
23
“Three Ways to Ronda”: drafts and correspondence,
1993-1994
9
24
“Titicaca: Rock of the Mountain Cat”: drafts and
correspondence, essay,
1999
9
25
“Trickster is Us”: drafts and correspondence,
1990
9
26
“Two Frontiers of Mary Ronan”: drafts and
correspondence,
1988
9
27
“Two Worlds of Norman Maclean: Interviews in Montana and
Chicago” by William Kittredge and Annick Smith: draft with introduction (31
pages), plus two audio cassette tapes (cassettes moved to A-V section),
1983
9
28
“Virtue and Charity”: draft, plus miscellaneous poem
drafts and notes, outlines, etc.,
undated
9
29
“Virtue”: six variant drafts and correspondence,
1993
10
1
“Whale Hunters”: screenplay by David J. Smith and Annick
Smith (105 pages) (based on the novel “Shadow on the Waters” by Jack Thomas
Leahy), plus holograph notes,
1981
10
2
“Whale Hunters” (treatment—120 pages); (revised first
draft dated July 22, 1982—135 pages); (draft dated March 28, 1983 (?)—122
pages); (revised first draft dated July 22, 1982—135 pages, second copy); plus
notes,
1982
10
3
“Whale Hunters”: script development agreement,
contracts, business materials,
1982
10
4
“Whale Hunters”: concept and story idea for a
Feature-Length Fiction Film by Annick Smith (in collaboration with Sandy
Osawa): Alaska version of “Whale Hunters”: draft, scene outlines, notes, etc.,
1983
10
5
“Whale Hunters”: original screenplay by Annick Smith
(Draft #2, March 25, 1983), corrected copy,
1983
10
6
“Whale Hunters”: first draft ONLY (127 pages),
undated
10
7
“What You See is What You Got”: drafts and
correspondence,
1991
10
8
“Where the Sky Began: Land of the Tallgrass Prairie”:
variant draft scripts dated June 27, 1997; October 29, 1997; August 26, 1997;
September 10, 1997; plus scripts of select takes,
1997
10
9
“Where the Sky began: Land of the Tallgrass Prairie”:
variant section drafts and research materials,
1997
10
10
“Where Water Meets Stone: A Review of Annie Dillard’s
‘the Living’”: drafts and correspondence,
1992
10
11
“White Woman Blues”: seven variant drafts of this short
story,
undated
10
12
“Who’s Who”, Annick Smith’s biography and resume,
1993-1998
10
13
“Wildcats I Have Not Known”: draft, plus correspondence
with Sasquatch Books, Elizabeth Grossman and Sue Halpern and P.R.materials,
1998-1999
10
14
“Wilderness Women” Proposal for book, which preceded
“Heartland” film,
1978
10
15
“Winter in the Blood”, story by James Welch, script
outline by William Kittredge and Annick Smith: drafts, outlines,
correspondence, notes, includes James Welch’s proposal outline for a novel,
“The Indian Lawyer,”
1987-1990
10
16
“Words from the Wilderness”: draft,
undated
10
17
“World Down to Size: Two Talks with Richard Hugo”,
edited by David Smith: draft (40 pages),
1969
10
18
“World Down to Size: Two Talks with Richard Hugo”,
edited by David Smith: numerous variant drafts,
1969
10
19
“Yellow Woman” treatment by Annick Smith: photocopy of
draft of “Sacred Tree” proposed TV series on Native American writers,
1992
10
20
“Yonnondio”: screenplay by Marty Nicholson and Ken Fink:
bound typescript, Sundance Institute,
1982
10
21
French texts: Cavallier de La Salle,
undated
10
22
Reviews by Annick Smith (including Max Crawford’s “Lords
of the Plain”), miscellaneous essays, 1980-1985
1980-1985
10
23
Various poem drafts: “Old Woman’s Goat Song”, etc.,
1977
Business Materials/Financial Materials
11
1
American Academy of Achievement Business materials,
notes, and correspondence, the 1993 conference of the American Academy of
Achievement, Glacier Park, Montana,
1993
11
2
Audubon and BBC Natural History Unit Business materials,
notes, correspondence, BBC Natural History Unit and “Audubon,”
1982
11
3
Audubon Business materials, notes, and correspondence,
WGBH and “Audubon,”
1981
11
4
Big Bluestem Notes and correspondence, “Big Bluestem”
book,
undated
11
5
Big Bluestem, Records, expenses, receipts,
1994
11
6
Big Bluestem: Journey into the Tall Grass by Annick
Smith, Tulsa, Oklahoma: Council Oak Books, 1996. First edition, signed
“Annick.” Photography by Harvey Payne,
1996
11
7
Evangeliners of New Orleans Business materials, notes,
and correspondence, the Evangeliners of New Orleans, which Annick Smith did a
piece on for “Esquire,”
1993
11
8
Female prison inmates in Montana Business materials,
notes, and correspondence, the state of female prison inmates in Montana, and
