Texas Archival Resources Online

TABLE OF CONTENTS


Descriptive Summary and Abstract

Biographical Note

Scope and Content Note

Organization of the Papers

Restrictions

Online Catalog Terms

Administrative Information

Description of Series

Series I: Correspondence-1959-2004

Series II: Written Works: Books-1984-2004

Series II: Written Works: Manuscripts-ca.1952-2004, n.d.

Series II: Written Works: Articles-1958-2004

Series II: Written Works: Notes-1983-2003, n.d.

Series III: Personal and Biographical-1932-2000

Series IV: Photographs-1913-2004, n.d.

Series V: Memorabilia-1956-2005

Series VI: Electronic Data-ca.1980-2005

Series VII: Collected Writings: Reviews-1985-2001, n.d.

Series VII: Collected Writings: About Garcia-1964-2005, n.d.

Series VII: Collected Writings: Research-1983-2003, n.d.

Cushing Memorial Library, Texas A & M University

Inventory of the Dr. Lionel G. Garcia Papers

1913-[bulk 1980-2004]-2005



Descriptive Summary and Abstract

CreatorGarcia, Lionel G.
Title Inventory of the Dr. Lionel G. Garcia Papers
Dates1913-[bulk 1980-2004]-2005
AbstractDr. Lionel Garcia, noted author of Mexican American fiction and 1956 Texas A&M University graduate is a practicing Veterinarian by trade and an active author of poetry, fiction, plays, musicals, and news articles focusing primarily on the Mexican American experience in Texas brush country. The collection is comprised of the correspondence, written works, biographical information, photographs, memorabilia, and the collected writings of Dr. Lionel Garcia and his family that showcase his accomplishments and contributions to the literary field.
Identification Area Studies MSS 00167
Extent21.67 linear ft.
LanguageEnglish.
RepositoryCushing Memorial Library College Station, TX 77843-5000

Biographical Note

Lionel Garcia was born in San Diego, Texas, on August the 20th, 1935, deep in the barren brush country. He was raised in an extended family filled with colorful characters which included his parents, grandparents, siblings, aunts and uncles and transient relatives-close and distant, who came in and out of his grandmother's house without warning. He was affected deeply by the Hispanic story telling tradition. Most of his work is about the Mexican American experience in deep south Texas brush country, an area so different and unique that is still part United States and Mexico, an area of a mixture of Catholicism and witchcraft in which nothing thrives except plants with thorns and animals with fangs.

During his early years he was sent to live with his grandfather who worked on a remote ranch far in the scrub. There they tended goats and a few cows and struggled to raise whatever little crops the weather would allow. To this day he can hear the cowbells ring at night, hence the title of his fictionalized autobiography, I Can Hear the Cowbells Ring.

He began writing in grammar school. His first published stories were in 1956 in a literary magazine at Texas A&M University, from which he graduated. His award winning stories have dealt mostly with Mexican American life in the United States.

As a child of the Great Depression, his philosophy and attitudes are shaped by the strength, love and loyalty he experienced in the face of extreme poverty and prejudice. He inherited his sense of humor from his strong family who managed to confront and solve problems of monumental proportions with common sense and total acceptance.

In 1983, he was asked to read from his works at a bohemian coffee house in Houston. The response was so positive that he is now in demand nation-wide as a reader and speaker before a wide range of audiences--from literary and corporate groups to kindergartners. He captures audiences with engaging stories laced with generous helpings of humor and wisdom which makes for an immediate connection with his audience.

He is married to Noemi Barrera and has three children, Rose, Carlos and Paul. He has one son-in-law, Robert Filteau and a grandson, David, a daughter-in-law, Judi, and a grand-daughter, Jamie. He is a practicing veterinarian and devotes his night time to writing. Additional information about Dr. Lionel Garcia can be accessed at: http://www.lionelgarcia-novelist.com

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Scope and Content Note

Dr. Lionel Garcia, noted author of Mexican-American fiction and a veterinarian by training, published his first literary works while at Texas A&M and continues to write about the Mexican-American experience in deep south Texas brush country. The Lionel Garcia Papers include first editions, hand-written and typed manuscripts, photographs, correspondence, literary reviews, memorabilia, and personal papers that document the life of this native Texan. The collection contains multiple manuscripts for most works, allowing researchers to see the work at different stages and to trace Dr. Garcia’s writing process which entails frequent revisions. Received with no particular organizational structure, the papers were organized into seven series and numerous sub-series as detailed below:

