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<eadid countrycode="us" mainagencycode="TxDaM">urn:taro:smu.00085</eadid>

  <filedesc>                  
	 <titlestmt> 
		<titleproper>Lawrence T. Jones III Texas photography collection</titleproper> 
		<subtitle>A Guide to the Collection</subtitle> 
		<author>Finding aid prepared by Anne E. Peterson, 2009.</author>
	 </titlestmt> 
	 <publicationstmt> 
		<publisher>DeGolyer Library</publisher>
			<address>
				<addressline>P. O. Box 750396</addressline>
				<addressline>Southern Methodist University</addressline>
				<addressline>Dallas, TX 75275-0396</addressline>
			</address>
	 </publicationstmt> 
  </filedesc> 

  <profiledesc> 
	 <creation>Finding aid encoded by Lara Corazalla,
		<date>2009</date>.</creation> 
	 <langusage>Finding aid written in <language langcode="eng">English.</language></langusage> 
  	<descrules>Description based on <title>DACS</title>.</descrules>
  </profiledesc> 
</eadheader>

<archdesc level="collection" type="inventory" relatedencoding="MARC 21"> 
  <did> 
	 <head>Overview</head>                           
	 <repository label="Repository" encodinganalog="852$a">
		<extref href="http://www.smu.edu/cul/degolyer/index.html" show="new" actuate="onrequest"><corpname encodinganalog="852$a"><subarea>DeGolyer Library,</subarea> Southern Methodist University</corpname> </extref>
	</repository> 
	 <origination label="Creator:" encodinganalog="100"> 
		<persname>Jones, Lawrence T.</persname>
	 </origination> 
	 <unittitle label="Title:" encodinganalog="245">Lawrence T. Jones III Texas photography collection</unittitle>
	 
	 <unitdate type="inclusive" label="Inclusive Dates:" encodinganalog="245$f" normal="1846/1945">1846-1945</unitdate> 

	 <physdesc label="Extent:" encodinganalog="300">27 linear feet (5,000 photographic prints)</physdesc>
	 
	 <abstract label="Abstract:" encodinganalog="520">Lawrence T. Jones III Texas photography collection contains a comprehensive overview of Texas photography, ca. 1846-1945. Jones assembled his collection over more than 30 years from the 1970s to 2008. This important collection documents all aspects of Texas photography including the various types practiced from its earliest introduction to the state, a large array of subjects and styles, and examples by numerous photographers, both professional and itinerant, who documented Texas, the contiguous states and Mexico. Included are daguerreotypes, ambrotypes, tintypes, stereographs, albums and paper print photographs in various formats. Subjects for research include the Civil War and other military history, biography, African Americans, Indians, women’s history, social and domestic history, architecture, transportation, ranching, agriculture, commerce, material culture, costume, and urban and rural history.</abstract>
	 
	 <unitid label="Accession No:" encodinganalog="099" repositorycode="TxDaDF" countrycode="us">Ag2008.0005</unitid>
	 <langmaterial encodinganalog="546">Material is in <language langcode="eng">English</language></langmaterial>
	  
  </did> 

  <bioghist encodinganalog="545"> 
	 <head>Biographical Note</head> 
	 	<p>Lawrence T. Jones III was born in Greenville, Texas in 1945.  He earned a B.A. in English, East Texas State University, Commerce, 1967 and a M.S. in Sociology, East Texas State University, Commerce, 1970.  His life-long interest in Texas history and photography led him to begin collecting Texas images more than 30 years ago.  Jones has provided research and images from his collection for museum and library exhibits, state park sites, television productions and numerous publications over the years for such prestigious presses as the Smithsonian Institution, Stanford University Press, Texas A&#x0026;M University Press, Texas State Historical Association, Texas Tech University Press, Time-Life Books, University of Arkansas Press, University of North Carolina Press, 
          University of Oklahoma Press, University of Texas Press.</p>
          <p>Publications:</p> 
          <p>Jones, Lawrence T. III and Jerry Thompson. <emph render="italic">Civil War and Revolution on the Rio Grande Frontier: A Narrative and Photographic History</emph>. Austin: Texas State Historical Association, 2004.</p>
          <p>Jones, Lawrence T. III. <emph render="italic">Confederate Calendar</emph>. Austin: 1976-2008.</p>
          <p>Jones, Lawrence T. III. "Cynthia Ann Parker and Pease Ross—the Forgotten Photographs," <emph render="italic">Southwestern Historical Quarterly</emph> XCIII, No. 3 (1990): 379-384.</p> 	
          <p>Jones, Lawrence T. III. "A Texas Frontier Daguerreotype."  In <emph render="italic">The Daguerreian Annual</emph>, ed. Peter Palmquist, 104-107. Eureka, CA: Daguerreian Society, 1991.</p> 
	 </bioghist> 
  <scopecontent encodinganalog="520"> 
	 <head>Scope and Contents of the Collection</head> 
	 	<p>The Lawrence T. Jones III Texas Photography Collection represents over 30 years of collecting.  The images are an overview of Texas photographers, photography and history dating from ca. 1846 to 1945. The Jones collection of 5,000 images is one of the most comprehensive and valuable Texas-related photography collections and documents all aspects of Texas photography, including the various types practiced from its earliest introduction to the state: daguerreotypes, ambrotypes, tintypes, stereographs and paper print photographs in various formats.</p>  
          <p>There are a significant number of subjects and styles represented, and examples by numerous photographers, both professional studio photographers and itinerants, who documented Texas, the contiguous states and Mexico. The images range from portraits of such important figures as Antonio Lopez de Santa Anna, Cynthia Ann Parker, and Civil War soldiers to those showing fleeting moments in time and ones that document Texas history. The collection can be utilized in many ways: research, publication, exhibitions, and education on all levels. Subjects for research include Civil War and other military history, biography, African Americans, Indians, women's history, social and domestic history, architecture, transportation, ranching, agriculture, commerce, material culture, costume, and urban and rural history.</p> 
  </scopecontent> 
  <arrangement encodinganalog="351"> 
	 <head>Arrangement of the Collection</head> 
	 	<p>The collection is organized into 9 series:</p>
	 		<list type="simple">
                    <item>Series 1: Cased Images</item>
                    <item>Series 2: Cartes de Visite</item>
                    <item>Series 3: Cabinet Card Photographs</item>
                    <item>Series 4: Texas Locations and People</item>
                    <item>Series 5: Albums and Books</item>
                    <item>Series 6: Photographica</item>
                    <item>Series 7: Stereographs</item>
                    <item>Series 8: Postcards</item>
                    <item>Series 9: Miscellaneous Additional Materials</item>
			</list>
  </arrangement>