writer’s lecture series at women’s prison,
1989-1992
11
9
Film proposals; Two blue notebooks of early film
treatments and film proposals with first husband, David Smith, includes:
“Proposal for a Film on Pesticide Use in East Africa,” “Corrections Reform: A
Film Proposal,” “Proposal for a 25-30 minute documentary film on Jeanette
Rankin,” “Doors of Perception,” and “Seeing Red,”
1958-1968
11
10
Fishtrap Gathering Business materials, notes, and
correspondence, Fishtrap Gathering (of writers),
1990
11
11
Flathead Lake Writers Conference,
1988-1994
11
12
Great River Business and financial materials, “Great
River,”
1987
11
13
Great River Story outlines, business correspondence and
materials, “Great River,”
1987
11
14
Great River Business and financial materials, “Great
River,”
1987-1988
11
15
Great River, One application for NEH funding,
1987-1988
11
16
Great River Business materials and correspondence,
“Great River” TV film,
1988
11
17
Great River,
1988-1990
11
18
Great River Business correspondence and materials,
“Great River,”
1990
11
19
Great River Business correspondence and materials,
“Great River,”
1990
11
20
Great River Business materials and correspondence,
“Great River” movie for television about LaSalle and his discovery of the
Mississippi River (not produced),
1990
11
21
Great River Legal papers and contracts, TV movie,
1990
11
22
Great River Legal papers and contracts, TV movie,
1990
11
23
Great River Business and legal materials, “Great River,”
1990-1991
11
24
Great River, Production estimates dated,
January 7,
1991
11
25
Great River Business materials, “Great River,”
1992
11
26
Heartland Financial records, loan for Wilderness Women,
“Heartland” film,
1972-1983
11
27
Heartland Business and organizational papers, budgets,
applications, forms for fundraising, “Heartland” film,
1978
11
28
Heartland Financial and tax records, “Burnt Fork
Budgets”, “Heartland” film,
1979
11
29
Heartland Business and organizational papers,
“Heartland” film,
1979-1982
11
30
Heartland Correspondence and legal records, “Heartland”
film – Errors and Omissions Insurance,
1979-1982
11
31
Heartland Correspondence and legal records, “Heartland”
film,
1979-1983
11
32
Heartland Business materials, notes, and correspondence,
WNET-TV (13) and “Heartland” etc.,
1980-1981
11
33
Heartland Grant Award for film, Publication,
undated
11
34
Heathen Ground Budget proposals and outlines, “Heathen
Ground” film,
1979
11
35
Heathen Ground Budget proposals and outlines, “Heathen
Ground” film,
1979
11
36
Heathen Ground Vitaes and photography, “Heathen Ground”
film,
1979
11
37
Heathen Ground Budget proposals and outlines, “Heathen
Ground” film,
1980
11
38
Hellgate Writers Conference Business material and
correspondence, Hellgate Writers Conference (for screenwriters) that William
Kittredge and Annick Smith set up in Missoula, Montana, as part of the Sundance
Institute outreach program,
1986-1987
11
39
Hellgate Writers Conference Business material and
correspondence, Hellgate Writers Conference,
1987
11
40
Hellgate Writers Conference Business, legal, and tax
records, Hellgate Writers Conference,
1987
11
41
Hellgate Writers Conference Business material and
correspondence, Hellgate Writers Conference,
1987-1988
11
42
Hugo, David Smith’s notes, plus Hugo’s notes to David,
the first Richard Hugo film, “Richard Hugo Reads,”
1964-1966
11
43
Hugo, David Smith’s notes, correspondence, outlines,
scene drafts, the first Richard Hugo film, “Richard Hugo Reads,”
1966-1970
12
1
Hugo Correspondence, receipts, and grant material,
second Richard Hugo film, a documentary by Annick Smith,
1977
12
2
Hugo Poems, script outline with corrections, second
Richard Hugo film, “Kicking the Loose Gravel Home,” a documentary by Annick
Smith,
1977
12
3
Hugo Holograph notes, film logs, and scene outlines,
second Richard Hugo film, “Kicking the Loose Gravel Home,” a documentary by
Annick Smith,
1977-1978
12
4
Independent Feature Project Holograph notes, materials,
and publications, the Independent Feature Project, Annick Smith was on the
steering committee,
1979
12
5
Independent Feature Project Materials and holograph
notes, the Independent Feature Project, Annick Smith was on the steering
committee,
1979
12
6
Independent Feature Project Materials and publications,
the Independent Feature Project, Annick Smith was on the steering committee,
