Rick Bass:
An Inventory of His Papers, 1958-2001 and undated, at the
Southwest Collection/Special Collections Library
| | |
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| Creator | Bass, Rick, 1958- |
| Title: | Rick Bass Papers,
|
| Dates: | 1959-2002 and undated |
| Abstract: | Papers of author Rick
Bass from 1958-2001 and undated. |
| Collection # | R12.1 |
| Quantity: | 78 boxes and 1 tube
(83.0 linear feet) |
| Language | English. |
| Repository: | Southwest Collection/Special Collections
Library, Texas Tech University |
Rick Bass is a natural history writer and the author of numerous short
story anthologies and books, both fiction and non-fiction. Bass worked as
a petroleum geologist in the southeast during the 1980s before changing his
career to a writer.
A list of his publications include:
- Bass, Rick. Platte River. Boston:
Houghton Mifflin/Seymour Lawrence, 1994.
- Bass, Rick. The Ninemile Wolves.
Boston: Houghton Mifflin, 2003.
- Bass, Rick. The Watch. New York:
Norton, c1989.
- Bass, Rick. The Sky, The Stars, and The
Wilderness. Boston: Houghton Mifflin, 1997.
The collection is composed mostly of the literary works and research
materials of Rick Bass. Literary works are in original manuscripts, galleys,
proofs, and other revised draft copies. Some materials are business
correspondence and scrapbook materials. The correspondence reflects Bass’
activities with literary agents, book and magazine publishers, and conferences
he attended. Some correspondence is fan mail. The holograph notebooks,
conservation papers, and environmental reports make up the research materials
gathered by Rick Bass. The holograph notebooks are original hand notes of Bass’
stories and books. About six boxes have files concerning his participation with
the Yaak Valley Forest Council. Thirteen boxes are geological records of oil
and gas induction logs and leases from Alabama and Mississippi petroleum sites
gathered by Rick Bass while working as a petroleum geologist.
The collection is in good condition and is part of the James Sowell
Family Collection in Literature, Community and the Natural World.
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Organization
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| The collection is organized into the following series: |
| Box #1-9: Correspondence, 1986-2001 |
| Box #9: Financial Material, 1989-1996 |
| Box #9-35: Literary Production, 1978-2001 and undated |
| Box #35-61: Research Files, 1980-2000 and undated |
| Box #62: Printed Material, 1982-1987 |
| Box #62-65: Scrapbook Material, 1989-2000 and undated |
| Box #66-78: Geological Records, 1958-1995 and undated |
| Tube #1: Logan Canyon, Utah Maps, undated |
Access Restrictions
Open for research
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|
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| The subject headings used by the Southwest Collection/Special
Collections Library are derived from the Library of Congress and/or locally
developed. |
| Subjects (Persons) |
| | Bass, Rick |
| | Bass, Rick- --Archives |
| | Bass, Rick- --Correspondence |
| | Bass, Rick- --Manuscripts |
| Places |
| | Washington (State)--Fiction |
| Subjects |
| | American literature--21st century |
| | Fishing--Fiction |
| | Natural history |
| | Natural history in literature |
| | Novelists, American--20th century--Correspondence |
| | |
|
For related materials located in the Southwest Collection/Special
Collections Library, see the following collections:
|
| |
- Rick Bass Poster Collection
- Doug Peacock Papers, 1950-2000 and undated
- Bill McKibben Papers, 1971-2001 and undated
|
Rick Bass Papers, 1958-2001 and undated, Southwest Collection/Special
Collections Library, Texas Tech University, Lubbock, Texas
Collection accession #(s):
2001-0202-X
Purchase, 2001
Abel Ramirez, 2001-2002
Collection Inventory
| | | | | | | | | | | | | |
| |
Correspondence, 1986-2001
|
| box | folder |
| 1 | 1 | | “Anthologies”,
1988-1993 |
| 2 | | “Anthologies”,
1992-2000 |
| 3 | | “Anthologies #2”,
1992-2000 |
| 4 | | “Audio Deals”,
1989-2000 |
| 5 | | “The Book of Yaak” business correspondence,
1995-1997 |
| 6 | | “The Book of Yaak” publishing contracts, business
correspondence, and statements,
1994-1997 |
| 7 | | “Brown Dog”, publishing contracts, business
correspondence and royalty statements,
1997-2000 |
| 8 | | Business Correspondence,
1991-2000 |
| box | folder |
| 2 | 1 | | “Conferences”,
1989-1990 |
| 2 | | “Conferences (1)”,
1992-2000 |
| 3 | | “Conferences”,
1993-1998 |
| 4 | | “Conferences”,
1993-1998 |
| 5 | | “Conferences (2)”,
1997-2000 |
| box | folder |
| 3 | 1 | | “Conferences #3”,
1997-2000 |
| 2 | | “The Deer Pasture” business correspondence,
1989-1996 |
| 3 | | “The Deer Pasture” publishing contracts, business
correspondence and royalty statements,
1986-2000 |
| 4 | | “Deer Pasture”,
2000 |
| 5 | | “Fiber”, publishing contracts, business correspondence
and royalty statements,
1997-1998 |
| 6 | | “Fiber”, correspondence and reviews,
1998-1999 |
| 7 | | “Foreign Stuff”,
1995-2001 |
| 8 | | “Forestry Congress”, business correspondence of Forestry
Committee,
1996-1997 |
| 9 | | “In the Loyal Mountains (stories)” publishing contract,
business correspondence and royalty statements,
1989-1999 |
| 10 | | “In the Loyal Mountains (1)”, correspondence and
reviews,
1995 |
| 11 | | “Legend of Pigeye”, business correspondence,
1992-1999 |
| box | folder |
| 4 | 1 | | Letters to Congress,
1990s |
| 2 | | Letters to Congress,
1990s |
| 3 | | Literary-Foreign Materials (1),
1990s |
| 4 | | Literary-Foreign Materials (2),
1990s |
| 5 | | Miscellaneous,
1994-1995 |
| 6 | | Miscellaneous Correspondence,
1995 |
| 7 | | “Miscellaneous Film Stuff”, business correspondence on
Yaak Film,
1994-2000 |
| 8 | | Montana Land Reliance,
1995-1997 |
| 9 | | “My Colter”, publishing contracts, business
correspondence and royalty statements,
1998-1999 |
| 10 | | "My Colter" (1),
1998-2000 |
| box | folder |
| 5 | 1 | | “The New Wolves”, business correspondence and royalty
statements,
1997-1998 |
| 2 | | “New Wolves”, publishing contracts, business
correspondence and royalty statements,
1998-2000 |