	<relatedmaterial encodinganalog="500"> 
	 <head>Related Materials</head> 
          <p>For additional Texas photography collections, see:</p>
	     <p>Texas Stereographs, Ag1996.0582</p>
	     <p>Brownsville, Texas, Ag2002.1416</p>
          <p>Collection of Texas Photographs, Ag1993.0881</p>
          <p>Texas Portrait Collection, Ag1994.0995</p>
          <p>Collection of Texas Postcards, Ag2005.0001</p>
          <p>George A. McAfee Dallas Collection, Ag1996.1032</p>
          <p>Lynn Lennon Photographs, Ag2002.1405</p>
          <p>The <extref href="http://digitalcollections.smu.edu/all/cul/jtx/" show="new" actuate="onrequest">Lawrence T. Jones III Texas Photographs digital collection</extref> contains a wide range of early Texas photography. The digitized images are from the Lawrence T. Jones III Texas Photography Collection, which contains 5,000 photographs, ca. 1846-1945, held by SMU's DeGolyer Library. </p>
  </relatedmaterial>
	
  <accessrestrict encodinganalog="506"> 
	 <head>Access to Collection:</head> 
	 	<p>Collection is open for research use.</p> 
  </accessrestrict> 
  
  <userestrict encodinganalog="540"> 
	 <head>Publication Rights:</head> 
	 	<p>Permission to publish materials must be obtained from the Director of the DeGolyer Library.</p> 
  </userestrict>
  
  <userestrict encodinganalog="540"> 
	 <head>Copyright Statement:</head> 
	 	<p>It is the responsibility of the user to obtain copyright authorization.</p> 
  </userestrict>

<controlaccess> 
	 <head>Access Terms</head> 
		 <p>This collection is indexed under the following terms in the Southern Methodist University Libraries' online catalog. Researchers desiring related materials may search the catalog using these terms.</p>
	 	 
    <controlaccess> 
		<geogname source="lcsh" encodinganalog="651">Texas -- Photographs.</geogname>
		<geogname source="lcsh" encodinganalog="651">United States -- History -- Civil War, 1861-1865 -- Photographs.</geogname>
		<geogname source="lcsh" encodinganalog="651">Southwestern States – Photographs.</geogname>
		<geogname source="lcsh" encodinganalog="651">Mexico – Photographs.</geogname>
          <subject source="lcsh" encodinganalog="650">Photographers -- Texas.</subject>
          <genreform source="gmgpc" encodinganalog="655">Photographic prints.</genreform>
          <genreform source="gmgpc" encodinganalog="655">Stereographs.</genreform>
          <genreform source="gmgpc" encodinganalog="655">Daguerreotypes.</genreform>
          <genreform source="gmgpc" encodinganalog="655">Ambrotypes.</genreform>
          <genreform source="gmgpc" encodinganalog="655">Tintypes.</genreform>
          <genreform source="gmgpc" encodinganalog="655">Photograph albums.</genreform>
          <genreform source="gmgpc" encodinganalog="655">Portrait photographs.</genreform>
	 </controlaccess> 
</controlaccess> 

  <prefercite encodinganalog="524"> 
	 <head>Preferred Citation</head> 
		 <p>Lawrence T. Jones III Texas photography collection, DeGolyer Library, Southern Methodist University.</p> 
  </prefercite> 
  
  <acqinfo encodinganalog="541"> 
	 <head>Acquisition Information</head> 
		 <p>Gift and purchase, Lawrence T. Jones III, 2008.</p> 
  </acqinfo>

 
  <processinfo encodinganalog="583"> 
	 <head>Processing Information</head> 
	 	<p>Initially the collection was arranged by process and size, and much of the original order has been maintained.  However, some photographs of similar subjects were moved together even if in different sizes for ease in access and a few new categories such as Photographica were added.  Some photographs were rehoused.  The original collection inventory was used as the basis for the finding aid.</p> 
  </processinfo> 
  
	<processinfo encodinganalog="583">
  		<head>Processed by</head> 
  			<p>Anne E. Peterson, 2009.</p> 
  	</processinfo>  

	<processinfo encodinganalog="583">
  		<head>Finding aid written by</head> 
  			<p>Anne E. Peterson, 2009.</p> 
  	</processinfo>  
  
	<processinfo encodinganalog="583">
  		<head>Encoded by</head> 
  			<p>Lara Corazalla, 2009.</p> 
  	</processinfo>  
	  
    <dsc type="combined"> 
	 <head>Detailed Description of the Collection</head> 
	 	  
<c01 level="series" id="series1"> 
	<did> 
		<unitid>Series 1:</unitid> 
		<unittitle>Cased Images</unittitle> 
		<physdesc>
			<extent>9 boxes</extent>
		</physdesc> 
	</did> 
	<scopecontent> 
		<p>This series is made up of the various formats of cased images: daguerreotypes, ambrotypes and tintypes, circa 1846-1885.  Most are portraits but also included are some rare outdoor images like four tintypes of a Confederate foundry.</p> 
	</scopecontent> 