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Organization of the Papers

This collection is organized into 7 series:
Series 1. Correspondence, 1959-2004. The first series includes written correspondence through both traditional postal mail and electronic mail (email). Correspondence is conducted between a wide variety of individuals and organizations on topics such as literary accomplishments, manuscript submissions, personal congratulations, and miscellaneous other topics.
Series 2. Written Works, 1956-2004. This series is comprised of the many published and unpublished writings created by Dr. Garcia throughout his career. These works were further broken down into sub series of books, manuscripts, articles, and notes.
  • Sub Series 1. Books, 1983-2004. Books authored by Lionel Garcia and books that feature his short stories are arranged by title in this sub series and labeled with a corresponding item number.
  • Sub Series 2. Manuscripts, ca.1952-2004, n.d. Arranged alphabetically by manuscript title, this sub series contains the many published and unpublished manuscripts of short stories, novels, poetry, and speeches written by Lionel Garcia. Many pieces include hand written revisions and numerous rewrites leading up to the final completed work. The following prominent title changes should be noted, as each manuscript is filed under the working title at its time of creation: Other Years, Other Times, Father Story, and Family Story all evolved into Hardscrub, Remembrances of Childhood became I Can Hear the Cowbells Ring, Tejas is renamed A Shroud in the Family, and A Door at the House of Cards is a play based on The Day They Took My Uncle.
  • Sub Series 3. Articles, 1958-2004. This sub series is the collection of published articles authored by Lionel Garcia, appearing in both newspapers and magazines and are arranged by date of publication. Subjects include short story fragments, social commentary articles, and Mexican American culture.
  • Sub Series 4. Notes, 1983-2003, n.d. Organized by the title of the written work they correspond to, the notes of Lionel Garcia showcase his early hand written drafts as well as the collection of development notes on various written works. Note collections on Father Story (11/17-20) and Leaving Home (11/33-34) contain a variety of materials grouped together by Garcia prior to processing.
Series 3. Personal and Biographical, 1932-2000, n.d. Materials within this series pertain to areas of Lionel Garcia’s personal life and background. Educational achievements, wedding announcements, birth records, military records and related materials can be found in this series, organized by family member’s name or by date if the information was shared by more than one individual or unidentified.
Series 4. Photographs, 1913-2004, n.d. Series four is the photograph collection of Lionel Garcia, his family, and miscellaneous other subjects. Initially sorted by date when applicable, with the remaining photographs arranged by subject matter.
Series 5. Memorabilia, 1956-2005. The memorabilia series is composed of all plaques, awards, certificates, or other personal items with nostalgic value possessed by Dr. Garcia. These pieces are listed by item number and placed in chronological order. The memorabilia items are housed in an oversized box to accommodate the larger pieces.
Series 6. Electronic Media, ca.1980-2005. The electronic data series is a collection of floppy disks, zip disks, CDs, and other forms of digital files that store copies of Garcia’s writings. The material in this series was organized into a variety of disk boxes which were assigned an item number. The descriptive listing of each item’s contents are listed below in the descriptive listing section. A large portion of the data is stored on 5¼-inch floppy disks unique to the 1970s-1980s microcomputers and cannot be accessed in most modern day computers. Dr. Garcia’s manual to one of his word processing computers can be found in folders 16/122-123 and a itemized report of files from Garcia’s harddrive can be located in folder 11/6 to further aide research in this series.
Series 7. Collected Writings, 1964-2005. The final series is a collection of written works in the Lionel Garcia Papers that are not personally authored by Dr. Garcia including literary reviews, biographical articles, promotional materials, and event programs. This series is organized into the following sub series to better separate the writings into material written about Garcia’s work, his life, and material collected by Garcia for research purposes.
  • Sub Series 1. Reviews, 1985-2001, n.d. All literary reviews published on the writings of Lionel Garcia are organized into this sub series by date of the review’s publication, and were sorted by newspaper or magazine name when a date could not be determined.
  • Sub Series 2. About Garcia, 1964-2005, n.d. This sub series is organized by the publication or event date the particular piece corresponds to. Within this sub series you will find articles about Garcia’s life and accomplishments, programs from awards and literary events at which Lionel Garcia is featured, and various promotional materials supporting his writings.
  • Sub Series 3. Research, 1983-2003. Also arranged by date of publication, this sub series is an assortment of articles or programs not specifically about Lionel Garcia or his work. Some pieces collected provide research for his writings and others are collected based on a personal interest in the subject matter or connection to the author.

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Restrictions

Access

No restrictions.

Usage Restrictions

Contact the repository.

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Online Catalog Terms

This collection is indexed under the following headings in the online catalog of Cushing Memorial Library. Researchers wishing to find related materials should search the catalog under these index terms.
Names
Barrera, Meme, 1908-1993.
Barrera, Thomas, 1901-1989.
Garcia, Carlos, 1967-
Garcia, Gonzalo, 1911-1993.
Garcia, Jamie.
Garcia, Judi.
Garcia, Lionel G.
Garcia, Maria.
Garcia, Noemi.
Garcia, Orlando.
Garcia, Paul.
Garcia-Filteau, Rose.
Filteau, Robert.
Filteau, David.
Southwell, Samuel B
Subjects
City and town life –Texas –Fiction.
Family –Texas –San Diego.
Garcia, Lionel G. –Childhood and youth.
Hispanic Americans –Fiction.
Man-woman relationships –Texas –Fiction.
Mexican American authors –Texas –Biography.
Mexican Americans –California –Fiction.
Mexican Americans –Texas –San Diego –Fiction.
Places
New York (N.Y.)
College Station (Tex.)
Corpus Christi (Tex.)
Galveston (Tex.)
Houston (Tex.)
San Diego (Tex.)
Seabrook (Tex.)

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Administrative Information

Provenance

Donated by Dr. Lionel G. Garcia in September 2004

Processing Information

Processed by Processed by Chris Turner, Fall 2005. Supervisors-Rebecca Hankins and Miguel Juarez. **Funding support received from the Glasscock Center for Humanities Research enabled Chris Turner the experience of working on this collection.

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Detailed Description of the Collection

 