| 3 | | “New Wolves”, correspondence and reviews,
1998-2000 |
| 4 | | “NEA”, National Endowment for the Arts,
1990-1991 |
| 5 | | “The Ninemile Wolves”, correspondence and reviews,
1991-1992 |
| 6 | | “Ninemile Wolves”, fan mail,
1992-1993 |
| 7 | | “The Ninemile Wolves”, publishing contracts, business
correspondence and royalty statements,
1992-2000 |
| 8 | | “Oil Notes”, business correspondence,
1987-1990 |
| 9 | | “Oil Notes”, correspondence and reviews,
1987-1994 |
| 10 | | “Oil Notes”, publishing contracts, business
correspondence and royalty statements,
1989-1995 |
| 11 | | Orion Society,
1996-1997 |
| box | folder |
| 6 | 1 | | “Platte River”, business correspondence,
1993-1994 |
| 2 | | “Platte River”,
1994-1995 |
| 3 | | “Platte River”, Cover art proofs, publishing contracts,
business correspondence and royalty statements,
1994-2000 |
| 4 | | Roosevelt Association (Theodore Roosevelt Assn.),
2000-2001 |
| 5 | | “Round River”,
1992-1999 |
| 6 | | “Round River-Yaak”,
1996-1999 |
| 7 | | “Round River Conservation Studies”, check stubs and
correspondence,
1998-1999 |
| 8 | | “San Juan Grizzlies”, diskettes, business correspondence
and royalty statements,
1993-1995 |
| 9 | | “The Sky, the Stars, the Wilderness”, publishing
contract, business correspondence and royalty statements,
1995-1998 |
| 10 | | “Sky, Stars, Wilderness”, correspondence and reviews,
1997-1998 |
| 11 | | Students and Fan Mail,
1994-1995 |
| 12 | | Students and Fan Mail,
1994-1995 |
| box | folder |
| 7 | 1 | | Student/Fan Correspondence, (1-2), Yaak Conservation
Efforts,
1994-2000 |
| 2 | | Student/Fan Correspondence (3), Yaak Conservation
Efforts,
1994-2000 |
| 3 | | Student/Fan Correspondence (4), Yaak Conservation
Efforts,
1994-2000 |
| 4 | | Student/Fan Correspondence (4 cont’d.), Yaak
Conservation Efforts,
1994-2000 |
| 5 | | “Typist Billings”, Rick Bass to Angi,
2000-2001 |
| box | folder |
| 8 | 1 | | “The Watch and other stories”, business correspondence,
1989 |
| 2 | | “The Watch”, publishing contract, business
correspondence and royalty statements,
1989-1999 |
| 3 | | “Where the Sea Used to Be”, publishing contract,
business correspondence and royalty statements,
1993-1998 |
| 4 | | “Where the Sea Used to Be”, proofs, correspondence and
reviews,
1995-1999 |
| 5 | | “Where the Sea Used to Be”, business correspondence and
royalty statements,
1997-1998 |
| 6 | | “Wild to the Heart”, publishing contracts, business
correspondence and royalty statements,
1988-1997 |
| 7 | | “Winter”, business correspondence,
1990-1993 |
| 8 | | “Winter”, business correspondence,
1990-1993 |
| 9 | | “Winter”, Fan and business correspondence,
1991-1992 |
| box | folder |
| 9 | 1 | | “Winter”, correspondence and reviews,
1991-1994 |
| 2 | | “Winter”, publishing contracts, business correspondence
and royalty statements,
1992-2000 |
| 3 | | “Yaak Film Stuff”, business correspondence w/Dean
Goodhill re: Yaak film,
1993-1994 |
| | | | | | | | | | | | | |
| |
Financial Material, 1989-1996
|
| box | folder |
| 9 | 4 | | Shearson Lehman Brothers financial statements,
1989-1990 |
| 5 | | “Typist Billings”, Angi to Rick Bass,
1995-1996 |
| | | | | | | | | | | | | |
| |
Literary Production, 1978-2001 and undated
|
| box | folder |
| 9 | 6 | | “Book of Yaak”, manuscript introduction,
1994-1996 |
| 7 | | “Book of Yaak” (1), Working manuscript w/cover letter
from Houghton-Mifflin,
1996-1997 |
| 8 | | “Book of Yaak” (2), Master page proofs,
1996-1997 |
| 9 | | “Book of Yaak” (3), Author’s set of marked proofs,
1996-1997 |
| 10 | | “Book of Yaak” (4), Early typescript with corrections,
1996-1997 |
| 11 | | “Book of Yaak” (5), Tenative collection of shorter
pieces,
1996 |
| 12 | | “Book of Yaak” (6), Shorter pieces with outline,
1996 |
| 13 | | “Colter”, manuscript,
1998-1999 |
| 14 | | “My Colter #1” (2), typescript,
1999 |
| box | folder |
| 10 | 1 | | “Colter”, partial typescript,
1999-2000 |
| 2 | | “Colter”, two master page proofs,
1999-2000 |
| 3 | | “Colter”, manuscript with corrections,
2000 |
| 4 | | “My Colter”, manuscript,
2000 |
| 5 | | “Colter”, set of marked proofs,
2000 |
| 6 | | “Colter”, set of master proofs,
2000 |
| 7 | | “Colter”, working manuscript,
2000-2001 |
| 8 | | “In the Loyal Mountains”, manuscript,
1995 |
| 9 | | “In the Loyal Mountains”, manuscript,
1995 |
| 10 | | “In the Loyal Mountains”, manuscript page proofs,
1995 |
| 11 | | “In the Loyal Mountains”, tenative collection of shorter
pieces,
1995 |
| 12 | | “In the Loyal Mountains”, typescript,
1995 |
| 13 | | “In the Loyal Mountains (2)”, typescript with
corrections and page proof,
1995 |
| 14 | | “Lost Grizzlies #1”, manuscript,
1991 |
| 15 | | “Lost Grizzlies #2”, manuscript,
1992 |
| box | folder |
| 11 | 1 | | “The Lost Grizzlies #3”,
1993-1994 |
| 2 | | “The Lost Grizzlies #4”, manuscript,
1995 |
| 3 | | “The Lost Grizzlies #5”, manuscript,
1995 |
| 4 | | “The Lost Grizzlies #6”, manuscript,
1995 |
| 5 | | “The Lost Grizzlies #7”, manuscript,
1995 |
| 6 | | “The Lost Grizzlies #8”, manuscript,
1995 |
| 7 | | “The Lost Grizzlies #9”, manuscript,
1995 |
| 8 | | “The Lost Grizzlies #10”, manuscript,
1995 |
| 9 | | “The Lost Grizzlies #11”, manuscript,
1995 |
| 10 | | “Lost Grizzlies #1”, marked transcript,
1995 |
| 11 | | “Lost Grizzlies #2”, advance page proofs,
1995 |
| 12 | | “Lost Grizzlies”, advance page proofs,
1995 |
| 13 | | “The New Wolves”, manuscript,
1998 |
| box | folder |
| 12 | 1 | | “The New Wolves” #2,
1998 |
| 2 | | “The New Wolves” #3,
1998 |
| 3 | | “The New Wolves”, manuscript early draft,
1998-1999 |
| 4 | | “The New Wolves”, holograph notes,
undated |
| 5 | | “The New Wolves” #1, manuscript with corrections,
undated |
| 6 | | “The Ninemile Wolves”, galleys and proofs,
1992 |
| 7 | | “The Ninemile Wolves”, various drafts,
1992 |
| 8 | | “Peacock”,
1990-1991 |
| 9 | | “Peacock 1990”, original manuscript,
1993 |
| 10 | | “Peacock 1990”, typescript with corrections,
1993 |
| 11 | | “Peacock 1990”, manuscript with corrections, draft #1,
1993-1994 |
| 12 | | “Peacock 1990”, original manuscript, draft #2,
1994 |
| 13 | | “Peacock 1990”, manuscript with corrections, draft #1,
1994 |
| 14 | | “Peacock 1990”, manuscript with corrections, draft #2,