1979
12
7
Independent Feature Project Materials and publications,
the Independent Feature Project, Annick Smith was on the steering committee,
1979
12
8
Independent Feature Project Materials, the Independent
Feature Project, Annick Smith was on the steering committee,
1980-1984
12
9
Institute of the American West Business correspondence,
publications, flyers, and material, the Institute of the American West, Sun
Valley, Idaho,
1978-1985
12
10
Institute of the American West Business correspondence,
publications, and materials, the Institute of the American West, Sun Valley,
Idaho, including holograph notes by William Kittredge,
1979-1981
12
11
Institute of the American West Business correspondence,
publications, materials, the Institute of the American West, Sun Valley, Idaho,
1982
12
12
International Wildlife Film Festivals Business
correspondence, schedules, applications, notes, and materials, the
International Wildlife Film Festivals; Annick Smith was a judge, speaker, and
programmer,
1983-1987
12
13
Japanese immigration Business materials and
correspondence, proposed film about early Japanese immigration,
1979
12
14
“Kicking the Loose Gravel Home, Second Richard Hugo
film,” a documentary by Annick Smith,
1976-1977
12
14
“Kicking the Loose Gravel Home, Second Richard Hugo
film,” a documentary by Annick Smith,
1975-1977
12
16
Last Best Place,
1986-1987
12
17
Last Best Place,
1986-1987
12
18
Last Best Place anthology,
1986-1988
12
19
Last Best Place anthology,
1986-1989
12
20
Last Best Place Business materials and holograph notes,
“Last Best Place” video, “Montana Myths,”
1987
12
21
Last Best Place anthology,
1987
12
22
Last Best Place anthology,
1987
13
1
Last Best Place anthology,
1987
13
2
Last Best Place anthology,
1987
13
3
Last Best Place Scripts and business materials, “Last
Best Place” anthology and video,
1987
13
4
Last Best Place video, “Montana Myths,”
1987
13
5
Last Best Place, Centennial Commission Sanction/Fund
Raising,
1987
13
6
Last Best Place video, “Montana Myths,”
1987-1988
13
7
Last Best Place and Montana Myths Business materials,
applications, and resumes, “Last Best Place” video project, “Montana Myths,”
1987-1989
13
8
Last Best Place Business materials and correspondence,
Montana Council for the Humanities and “Last Best Place,”
1987-1989
13
9
Last Best Place “Last Best Place” anthology,
1988
13
10
Last Best Place Biographical notes and information,
“Last Best Place” anthology’s contributors,
1988
13
11
Last Best Place Business and organizational materials,
“Last Best Place” anthology,
1988
13
12
Last Best Place Business and organizational materials,
“Last Best Place” anthology,
1988
13
13
Last Best Place Business and organizational materials,
“Last Best Place” anthology,
1988
13
14
Last Best Place Business materials, script, notes, “Last
Best Place” video,
1988
13
15
Last Best Place anthology,
1988-1992
13
16
Last Best Place Scripts and correspondence, “Last Best
Place” theater piece, “Out West: Stories from the Big Sky,”
1989-1990
13
17
Last Best Place video,
1989-1990
13
18
Last Best Place Business materials, notes, and
correspondence, Montanan State Library, reading for prisoners from “Last Best
Place” for a recording for the blind,
1990-1992
13
19
Literature and Language Business correspondence, poetry
and prose manuscripts, and script material, “Literature and Language”
promotional video for Lewis and Clark College in Portland, Oregon,
1990
13
20
Montana Arts Council Business and organizational
materials,
1980-1985
13
21
Montana Arts Council Business materials, notes, and
correspondence, Montana Arts Council,
1987-1990
13
22
Montana Committee for the Humanities,
1988-1992
13
23
Montana Council for the Humanities Business materials,
notes, and correspondence, Montana Council for the Humanities; Montana Big Sky
Chapter, newspaper clippings, etc.,
1985-1988
13
24
Montana Council for the Humanities Business materials,
notes, and correspondence, Montana Council for the Humanities,
1990
13
25
National Endowment for the Arts, Business materials,
notes, and correspondence,
1981
13
26
National Writers Workshop Business materials and
correspondence, National Writers Workshop in Salt Lake City, Utah,
1993
13
27
North Carolina Video Group,
1987
13
28
North Country Media Group,
undated
13
29
One Wilderness Women Production checkbook with stubs,