Series I: Correspondence-1959-2004

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1/1Adams, James; card thanking Lionel for sending a book of poems. n.d.
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1/2Albright, Mary Kay; letter from Noemi Garcia to Albright requesting a location change with teaching, 1997, June 2.
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1/3Alexander, Dorothy; correspondence with Alexander, a New York photographer, 1991.
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1/4Alley, Barbara; manuscript rejection from New York publishing company, Charles Scribner’s Sons, 1960, June 15.
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1/5-7Alter, Judy; Lionel’s corrections to The Day They Took my Uncle with complete proof from publisher, 2001, January 1.
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1/8American Legion, Department of Texas; letter confirming Lionel’s selection to attend Boy’s State. Signed by G. Ward Moody, Department Adjutant, 1951, May 3.
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1/9Amherst College; correspondence collection discussing Lionel’s application for Writer-In-Residence, 1999-2000.
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1/10Anton, Mary Sue; note congratulating Lionel on being named a rising star by the Houston Chronicle with article attached, 1994.
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1/11Arte Publico Press; fax concerning publishing company, 1994.
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1/12Author’s League Fund; donation request from ALF, 1992, February.
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1/13Avet, James and Chavela; letters between the Chavelas and Lionel discussing Cowbells and Brush Country while reminiscing over childhood memories, 2004, October. 29.
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1/14Berry, Henry; Small Press Book Review confirmation of Hardscrub review, 1990 June.
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1/15Berryhill, Michael; Berryhill, the fine arts editor at the Houston Chronicle, thanks Lionel and returns used essays, 1989, July 14.
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1/16Billings, John B.; Billings praises A Shroud in the Family,1988, July 22.
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1/17Bischoff, Susan; correspondence with Lionel about the special September 11th anniversary section in the Houston Chronicle and his essay that will be published, 2002.
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1/18Bowen, David; production proof of New Growth sent to Lionel for his approval, 1989, July 31.
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1/19Brown, Rosellen; quotes about A Widow With Children by Brown sent to Arte Publico Publishing for use with promotions, ca. 1994.
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1/20Bush, Laura; thank you card from the First Lady, 2001, August 6.
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1/21Calhoun, Frank N.; letter from Calhoun thanking Lionel for his involvement with the 1997 San Jacinto Day activities, 1997, April 30.
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1/22Carlisle, George; appreciative note with Lionel’s article on race relations at Texas A&M University, 2003, December 17.
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1/23Charles Scribner’s Sons; confirmation of manuscript arrival, 1959, September 22.
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1/24Cohen, Emily; information about the Eighteenth Annual Houston Chronicle Book and Author Dinner, 1997, September 16.
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1/25Copper Canyon Press; post card with manuscript arrival confirmation, 2002, December 03.
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1/26Dawson, Jennifer; Dawson, the Chairwoman of the SMU Literary Festival, writes Lionel to thank him for agreeing to do a reading, 1991, May 21.
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1/27De Leon, Leo; information on marketing Wisdom Press from the Boone & De Leon marketing firm, 1999, November 29.
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1/28De Pelchin Children’s Center; card congratulating Lionel on his LIT award, 1991, April 25.
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1/29Dickson, Anne; letter by Lionel to Dickson concerning two short stories, “Some People Are Just That Way” and “Claudia”, that he is sending to her, 1982, February 2.
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1/30Doran, Mike; Doran returns a collection of article clippings to Lionel, 1994, June 21.
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1/31Drury, Susan; confirmation of donation to The Author’s League, n.d.
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1/32The Elephant and the Ant; correspondence collection regarding the publication of The Elephant and the Ant, bulk 2000.
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1/33Espaldon, Diane V.; thank you letter to Lionel for appearing at the Working Capital Fund reception in Houston, 1997, October 1.
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1/34Fay, Mary Smith; friendly letter from Smith from their meeting at the Houston Chronicle Book and Author Dinner, 1997, November 22.
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1/35Filipiak, Olga M.; fan mail, 2001, May 14.
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1/36Filteau, Robert J.; correspondence from Lionel’s son-in-law, 2000, n.d.
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1/37Foster, Bill and Shirley; thank you card from the Fosters for their evening with Lionel and Noemi, 2004.
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1/38-43Fraser, Gabrielle; correspondence from Fraser at Winedale Publishing with short story collection of Lionel’s attached, 2002.
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1/44Gallardo, Edward; response to Lionel’s inquiry on the status of “The Migrants” at the New York Shakespeare Festival, 1987, November 16.
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1/45Garcia; note and news clipping attached of old San Diego Fire Department photo featuring Noemi Garcia’s father, Tomas Barrera, 2000, March 8.
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1/46Georges, Christel; correspondence between Lionel and Georges, a French student, who is developing a thesis based on Lionel’s writings, bulk 1996.
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1/47Gillund, Melvin B.; letter praising I Can Hear the Cowbells Ring, 1998, April 5.
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1/48Goodman, William B.; letter by Lionel addressed to Goodman expressing interest in submitting short stories to the Harvard Press, n.d.
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1/49Greytok, Martha; correspondence praising Brush Country and Lionel’s literary achievements, 2004.
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1/50Guillen, Luz M.; payment verification for reprint of A Shroud in the Family, 2002, February 9.
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1/51Hale, Gabrielle; letter from Winedale Publishing to Lionel, 2002, June 1.
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1/52Hammond, Ken; letter to Grandson essay and payment for its publication in the Houston Chronicle Texas Magazine by Hammond, the editor, 2001.
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1/53Hankins, Rebecca; card thanking Lionel for agreeing to house his papers at Cushing Library, 2004, October 6.
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1/54Hanna, Emily; letter in response to Lionel’s biographical article in the Houston Chronicle, 2001 February 6.
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1/55Hart, Bill; Hart, the Literary Manager at the New York Shakespeare Festival, returns the For Women Only manuscript, 2001 February 6.
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1/56Hawkins, Darnell V.; friendly letter complimenting Lionel’s work, n.d.
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1/57Hedleston, Adelle; thank you card to Lionel for sending an autographed copy of Brush Country, 2004, November 19.
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1/58Heidt, Larry and Pam; invitation to attend the release party for I Can Hear the Cowbells Ring, 1994, October 25.
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1/59Hernandez’s Third Grade Class; card created for Lionel in appreciation for his coming to read with the students, 1992, February 24.
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1/60Herra, Ann Marie; request for information on A Shroud in the Family from a California student, 1993, October 6.
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1/61Hitt, Pauline Jones; Hardscrub praise, 1989, December 29.
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1/62Hogg Middle School; letter concerning the presentation of the Garcia Scholarship at Hogg Middle School in Houston, Texas, 1997, May.
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1/63Hollister, Amy Weaver; return of Lionel’s photo used in the Texas Commission of the Arts magazine, 1992, October 29.
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1/64Houston, Monetta; letter thanking Lionel for presenting an award to youth summer reading achievement at the Friendswood Public Library, 2001, August. 14.
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1/65Houston Symphony League; thank you card for Garcia's feature in the Day by the Bay home tour series. Two complimentary Symphony tickets included, 2001, November 6.
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1/66Huffines, James; Huffines, the State of Texas Director of Governmental Appointments, writes a letter to Judge Jon Lindsey in regards Lindsey’s recommendation of Lionel Garcia to the Texas Board of Veterinary Examiners, 1989, March 24.
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1/67John Simon Guggenheim Memorial Foundation; confirmation of fellowship application, 2003.
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1/68Kegg, Mary; news release fax to Mary Kegg at the News Citizen paper recapping Lionel and Noemi’s trip to the seventy-fifth PEN Anniversary in New York City, 1997, May 16.
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1/69Kessin, Kenneth; A Shroud in the Family praise from Kessin, who discovered the novel while studying abroad in Cuernavaca, Mexico, 1997, June 17.
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1/70King, Betty; King, Secretary of the Texas Senate, presents Lionel with the state flag flown over the capital and a congratulatory certificate for his service at the 1998 San Jacinto Day, 1998.
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1/71Lindsey, Jon; letter from Judge Lindsey to Texas Governor William P. Clements and Director of Appointments, James Huffines, recommending Lionel Garcia for the Texas Board of Veterinary Medical Examiners, 1989, March 13.
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1/72Livingston, Ken; card from Livingston in response to Lionel’s letter to the editor published in the Houston Chronicle. Livingston is a former classmate of Lionel’s at Texas A&M University, n.d.