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Daguerreotypes, Texas Military Related (18) [Vault]</emph></unittitle></did>
     <c03><did><container type="Box">1</container><unittitle>Buckner, James "Buck" Barry in casual pose, by Edward C. Drane, Corsicana, Texas, June 1853. Inscribed on back, name, date, location, and photographer. Earliest known photographic image of a "genuine" Texas Ranger, as opposed to later Ranger activities as an adjunct to U.S. Army operations. <emph render="italic">Basic Texas Books</emph> (11) remarks of Barry's autobiography: "Best memoir of a Texan Ranger during the mid-19th century, covering his early life in North Carolina as hunter and schoolteacher, trip at the age of 23 through Texas in the last year of the Republic, service in the Mexican War under Jack Hays, and life as a pioneer on what was then the farthest frontier of Texas."  Example of iconic Texas-Western image.  Sixth plate daguerreotype in case with rosette motif, very good condition. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hardeman, Brigadier General William Polk, (1816-1898) in 1st Lieutenant uniform, circa 1846-47.  Hardeman was a soldier in the Texas Revolution, in the Mexican War, a Texas Ranger and Confederate general. The case and brass mat help date the image to the 1846-1848, Mexican-American War era. Sixth plate daguerreotype in case with mixed floral bouquet motif, good condition.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Krugler, Private John, A., Company L, 1st Artillery, U.S. Army, circa 1856.  A native of Berne, Switzerland, his contemporary obituary, death from yellow fever, Fort Brown, Texas, is pinned to interior case cover. Sixth plate daguerreotype in case with octagon motif, excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Maxey, Brigadier General Samuel Bell, (1825-1895), as 2nd Lieutenant, 7th U.S. Infantry, circa 1847, by James Maguire, New Orleans. Maguire also worked in Corpus Christi. Photographer is identified in mat, upper top right. Maxey served in the Mexican War, was a major Confederate figure, and later served in the US Senate. The image is of Maxey right after West Point where he roomed with Stonewall Jackson.  Sixth plate daguerreotype in case with lyre motif, good condition.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Daguerreotypes, Texas Non-military</emph></unittitle></did>
     <c03><did><container type="Box">1</container><unittitle>Andrews, Julius A., circa 1853. Sitter was about 14 years of age; there is another image of him later in life in this collection later as a colonel in the 32nd Regimental Cavalry in Texas. Sixth plate lightly tinted daguerreotype in half case with urn and mixed floral motif, excellent condition.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Dyer, H. P., by S. P. Woolley, 1855, Bonham, Texas. Inside case under image is original documentation on the photograph, "H.P. Dyer, Taken Nov. 27th 1855, age 21 years, 11 mo. and 25 days.   Taken in Bonham by S.J. Wooley [sic], artist." Also, accompanying note by Dyer indicating daguerreotype taken above Russell’s Store, Bonham, and Dyer’s occupation at the time was, "Studying medicine under Dr. T.C. Everts." Woolley was an early Texas travelling photographer, see Palmquist, working from Bonham, see Haynes. Sixth plate daguerreotype in half case with scroll and leaf motif, good condition, some spotting and tarnish at edges. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>López de Santa-Anna, Antonio (attributed), (1794-1876), circa 1855, provenance from Stanley Burns collection. Josefina Vasquez, expert on Santa-Anna recommended by Ron Tyler, said it is her impression this is Santa Anna, also confirmed by Michael Mathis, historian and Mexican history expert.  Sixth plate stereo daguerreotype in plain Mascher case in excellent condition.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Martin, Dr. T. R., taken by amateur photographer Jonathan B. Clapton at Elgin, Texas, 1876. Unusual late date image, 1876, documented in manuscript note inside cover behind image, "Taken at Elgin, Tex. July 1876, T.R. Martin, M.D., first effort of Jno. B. Clapton."  However, process, style of case and clothing may indicate an earlier date for the daguerreotype.  Sixth plate daguerreotype in case with rectangular motif, poor condition, cleaning suggested. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Robie (?), Mr. Austin, Texas, circa 1849. Early Austin image, with identification in period ink inside case cover. Mr. Robie may possibly be the photographer.  Sixth plate daguerreotype in case with simple rose motif, good condition. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Sneed, Miranda (1809-1878), married to Sebron G. Sneed, moved from Washington County, Arkansas, to Austin, 1848. Portrait of Sneed in floral dress with pink tinted bow, wearing lace gloves and holding a folded fan, photographed by unknown artist circa 1849-50. Quarter plate daguerreotype in plain case, very good condition, slight tarnishing at edges. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified girl with manuscript note in back of case under plate, "Emma at the age of 8 years," circa 1850 signed I. Altman on mat lower left.  Found in Austin, might have been a German itinerant photographer, portrait of girl with floral dress seated in simple wooden chair.  Sixth plate daguerreotype with mismatched case with leaf and mixed floral bouquet motifs, excellent condition.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified older man with white hair, hands open and flat on abdomen, Austin, circa 1853. Manuscript inscription behind image, "Compliments of (illegible) Austin, Texas," Sixth plate daguerreotype in half case with bird in oval motif, very good condition.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified man, Galveston, Texas, provenance circa 1850s. "S. Anderson, Artist," stamped in mat bottom center.  Anderson was a photographer who worked in New Orleans and Houston.  Daguerreotype found in Houston. Sixth plate daguerreotype in half case with bird in oval motif, excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified men (merchants?), Brownsville, Texas, circa 1853. Nice horizontal pose of three men, includes period newspaper article glued into back of case discussing Borderlands and Texas.  Quarter plate daguerreotype, good condition with tarnishing at edges, seals intact. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified young women, three, perhaps sisters, by Anderson &#x0026; Bicknell, Galveston, circa 1855. Quarter plate daguerreotype in case with mixed floral motif, red embossed velvet lining, some surface scratching on plate.  Published by Palmquist.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified young woman with tinted blue collar, by Anderson &#x0026; Bicknell, Galveston, circa 1860. Sixth plate tinted daguerreotype in case with cornucopia motif, faint studio imprint on plush case lining, good condition. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified woman with three children. Anderson &#x0026; Bicknell, Galveston, circa 1855.  Group portrait with horizontal pose, little girl left with pink tinted dress.  Quarter plate tinted daguerreotype in case with bird and fruit motif, blue plush lining, excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified woman, older, with white bonnet and blue tinted bow, holding eye glasses circa 1846.  She has some connection to San Angelo, Texas/McHenry surname.  Sixth plate daguerreotype in half case with mixed floral bouquet and urn motif, cover glass loose, good condition. </unittitle></did></c03>
</c02>