1987-1999
13
30
Real People Business materials, notes, and
correspondence, Native American project in Spokane, Washington, “Real People,”
a TV series for KEPS- TV, the first Annick Smith project after David Smith's
death,
1974-1978
14
1
A River Runs Through It,
1986-1988
14
2
Screenwriting weekend on Casper, Wyoming,
1990
14
3
Speaking engagements Business materials and
correspondence, various speaking engagements,
1987
14
4
Sundance Institute Planning Conference Summary,
1980
14
5
Sundance Institute,
1980-1981
14
6
Sundance Institute,
1980-1981
14
7
Sundance Institute,
1981
14
8
Sundance Institute, Holograph notes, business and
promotional materials, Sundance Institute,
1981
14
9
Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1981-1982
14
10
Sundance Institute, Business materials, notes, and
correspondence,
1981-1982
14
11
Sundance Institute (Annick Smith was on the original
board of the Sundance Film Institute from 1981-1985),
1981
14
12
Sundance Institute, Miscellaneous materials,
1981-1987
14
13
Sundance Institute, Business and promotional materials,
Sundance Institute,
1981-1990
14
14
Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1982
14
15
Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1982-1983
14
16
Sundance Institute Business materials and
correspondence, Sundance Institute,
1982-1984
14
17
Sundance Film Institute,
1983
14
18
Sundance Institute, Board Members Handbook and
Participant Directory, plus business materials and correspondence, (Annick
Smith was on the original board of the Sundance Film Institute from 1981-1985),
1983
14
19
Sundance Institute, Bound copy of the Board of Trustees
Meeting (October 9, 1983) Board Members Handbook and Participant Directory,
plus business materials and correspondence,
1983
14
20
Sundance Institute, Business material and project
applications, Sundance Film Institute,
1983
14
21
Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1983-1984
14
22
Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1984
14
23
Sundance Institute Business materials, notes, and
correspondence, Sundance Institute,
1984-1985
15
1
Sundance Institute June Laboratory for Filmmakers,
1985
15
2
Sundance Institute Newsletter,
May 1985
15
3
Sundance Institute June Laboratory for Filmmakers,
1986
15
4
Sundance Institute,
1990
15
5
Sundance Institute’s Summer Programs,
1990
15
6
Sundance Institute, Bound notebook,
undated
15
7
The Great Bear Research materials, business
correspondence, holograph notes, etc., “The Great Bear” Project,
1979-1984
15
8
The Great Bear Loose holograph notes, film logs, and
outlines, “The Great Bear” film,
1983
15
9
The Great Bear Business correspondence and financial
information, “The Great Bear” Project,
1983-1984
15
10
The Great Bear Business correspondence, notes, etc.,
“The Great Bear” Project,
1983-1985
15
11
The Great Bear Business correspondence and grant
information, “The Great Bear” Project,
1985
15
12
The Great Bear Business correspondence and grant
information, “The Great Bear” Project,
1985
15
13
The Nature Conservancy: conference in Choteau, Montana,
1990
15
14
Thoreau conference Materials, Thoreau conference number
2,
1991-1992
15
15
Thoreau conference “In the Thoreau Tradition”: group of
notes, business and organizational materials, Thoreau conference number 2,
1992
15
16
Thoreau conference Materials, Thoreau conference number
3,
1993
15
17
Thoreau conference “In the Thoreau Tradition”: business
and organizational materials, Thoreau conference number 3, includes Smith’s
essay, “Beasts of the Field,”
1993-1995
15
18
Tribute to Norman Maclean, University of Montana,
1992
15
19
Turner, Ted Business correspondence and materials, Ted
Turner,
1989
15
20
University of Great Falls Business materials, notes, and
correspondence, University of Great Falls, Montana conference,
1995-1996
15
21
University of Idaho Business materials, notes, and
correspondence, University of Idaho writers workshop,
1991
15
22
University of Montana Business materials, notes, and
correspondence, Montanan Advisory Board, University of Montana, Missoula,
Montana (Smith was a member),
1995-1998
15
23
Various Business materials, notes, and correspondence,
various readings and conferences,
1989-1990
15
24
Visions of the Northern West “Visions of the Northern
West” series: correspondence logs, proposal, correspondence, holograph