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1/73Maldonado, J.R.; invitation to Lionel to speak at the 1986 San Diego High School Graduation, 1986, April 3.
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1/74Manriquez, Bettyjean; request to publish "The Apparition" for a Texas Tech University literature class, 2004, September 21.
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1/75Massie, Maria; Massie, who represents Witherspoon Associates, Inc., writes to Lionel about his current projects and literary representation, 1994-1995.
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1/76Massie, Robert K.; letter detailing the changes in dues for members of The Authors Guild, Inc., 1990, October 1.
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1/77McCurdy, Larry; praise of Brush Country, 2004.
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1/78McKinley, Chuck; card praising Brush Country, 2004 April 26.
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1/79Merrifield, Robert B.; request for autographed books to be included in the San Jacinto College’s Texana Collection, 1995, November 2.
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1/80-81Miles, Barbara; Miles, from The Texas Review Press, proofreads and provides corrections to Brush Country, ; 2004, February 16 – March 12.
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1/82Mjaaland, Kenneth A.; Mjaaland writes Lionel to inform him that Hardscrub has been chosen by the Southwestern Booksellers Association as the best work of fiction in 1990. This award is to be presented at the Texas Literary Festival, 1991, April 5.
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1/83Morris, Gregory L.; note of thanks for Lionel’s cooperation with the interviewing process and for having books sent to Morris, 1990, April 20.
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1/84New York Shakespeare Festival; various pieces of correspondence such as manuscript requests, donation confirmations, and consignment agreements, 1987-1989.
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1/85Offit, Sidney; Offit’s handwritten letters praise Lionel’s writing in To a Widow with Children and Brush Country. Offit is also an instrumental figure in the Amherst College correspondence, 1997, July – 2004, May.
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1/86Osborn, Carolyn; Letter praising Hardscrub, 1991, April 24.
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1/87Pen American Center; correspondence from Pen Southwest and Pen American detailing Lionel’s 1983 win in fiction with Leaving Home and a later invitation for membership into Pen American. Several letters thanking the Garcia’s for their monetary donations are also included, 1983-1997.
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1/88Powell, William E.; Powell writes a handwritten note to Lionel in which he applauds The Day They Took My Uncle, 2001, August 23.
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1/89The Pulitzer Prizes; postcard from The Pulitzer confirming receipt of the needed materials from Lionel for consideration of the award, 1985, October 2.
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1/90READ Magazine; thank you note from the READ staff, 2004 June.
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1/91Roach, Joyce; Roach writes to Lionel in request of a piece of writing to include in the collection she is assembling titled, This Place of Memory. An announcement of the book is printed in the 1992 Texas A&M University Press, which is also included, 1989-1992.
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1/92Sam Houston State University; invitation for dinner following Lionel’s speaking at the University, 2004, March 6.
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1/93Sanford, Beth; Sanford writes on behalf of the Texas Playwrights Festival to confirm Lionel’s first place award for An Acorn on the Moon, 1995, May 20.
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1/94Sharpe, Patricia; Sharpe, a Senior Editor at Texas Monthly magazine, writes Lionel on two occasions to confirm receipt of Tios and to also congratulate his awards for Hardscrub, 1990-1991.
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1/95Smith, Steven; Smith, Cushing Library Director at Texas A&M University, writes to thank Lionel for his visit to the library and for agreeing to house his papers with Cushing, 2004, November 17.
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1/96Sosland, Cynthia; Sosland, the Associate Director of The Writer’s Voice, thanks Lionel for his reading at the Writer’s Voice, 1991, May 24.
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1/97Southwell, Samuel B.; Southwell who is a close acquaintance of Lionel and his former English professor at Texas A&M who provides various correspondence ranging from friendly personal letters, to literary critiques, to a special request for Lionel to lead Sam’s memorial service, 1992-2004.
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1/98Southwell, Teresa; Teresa, who is the daughter of Sam Southwell and also the illustrator of The Elephant and the Ant, sends a postcard to Lionel along with her father’s last published book [not included in collection], 2004, April 23.
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1/99Spector, Robert D.; Spector thanks Lionel for serving on the board for the Long Island University 2004 George Polk Awards, 2004, April 15.
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1/100Staples, William; letter of thanks for Lionel accepting the position of President of the Friends of the Neumann Library at the University of Houston Clear Lake, 1998, September 23.
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1/101Stern, Gloria; Stern, who is a literary agent, writes to confirm that she received Lionel’s manuscripts and expresses her interest in speaking with Lionel, 1997, July 30.
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1/102Stovin, Jesse; Nederlander Television and Productions of New York City passes on producing An Acorn On The Moon. A copy of Lionel’s letter to Stovin proceeding this June 30th response is also included, 1993, June 30.
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1/103Sturgill, Tammy; Sturgill, a high school student from California, is writing a report on Leaving Home and requests background information from Lionel, 1993, April 18.
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1/104Suarez, Virgil; Various hand written letters and post cards from Suarez, an English instructor at Louisiana State University, 1991-1994.
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1/105Texas A&M University Veterinary College; letter from college dean and department head awarding Lionel a position as Assistant Professor, and a card from colleagues at the Vet College when Lionel left his faculty position, 1968-69.
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1/106Texas Book Festival; correspondence collection leading up to Lionel’s appearance at the Festival, 2001, June-November.
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1/107Texas Christian University Press; the Bulk of correspondence is with Judy Alter and focuses on the publication of The Day They Took My Uncle, 1999-2001.
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1/108Texas Institute of Letters; confirmation of Lionel’s winning the Jesse Jones Award for best fiction work, 1991, February 28.
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1/109The Theater Guild; The Theater Guild passes on production of An Acorn On The Moon. Manuscript is attached, 1998, September 30.
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1/110Thompson, Lelon; friendly card sent after seeing Lionel on television in Huntsville, Texas, 2002, June 13.
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1/111Trevino, Norma L.; Trevino, a marketing supervisor with Miller Brewing Company, invites Lionel to submit an application for a special calendar Miller is producing that will highlight Hispanic Americans who have made significant contributions to their community, 1993, May 6.
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1/112Tristan, Marina; fax from Lionel to Tristan of a short biographical essay about Lionel written by Sam Southwell, n.d.
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1/113Trueba, Henry T.; letter thanking Lionel for his books and attending Trueba’s speaking event, 1987, November 16.
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1/114Twining, James A.; hand written note congratulating Lionel on his PEN Southwest Award, 1983, May 17.
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1/115Ulrich, Sylvia; Lionel’s sister writes various letter to Lionel and Noemi primarily about family and personal topics, 1993-1998.
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1/116Venverloh, Faith; thank you letter to Lionel for reading at the Houston Museum of Fine Arts, 1995, October 24.
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1/117Weaver, Amy M.; request for Lionel’s personal information and literary vitae to be included in the Texas Commission of the Arts magazine, 1992, January 10.
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1/118Welsh, J.B.; card sent to Lionel and Noemi, 2004, October 24.
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1/119White, Ryan James; White, a student at Ventura Community College, applauds Lionel’s literary work after he was exposed to it in a class, 1993, October 12.
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1/120Wilson, Pat and Wendell; announcement for a party celebrating To a Widow With Children, and a hand written note congratulating Lionel on his story, "Baseball,"1994, May 2 – 1997, May 29.
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1/121Wisdom Press; correspondence collection of letters and faxes to Lionel covering production quotes and logo artwork for the publishing company, ca. 1999.
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1/122The Writers Garret; correspondence concerning the publication of Lionel’s story, "Three AM" in ¡TEX! magazine. A follow up letter is also included when the story places second in the ¡TEX! contest, 1999-2000.
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1/1231991, May 24, hand written note from illegible name, thanking Lionel for reading at The Writer’s Voice.
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1/1241994, November 8, photocopy of hand written letter in Spanish.
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1/125ca. 1997, card and new clippings of Lionel appearing in the Houston Chronicle from a couple identified as only "Joe and Sherry."
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1/1262004, May, hand written thank you note for receiving a copy of Brush Country.
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1/1272004, May 4, card to Lionel thanking him for a copy of Brush Country and for taking a trip with him and Noemi. The card is signed by "Marilyn."
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1/128April 30, typed letter from unidentified source describing their travels abroad.