<c02><did><container type="Box">2</container><unittitle><emph render="bold">Ambrotypes, Texas Military Related (14)</emph></unittitle></did>
     <c03><did><container type="Box">2</container><unittitle><emph render="bold">A-Q</emph></unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Adams, Private G. H., 1st Texas Heavy Artillery (King's Battery), CSA. With this is a document, a pass for him to visit his home in Brownwood, signed by Confederate officers, including an obscure Confederate general whose signature is difficult to find.  Purchased directly from descendents of Private Adams.  Sixth plate ambrotype in mismatched case with flower vase motif on top and scroll design verso, cracked, in poor condition.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Battaile, Private C. R., Col. John Ford's command, Palmito Ranch, last battle of Civil War [see page 44, <emph render="italic">Reminiscences of the Boys in Gray</emph>, 1861-1865 by Mamie Yeary]. Only known photograph of a common Confederate soldier in the Palmito battle.  Sixth plate ambrotype in half case with floral design, good condition with some spotting and emulsion loss at edges. Published in Thompson, <emph render="italic">A Wild and Vivid Land</emph>, p. 144.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Baxter, 1st Lt. Eli N., Co. E, 1st Texas Infantry, later Col. 28th Texas Cavalry Regiment, CSA, Hood's Brigade, hat with "MG," Marshall Guards from Marshall, Texas, in brass and a "1" for 1st Texas Infantry. Identification information on file. Ninth plate horizontal format ambrotype in excellent condition, half case with scroll motif. </unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Blount, Thomas William, (1839-1934), double portrait with another Confederate, from Blount family estate, San Augustine. Identification of images based on provenance. De-accessioned from Walker County Historical Society. Supposedly Blount was the first Texan to volunteer for the Confederate Army. He was at the organization of the Confederate States at Montgomery, Alabama, February-March, 1861.  Jones has extensive notes on Blount, whose father was a signer of the Texas Declaration of Independence. Quarter plate ambrotype, somewhat dark, in fair condition in half case with arabesque design. </unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Brown, Private George T., 3rd Texas Cavalry Regiment, Arizona Brigade. Brown holds a pistol; provenance directly from family. Brown is buried in the old Belton, Texas cemetery located on the Leon River. Sixth plate ambrotype in good condition in case with quatrefoil and leaf design.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Burgess, Private William, 27th Texas Cavalry Regiment, CSA, with gold uniform buttons and revolver in belt.  From Confederate Dead Letter Office, Richmond with period paper identification glued on case. Ninth plate ambrotype in excellent condition in case with circle motif design.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Collins, Private Japhet, Co. D., 12th Texas (Parson's) Cavalry Regiment, CSA.  Desirable for the knife, old Mexican War-style forage hat, revolver, colorful image.  Sixth plate lightly tinted ambrotype in floral design case, very fine condition. </unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Cotter, Private Robert, 16th Texas Infantry, 1st Texas Mounted Rifles, 13th Texas Dismounted Cavalry. Cotter wears a rare Texas star belt plate.  [Texas star belt plate, annotated copy of Blessington's book (<emph render="italic">The Campaigns of Walker’s Texas Division, by a Private Soldier...</emph>  New York:  Published for the author by Lange, Little, &#x0026; Co., 1875), with notations, corrections and augmentations by the author].  Cotter had a long, exciting career as a Texas Ranger, Battle of Washita, fought with Ford in the 1850s.  Sixth plate lightly tinted ambrotype in mint condition, in case with octagon center and leaf motif border. Also, a cdv of Cotter and one of his wife.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Gates, Private T. B., Co. K, 9th (Nichols's) Texas Infantry, Co. F., 2nd Infantry Battalion, Wauls's Texas Legion. Young soldier holding large rifle, name inscribed lower right in plate while emulsion was still wet. Sixth plate ambrotype with some spotting, fair condition in half case with oriental motif with leaf design.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Gregg, Brigadier General John, (1828-1864) Interesting, early war image of Gregg as Colonel of the 7th Texas Infantry seated with his hand on his sword.  He was one of the commanders in Hood's Brigade, Texas, in Robert E. Lee’s Army of Northern Virginia, CSA.  This is an iconic image for Texas and Civil War of a Confederate General who died in action during the siege of Petersburg outside Richmond, October 7, 1864. Sixth plate ambrotype in good condition in case with quatrefoil design, published in a book on Confederate Generals (Vol. 3).</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Henry, Corp. John and Wife, 5th Texas Mounted Volunteers, CSA.  Not in uniform but positively identified. Henry fought in New Mexico campaign. Beautiful lightly tinted ambrotype, unusual for the manuscript notations on paper glued to the case relating to Confederate Dead Letter Office, where it was found.  Quarter plate ambrotype, very good condition in case with arabesque and floral design.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Knittel, Herman, Co. C, Waul's Texas Legion CSA.  Jones identified sitter, because he had seen the image in a thesis (Hasskarl &#x0026; Hasskarl, <emph render="italic">Waul's Texas Legion, 1862-1865</emph>. Cop.1985). The most difficult images to locate of Confederates are from Texas, Arkansas, Missouri. Quarter plate ambrotype in very good condition in case with floral vase design.  Missing cover glass.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Lown, Private Jacob F., Co. H. 4th Texas Infantry Regiment, CSA. Sitter in uniform holding book.  Sixth plate lightly tinted ambrotype in excellent condition, mismatched case cover, floral vase motif front and scroll leaf motif verso.  Published in Jones CC and a different, companion view is reproduced in Simpson's book on Hood's Brigade.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Mayfield, Private J. E., 8th (known in the field as the 12th) Texas Infantry Regiment, CSA. Interesting image of Mayfield holding rifle.  Sixth plate ambrotype, excellent condition in case with two birds on a ring.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">3</container><unittitle><emph render="bold">Ambrotypes, Texas Military Related and Non-military (17)</emph></unittitle></did>
     <c03><did><container type="Box">3</container><unittitle><emph render="bold">R-W</emph></unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Robinson, Private (later Capt.) J. F., Co. A, 33rd Texas Cavalry Regiment, Duff's Co., CSA. Identified in back of case. Robinson was an interesting person who fought against pro-Union German settlers in the massacre on the Nueces River. Sixth plate ambrotype with lightly tinted green collar and cuff in good condition, half case with simple decorative motif.  Published in <emph render="italic">SWHQ</emph> 2002.</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Scott, Josie M., holding portrait of Confederate husband, by Isaac Cline, Anderson County, July 1863. Photographer identified in case. A unique image in the collection, the essence of what photography was at the time, a memento of one's loved one, identified, dated inside the case under plate. Cline was a photographer in the Mexican War. Jones has extensive research file on this image. Ninth plate ambrotype in case with scalloped oval design in mint condition.  Published in Jones CC and elsewhere. Used as frontispiece to Palmquist &#x0026; Kailbourn, <emph render="italic">Pioneer Photographers from the Mississippi to the Continental Divide...1839-1865</emph> (Stanford University Press, 2005).</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Scott, William C., 6th Texas Cavalry, CSA. "W. C. Scott" in ink on back, wonderful image, with Whitney revolver and in fur cap with leather bill. Scott was with an important brigade commanded by General Sul Ross. Quarter plate ambrotype, half case with delicate roses design, in excellent condition.</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Stanton, Private David E., Co. D, 16th Texas Infantry, CSA. Stanton was in Walker's Texas Division. Very good large image, of Stanton holding revolver.  Quarter plate ambrotype, in half case with curved octagon motif. (This image and the one listed below of his wife were possibly housed as a pair in one case.)</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Stanton, Mrs. David E [Martha?, check 1860 census].  Quarter plate ambrotype with gilded jewelry, a bit light otherwise in good condition, cracked cover glass, half case with curved octagon motif.  (This image and the one listed above of her husband were possibly housed as a pair in one case.)   </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Woods, Joseph. Subject is posed with rifle probably later a Confederate volunteer, identified on paper under plate inside case, Seguin, 1861.  Sixth plate ambrotype, dark, poor condition, damage to case with curved octagon motif.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">3</container><unittitle><emph render="bold">Ambrotypes, Texas Non-military</emph></unittitle></did>
     <c03><did><container type="Box">3</container><unittitle>Carpenter, Nancy, wife of Evan Shelby Carpenter (see tintypes for his image). Beautiful image of handsome woman with landscape backdrop.  Difficult to find identified images of Texas women of this era.  Quarter plate ambrotype with light tinting, very good condition, some wear to case with mixed floral motif.</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Hitchcock, Lent Munson, (1816-1869), and wife Emily and two children, circa 1855.  Hitchcock was a naval officer, Texas pioneer and one of the founders of Galveston. With three identified accompanying images of Hitchcock family members.  Half-plate ambrotype in case with oval grape motif, excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Kilgore, John Franklin, Texas farmer, circa 1860.  Identified in back of case and verified by the 1860 census.  Sixth plate ambrotype with tinted cheeks and pink shirt in case with scalloped oval motif, very good condition. </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Knight, Mrs. Serena C., (1822-1913) seated in Gothic chair holding baby, circa 1858. She came to Texas in 1846. Research file includes her obituary. Sixth plate ambrotype in good condition, mismatched case, top with oval motif, bottom with roses in oval motif. </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Lowe, Della, "sold apples in Marshall, Texas," circa 1857. African American woman identified in back of case with apples inscription, difficult to find African American people identified in Texas. She was perhaps an ex-slave or free black.  Sixth plate ambrotype somewhat darkened but overall good condition, half case with bird motif.</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>McCown, Francis and Mahala, Red River County, Texas, circa 1860.  Image presumably of father and daughter (includes letter from Clarksville (image probably made there) expressing their intense dislike of Texas and the desire to get back to Arkansas, letter refers to the photograph, from Confederate Dead Letter Office). Sixth plate ambrotype with manuscript label glued to front of case with rectangle motif, good condition. </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Unidentified attractive young woman with roses in her hair, wearing jewelry and off the shoulder dress circa 1860.  Sixth plate ambrotype nicely tinted with very clear Anderson &#x0026; Bicknell, Galveston, imprint in velvet case lining, case with circle motif, excellent condition.</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Unidentified pretty young woman wearing long chain necklace, circa 1851.  Sixth plate, relievo ambrotype with gilded jewelry in embossed leather case with mixed floral design and strong Anderson &#x0026; Bicknell, Galveston, studio imprint on red plush case lining.  Plate in mint condition, wear to case exterior.  </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Unidentified attractive young woman wearing elaborate cameo jewelry and off the shoulder dress found in Travis County, circa 1855. Sixth plate ambrotype in a papier mache book form case inlaid with mother of pearl with gilt and applied color on floral arrangement in vase, fine condition.</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Unidentified ambrotype of beautiful young woman with dark hair wearing gold crucifix, earrings, bracelets, pin, and black lace gloves, seated at table with books, circa 1860.  Sitter is possibly of French or Mexican descent.  Purchased from Sneed estate.  Sixth plate ambrotype with tinted gold jewelry and flowers on her dress in case with bird in circle motif, mint condition. </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Unidentified woman with large white collar, cuffs and bow at waist, from Sneed estate, Travis County, circa 1860.  Sixth plate ambrotype lightly tinted in scalloped octagon case, excellent condition.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">4</container><unittitle><emph render="bold">Cased Images, Ambrotypes, Texas Non-military (2) [Vault]</emph></unittitle></did>
     <c03><did><container type="Box">4</container><unittitle>Considerant, Victor Prosper (attributed), (1808-1893), founder of La Reunion in Dallas, ambrotype made in San Antonio, dated March 1860 in plate lower left.  Interesting horizontal portrait of Considerant with shoulder-length hair, seated off center in the picture frame with his elbow propped on a stack of books, hand on the side of his head.  One of the books shown is a title by Considerant, <emph render="italic">Au Texas</emph>.  Found in San Antonio, where Considerant was living at the time. Quarter plate ambrotype, excellent condition.</unittitle></did></c03>
     <c03><did><container type="Box">4</container><unittitle>Roberts, Oran Milo, (1816-1869) lawyer, governor of Texas and Senator, this ambrotype was made at the time he was President of Texas Secession Convention in Austin, circa 1860-1861, attributed to photographer William W. Bridgers.  Purchased from descendents along with other photographs of him.  Sixth plate lightly tinted ambrotype, good condition.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Ambrotypes, Texas Non-military (9)</emph></unittitle></did>
     <c03><did><container type="Box">5</container><unittitle>Cat posed with Mexican serape, circa 1860. The only domesticated animal image in the Jones collection, very unusual. Came from T. K. Treadwell, from Bryan, Texas, a long-time collector of photographs. Ninth plate ambrotype, fine condition in case with arabesque motif.</unittitle></did></c03>
     <c03><did><container type="Box">5</container><unittitle>Navarro County Courthouse, Corsicana, Texas. Rare outdoor image of the first Navarro County courthouse, circa 1857.  Half plate ambrotype in poor condition, emulsion problems, case with bird motif. </unittitle></did></c03>
     <c03><did><container type="Box">5</container><unittitle>Unidentified older Texas couple with plaid home-spun cloth border, circa 1856-1862. Unusual fabric, handmade folk-art case. Ninth plate ambrotype in half case, very good condition. </unittitle></did></c03>
     <c03><did><container type="Box">5</container><unittitle>Unidentified Texas family with three children, horizontal pose, with "Texas 1860" date scratched in emulsion beneath mat.  Quarter plate ambrotype, fair condition, case with love bird design.</unittitle></did></c03>
     <c03><did><container type="Box">5</container><unittitle>Unidentified affluent-looking man, a well-posed image, circa 1858, from Galveston estate.  Quarter plate ambrotype in excellent condition, mismatched case, front with rose motif, verso with arabesque and floral motif.</unittitle></did></c03>
     <c03><did><container type="Box">5</container><unittitle>Unidentified men, perhaps two brothers from a Williamson County estate, circa 1857-58. One man has a cross pin in his tie. Quarter plate tinted ambrotype, double case with arabesque and floral motif, very good condition. </unittitle></did></c03>
     <c03><did><container type="Box">5</container><unittitle>Non-ambrotype oval portrait of a woman, dated Oct. 1873, perhaps an opaltype or opalotype in fabric case.  Also included is a piece of paper identifying her as "Miss Anna E. Cameron, Manchaca, Texas."</unittitle></did></c03>
     <c03><did><container type="Box">5</container><unittitle>Glass silhouette (?) in thermoplastic half case with gypsy fortune teller motif and brass mat with Union flag design.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">6</container><unittitle><emph render="bold">Ambrotypes, McDonald children (1)</emph></unittitle></did>
     <c03><did><container type="Box">6</container><unittitle>McDonald children, three daughters and one son, of Judge J. G. and Julia D. McDonald, Grimes County, circa 1868, see 1860 census records.  Unusual full-plate ambrotype in good condition; wear to the case with oval center and floral leaf motif border. </unittitle></did></c03>
</c02>

