Widely considered one of America’s greatest living playwrights, Sam Shepard is also an accomplished actor, director, screenwriter, and musician. Born Samuel Shepard Rogers IV on November 5, 1943 in Fort Sheridan, Illinois, Shepard is the oldest of three children. His family traveled extensively before settling in Duarte, California, outside of Pasadena, where his childhood experiences informed themes that mark much of his later playwriting. Shepard described Duarte as a “weird accumulation of things, a strange kind of melting pot – Spanish, Okie, Black, Midwestern elements all jumbled together. People on the move who couldn’t move anymore, who wound up in trailer parks.” (, 1986). Shepard told biographer Don Shewey that his alcoholic father “had a real short fuse,” and that he was often the target of his father’s anger. In high school he began acting and writing poetry. He also worked as a stable hand at a horse ranch in Chino, California from 1958-1960. Thinking of becoming a veterinarian, Shepard studied agriculture at Mount Antonio Junior College for a year; but when a traveling theater group, The Bishop’s Company Repertory Players, came through town, Shepard joined them and left home. After touring with them from 1962-1963, he moved to New York City and worked as a bus boy at the Village Gate in Greenwich Village.

In New York, Shepard spent much of his time reading the works of playwrights and writing short “rock and roll” plays which frequently focused “on a single event, the characters often talking past one another or breaking into long monologues. However puzzling the action, these plays already ring out with Shepard’s deft rhythms,” ( 1999). Shepard disavowed the narrative convention that required consistent character motivations, preferring instead to see his characters as capable of a wide variety of roles and actions. Shepard once told an interviewer that, “I preferred a character that was constantly unidentifiable, shifting through the actor, so that the actor could play almost anything, and the audience was never expected to identify with the characters,” (Shewey, , 1997, p. 51). Shepard reconsidered this initial approach to his writing as a result of the influence of New York director and acting teacher Joseph Chaiken. As Shepard said, Chaiken helped him understand that there’s, “…no room for self indulgence in theater; you have to be thinking about the audience.” (Kevin Berger, salon.com, January 2, 2001) Chaiken also convinced Shepard to begin re-writing his plays in order to discover the essence of the experience. Prior to that, Shepard said, his “tendency was to jam, like it was jazz or something.” (Berger, salon.com, January 2, 2001)

Shepard’s playwriting debut took place at Theater Genesis on October 16, 1964, with a double bill of and . In 1966, he received a grant from the University of Minnesota, the first of several he would receive in the coming years. Also in 1966, he won an unprecedented trio of Obie awards for , , and . The awards, presented by off-off Broadway champion , helped Shepard’s career gain momentum at a time when critics remained wary of his works.

In 1967, Shepard wrote , his first full-length play, which won an Obie the same year. More Obies for his early works followed, including and in 1968. Shepard also received grants from the Rockefeller Foundation in 1967 and the Guggenheim Foundation in 1968. Also in 1968, Shepard joined a rock band, the Holy Modal Rounders, playing drums and guitar. Although he played with the band for three years, he continued to write and received a second Guggenheim Foundation grant in 1971.

Shepard married O-Lan Jones Dark, an actress, on November 9, 1969, with whom he had one son, Jesse Mojo Shepard. Shepard and Dark divorced in 1984. In 1971, Shepard had a much-publicized relationship with rock singer Patti Smith. Together they wrote , acting the parts on stage in the first night’s performance.

In 1971, Shepard and family traveled to England, where four more plays premiered (, , , and ). was later presented in the U.S., winning an Obie in 1973. The next year, Shepard returned to the United States and served as the playwright in residence for The Magic Theater in San Francisco, a post he held for the next ten years. It was during this time that Shepard made his mark on mainstream American drama, winning the Pulitzer Prize for Drama in 1979 for his play and producing his best-known plays, among them, in 1980.

In 1975, he took part in Bob Dylan’s “Rolling Thunder Review,” a nationwide touring group that included Joan Baez, Joni Mitchell, Allen Ginsberg, and William Burroughs. Shepard eventually published an account of the experience in 1987, titled . In 1978, Shepard began his film career, appearing in Bob Dylan’s and later that year in , directed by Terence Mallick. Also in 1978, Shepard began his collaboration with Joseph Chaiken, with the theater piece, . Chaiken and Shepard would also collaborate on (1979), and , which was presented on WBAI radio in 1985.

In the 1980s, his works continued to win awards. He won his eleventh Obie for (1984.) won the New York Drama Critics Award in 1986. Also during the 1980s, Shepard’s screenwriting and acting career began to grow. Screenplays included , , and . His most popular and critically acclaimed film, , won a Golden Palm Awards at the Cannes Film Festival in 1984. This screenplay was commissioned by German director Wim Wenders, and was based loosely on Shepard’s . His acting roles included (1980), (1981), (1982), (1983), for which he received an Academy Award nomination, (1984), (1985), (1986), and (1989). He wrote and directed (1988), which starred Jessica Lange.

Shepard continued to write new plays in the 1990s, though his output has slowed from the dizzying pace of the 1960s-1970s. premiered in 1991, and in 1992 a revised version of was nominated for a Tony Award for Best Drama. Simpatico opened in 1994, and his revision of opened on Broadway in 1996 and received a Tony Award nomination. Another collaboration with Joseph Chaiken, also premiered in 1996. Shepard’s collection of stories, , was published by Knopf in 1996. opened in 1997 and (based on an Octavio Paz short story) was produced in 1998. In 2001, Shepard returned to San Francisco’s The Magic Theater for the premier of his new play .

Shepard’s acting career also flourished through the 1990s and 2000s, with appearances in (1991), (1992), (1993), and (1995), among others. Shepard wrote and directed the feature film (1992). Some of his additional film appearances include (2000), based on the novel of the same name by Cormac McCarthy, (2001), (2001), (2004), (2005), (2005), and (2006).

Shepard was inducted into the American Academy of Arts and Letter in 1986. In 1992, he received the Gold Medal for Drama from the Academy and in 1994 he was inducted into the Theater Hall of Fame. He is currently in a committed relationship with actress Jessica Lange, with whom he has lived since the early 1980s. The couple has two children, Hannah Jane Shepard and Samuel Walker Shepard.

Shepard’s impact on modern theater can be gauged by the numerous scholarly books and articles devoted to his work, as well as the hundreds of productions of his plays, both in the U.S. and abroad.