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Series II: Written Works: Books-1984-2004

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2/1American Tapestry, featuring "Baseball" by Lionel Garcia, 1997. 111-114.
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2/2-3Brush Country, [2 copies inscribed by author] 2004.
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2/4Cooking with Texas Authors, featuring "Masa" by Lionel Garcia, 1998. 98-103.
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2/5Cuentos Chicanos, featuring "The Wedding" by Lionel Garcia, 1984. 92-99.
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2/6-7The Day They Took My Uncle, [2 copies inscribed by author] 2001.
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2/8El Elefante y la Hormiga, [inscribed by author] 2000.
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2/9The Elephant and the Ant, [inscribed by author] 2000.
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2/10The Floating Borderlands, featuring "The Day They Took My Uncle," 1998. 168-175.
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2/11Hardscrub, [inscribed by author] 1990.
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2/12Hispanic Literary Companion, featuring "Merce" and "Ringing of the Bell" by Lionel Garcia, 1997. 99-109.
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2/13I Can Hear the Cowbells Ring, 1994.
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2/14Iguana Dreams, featuring "Confession" by Lionel Garcia [inscribed by Garcia], 1992. 95-104.
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2/15Leaving Home, 1983.
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2/16Prentice Hall Selecciones Literarias Teacher’s Manual, Silver Edition, featuring "Beisbol" by Lionel Garcia, 1997. 49-51.
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2/17Short Fiction by Hispanic Writers, [inscribed by Garcia] featuring "The Day They Took My Uncle" by Lionel Garcia, 1993. 51-61.
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2/18A Shroud in the Family, [first edition] 1987.
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2/19A Shroud in the Family, [second edition] 1994.
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2/20State Lines, featuring "Ringing of the Bell" and "Punching the Bag of Happiness" by Lionel Garcia, 1993. 14-17, 45-49.
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2/21The Texas Review, featuring "Rumors: The Curse of a Bad Wife" by Lionel Garcia, Fall/Winter edition 2003. 18-27.
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2/22Texas Stories 2, featuring "Mr. Tyrone" by Lionel Garcia, 2000. 819-828.
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2/23To a Widow with Children, [inscribed by author] 1994.

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Series II: Written Works: Manuscripts-ca.1952-2004, n.d.