<c02><did><container type="Box">7</container><unittitle><emph render="bold">Tintypes, Texas Military Related</emph></unittitle></did>
     <c03><did><container type="Box">7</container><unittitle>Andrews, Col. Julius A., 32nd Texas Cavalry Regiment, CSA. Image of seated officer in uniform holding a Colt revolver with small Confederate flag on his hat.  Colonel commanding a regiment. Quarter plate tintype in thermoplastic case with gypsy fortune teller design in relief made by A.P. Critchlow &#x0026; Co., excellent condition. Published as dust jacket for a TSHA publication.</unittitle></did></c03>
     <c03><did><container type="Box">7</container><unittitle>Carpenter, Evan Shelby, 21st Texas Cavalry Regiment, CSA (see ambrotypes for his wife’s portrait). Standing portrait of Carpenter holding his rifle; small silver conchos are sewn onto the sides of his pants. Identified in case along with notes, "Hurah [sic] for the Confederacy.  I expect to live and die a Rebel.  Texas the fighting curse of oppression is upon thee. Departed April 1st. Evan Shelby Carpenter." Quarter plate tintype in half case with embossed bouquet of flowers, good condition, but slightly dark.  Published in NM Historical Society, where it was misidentified.</unittitle></did></c03>
     <c03><did><container type="Box">7</container><unittitle>Oliphant, William J., 6th Texas Infantry Regiment, CSA. Gold buttons on uniform were made from Mexican gold coins made by his father. Oliphant's father was jewelers on 6th Street, Austin. Oliphant was captured later by Yankees who took his gold buttons when he was captured at Arkansas Post, Arkansas.  Father-in-law of Walter Prescott Webb. Oliphant was a photographer, and after the Civil War he studied photography with Alexander Gardner in Washington, D.C. See 1932 article in <emph render="italic">SWHQ</emph> by Webb. Purchased from family descendents. Quarter plate tintype, fair condition, somewhat dark and a few dents.  (Stored with the Oliphant collection.)</unittitle></did></c03>
     <c03><did><container type="Box">7</container><unittitle>Scott, Dr. John, Confederate surgeon, from Sherman, Texas, circa 1860. Medical interest. Sixth plate tintype in half case with scroll design in very good condition. </unittitle></did></c03>
     <c03><did><container type="Box">7</container><unittitle>Taylor, G. M. and Taylor, Emzy, two brothers, Co. E, 4th Texas Infantry Regiment, CSA.  Nice image of two country brothers in uniform standing side by side with their muskets and bayonets, pistols, revolver. Large tintypes like this are unusual, especially for the Civil War era. Portrait was acquired from a family descendant. Half plate tintype in leather case with embossed design of a pedestal vase with flowers; other than slight loss and flaking of emulsion on edges, in excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">7</container><unittitle>Wood, Private James M., Mann's Texas Cavalry Regiment, CSA. Seated in uniform; late war image, circa 1865. Includes a modern letter from family regarding Wood. Sixth plate with scroll design and center leaf motif case, excellent condition.</unittitle></did></c03>
     <c03><did><container type="Box">7</container><unittitle>(5 tintypes, 1 stored in Oliphant Collection)</unittitle></did></c03>
</c02>