notebooks, proposed TV series,
1984-1986
15
25
Western women Business materials and notes, fundraising
for film series on Western women,
1981
15
26
Whale Hunters Sundance Institute folder containing
holograph notes/outlines for “Whale Hunters,” plus information on film
distribution,
1983
15
27
Wyoming Outdoor Council Business materials, notes, and
correspondence, Wyoming Outdoor Council,
1992
15
28
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1988
15
29
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1989
15
30
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1990
15
31
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1991
15
32
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1991
15
33
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1992
16
1
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1993
16
2
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1994
16
3
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1994-1995
16
4
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1995
16
5
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1997
16
6
Yellow Bay Business material and correspondence, the
Yellow Bay writer’s workshop,
1997
Research Materials
16
7
Big Bluestem book, Photocopies of research materials,
1940-1990
16
8
Big Bluestem book Bison, with cover letter,
1993
16
9
Big Bluestem book, Holograph notebook of writings and
notes labeled: #4 Notes on Buffalo// Plowed ground// Key to P.C.// April 1994//
Fred A. Drummond International// Frederick Drummond International// Frances
[Schirmer] International// Mary Lawrence International,”
1994
16
10
Bison, the release of the bison in the Tallgrass Prairie
reserve in October of 1993, plus materials about the reserve,
1993
16
11
Blaffer Gallery in Houston, Texas, P.R. materials,
1993
16
12
Dinner Party, Information for a conference of Western
writers that took place in 1991 in Jackson Hole, Wyoming; includes letters from
Terry Tempest Williams and color copies of original artwork,
1991
16
13
Five Rivers Festival of Film in Missoula, Montana,
Holograph notes and P.R. materials,
1998
16
14
Great River; KRG Deal, Holograph notes, budget material
and a copy of the American Indian Talent Directory,
1988-1989
16
15
Heartland film, Newspaper clippings,
1981
16
16
Last Best Place, Stray notebook of holograph notes,
undated
16
17
Montana Festival of the Book, Holograph notes and P.R.
materials,
2000
16
18
Narcissa Whitman, “Heathen Ground: Narcissa Whitman and
the Cayuse Indians” by Annick Smith; early version of filmscript with holograph
notes,
1978
16
19
Narcissa Whitman,
1978
16
20
Narcissa Whitman, Folder of postcards from Fort
Vancouver,
1978
16
21
Narcissa Whitman, including illustrations and photo
negatives,
1978
16
22
Narcissa Whitman, Research and postcards,
1978
16
23
Nature, Writing, and the Discovery of Self, Loose notes
for a talk,
1991
16
24
Notes, Pocket-size notebook of from April, 1994, “Notes
for other books//Bill’s notes—complexity and chaos// Harvey Payne account of
National park episode// Dinner with Marty,”
1994
16
25
Okeh Country series (ideas), Loose notes,
1978-1980
16
26
Osage Indians with cover letter and reports (sent by Liz
Medley),
1993
16
27
Osage Indians, miscellaneous research materials,
prairie, etc.,
1993-1994
16
28
Osage, Photocopy of portions of Terry Wilson’s book,
(Tallgrass Prairie),
1988
16
29
Prairie, Pocket-size spiral notebook of notes from
August,
1993
16
30
Pocket-size spiral notebook of notes, prairie,
1994
16
31
Prairie, Pocket-size spiral notebook of notes from
November,
1993
16
32
Prairie, Pocket-size spiral notebook of notes,
March and October,
1994
16
33
Prairie, Pocket-size spiral notebook of notes,
June 1995
16
34
Richard Hugo Reads, Holograph notebook of scene
outlines, the first Richard Hugo film,
1964-1966
16
35
Toshiba Explora Vision Awards, Information (Potomac
School),
1994
16
36
Various, Group of five miscellaneous notebooks going
back to 1958 when Annick Smith was a student at the University of Washington in
Seattle, through early film and video notes, house plans, Native American
notes,
1958-1968
16
37
Various, Loose notes, miscellaneous/various film ideas,
1978-1980
16
38
Whale Hunters,
1981-1982
16
39
Whale Hunters, Holograph notebook of outlines,
1992
Appointment Books
17
1
One group of six pocket appointment books with notes by