1994 |
| box | folder |
| 13 | 1 | | “Peacock 1990”, The Fall (1),
1994 |
| 2 | | “Peacock 1990”, The Fall (2),
1995 |
| 3 | | Peacock 1990/San Juans/Perfect Day, (1),
1995 |
| 4 | | Peacock 1990/San Juans/Perfect Day, (2),
1995 |
| 5 | | Peacock 1990/San Juans/Perfect Day, (3),
1995 |
| 6 | | “The Perfect Day”, short versions L.A. Times, Orion,
1994 |
| 7 | | “The Perfect Day”, long version manuscript,
1994 |
| 8 | | “The Perfect Day”, short version manuscript,
1994 |
| 9 | | “The Perfect Day”, original manuscript,
1994 |
| 10 | | “The Perfect Day”, original manuscript,
1994 |
| 11 | | “The Perfect Day”, original manuscript,
1994 |
| 12 | | “The Perfect Day”, draft #1 to 2 with corrections,
1994 |
| box | folder |
| 14 | 1 | | “San Juans 1991”, original manuscript with corrections,
1994 |
| 2 | | “San Juans 1991”, manuscript with corrections,
1994 |
| 3 | | “San Juans 1991”, manuscript with corrections,
1994 |
| 4 | | “San Juans 1991”, manuscript with corrections,
1994 |
| 5 | | “San Juans 1991”, manuscript with corrections,
1994 |
| 6 | | “San Juans 1991”, orginal manuscript,
1994 |
| 7 | | “San Juans 1991”, manuscript with corrections,
1994 |
| 8 | | “San Juans 1991”, original manuscripts,
1994 |
| 9 | | “San Juans 1991”, manuscript with corrections,
1994 |
| 10 | | “San Juans 1991”, literary correspondence, clippings and
loose notes,
1994 |
| 11 | | “San Juan Town Meetings”, manuscript with corrections,
1992 |
| 12 | | “San Juan Town Meetings 1992”, floppy disk,
1992 |
| 13 | | “San Juans 1992”, manuscript with corrections,
1994 |
| 14 | | “San Juans 1992”, two variant typescript drafts,
1994 |
| 15 | | “The Sky, the Stars, the Wilderness #1”, typescript,
1990-1992 |
| 16 | | “The Sky, the Stars, the Wilderness #2 and 3”,
typescripts,
1990-1992 |
| 17 | | “Sky, Stars, Wilderness”, incomplete typescript with
loose notes,
1996 |
| 18 | | “Sky, Stars, Wilderness”, version 2 copy-edited
typescript,
1996 |
| 19 | | “Sky, Stars, Wilderness”, author’s marked proofs,
1997 |
| box | folder |
| 15 | 1 | | “Sky, Stars, Wilderness”, master proof copy,
1997 |
| 2 | | “Sky, Stars, Wilderness”, revised proof,
1997 |
| 3 | | “Sky, Stars, Wilderness”, working manuscript,
1997-1999 |
| 4 | | “Where the Sea Used to Be” (1),
1994 |
| 5 | | “Where the Sea Used to Be” (2),
1993 |
| 6 | | “Where the Sea Used to Be” (3),
1993 |
| 7 | | “Where the Sea Used to Be” (4),
1994 |
| 8 | | “Where the Sea Used to Be” (5),
1988-1991 |
| 9 | | “Where the Sea Used to Be” (6), Camille’s edit,
1996 |
| 10 | | “Where the Sea Used to Be” (7), Carol’s version,
undated |
| 11 | | “Where the Sea Used to Be” (1), early typescript and
preface,
1998 |
| 12 | | “Where the Sea Used to Be” (2), early typescript,
1998 |
| box | folder |
| 16 | 1 | | “Where the Sea Used to Be” (3), typescript draft,
1998 |
| 2 | | “Where the Sea Used to Be” (4), typescript draft with
corrections,
1998 |
| 3 | | “Where the Sea Used to Be” (5), typescript with
corrections,
1998 |
| 4 | | “Where the Sea Used to Be”, manuscript a.k.a. “Swan
Valley, Montana”,
1995 |
| 5 | | “Where the Sea Used to Be”, manuscript “Swan Valley,
Montana”,
1995 |
| 6 | | “Where the Sea Used to Be”, manuscript “Swan Valley,
Montana”,
1995 |
| 7 | | “Where the Sea Used to Be”, typescript,
1995 |
| 8 | | “Where the Sea Used to Be”, typescript,
1995 |
| 9 | | “Where the Sea Used to Be”, typescript,
1995 |
| 10 | | “Where the Sea Used to Be”, typescript,
1995 |
| 11 | | “Where the Sea Used to Be”, typescript,
1995 |
| 12 | | “Where the Sea Used to Be”, typescript,
1995 |
| 13 | | “Where the Sea Used to Be”, typescript,
1995 |
| 14 | | “Where the Sea Used to Be”, typescript,
1995 |
| 15 | | “Where the Sea Used to Be”, typescript,
1995 |
| box | folder |
| 17 | 1 | | “Where the Sea Used to Be”, typescript,
1995 |
| 2 | | “Where the Sea Used to Be”, typescript,
1995 |
| 3 | | “Where the Sea Used to Be”, typescript “Swan Valley,
Montana”,
1995 |
| 4 | | “Where the Sea Used to Be”, manuscript “Swan Valley,
Montana”,
1996 |
| 5 | | “Where the Sea Used to Be”, manuscript with corrections,
1996 |
| 6 | | “Where the Sea Used to Be”, manuscript with corrections,
1996 |
| 7 | | “Where the Sea Used to Be”, manuscript with corrections,
1996 |
| 8 | | “Where the Sea Used to Be”, manuscript with corrections,
1996 |
| 9 | | “Where the Sea Used to Be”, manuscript with corrections,
1996 |
| 10 | | “Where the Sea Used to Be”, manuscript draft copy,
1996 |
| 11 | | “Where the Sea Used to Be”, original manuscript,
1996-1998 |
| 12 | | “Where the Sea Used to Be”, original manuscript,
1996-1998 |
| 13 | | “Where the Sea Used to Be”, original manuscript,
1996-1998 |
| 14 | | “Where the Sea Used to Be”, original manuscript,
1996-1998 |
| box | folder |
| 18 | 1 | | “Where the Sea Used to Be”, unaided draft,
1996 |
| 2 | | “Where the Sea Used to Be” (1), photocopied holograph
with notes,
1997 |
| 3 | | “Where the Sea Used to Be” (2), revised typescript
(draft #2) with corrections,
1997 |
| 4 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 5 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 6 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 7 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 8 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 9 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 10 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 11 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 12 | | “Where the Sea Used to Be”, manuscript draft copy,
1997 |
| 13 | | “Where the Sea Used to Be”, manuscript,
1997 |
| 14 | | “Where the Sea Used to Be”, manuscript,
1997 |
| 15 | | “Where the Sea Used to Be”, inserts for manuscript
narrative,
1997 |
| 16 | | “Where the Sea Used to Be”, miscellaneous revisions,
1997 |
| 17 | | “Where the Sea Used to Be”, manuscript “Swan Valley,
Montana”,
1998 |
| 18 | | “Where the Sea Used to Be”, manuscript page proofs,
1998 |
| 19 | | “Where the Sea Used to Be”, manuscript,
1998 |
| 20 | | “Where the Sea Used to Be”, edited manuscript,
1998 |
| 21 | | “Where the Sea Used to Be”, edited manuscript,
1998 |
| box | folder |
| 19 | 1 | | “Where the Sea Used to Be”, revised page proofs,
1998 |