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3/1Amemonos, n.d.
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3/2-5An Acorn on the Moon, n.d.
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3/6-9An Acorn on the Moon, 1995.
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3/10-11The Apparition, n.d.
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3/12-14Assortment of manuscripts with intro note by Garcia, n.d.Folder 12: "A Door at the House of Cards"Folder 13: "Eva", short stories not included with The Day They Took My Uncle, "Rumors," and "The Apparition"Folder 14: "The Death of President Sammy Fuentes," misc. poetry
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3/15Biography of Lionel Garcia, n.d.
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3/16Brush Country, [final version] 2002, November 26.
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3/17Brush Country, [with revisions] n.d.
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3/18Brush Country, pp. 94-95, n.d.
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3/19The Curse of a Bad Marriage, [with revisions] 2004, August 19.
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3/20-22Coco, [revisions and rewrites] n.d.
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3/23College Essay by Lionel Garcia, ca. 1952.
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3/24Confession, n.d.
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3/25The Coyote, [from Brush Country] 2002, November 11.
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3/26-28Collected Short Stories for The Day They Took My Uncle, n.d.
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3/29-31Collected Short Stories considered but not chosen for The Day They Took My Uncle, n.d.
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3/32-34The Day They Took My Uncle, printing proofs with corrections, 2000.
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3/35The Day They Took My Uncle, bound uncorrected printing proof from publisher with correction notes by Lionel Garcia, 2001.
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3/36The Day They Took My Uncle and Other Stories, introduction for book, n.d.
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3/37The Death of Jacob, n.d.
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3/38-41The Death of President Sammy Fuentes, [also titled "2084"] revisions flagged with yellow tabs, n.d.
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3/42Don Andres Opera script and sheet music, 1998.
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3/43Don Andres sheet music, n.d.
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3/44Don Andres opera script, n.d.
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4/1-2Don Andres opera script, n.d.
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4/3Don’t Forget the Bacon, [2 copies: rough and final with revisions and note to Dr. Sam Southwell] n.d.
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4/4Dr. Rosen, n.d.
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4/5The Elephant and the Ant, 1996, September 30.
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4/6The Elephant and the Ant, 1996, October 5.
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4/7The Elephant and the Ant, 1996, October 7.
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4/8The Elephant and the Ant, [two versions] 1996, October 8.
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4/9The Elephant and the Ant, 1996, December 4.
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4/10-11The Elephant and the Ant, black and white production proofs, ca. 2000.
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4/12-13The Elephant and the Ant, color and black and white production proofs, ca. 2000.
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4/14The Elephant and the Ant, bound printing proof, n.d.
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4/15The Elephant and the Ant, various undated versions, n.d.
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19/1The Elephant and the Ant, assortment of oversized color printing proofs [housed in box 19], 2000.
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4/16Eliado Comes Home, n.d.
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4/17The Emergency Room, [4 copies with revisions prepared for the Thirteenth Chicano Literary Contest] n.d.
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4/18-20Eva, undated manuscript, folders 1a-3a, n.d.
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4/21-23Eva, undated manuscript, folders 1b-3b, n.d.
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4/24-26Eva, undated manuscript, folders 1c-3c, n.d.
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4/27-29Eva, undated manuscript, folders 1d-3d, n.d.
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4/30-32Eva, undated manuscript, folders 1e-3e, n.d.
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4/33-35Eva, undated manuscript, folders 1f-3f, n.d.
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5/1-3Eva, undated manuscript, folders 1g-3g, n.d.
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5/4The Ever Needing Room for Change, [with notes] n.d.
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5/5-9Family Story, [original Hardscrub] folders 1a-6a, n.d.
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5/10-14Family Story, [original Hardscrub] folders 1b-5b, n.d.
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5/15For Women Only, three play scripts, 1988-1993.
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5/16-19For Women Only, novel version manuscript, folders 1a-4a, n.d.
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5/20-22For Women Only, novel version with revisions, folders 1b-3b, n.d.
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5/23The Frying Pan, n.d.
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5/24Hardball, screenplay script, n.d.
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5/25-26Hardball, screenplay script, n.d
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5/27Hardscrub, original short story version with revisions and notes, n.d.
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5/28-31Hardscrub, [Other Years and Other Times] n.d.
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6/1-2House of Cards, novel manuscript, folders 1a-2a, n.d.
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6/3-5House of Cards, novel manuscript with revisions, folders 1b-3b, n.d.
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6/6-8House of Cards, novel manuscript, folders 1c-3c, n.d.
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6/9-11House of Cards, novel manuscript, folders 1d-3d, n.d.
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6/12-14House of Cards, novel manuscript with author note indicating this manuscript as an early version, folders 1e-3e, n.d.
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6/15-17House of Cards, novel manuscript, folders 1f-3f, n.d.
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6/18-19House of Cards, novel manuscript with notes and revisions, folders 1g-2g, printed 1998, July 17.
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6/20House of Cards, incomplete portion of novel manuscript with notes, pp. 1-65, n.d.
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6/21House of Cards, novel manuscript fragments and damaged pages, n.d.
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6/22-24House of Cards, first edition of play script with revision notes [3 copies total, one per folder], n.d.
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6/25-27House of Cards, play scripts with notes [3 copies total, one per folder], n.d.
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6/28House of Cards, second act only of play script, 1997.
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6/29House of Cards, play script with revisions, printed 1998, October 20.
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7/1I Can Hear the Cowbells Ringing, two copies of short story with author note and revisions, 1994.
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7/2In Love Again, n.d.
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7/3Isla Mujeres, first draft of play script with revisions, n.d.
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7/4Isla Mujeres, play script, n.d.
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7/5Isla Mujeres, play script with revisions, 2002, June.
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7/6Isla Mujeres, play script with revisions, 2002, August.
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7/7Isla Mujeres, play script with revisions, 2002, September 17.
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7/8Joselito Moises Parts the Clouds, n.d.
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7/9Joselito Moises Parts the Clouds, collected revisions and rewrites, n.d.
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7/10Leaving Home, two copies of the short story version with revisions and notes by Garcia, n.d.
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7/11Leaving Home, short story version with revisions, n.d.
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7/12Leaving Home, original novel version, n.d.
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7/13-16Leaving Home, folders 1a-4a, 1985.
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7/17-26Leaving Home, manuscript with revisions, folders 1b-10b, 1994, April 9.
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7/27A Letter to my Grandchild, manuscript for Lionel’s article published on 2001, December 30 in the Houston Chronicle, ca. 2001.
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7/28Lies, portion from the novel The Door at the House of Cards, n.d.
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7/29Literary Vitae, miscellaneous copies of Lionel’s vitae, ca. 1996-1998.
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7/30Lothario, poem manuscript, 1998, April 21.
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7/31-35Love From Afar, manuscript with revisions, folders 1a-5a, n.d.
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8/1-5Love From Afar, manuscript with revisions, folders 1b-5b, n.d.
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8/6-9Love From Afar, manuscript with revisions, folders 1c-3c, n.d.
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8/10-12Love From Afar, sections of manuscript cut by Garcia during editing, n.d.
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8/13-15The Migrants, three copies of the play script, n.d.
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8/16Miscellaneous pages from writings, n.d.
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8/17Mister Tyrone, two copies of the manuscript, n.d.
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8/18Momma was a Seamstress, music lyrics created in conjunction with Orlando Garcia [Lionel’s brother], 1995.
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8/19Noah’s Ark, script for television sitcom, 1995, August 20.
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8/20Our Athletic Career, short story manuscript, n.d.
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8/21-24Other Years [Hardscrub], early Hardscrub manuscript, n.d.
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8/25Other Years [Hardscrub], three copies of chapter thirty, n.d.
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8/26Peace, Leaf That Never Fell, three copies of manuscript with revisions, n.d.
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8/27The Raffle, incomplete manuscript, n.d.
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8/28Reason, manuscript with revisions, n.d.
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8/29-31Remembrances of Childhood [Original version of I Can Hear the Cowbells Ring], manuscript with revisions, folders 1a-3a, n.d.
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8/32-34Remembrances of Childhood [Original version of I Can Hear the Cowbells Ring], manuscript with revisions, folders 1b-3b, n.d.
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9/1-3Remembrances of Childhood [Original version of I Can Hear the Cowbells Ring], manuscript with revisions, folders 1c-3c, n.d.
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9/4The Sacraments, incomplete manuscript, n.d.
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9/5Saturday Night at the Ranch, various revisions/rewrites, n.d.
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9/6Saturday Night at the Ranch, two copies of story taken from Brush Country with revision notes, n.d.
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9/7The Sergeant, printing proofs, 2000.
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9/8-10The Sergeant, various versions of manuscript, n.d.
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9/11The Setting Sun is Warmer, two copies of manuscript with revisions, n.d.
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9/12-13A Shroud in the Family, printing proof, 1987.
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9/14Some People Are Just That Way, two manuscript copies with revisions, n.d.
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9/15Speech – Minority Scholarship Recipients, presented at the Houston, Texas Livestock Show and Rodeo, n.d.
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9/16Speech – Texas Independence Day, speech manuscript, 1997.
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9/17Tejas [original title of A Shroud in the Family], manuscript with revisions, n.d.
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9/18Tejas [original title of A Shroud in the Family], chapter 30 with revisions, n.d.
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9/19Three AM, two copies of the short story manuscript, n.d.
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9/20El Tio Nano Carrejo, manuscript with revisions, n.d.
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9/21Tio Pocho, [featured in I Can Hear the Cowbells Ring], n.d.
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9/22Tios, n.d.
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9/23Unidentified story, [no title, four pages in length] with editing notes, n.d.
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9/24Unidentified story, [no title, 63 pages], n.d.
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9/25-26Unidentified story, [no title, 269 pages in length], n.d.
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9/27-31The Vagaries of Love, manuscript with revision notes, n.d.
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9/32The Wedding, three copies of manuscript with editing notes and revisions, 1983.
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9/33-36A Widow with Children, manuscript copy, folders 1a-4a, 1992, August 21.
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9/37-39A Widow with Children, manuscript copy, folders 1b-3b, ca. 1992.
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9/40-42A Widow with Children, manuscript copy, folders 1c-3c, ca. 1992.
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10/1-3A Widow with Children, manuscript copy, folders 1d-3d, ca. 1992.
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10/4-7A Widow with Children, manuscript copy, folders 1e-4e, ca. 1992.
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10/8-9A Widow with Children, manuscript copy, folders 1f-2f, ca. 1992.
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10/10-11A Widow with Children, manuscript copy, folders 1g-2g, ca. 1992.
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10/12-13A Widow with Children, manuscript copy, folders 1h-2h, ca. 1992.
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10/14A Widow with Children, misc. story fragment, ca. 1992.
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10/15A Widow with Children, chapters 26 and 27, ca. 1992.
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10/16You Ask Me How I Feel, two manuscript copies with revisions, n.d.