<c02><did><container type="Box">8</container><unittitle><emph render="bold">Tintypes, Confederate Foundry (4)</emph></unittitle></did>
     <c03><did><container type="Box">8</container><unittitle>Confederate foundry series of four, possibly Houston, Texas, circa 1864-1865. </unittitle></did></c03>
     <c03><did><container type="Box">8</container><unittitle>View 1 This is likely a Confederate foundry, apparently with slave labor. Image with men on the roof of foundry and below, tree behind the building has Spanish moss on branches.  These may be the only existing foundry photos with slaves working outdoors, perhaps taken in Texas (conjectured foundries would be Alexander McGowan in Houston, who had a foundry on Buffalo Bayou, or J.H. Dance Revolver Foundry in East Columbia on the Brazos).  Jones found in Texas, in the Houston area, in the early 1990s. Half plate tintype in case with oval motif, very good to excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">8</container><unittitle>View 2 Confederate foundry, possibly Houston, Texas, circa 1864-1865. Image of side of building again with men on roof.  Half plate tintype in case with mixed floral urn motif, very good to excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">8</container><unittitle>View 3 Confederate foundry, possibly Houston, Texas, circa 1864-1865. Image of a group of men close-up, two in CSA uniforms.  Half plate tintype in case with grapes in oval motif, very good to excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">8</container><unittitle>View 4 Confederate foundry, possibly Houston, Texas, circa 1864-1865. Image of a group of men in front of trees, some in CSA uniforms.  Half plate tintype in embossed leather case with lyre memorial design in very good to excellent condition. </unittitle></did></c03>
</c02>