| 2 | | “Where the Sea Used to Be”, outline of novel on padded
envelope,
1998 |
| 3 | | “Where the Sea Used to Be”,
1998 |
| 4 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 5 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 6 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 7 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 8 | | “Where the Sea Used to Be”, typescript,
1998 |
| box | folder |
| 20 | 1 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 2 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 3 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 4 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 5 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 6 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 7 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 8 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 9 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 10 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 11 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 12 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 13 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 14 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 15 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 16 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 17 | | “Where the Sea Used to Be”, partial typescript,
1998 |
| 18 | | “Where the Sea Used to Be”, partial typescript draft #2,
1998 |
| 19 | | “Where the Sea Used to Be”, marked proof,
1998 |
| 20 | | “Where the Sea Used to Be”, marked proofs,
1999 |
| box | folder |
| 21 | 1 | | “Adirondacks”, intro, holograph and typescript,
undated |
| 2 | | “AFSEEE piece”, partial typescript,
1998 |
| 3 | | “The Afterlife”, photocopied holograph with notations,
1997 |
| 4 | | “The Afterlife” (Summer) #1, three typescripts with
corrections,
undated |
| 5 | | “The Afterlife (Summer)” (1), typescript,
undated |
| 6 | | “The Afterlife (fall)” (2), typescript with corrections,
undated |
| 7 | | “Almost Like Hibernation”, two typescripts with
corrections and correspondence,
1994 |
| 8 | | “An Appeal to Hunters”, typescript,
1995 |
| 9 | | “Angel #9 (1)”, two typescripts with corrections,
1992-1993 |
| 10 | | “Angel #10-11 (2)”, three typescripts with corrections
and correspondence,
1995 |
| 11 | | “Annick Smith Intro”, typescript, a.k.a. “Lynx Ladies”,
1999 |
| 12 | | “Antlers (1)”, typescript with corrections,
1996 |
| 13 | | “Antlers (2)”, two variant typescripts with corrections,
1996 |
| 14 | | “Antlers (3)”, photocopy of finished piece,
undated |
| 15 | | “Antlers (4-5)”,
undated |
| 16 | | “Antlers”, manuscript,
undated |
| 17 | | “Back Country Living”, three typescripts with notes and
correspondence,
1995 |
| 18 | | “Backwoods”, two typescripts and contract,
1988 |
| 19 | | “B.A.S.S. Essays #1-Hermit’s Story”, partial typescript,
undated |
| 20 | | “B.A.S.S. Essays #2-Pig-Eye”, three typescripts with
corrections,
1991 |
| 21 | | “B.A.S.S. Essays #3-Days of Heaven”, four typescripts
with holograph and corrections,
1992 |
| 22 | | “B.C. #1”, typescript and correspondence,
1995 |
| 23 | | “The Bear”, six variant typescripts with corrections,
1998 |
| 24 | | “Bear Spray Stories”, three typescripts, correspondence,
contracts and finished piece,
1990-2000 |
| 25 | | “Bedichek”, two typescripts with correspondence,
contract and cover proofs,
1994 |
| 26 | | “Beloit” #1, draft manuscript,
1993 |
| 27 | | “Beloit” #2, typescript,
1993 |
| 28 | | “Beloit” #3, partial typescript, page proofs and
correspondence,
1993 |
| 29 | | “Big Life #1”, incomplete photocopied holograph with
notes,
1997 |
| 30 | | “The Big Life”, partial typescript with loose notes,
1997 |
| 31 | | “The Big Life”,
2001 |
| 32 | | “Big Sky intro to conservation issue”, draft, typescript
and finished piece,
1995 |
| 33 | | “Bill”, typescript of revised excerpt from “Custody”,
2001 |
| 34 | | “Bingo”, Short Story manuscript,
undated |
| 35 | | “Bingo #1”, three typescripts with corrections,
undated |
| 36 | | “Biophilia”, three typescripts with corrections and
finished piece,
1999-2000 |
| 37 | | “Black Lion in Winter”, holograph manuscript,
1997 |
| 38 | | “Black Lion in Winter”, four variant typescripts with
corrections,
undated |
| 39 | | “Black Wolves”, three typescripts with corrections and
correspondence,
1997 |
| 40 | | “Black Wolves”, typescript with corrections,
1997 |
| 41 | | “Blasting Buzzards Out of the Sky”, two typescripts,
1989 |
| box | folder |
| 22 | 1 | | “The Blood Root of Art”, two typescripts with
corrections,
1996 |
| 2 | | “The Blood Root of Yaak”, typescript,
1997 |
| 3 | | “The Blood Root of Yaak”, three typescripts with
corrections and correspondence,
1997 |
| 4 | | “The Blood Runs Like a River Through My Dreams”, by
Nasdijj,
2000 |
| 5 | | “The Blue Horse”, one page of notes,
undated |
| 6 | | “Book Reviews”,
1989-1998 |
| 7 | | “The Bookstore as Teacher”, two typescripts with
corrections and correspondence,
2000 |
| 8 | | “British Columbia (2)”, typescript,
1995 |
| 9 | | “Brown Dog of the Yaak”, early manuscripts,
1997 |
| 10 | | “Brown Dog of the Yaak” (1), typescript, page proofs and
correspondence,
1999 |
| 11 | | “Brown Dog of the Yaak” (2), final manuscript with cover
letter,
1998 |
| 12 | | “Brown Dog of the Yaak”, typescript,
1999 |
| 13 | | “Browns”, typescript (4 copies),
undated |
| 14 | | “Browns”, short story manuscript,
undated |
| 15 | | “Buffalo 66”, three typescripts with corrections and
notes,
2000 |
| 16 | | “California Grizzly” Intro, typescripts, proofs and
correspondence,
1996 |
| 17 | | “Camus Article”, typescript,
2000 |
| 18 | | “Candy in the Mountains”, typescript,
undated |
| 19 | | “The Canoeists”, typescript,
undated |
| 20 | | “Caribou”, manuscript,
1992 |
| 21 | | “Catfish #3”, typescript with corrections and contract,
1990 |
| 22 | | “Cats and Students, Bubbles and Abysses”, photocopy of
finished piece,
1987 |
| 23 | | “The Cave”, four typescripts with corrections,
2000 |
| 24 | | “Chances #1”, typescript with corrections and contract,
1989 |
| 25 | | “Chasing Shadows”, by Medora Plimpton,
1993 |
| 26 | | “Chocolate Lizards”, by Cole Thompson,
1998 |
| 27 | | “Choteau”, galleys,