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Series II: Written Works: Articles-1958-2004

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10/171958, The Commentator, featuring "The Setting Sun is Warmer" and "Death of Jacob."
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10/181967, Summer, Vol. 1, No. 2, Latitudes, featuring "The Farm."
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10/191984, February – March, Dialog, featuring "The Wedding."
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10/201985, Vol. 1, No. 4, Domestic Crude, featuring "Some People Are Just That Way."
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10/211989, August 13, Texas Magazine, featuring "Ringing of the bell never ends."
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10/221989, September 13, Duvall County Picture, featuring article entitled "The Ringing of the Bell Never Ends" by Lionel showcasing a portion of his incomplete autobiographical novel, Remembrances of Childhood.
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10/231989, November 12, Texas Magazine, featuring "Punching the bag of happiness."
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10/241990, October, Texas Monthly, featuring "Table Manners."
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10/251991, August 11, Texas Magazine, featuring "Making up lies for confession."
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10/261999, Fall/Winter, ¡TEX!, featuring "Three AM."
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10/272001, December 30, Houston Chronicle, Lionel’s article, "Tragedy distilled 'essence of life'," written in the form of a letter from Lionel to his grandson David, describing the effect of the September 11th terrorist attacks.
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10/282002, May 8, Houston Chronicle, article entitled "My father’s story: Abusive priests nothing new," discussing the issue of corruption within the Catholic Church.
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10/292002, September 11, Houston Chronicle, article "Some changes are for the better," reflecting on the social changes in America since September 11, 2001.
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10/302003, June 1, Houston Chronicle, article "A minority view: the problem with liberals."
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10/312003, December 7, Houston Chronicle, article "A minority view of Texas A&M," including printed reader responses to the article.
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10/322004, May 7, READ magazine, featuring "The Town Dog."