<c02><did><container type="Box">9</container><unittitle><emph render="bold">Tintypes, Texas Nonmilitary (10)</emph></unittitle></did>
     <c03><did><container type="Box">9</container><unittitle>Estelle, Will C., Columbus, Texas, January 6, 1867.  Post Civil War, with note in case, "Will C. Estelle, Columbus, Texas, Jany. 6th 1867. To Blanche, my wife." Sixth plate tintype in case with scroll motif, good condition.</unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Gruene, Texas, Outdoor view showing small Texas German-style house with white picket fence and two outbuildings behind it, circa 1860.  Found in Gruene, Comal County, Texas. Lightly tinted quarter plate tintype in half case with single rose motif, ca. 1862, fair condition.</unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Haynes, Charles Power and Sarah Jane (Dunman), sister of Texas Ranger Bill Dunman, from Haynes Family estate, circa 1860, attributed to William W. Bridgers, Austin.  Haynes was an early Texas cowboy, see Hunter, <emph render="italic">Trail Drivers</emph>. Other images in the Jones collection relate to this one. Sixth plate tintype, crisp image in case with arabesque motif, in fine condition, probably made by Oliphant.</unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Norwood family, post mortem of small girl, from estate, Navasota, Texas, circa 1860. Uncommon genre for Texas; Jones has seen only one other such image for Texas in thirty years. Quarter plate tintype in simple case with leaf border, somewhat darkened image. </unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified African American freedman, circa 1865. Cased images of African Americans are difficult to find.  Sixth plate tintype in thermoplastic case with elaborate oval and scroll motif, fine condition. </unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified cowboy, circa 1868-70. Wonderful image of a real cowboy, classic Southern Plains Indian (either Kiowa or Comanche) beaded awl case, boots with spurs, knife, revolver, etc. See Jones's file. Eighth plate tintype in thermoplastic case with scroll motif, slight wrinkling to plate, otherwise very good condition. </unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified family group of parents and five children, possibly Fayette County, Texas, circa 1860. Primitive horizontal grouping with white hanging backdrop probably by an itinerant photographer. Quarter plate tintype in a half case with rectangular design, excellent condition. Published and has been on PBS, "The American Experience."</unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified girls, probably two sisters, from Travis County, circa 1858, possibly by William Bridgers(?). Older girl wears a cross on necklace and the other girl has cross earrings.  Sixth plate tinted and gilded tintype in case with arabesque motif, mint condition. </unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified seated man, from New Braunfels, Comal County, circa 1865. German newspaper glued to back of case, smaller tintype of woman inside case behind portrait of man.  Sixth plate tintype in case with oval motif, mat has Union motif with eagles and flag, good condition. </unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified men, two, possibly Hispanic, circa 1865-1870, seated in wooden chairs. Found in San Antonio. Sixth plate tintype, no case, good condition. </unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified woman holding cased image of three men, Texas, circa 1862. Sixth plate tintype in case with bird with grapes motif, excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified young woman with elaborate hairdo and tinted jewelry, circa 1868, from Sebron Sneed estate, Travis County.  Ninth plate tintype in case with hummingbird motif, excellent condition. </unittitle></did></c03>
     <c03><did><container type="Box">9</container><unittitle>Unidentified young woman holding dog, circa 1860.  Sixth plate tinted tintype in case with oval and scroll motif, some wear to case, image in excellent condition. </unittitle></did></c03>
</c02>

<c02><did><container type="Box">4</container><unittitle><emph render="bold">Case Images, Tintypes, Texas Nonmilitary (3) [Vault]</emph></unittitle></did>
     <c03><did><container type="Box">4</container><unittitle>Parker, Cynthia Ann, (circa 1825-circa 1871) by William W. Bridgers, Austin, 1861. Provenance: David Grossblatt, accompanied with excellent documentation from a legislator in the Secession Convention (see Jones's files, plus article in <emph render="italic">SWHQ</emph>). The ladies in Austin brought her to Bridgers's studio for this photograph, and this is the only known extant original photograph of Cynthia Ann Parker. The original photograph that appears in the book on Parker is now gone, and there are only copy prints. Sixth plate tintype, half case with detailed notes glued verso about Cynthia Ann and the provenance of the piece, slightly darkened background, fine, crisp image.</unittitle></did></c03>
     <c03><did><container type="Box">4</container><unittitle>Ross, Pease, 1861, by William W. Bridgers, Austin. The young Comanche boy was captured at the battle at the Pease River by Texas Ranger and soldier Sul Ross (1838-1896) during the raid when Cynthia Ann Parker was taken from the tribe. The Ross family raised the boy. It is possibly the earliest known photographic image of a Comanche.  Sixth plate tintype in half case with paper glued to back, good condition.  Published in <emph render="italic">SWHQ</emph>, Jan. 1990.</unittitle></did></c03>
     <c03><did><container type="Box">4</container><unittitle>Unidentified African American slave boy, double portrait, front and back views, from Smith family estate, Smithville, Texas, circa 1860. Highly unusual and rare images, see <emph render="italic">Hidden Witness</emph> by Jackie Napoleon Wilson. Background: according to family lore, the family who owned him wanted to document that he had not been abused or whipped. Sixth plate tintype in double case with oval motif, mint condition.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">11</container><unittitle><emph render="bold">Tintypes – Miscellaneous Post-1865 to 1885 (21 tintypes)  </emph></unittitle></did>
     <c03><did><container type="Box">11</container><unittitle>Baby with "hidden mother" or "hidden father," genre of photography in which adult is covered with blanket in photograph holding a baby from behind or to the side</unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Carpenter with tools, Bexar County </unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Fayette County folk view of couple holding their clock </unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Farmer with big straw hat, 1870s</unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Gillett, J. B. in Southern Plains leggings (Comanche or Kiowa, see <emph render="italic">Basic Texas Books</emph> 76 for more on Gillett) </unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Man with rifle and lop-sided hat </unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Occupational images with tools, etc.</unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>People with musical instruments</unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Physician taking a patient's pulse, unusual staged shot </unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Physician with his bag, large format  </unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Wagon driver with bull whip </unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>Woman taken in front of quilt by itinerant photographer</unittitle></did></c03>
     <c03><did><container type="Box">11</container><unittitle>(21 tintypes)</unittitle></did></c03>
</c02>



	
</c01>

<c01 level="series" id="series2"> 
	<did> 
		<unitid>Series 2:</unitid> 
		<unittitle>Cartes de Visite</unittitle> 
		<physdesc>
			<extent></extent>
		</physdesc> 
	</did> 
	<scopecontent> 
		<p><?SERIES DESCRIPTION?></p> 
	</scopecontent> 