1988 |
| 28 | | “City of Books”, three typescripts with corrections,
undated |
| 29 | | “Clinton’s Asterisk”, typescripts and correspondence,
1996 |
| 30 | | “Coca-Cola’s”, short story manuscript,
undated |
| 31 | | Collection of Short Stories,
undated |
| 32 | | “Colter Intro”, typescript for New York Times piece,
2000 |
| 33 | | “Colter’s Cover”, typescript,
undated |
| 34 | | “Colter’s Wheat”, typescript (two copies),
undated |
| 35 | | “Confessions of an Eco-Redneck”, by Steve Chapple,
undated |
| 36 | | “The Comet”, typescripts with contracts and
correspondence,
1998 |
| box | folder |
| 23 | 1 | | “The Community of Glaciers”, six drafts and notes,
1999 |
| 2 | | “Cores #1”, typescript,
1994-1996 |
| 3 | | “Counting”, typescript,
undated |
| 4 | | “Crossing the Backbone of the World”, typescript for
“Sports Afield”,
1998 |
| 5 | | “Crossing Over #2”, manuscript,
1991 |
| 6 | | “Crossing Over #3”, two typescripts,
1992-1994 |
| 7 | | “Crowds”, typescript,
undated |
| 8 | | “Custody”, loose notes,
1996 |
| 9 | | “Custody”, partial typescript,
1997 |
| 10 | | “Custody”, typescript,
undated |
| 11 | | “Custody”, typescript,
undated |
| 12 | | “Dangers”, three typescripts and correspondence,
1989 |
| 13 | | “The Dark-Eyed Owls #4”, manuscript,
1994 |
| 14 | | “The Dark-Eyed Owls #5”, typescript and correspondence,
1995-1996 |
| 15 | | “Days of Heaven (1)”, two variant drafts and
correspondence,
1991 |
| 16 | | “Days of Heaven #5 (2)”, two variant drafts and finished
piece,
1991 |
| 17 | | “Days of Heaven #6 (3)”, typescript,
1991 |
| 18 | | “Days of Heaven #7 (4)”, typescripts and sets of
galleys,
1991 |
| 19 | | “Dead Lifting”, typescript,
undated |
| 20 | | “Deer Pasture/Wild to the Heart”, edited manuscript,
1990 |
| 21 | | “Dennis and Probably the Rest”, short story manuscript,
1988 |
| 22 | | “Dennis and Probably the Rest”, two variant typescripts
with corrections,
undated |
| 23 | | “Dilution”, short story manuscript,
undated |
| 24 | | “Dinosaurs”, typescript with corrections,
1997 |
| 25 | | “The Dinosaurs”, typescript,
undated |
| 26 | | “Discovery”, typescript,
undated |
| 27 | | “The Distance”, five variant typescripts with
corrections, notes and correspondence,
2000-2001 |
| 28 | | “The Dirty Shame Saloon”, short story manuscript,
undated |
| 29 | | “Dobie”, photocopies of “Storytellers I Have Known”,
undated |
| 30 | | “Dog Come Home”, two drafts, corrections, correspondence
and contract,
2000 |
| 31 | | “Dombeck Letter”,
1998 |
| 32 | | “Dombeck Essay”, three drafts with corrections and
correspondence,
2000 |
| 33 | | “Dombeck Essay (2)”, three drafts with corrections and
correspondence,
2000 |
| 34 | | “Don Jones”, introduction for “Big Sky” anthology,
undated |
| 35 | | “Dream Birds”, draft (4 copies),
1999 |
| 36 | | “The Dream of the Marsh Wren”, by Pattiann Rogers,
1998 |
| 37 | | “Drilling Up Glacier”, short story manuscript,
undated |
| 38 | | “Duck Hunt” typescript and proofs,
2000 |
| 39 | | “The Earth Divers #1 and #2”, two typescripts with
corrections,
1994 |
| 40 | | “East”, two typescripts with corrections and notes,
1995 |
| 41 | | “Eastern Washington”, six drafts with page proofs,
correspondence,
2001 |
| box | folder |
| 24 | 1 | | “Eating”, two typescripts with corrections and
correspondence,
2000-2001 |
| 2 | | “Eating Montana”, typescript with correspondence,
1997-1998 |
| 3 | | “Eating Montana (2)”, typescript,
1997-1998 |
| 4 | | “Elk”, two variant typescripts with corrections,
correspondence and revisions,
1997 |
| 5 | | “Elk and Grouse” (1), typescript,
1999 |
| 6 | | “Elk and Grouse” (2), two typescript drafts,
2001 |
| 7 | | “Ellis Intro/Cogan’s Woods”, typescripts, proofs and
correspondence,
2000 |
| 8 | | “Epilogue (My Colter)”, typescript,
2000 |
| 9 | | “ESPY/Yaak”, typescript,
1994 |
| 10 | | “The Fair”, typescript and correspondence,
1990 |
| 11 | | “The Farm”, three typescripts with correspondence and
contracts,
1999-2000 |
| 12 | | “Farms”, short story manuscript,
undated |
| 13 | | “Farms #2”, typescript,
undated |
| 14 | | “Fear (1)”, typescript,
1998 |
| 15 | | “Fear (2)”, two variant typescripts with corrections,
1988 |
| 16 | | “Fear (3)”, typescript with contract and galleys,
1990 |
| 17 | | “Fergus Intro (A Good Hunting Partner)”, typescripts and
correspondence,
1999 |
| 18 | | “Fiber”, manuscript and correspondence,
1998 |
| 19 | | “Fiber #2”, typescript, contract and correspondence,
1997-1998 |
| 20 | | “Field Events #1 (1)”, typescript with corrections,
contract and galleys,
1988-1989 |
| 21 | | “Field Events Treatment #1 (2)”, typescript of treatment
for novella,
1988-1989 |
| 22 | | “Field Events #4 (3)”, typescript and one page of notes,
1993 |
| 23 | | “Field Events”, manuscript,
undated |
| 24 | | “Field Events”, manuscript,
undated |
| 25 | | “Field Truths”, three typescripts with correspondence
and contracts,
1996 |
| 26 | | “Fires” (1), loose notes of corrections and
correspondence,
1992-1994 |
| 27 | | “Fires” (2), two drafts with corrections,
1994 |
| 28 | | “Fires”, typewritten manuscript with corrections,
undated |
| 29 | | “Fireflies”, two typescripts with corrections,
undated |
| 30 | | “The Fires Next Time”, photocopy of finished piece and
correspondence,
1998 |
| 31 | | “Fire Notes (for The Fireman’s Wife) (2)”, five drafts
with corrections and correspondence,
1995-1998 |
| 32 | | "The Fireman” (1), two variant typescripts with
corrections,
1996 |
| 33 | | “The Fireman” (2), three typescripts with corrections
and contract,
1996 |
| 34 | | “The Fireman’s Wife”, four typescripts with corrections,
1996 |
| 35 | | “Forests”, two drafts with corrections and
correspondence,
1999 |
| 36 | | “Forming a Grassroots Group”, two variant drafts with
corrections,
1999 |
| 37 | | “Four Coyotes”, two variant drafts with corrections,
1991 |
| 38 | | “Four Deer #5”, two typescripts with corrections and
correspondence,
1993-1994 |
| box | folder |
| 25 | 1 | | “France”, handwritten manuscript,
1996 |
| 2 | | “France #2”, four drafts with corrections,
correspondence and page proofs,
1998 |
| 3 | | “The Fringe” (1), typescript, notes and correspondence,
1994 |
| 4 | | “The Fringe” (2), two typescripts, corrections, page