Annick Smith from the years 1978, 1980, 1981, 1984, 1987, 1991
1978-1991
Business Diary
17
2
Business diary with notes by Annick Smith,
1975
Calendars
17
3
Three calendars with notations by Annick Smith for the
years: 1973-1974, 1984, 1986-1987,
1973-1987
17
4
Group of five wall calendars with notes by Annick Smith
from the years 1980, 1985, 1986, 1989, and 1990,
1980-1990
17
5
One Engagement Calendar with notes by Annick Smith,
1992
Interview
17
6
Transcript of an interview with Ollie Johnson Rider and
Ben Johnson, Jr. by Marty Marina of the Nature Conservancy for “Big Bluestem”
book,
1992
Maps
17
7
Various maps of Osage Country, Oklahoma and the
Tallgrass Prairie Reserve,
1992
Publications
17
8
Cards, brochures, etc.,
1993
17
9
Group of miscellaneous publications, includes copies of
Oklahoma Conservator News, Nature Conservancy, Atlas Video catalog, Inside
Osage, Pawhuska Daily Journal, plus a drawing “Little Turtle,”
1967-1994
17
10
Book: One copy of the “Osage Indian Tribe Centennial
Celebration, 1872-1972,”
1972
17
11
Stray copy of “Profiles” publication used for research
for Wilderness Women (and “Heartland” film),
1978
17
12
One copy of the Chicago Tribune’s “Sunday” Magazine,
February 9,
1986
17
13
Newspaper clippings, Hellgate Writers Conference,
1987
17
14
“In the Thoreau Tradition”: photocopy of the original
brochure for the first Thoreau conference, May 24-26, 1990 in Missoula,
Montana, a major literary conference on nature and writing that Annick Smith
organized with others in 1990, 1992, and 1994,
1990-1994
17
15
Headwater’s Newspaper clippings, “Headwaters,”
1996
17
16
“Headwate’s: Montana Writers on Water and Wilderness”:
one copy of the finished book,
1996
17
17
Heartland Newspaper clippings, tearsheets, reviews of
“Heartland” film,
1979-1982
17
18
Newspaper clippings,
1979-1986
17
19
Benefit reading for “Vital Ground” with Doug Peacock,
Rick Bass, William Kittredge, etc., East Glacier/Whitefish,
August 29,
1993
Photographs
17
20
Color photos of Sundance Film Institute participants,
1982
17
21
Two groups of original color photographs, “Last Best
Place,”
1986-1987
17
22
“Headwaters”: photo negative of unused illustration for
book with cover letter,
1996
17
23
Three packets of photographs of the Tallgrass Reserve of
Oklahoma,
1993-1994
Oversize
18
1
“Big Bluestem: Journey into the Tall Grass”: page proofs
(253 pages),
1996
Audio Recordings
19
1
One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965
19
2
One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965
19
3
One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965
19
4
One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965
19
5
One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965
19
6
One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965
19
7
One of seven reel-to-reel audio tapes of Richard Hugo
reading and talking with Tony Cronin to go with a B and W film made by David
and Annick Smith,
1964-1965
19
8
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
9
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
10
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
11
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
12
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
13
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
14
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
15
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
16
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
17
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
18
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
19
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
20
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
21
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
22
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
23
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
24
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
25
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
26
One of 19 reel-to-reel audio tapes of Richard Hugo
reading, interview material, second Richard Hugo film, “Kicking the Loose
Gravel Home,” a documentary by Annick Smith, plus sound logs,
1976
19
27
Talk N.W. film,
1980-1981
19
28
Untitled (no markings),
undated
19
29
Cine Study Heartland interview with Annick Smith,
Executive Producer 11/11/81,
1981
19