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Series II: Written Works: Notes-1983-2003, n.d.

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11/1An Acorn On The Moon, n.d.
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11/2Alone, n.d.
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11/3Brush Country spiral notebook, spiral notebook with notes on Brush Country as well as "Coco,""Joselito Parts the Clouds for His Grandmother,""A Door at a House of Cards," and "The Resonance of Nostalgia," n.d.
box-folder
11/4Brush Country, n.d.
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11/5Coco notepad, n.d.
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11/6Computer Hard Drive Contents, list detailing file names and location on Lionel’s personal computer, ca. 2002.
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11/7Cowbells, n.d.
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11/8Curses, n.d.
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11/9The Day They Took My Uncle, n.d.
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11/10The Death of President Sammy [2084], n.d.
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11/11Don Andres, n.d.
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11/12-13Don Andres spiral notebook, n.d.
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11/14The Elephant and the Ant, n.d.
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11/15-16Eva, n.d.
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11/17-20Father Story Note Collection [Hardscrub], this group of notes was organized by Lionel into a large clasp folder and consists of three spiral notebooks and three legal pads, and a United States map, 1985, March 4.
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11/21Fred and Dad spiral notebook, n.d.
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11/22The Funeral, n.d.
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11/23The Funeral spiral notebook, 1992, Oct. 12.
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11/24A Good Afternoon, hand written rough draft, n.d.
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11/25Hardball, n.d.
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11/26 Hardscrub, n.d.
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11/27House of Cards, n.d.
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11/28Houston Chronicle article, notes taken for the article Lionel wrote for the Houston Chronicle reflecting on the September 11th terrorist attacks in New York City, ca. 2002.
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11/29-30Isaac the Good, hand written rough draft, n.d.
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11/31Legal Pad, miscellaneous notepad with various unlabeled notes, n.d.
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11/32Life Is A Woman, n.d.
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11/33-34Leaving Home spiral notebook collection, this collection of four spiral notebooks was received in a large clasp envelope, 1983, September 11.
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11/35Leaving Home spiral notebook, this notebook contains notes on Leaving Home as well as a "For Women Only" and "Traveling South," 1992-1993.
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11/36Leonides Montalbana, n.d.
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11/37A Letter To My Grandchild, notes taken for the article published in the December 30, 2001 issue of the Houston Chronicle, ca. 2001.
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11/38Maria and The Down and Out Lawyer spiral notebook, notebook containing notes on both stories, n.d.
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11/39-40Martin spiral notebook, n.d.
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11/41-44Miscellaneous notes, n.d.
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11/45-47Miscellaneous stories in spiral notebooks, n.d.
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12/1-5Miscellaneous stories in spiral notebooks, n.d.
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12/6New York Times criticism article, Lionel’s notes on his article published on June 1, 2003 in the Houston Chronicle [found in folder 10/37], criticizing The New York Time’s perception of race and his personal dealings with the staff, ca. 2003.
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12/7Noah’s Ark, script and notes for television show concept, 1995.
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12/8Peace Leaf That Never Fell, hand written rough draft, n.d.
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12/9Religion, n.d.
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12/10Rumors, 2003.
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12/11The Sergeant, n.d.
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12/12-13The Sergeant spiral notebook, n.d.
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12/14A Shroud In the Family; n.d.
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12/15A Shroud In the Family presentation, notes for a speech given on writing Shroud, n.d.
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12/16Some People Are Just That Way, n.d.
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12/17Speech - Funeral, notes for a eulogy, n.d.
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12/18Speech - Graduation, notes for a graduation speech, n.d.
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12/19The Killing Floor, n.d.
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12/20Tejas Novel spiral notebook [Shroud In the Family], n.d.
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12/21Texas A&M and Minorities Article, notes for the article published on December 7, 2003 [found in folder 10/38] that defends Texas A&M and its openness to racial diversity, ca. 2003.
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12/22Texas Literary Award, thoughts on receiving the award, 1990.
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12/23Untitled Novel, n.d.
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12/24Untitled Play, n.d.
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12/25-27Untitled Short Stories, hand written stories without titles, n.d.
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12/28The Vagaries of Love, n.d.
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12/29Widow With Children, n.d.
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12/30Widow With Children spiral notebook, n.d.
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12/31Writing Journal, 1993.

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Series III: Personal and Biographical-1932-2000

box-folder
12/32Campos, Eloise.
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12/33Filteau, David. [Lionel’s grandson]
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12/34Garcia, Carlos. [Lionel’s son]
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12/35Garcia, Elizandro.
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12/36Garcia, Gonzalo. [Lionel’s father]
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12/37Garcia, Lionel. [See box 13, item 28 for an oversized playing card display from Lionel’s childhood]
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12/38Garcia Lionel; copy of the book, Father Jaillet, Saddlebag Priest of the Nueces, [inscribed by Orlando Garcia to Lionel] with accompanying document by Lionel describing the item’s significance.
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12/39Garcia, Lionel. Personal contacts
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12/40Garcia, Maria. [Lionel’s mother]
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12/41Garcia, Nadia Noemi