proofs and correspondence,
1994 |
| 5 | | “The Gentleman”, six typescripts with corrections, notes
and correspondence,
1998-2001 |
| 6 | | “Ghosts”, typescript (2 copies),
undated |
| 7 | | “Gifts”, typescript, corrections and letter from George
Plimpton,
1998 |
| 8 | | “Gifts of Light”,
undated |
| 9 | | “Gila”, by Gregory McNamee,
1993 |
| 10 | | “Grace”, photocopy of finished piece,
1986 |
| 11 | | “Grand Canyon”, typescript, corrections and
correspondence,
1999 |
| 12 | | “Grist #1”, typescript with corrections and
correspondence,
undated |
| 13 | | “Grizzlies in Non-Fiction”, typescript, corrections and
correspondence,
undated |
| 14 | | “Grizzly Peak”, printout with corrections,
1992 |
| 15 | | “Ground School”, three drafts with corrections,
undated |
| 16 | | “Hannah (Intro to Boomerang/Never Say Die reissue)”,
typescripts, correspondence and press materials,
1993-1994 |
| 17 | | “Harbor #1”, typescript with corrections,
undated |
| 18 | | “Hawks”, typescript,
undated |
| 19 | | “Hawaii”, typescript manuscript,
1992 |
| 20 | | “Hawaii”, typescript,
1992 |
| 21 | | “Hawaii #2”, drafts and finished piece,
1993 |
| 22 | | “Headwaters”, typescript with correspondence,
1996 |
| 23 | | “Healing”, two variant typescripts,
1996 |
| 24 | | “Heartwood”, short story manuscript,
1990 |
| 25 | | “Heartwood # 3”, typescripts,
undated |
| 26 | | “Heartwood # 4”, variant typescripts,
undated |
| 27 | | “Heartwood #5”, variant typescripts,
undated |
| 28 | | “Heartwood #6”, variant typescripts,
undated |
| 29 | | “Heartwood #7”, four typescripts with corrections,
1990 |
| 30 | | “Hermit’s Story”, typescript,
1998 |
| 31 | | “The Hermit’s Story”, variant typescript,
1998 |
| 32 | | “Hidden Lake”, photocopies of finished piece,
undated |
| 33 | | “His Parents”, typescript,
undated |
| 34 | | “The History of Rodney”, variant drafts and plough
shares,
1989 |
| 35 | | “Home”, typescript,
1994-1995 |
| 36 | | “Hot Lead”, photocopy of finished piece,
1996 |
| 37 | | “Hounds”, short story manuscript,
undated |
| box | folder |
| 26 | 1 | | “Hounds #3”, typescript,
undated |
| 2 | | “Hounds #4”, variant typescripts,
undated |
| 3 | | Houston, Pam Intro”, two drafts and holograph draft,
2000 |
| 4 | | “Hunting For Hope”, by Scott R. Sanders,
undated |
| 5 | | “Hunting Journal”, typescript,
1992 |
| 6 | | “In Ruth’s Country”, typescript,
undated |
| 7 | | “Into the Fire (1)”, typescript and holograph notes,
1998 |
| 8 | | “Introduction for Montana Magazine”, manuscript,
1996 |
| 9 | | “Ironwood #3” or “La Nalgai”, typescript,
1993 |
| 10 | | “Ironwood #15 and # 16”, variant typescripts,
1993 |
| 11 | | “Johnson, Michael Introduction”, variant manuscripts,
undated |
| 12 | | “Jorro’s Magic”, variant typescript,
undated |
| 13 | | “Juggernaut”, manuscript,
1987-1989 |
| 14 | | “June”, variant drafts,
1999-2000 |
| 15 | | “Knapweed #1”, typescript,
1991 |
| 16 | | “Knapweed #2”, manuscript,
1991 |
| 17 | | “Kirby’s Wife” or “La Nalgai”, draft,
1993 |
| 18 | | “Kirby’s Wife” or “La Nalgai” #2, typescript,
1993 |
| 19 | | “The Knife”, short story,
undated |
| 20 | | “The Knife” or “Meat”, typescript,
undated |
| 21 | | “The Kootenai Five”, variant typescripts and
newsclippings,
1996 |
| 22 | | “La Garita (1)”, photocopied holograph with notations,
1997 |
| 23 | | “La Garita (2)”, photocopied holograph with notations,
1997 |
| 24 | | “La Nalgai” #9 and # 11, variant drafts,
1991 |
| 25 | | “La Nalgai” #13 and #14, variant drafts,
1992 |
| 26 | | “La Nilga”, variant typescripts,
undated |
| 27 | | “Landscape and Imagination”, manuscript,
2001 |
| 28 | | “The Land that Congress Forgot”, manuscripts,
undated |
| 29 | | “The Last Wilderness”, typescript draft,
1991 |
| 30 | | “Leaving Arizona” (2),
1990 |
| 31 | | “The Legend of Pig-Eye” #2, typescript,
1995 |
| 32 | | “Letters from the Jungle MWA Essay #4”, three variant
drafts with corrections,
1992 |
| 33 | | “Letter from Man-Dog”, typescript response to letter,
1991 |
| 34 | | “Letters from Pagans”, original typescript with
corrections,
1991 |
| 35 | | “Letters to and from the Pagans”, manuscript,
1991 |
| 36 | | “Letter from the Woods Savage”, original typescript,
1991 |
| 37 | | “Lighthawk”, manuscript on Yaak Valley,
1997 |
| 38 | | “The Light Possessed Introduction”, manuscript,
1998 |
| 39 | | “Lineham Outfitting Company and My Fishing Guide”,
drafts,
1995 |
| 40 | | “Lion Story”, various drafts,
1998 |
| 41 | | “The Literature of Loss”, manuscript,
undated |
| 42 | | “Logan Canyon”, numerous drafts,
1993-1999 |
| box | folder |
| 27 | 1 | | “Logan Canyon”, various drafts,
1994 |
| 2 | | “Logan Canyon”, manuscript for Salt Lake Magazine,
1996 |
| 3 | | “The Logic of Bears”, variant typescripts,
1992 |
| 4 | | “Loon”, manuscript,
1980s |
| 5 | | “Loon”, manuscript,
undated |
| 6 | | “The Loon Chronicles”, final copy,
1986 |
| 7 | | “Lorraine” or “Rick Bass to Q”, variant typescripts,
undated |
| 8 | | “Losing Meat”, variant drafts,
2000 |
| 9 | | “Lynx Ladies”, variant typescripts,
undated |
| 10 | | “Mad Dog, the Hole and Burning Arm”, final copy,
1985 |
| 11 | | “Mahatma Joe”, variant typescripts,
1993 |
| 12 | | “Mahatma Joe” #4, page proofs,
1993 |
| 13 | | “The Mail Lady”, various drafts,
1994 |
| 14 | | “Making a Case for the Yaak”, manuscript,
undated |
| 15 | | “Maria’s Story”, variant drafts,
1991 |
| 16 | | “Masks”, partial manuscript,
undated |
| 17 | | “May”, various drafts,
1988 |
| 18 | | “Meat”, typescript,
undated |
| 19 | | “Meat”, variant drafts,
undated |
| 20 | | “Meat Grinder #2”, variant typescripts,
undated |
| 21 | | “Memphis”, manuscript,
1991 |
| 22 | | “Memphis” #10, manuscript,
1992 |
| 23 | | “Memphis” #11-13, variant typescripts,
1992-1993 |
| 24 | | “Memphis” #12, holograph manuscript,
1993 |
| 25 | | “Memphis” #14-15, variant typescripts,
1993-1994 |
| 26 | | “Metamorphosis”, variant drafts,
1996 |
| 27 | | “Mexico”, manuscript,
1987-1988 |
| 28 | | “Mint” #2, variant typescripts,
undated |
| 29 | | Miscellaneous Manuscripts, short stories,
1992-1999 |
| 30 | | “Miscellaneous Notes”, typescript and review of Don
DeLillo’s “Mao II”, and letters of employment for Rick Bass,
1979-1991 |