30
Copy of realistic micro cassette,
undated
19
31
Study with Annick Smith 11/2/81,
1981
19
32
Copy of TDK micro cassette,
undated
19
33
Kittredge Interview,
undated
19
34
Heartland Background music for Chicago radio spot
cassette,
undated
19
35
Heartland Background music for Chicago radio spot, reel
to reel 7.5 ips,
undated
19
36
One of two audio cassette tapes of soundtrack music for
“A River Runs Through It” by Tom Cooper, plus correspondence,
1984
19
37
One of two audio cassette tapes of soundtrack music for
“A River Runs Through It” by Tom Cooper, plus correspondence,
1984
19
38
The Whale Hunters Side 1 and 2,
undated
19
39
The Whale Hunters Side 3 and 4,
undated
19
40
Interviews: Jim Welch, Amy Levin, Alan Cook,
undated
19
41
#4 Logging at B.C. and Long Discussion- ?,
undated
19
42
#5 Logging Site Long Discussion about technology and its
ramifications,
undated
19
43
28 May interview Roger, Coleen,
undated
19
44
Roll 9 Mrs. Bauer; Pat Kittredge,
undated
19
45
Roll 10 28 May Interviews Lois Welch and Dave Stadles,
undated
19
46
Oral Notes shadow on the Water (but the text is marked
through),
undated
19
47
#8 McDonalds 24 April,
undated
19
48
Tom’s Campaign Meeting Smith’s Friday April 24 ¾
Recorded; UHER,
undated
19
49
#9 McDonalds 24 April; Rally 5 May,
undated
19
50
April 24 Campaign Strategy #1 UHER; Helena Pre-Filing,
undated
19
51
CHARLO #3 24 April Film Reel 2,
undated
19
52
# 4 24 April Strategy at Smith’s,
undated
19
53
#5 24 April Meeting at McDonalds,
undated
19
54
#1 Reel 1 Film April 23 walking, filing, press,
undated
19
55
#6 24 April Meeting at McDonalds,
undated
19
56
#7 24 April Meeting at McDonalds,
undated
19
57
#2 24 April strategy meeting at Smith’s reel 2-3,
undated
19
58
#10 Rally May 5,
undated
19
59
Last Best Place Mixed Music Track 15 ips spliced heads
out,
undated
19
60
Last Best Place Ray Horan Audio Raw Work Parts 15 ips
Missoula Public Radio 2-89,
1989
Video/Film
20
1
Last Best Place, Meriwether Lewis Sequence, Ryan Dam
Missouri River, Raw Footage, Reel 1,
1988
20
2
Last Best Place, Meriwether Lewis Sequence, Ryan Dam
Missouri River, Raw Footage, Reel 2,
1988
20
3
Last Best Place, Ripley Hugo Sequence, Homestead
Scenics, Raw Footage, Reel 3,
1988
20
4
Last Best Place, Ripley Hugo sequence, Homestead CMR
museum, Rapheal Christie, Raw Footage, Reel 4,
1988
20
5
Last Best Place, CMR Museum, Rapheal Christie Paintings,
Raw Footage, Reel 5,
1988
20
6
Last Best Place, CMR Museum, Rapheal Christie,
Paintings, Exteriors, Raw Footage, Reel 6,
1988
20
7
Last Best Place, Ft. Belnap, Jeanie Elder, Raw Footage,
Reel 7,
1988
20
8
Last Best Place, Buffalo Scenics, Plenty Coups, Pryor
Area, Raw Footage, Reel 8,
1988
20
9
Last Best Place, Plenty Coups A. Horses/Scenic Wildlife,
Raw Footage, Reel 9,
1988
20
10
Last Best Place, Bozeman Area Cave Drawings with Jeanie
Eder Raw Footage, Reel 10,
1988
21
1
Last Best Place, Ed Lahey-Butte Poet, Butte-City Scapes,
Scenics, Raw Footage, Reel 11,
1988
21
2
Last Best Place, Ed Lahey-Btute, Depot Interior, City
Scapes, Raw Footage, Reel 12,
1988
21
3
Last Best Place, Mt. Historical Society Helena, Raw
Footage of Exhibits displays and pictures, Reel 13,
1988
21
4
Last Best Place, Mt. Historical Society Helena, Raw
Footage of Paintings and Pictures, Reel 14,
1988
21
5
Last Best Place, Lewis and Clark Pictures, Reel 15 Part
2,
1988
21
6
Last Best Place, Lewis and Clark Off-Line Revised,
Ripley Hugo Revised,
1988
21
7
Last Best Place, Ft Belknap Revised, Cave
1988
21
8
Montana Myths Last Best Place,
1988
21
9
The Great Bear,
undated
21
10
VC 602,
undated
21
11
Last Best Place Montana Myths, Offline Master
undated
22
1
Last Best Place, Montana Myths Raw Footage, Reel 1,
Meriwether Lewis Sequence, Ryan Missouri River,
1988
22
2
Last Best Place, Montana Myths Raw Footage Reel 2,
Meriwether Lewis Sequence, Ryan Dam Missouri River,
1988
22
3
Last Best Place, Montana Myths Raw Footage Reel 3,
Ripley Hugo Sequence, Homestead Scenics,
1988
22
4
Last Best Place, Montana Myths Raw Footage Reel 4,
Ripley Hugo Sequence, Homesteads, CMR Museum, Rapheal Christie,
1988
22
5
Last Best Place, Montana Myths Raw Footage Reel 5, CMR
Museum, Rapheal Christie Paintings,
1988
23
1
Last Best Place, Montana Myths Raw Footage Reel 6,CMR ,
Rapheal Christie Paintings, Exteriors,
1988
23
2
Last Best Place, Montana Myths Raw Footage Reel 7, Ft.