| 31 | | “Mississippi”, short story manuscript,
1986 |
| 32 | | “Morse (Sue)”, manuscript,
2000 |
| 33 | | “Mule Deer”, variant drafts,
2001 |
| 34 | | MWA Essay “Letters from the Jungle”, draft,
1992 |
| 35 | | MWA Essay #2, “The Yaak: Connective Tissue of the West”,
manuscript,
1993 |
| 36 | | “My Daughters #1”, typescript,
1997 |
| 37 | | “My Daughters #2”, five variant drafts,
1997 |
| 38 | | “My Daughters #4”, variant drafts,
1997 |
| 39 | | “My First Writers Conference”, typescript,
1994 |
| 40 | | “My First Writers Conference”, lengthy manuscript,
1997 |
| 41 | | “My First Writers Conference”, (Poets and Writers)
manuscript,
1999 |
| box | folder |
| 28 | 1 | | “My First Writers Conference”, two drafts with
corrections and correspondence,
1999 |
| 2 | | “My Grizzly Story”, variant drafts,
1995 |
| 3 | | “The Myths of Bears”, variant typescripts,
1996 |
| 4 | | “The Myths of Bears”, two variant typescripts with
corrections,
1996 |
| 5 | | “New Country”, variant drafts,
1995 |
| 6 | | “A New Way of Watching Television”, typescript,
1998 |
| 7 | | “New York Times Op-Ed (1)”, typescripts and
correspondence,
1998 |
| 8 | | “New York Times Op-Ed (2)”, Great National Forest
Giveaway, typescripts and correspondence,
1996 |
| 9 | | “Noah’s Ark and the Yaak”, typescripts of this op-ed
piece,
1998 |
| 10 | | “Not Crossing Over”, manuscript,
undated |
| 11 | | “Notes from Yaak”, short story manuscript,
undated |
| 12 | | “Notes: Miscellaneous Hatfield Poems”, poem drafts,
loose notes and outlines,
1998-1999 |
| 13 | | “Not Home” or “Vacation”, typescripts,
undated |
| 14 | | “Novellas”, manuscript,
undated |
| 15 | | “Novel Notes”,
undated |
| 16 | | November 2, Vacation, “Two Days in November”,
manuscript,
undated |
| 17 | | “Oil Notes”, Elizabeth Hughes Illustrations for,
1988 |
| 18 | | “Oil Notes MSS”,
1989 |
| 19 | | “Old Cokes”, variant typescripts,
undated |
| 20 | | “Old Yaak Stuff/Some pre-‘95”, correspondence #2,
1992-1997 |
| 21 | | “Old Yaak Stuff/Some pre-‘95”, manuscript/correspondence
#3,
1997-1998 |
| 22 | | “Old Yaak Stuff/Some pre-‘95”, manuscript #4,
1996-1999 |
| 23 | | “One Season Hunting”, manuscript,
2000 |
| 24 | | “On Willow Creek #5”, variant drafts,
1993-1994 |
| 25 | | “ORV’s (Off Road Vehicles)”, typescript and
correspondence,
1998 |
| 26 | | “Other”, short story manuscript,
undated |
| 27 | | “Other”, manuscript,
undated |
| 28 | | “The Other Fort Worth Basses #1”, typescript,
1990 |
| 29 | | “The Other Fort Worth Basses #2”, typescript,
1990 |
| 30 | | “The Other Fort Worth Basses #3”, typescript,
1990 |
| 31 | | “The Other Fort Worth Basses #4”, typescript,
1990 |
| 32 | | “The Other Fort Worth Basses #5”, typescript,
1990 |
| 33 | | “The Other Fort Worth Basses #6”, variant typescripts,
1991 |
| 34 | | “The Other Fort Worth Basses #7”, variant typescript,
1991 |
| 35 | | “The Other Fort Worth Basses #8”, manuscript for Texas
Monthly Magazine,
1991 |
| 36 | | “The Other Fort Worth Basses #9”, Seybold’s Anthology,
1992 |
| 37 | | “The Owl”, photocopied holograph with notations,
1997 |
| 38 | | “The Owl”, manuscripts,
1999 |
| box | folder |
| 29 | 1 | | “Paris”, variant typescripts,
1999 |
| 2 | | “Peacock Grizzlies #1”, variant drafts with corrections,
1994 |
| 3 | | “Peacock Grizzlies #2”, partial manuscript draft,
1994 |
| 4 | | “Penetrations”, typescript,
undated |
| 5 | | “Penick Re-Entry Prospect”, short story manuscript,
undated |
| 6 | | “Pete”, short story,
undated |
| 7 | | “Pete”, short story manuscript,
undated |
| 8 | | “Pheasants 1994”, manuscript,
1996 |
| 9 | | “Pheasants 1996”, manuscript,
1996 |
| 10 | | “Pheasants ‘98”, manuscript,
1998 |
| 11 | | “Pheasants ‘98”, variant typescripts,
1998 |
| 12 | | “Pheasants 1998”, variant typescripts,
1999 |
| 13 | | “Platte River”, proofs,
1992 |
| 14 | | “Platte River”, typescript with corrections and proofs,
1992 |
| 15 | | “Platte River”, variant typescripts,
1992 |
| 16 | | “Platte River”, original manuscript,
1994-1995 |
| 17 | | “Plimpton”, variant manuscripts,
undated |
| 18 | | “Pointer Guys”, variant typescripts,
1989 |
| 19 | | “Pointer Guys”, typescripts,
1997 |
| 20 | | “Poison of Language”, variant typescripts,
1999-2000 |
| 21 | | “Prade Ranch”, photocopied holograph with notations,
1993 |
| 22 | | “President’s Day”, various drafts,
2000 |
| 23 | | “Prey” (1-2), variant manuscripts,
1990 |
| 24 | | “Prey” #2, manuscript on writing,
1990 |
| 25 | | “The Prisoners” (1-3), variant typescripts,
1994 |
| 26 | | “The Prisoners”, variant typescripts,
1996 |
| 27 | | “Prisoners of Yaak”, variant typescript,
undated |
| 28 | | “Public Lands Speech”,
undated |
| 29 | | “Public Lands Speech”, by Rick Bass,
undated |
| box | folder |
| 30 | 1 | | “Quail #1”, manuscript,
1999 |
| 2 | | “Quail”, correspondence and award,
2000 |
| 3 | | “A Quiet Place of Violence”, by Allan M. Jones,
1994 |
| 4 | | “Raccoons of Yaak #2 (and beyond)”, variant manuscripts,
1998-1999 |
| 5 | | “The Raccoons of Yaak”, two variant drafts,
1999 |
| 6 | | “Rage of the Squat King”, photocopied holograph with
notations,
1996 |
| 7 | | “The Rage of the Squat King”,
2001 |
| 8 | | “The Rage of the Squat King”, manuscript,
undated |
| 9 | | “The Ravens #1”, typescript,
1990 |
| 10 | | “The Ravens #2”, typescript,
1990 |
| 11 | | “Ravens” #3, typescript,
1990 |
| 12 | | “Ravens” #4, two variant typescripts,
1990 |
| 13 | | “Ravens” #5, typescript,
undated |
| 14 | | “Ready, Almost Ready”, typescript,
1987 |
| 15 | | “Real Town” #8, typescript,
1994-1996 |
| 16 | | “Records” #1, typescript,
1993 |
| 17 | | “Records” #2, two typescripts,
1993 |
| 18 | | “Records” #3, three typescripts,
1993 |
| 19 | | “Records” #5-6, variant typescript,
1993-1994 |
| 20 | | “Redfish” #6, variant typescripts,
1988 |
| 21 | | “Red Rock Op-Ed”, typescript and correspondence,
1996 |
| 22 | | “Resistance”, variant typescripts,
undated |
| 23 | | “Reviews”,
1989-1998 |
| 24 | | “Rick Bass to Q” or “Hawks”, variant drafts,
undated |
| 25 | | “Rick Bass to Q” or “What Lasts”, variant drafts,
undated |
| 26 | | “Rick Bass to Q”, variant drafts,
undated |
| 27 | | “Rick Bass to Q”, variant typescripts,
1991 |
| 28 | | “The River”, manuscript,
undated |
| 29 | | “The River”, manuscript,
undated |
| 30 | | “Rivers”, business correspondence,
1999-2000 |
| 31 | | “Rivers”, manuscript for “Rivers” magazine,
2000 |
| 32 | | “The River in Winter”, variant typescripts,
1998 |
| 33 | | “The Road”, variant typescripts,
1999-2001 |
| 34 | | “Roadless (For Forests)”, manuscript,
undated |
| 35 | | “Rockies #1”, typescript,
1993 |
| 36 | | “Rockies #2 Sierra”, typescript,
1994 |
| 37 | | “Rockies #3-4”, variant manuscripts,
1994 |
| 38 | | “Rodney”, variant typescripts,
1997 |
| 39 | | “Rodney”, manuscript and correspondence,
1998 |
| 40 | | “Romania” for Terra Nova ’97, manuscript and
correspondence,
1993-1997 |
| 41 | | “Romania”, typescript,
undated |
| 42 | | “Roots of Yaak”, photocopied holograph with notations,
1997 |
| 43 | | “Round River”, various drafts,
1992-1993 |
| 44 | | “Round River”, galleys and contract,
1993-1994 |
| box | folder |
| 31 | 1 | | “Round River” for Orion, variant typescripts,
1997 |
| 2 | | “Round River”, typescript,
1997 |
| 3 | | “Rust”, typescript draft,
1995 |
| 4 | | “Rust”, variant drafts and notes,
1997 |
| 5 | | “Ruth” #4, typescript,
undated |
| 6 | | Rybicki, John Introduction to poetry book,
undated |
| 7 | | “Sabu” #1, typescript,
1990 |
| 8 | | “The Safe House”, typescripts,
undated |
| 9 | | “Salvage Rider”, typescripts and correspondence,
1996 |
| 10 | | “Sam’s 25th”, manuscript,
undated |
| 11 | | “The Savage Land”, typescript draft #2,
1994 |
| 12 | | “Scholastic Writing Awards”, student writings,
2000 |
| 13 | | “Science Under Siege”, book review,
1998 |
| 14 | | “School”, variant typescript,
1998 |
| 15 | | “Seams of Memory, Ribbons of Brush”, variant
manuscripts,
1998 |
| 16 | | “September Sharptails 1998”, variant typescripts,
2001 |
| 17 | | “Seven Deer” #6-7, typescript,
1994 |
| 18 | | “Sharptails 1996”, manuscript,
1996 |
| 19 | | “Sharptails 1996”, typescripts,
1997 |
| 20 | | “Sharptails 1996”, holograph manuscript,
1997 |
| 21 | | “The Shirakamis”, three variant typescripts,
1996-1998 |
| 22 | | “Shooting School (1)”, typescripts with corrections,
2000 |
| 23 | | “Shooting School (2)”, typescripts with corrections,
2000 |
| 24 | | “Short Story Manuscripts”,
1980s |
| 25 | | “Short Story Manuscript”,
1980s |
| 26 | | “Short Story Manuscripts”,
1980s |
| 27 | | “Shyness”, typescripts, correspondence and finished
piece,
1988-1989 |
| box | folder |
| 32 | 1 | | “The Silent Language”, typescript with corrections,
undated |
| 2 | | “Skunk Notes”, seven variant typescripts with
corrections, correspondence, and contracts,
2000-2001 |
| 3 | | “Solstice Party”, typescript with corrections and
contract,
1999 |
| 4 | | “Solutions”, typescript with correspondence,
2000 |
| 5 | | “Some Safe Place”, finished piece with letter from Barry
Lopez,
1996-1997 |
| 6 | | “The Sporting Road”, by Jim Fergus,
1998 |
| 7 | | “Spring”, typescript and finished piece,
1992 |
| 8 | | “Spruce Grouse”, typescript with correspondence,
2000 |
| 9 | | “Squat King”, short story manuscript,
1994 |
| 10 | | “The Storekeeper”, typescript,
undated |
| 11 | | “The Story of Vermont”, by Christopher Klyza and Stephen
Trombulak,
1999 |
| 12 | | “The Story of Wolves”, typescript and finished piece,
1995 |
| 13 | | “Sue Morse”, typescript with corrections,
undated |
| 14 | | “Susan” #3, variant typescripts,
1988 |
| 15 | | “Susan” #4, variant drafts,
1988 |
| 16 | | “Susan”, revised complete endings #4,
1988 |
| 17 | | “Susan” #5, variant drafts and notes,
1988 |
| 18 | | “Swamp Boy” #3-5, variant typescripts,
1994 |
| 19 | | “Swans” #4-5, variant typescripts,
1995-1999 |
| 20 | | “Swans”, manuscript for GQ magazine,
1999 |
| 21 | | “Swans”, more of story variant typescripts,
1999-2000 |
| 22 | | “Swans”, short story manuscript,
undated |
| 23 | | “Swan Valley”, typescript,
undated |
| 24 | | “The Teachers Manifesto”, typescript with corrections,
1997 |
| 25 | | “Ten Years Later”, three typescripts with corrections,
correspondence, and contracts,
1998 |
| 26 | | “This Savage Land”, variant typescripts,
1994 |
| 27 | | “This Savage Land”, typescript with corrections,
1997 |
| 28 | | “Those Twisting Things”, typescript,
1988 |
| 29 | | “This Year’s Hunt”, two variant typescripts with
corrections and correspondence,
1998-1999 |
| 30 | | “Tim” (For Big Sky), two typescript drafts with
correspondence,
1996-1997 |
| 31 | | “Tiny Grizzly Peak”, typescript with corrections and
finished piece,
2000 |
| 32 | | “Trophies”, two variant typescripts with correspondence,
2000 |
| 33 | | “20515 House, 20510 Senate”, manuscript,
1992 |
| 34 | | “Two Bars”, two variant typescripts with corrections,
finished piece and correspondence,
1997 |
| 35 | | “Two Days”, typescript,
1998 |
| 36 | | “Two Deer”, transcript,
1995 |
| 37 | | “Two Deer”, manuscripts for Paris Review,
1995 |
| 38 | | “Two Deer”, variant manuscripts for Paris Review,
1995 |
| box | folder |
| 33 | 1 | | “Untitled Essay”, photocopied holograph with notations
re: Colter,
1997 |
| 2 | | “Untitled Manuscripts, may be “Oil Notes”,
1995 |
| 3 | | Untitled Holograph Manuscript,
1996 |
| 4 | | Untitled Manuscript,
1998 |
| 5 | | “An Untouched Place”, typescripts,
1996-1998 |
| 6 | | “Up the River”, faxed typescript with corrections,
1991 |
| 7 | | “Up the River” #3, typescript,
1991 |
| 8 | | “Vacation”, typescript,
undated |
| 9 | | “The Valley”, various drafts,
1989-1991 |
| 10 | | “The Valley” or “Why I Live Where I Live”, variant
drafts,
1989-1991 |
| 11 | | “The Valley” #3, page proofs,
1992 |
| 12 | | “Valley of the Crows”, typescript with corrections,
undated |
| 13 | | “Valley of the Dogs”, three variant typescripts with
corrections and page proofs,
undated |
| 14 | | “Vermont as Montana”, holograph copied notebook,
1999 |
| 15 | | “Vermont as Montana” (1),
1999-2000 |
| 16 | | “Vern’s Divorce”, page proofs,
1988 |
| 17 | | “The View”, short story manuscript,
undated |
| 18 | | “Vermont as Montana”, typescript with corrections,
undated |
| 19 | | “The Wait” #1-2, typescripts and page proofs,
1989 |
| 20 | | “The Wait” #3, two variant drafts,
1989-1990 |
| 21 | | “The Wait”, typescripts,
1990 |
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