Belknap, Jeanie Eder Scenics,
1988
23
3
Last Best Place, Montana Myths Raw Footage Reel 8,
Buffalo Scenics Plenty Coups Pryor Area,
1988
23
4
Last Best Place, Montana Myths Raw Footage Reel 9,
Plenty Coups Area, Horses, Scenics Wildlife,
1988
23
5
Last Best Place, Montana Myths Raw Footage Reel l0,
Bozeman Area Cave Drawings with Jeanie Eder,
1988
24
1
Last Best Place, Montana Myths Raw Footage Reel 11,Ed
Lahey-Butte Poet, Butte City Scapes and Scenics,
1988
24
2
Last Best Place, Montana Myths Raw Footage Reel 12, Ed
Lahey- Butte Poet, Depot Interiors City Scapes,
1988
24
3
Last Best Place, Montana Myths Raw Footage Reel 13,
Montana Historical Society, Helena, Exhibits, Displays, Pictures,
1988
24
4
Last Best Place, Montana Myths Raw Footage Reel 14,
Montana Historical Society, Helena, Paintings, Pictures,
1988
24
5
Last Best Place, Montana Myths Raw Footage Reel 15,
Montana Historical Society, Helena, Paintings, Pictures,
1988
25
1
Butte 4th Parade,
1988
25
2
Butte 4th Parade,
1988
25
3
Last Best Place Mt. Myths Sync Roll Unmixed,
1989
25
4
Last Best Place Mt. Myths Sync Roll SFX Tracks,
1989
26
1
Last Best Place Edited Master 2 Channel Audio Mix,
1989
26
2
Last Best Place Raw Footage Reel 15, Abandoned Farm,
Homestead Ray Horan Audio,
1988
26
3
Last Best Place Edited Master 2 Channel Audio mixed Dub
Copy,
1989
26
4
Last Best B-Roll,
1989
27
1
Bison Release News Coverage,
1988
27
2
Annick Smith Bears and Etc.,
1988
27
3
Kicking the Loose Gravel Home,
1988
27
4
Heartland: A Frontier Love Story,
1979
Computer Disks
28
1
“The Whale Hunters,”
1982
28
2
Two boxes of miscellaneous computer diskettes with
material from Annick Smith’s various books,
1983-1992
28
3
Two boxes of miscellaneous computer diskettes with
material from Annick Smith’s various books,
1983-1992
28
4
One computer back-up disk,
July 28, 1993
28
5
“Headwater”: one large group of computer diskettes
containing essays for the anthology,
1996
16mm Film in A/V Vault
29
1
16 mm Film, “Head is on Head of Reel with 2-100’s,” One
16 mm Film Core in 7” canister, Tom McDonald vs. Mike Mansfield campaign,
undated
29
2
16 mm Film, “Swain/Excerpt Head 50’ Forced 2 Stops”,
One16 mm Film Core in 7” canister, Tom McDonald vs. Mike Mansfield,
undated
29
3
16 mm Film, “Swain,” One 16 mm film core in 7” canister,
Tom McDonald vs. Mike Mansfield Campaign,
undated
29
4
16mm, Tom McDonald Color Original, one 16mm film Core in
7” canister, Tom McDonald vs. Mike Mansfield campaign,
undated
29
5
16 mm, Tom’s Speech at—t crowd, one 16 mm film core in
3” canister Tom McDonald vs. Mike Mansfield Campaign ,