<c02><did><unittitle><emph render="bold">Cartes de Visite, Texas Subjects (154 cartes de visite)</emph></unittitle></did></c02>
<c02><did><unittitle>A collection of cartes de visite (cdv or cdvs) of Confederate soldiers, Union soldiers, and Texas Reconstruction images, known and historical Texas people and locations, circa 1864-1870</unittitle></did></c02>


<c02><did><container type="Box">1</container><unittitle><emph render="bold">Civil War, Texas Confederates </emph></unittitle></did>
     <c03><did><container type="Box">1</container><unittitle>Allen, Major A. C., 19th Texas Infantry</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Arthur, Josh</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Baldwin, L.H., Confederate Galveston post chaplain with Havana imprint</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Bee, Brigadier General Hamilton Prioleau (1822-1897), 1863</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Cabell, General William Lewis (?)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Chilton, Capt. George Washington, a rabid pro-slavery man who tried to have Gov. Pease hanged</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Cosby, Major Charles W. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Davis, Alf, Tyler 1861? (a post-war copy of a cased image)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>DeBray, Brigadier General Xavier B. (1819-1895)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>d'Hamel, Corporal Enrique, Cuban-Texan Confederate, author of <emph render="italic">Adventures of a Tenderfoot</emph>, married Amelia Navarro, daughter of Navarro, signer of Texas Declaration of Independence</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Forshey, Caleb Goldsmith, (1812-1881) engineer for the Galveston, Houston and Henderson Railroad, Confederate Engineering Corps</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Golden Circle Member, wears Secession badge and gives secret hand sign for the Knights</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hamby, William Robert (1845-1915) posed in captain’s uniform although he was really a private in 4th Texas Infantry (Hood’s Brigade), later newspaper editor and established Texas Railroad Commission  </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hardeman, Brigadier General William Polk, (1816-1898)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hawes, Brigadier General James Morrison, (1824-1889) Confederate, commander of Galveston Island, in military uniform but insignia removed per postwar Federal regulations</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Holloway, Captain Edmund B., in Mexican War uniform from painting, circa 1846-1848; Holloway was in the West Point class of 1843</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Longstreet, General James and General Xavier DeBray and unknown man at Mark’s Photographic Gallery, Houston; and another cdv of Longstreet with group of ex-Confederates and civilians includes Longstreet, Dowling, and others at an outdoor gathering</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Magruder, Major General John Bankhead, (1807-1871) with Galveston imprint and Confederate flag verso; served in Mexican War and in the Confederate Army with great success at the Battle of Galveston</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Mayfield, J.E., 12th Texas Infantry, as a veteran in wheelchair with wife</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Menard, Lieutenant Col. Medard, 26th Regiment, DeBray’s Texas Cavalry</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Ochiltree, Major Thomas Peck, (1839-1902), Texas Ranger, newspaper man, politician, Confederate in Hood’s Brigade</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Orton, Richard David (1841-1885) Confederate</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Raguet, Major Henry W., at the Battle of Valverde</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Rankin, Major John Y. and Captain H.C. Cloud and Lt. Col. Ryan</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Rayborne, Captain Howell, C.S.A. "Banditti," a notorious young guerilla fighter from Texas who organized his own command in Arkansas and led big raids</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Reeves, Colonel George Robertson (1826-1882)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Robertson, George L., Co. B, 4th Texas Infantry, "Tom Green Rifles"</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Robinson, W.M.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Steele, General William (?)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Terrell, Alexander Watkins</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Wagner, Maria, Galveston, Texas, marked C.S.A. and three children</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Walker, Major General John George (1822-1893) (Walker’s Greyhounds)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Waul, Brigadier General Thomas Neville, (1813-1903)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Whitfield, Major J.T., son of General J.W. Whitfield</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Wilson, Captain D.M., postwar as civilian</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Wilson, Jeptha, 6th Texas Infantry, C.S.A.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Unidentified Texas Confederates portraits and one cdv with Marks Houston gallery back mark of four Confederate soldiers in camp outside log building doing laundry and perhaps cooking; Confederate, cdv of soldier returned home after war with child on his lap</unittitle></did></c03>
</c02>
	

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Reconstruction in Texas and Union Troops</emph></unittitle></did>
     <c03><did><container type="Box">1</container><unittitle>Bartlett, 2nd Lieutenant Benjamin F., 42nd Regiment Massachusetts Volunteer Militia (Infantry), Company "I," died 1863, Federal soldier captured at Battle of Galveston and died at Hempstead, Texas prisoner of war camp </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Bullis, General John Lapham (1841-1911) as lieutenant, Union soldier who later went to Texas during Reconstruction in command of Black Seminole scouts </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Bond, Lieutenant David, 9 USCT (?), Maryland</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Brown, Brigadier General E.R., Brownsville</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Buffalo soldier in the 10th U.S. Cavalry regiment with Fort Sill imprint</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Butler, James M.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Fletcher, 2nd Lt. Robert, 1st U.S. Artillery </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Fulton, Lt. Andy, Co. A, 34th Indiana </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Granger, Brigadier General Gordon, (1822-1876), Union, given command of the Department of Texas, and June 19, 1865 proclaimed slavery over in Texas, forming the basis for "Juneteenth" celebration (2)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hamilton, Andrew Jackson, (1815-1875), Military Governor of Texas</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hansell, 2nd Lt. Thomas H., 48th Ohio</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hatch, Major General Edward, commander of a Black Seminole soldiers regiment</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Haynes, Colonel John Leal, (1821-1888) active in Mexican War, and commander of first and second Texas Cavalry regiments during the Civil War</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Haysinger, W., 39th Indiana Regiment, Brownsville</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Higley, Julius H., 109th USCT</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>House of Representatives, Austin, Texas post-Civil War with thumbnail images of all 87, Confederates elected right after the war, 11th Texas Legislature ousted by the Yankees, printed identifications verso</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hunt, W.H., Orderly Sgt. Co. I 42nd Reg. Mass. V. </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Morrill, W.C., 109th USCT, 52nd Ohio Volunteer</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Morse, Joel L., Assistant Surgeon, O.V. Infantry murdered at Brownsville 1866</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Norris, A.L. M.D., Brownsville post surgeon</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Pascal, Lt. Col. George W., Jr.</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Proudfit, Captain D.S. 28th U.S. Col. Troops D.S. (with tax stamp)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Redman, Captain William H., 12th Regiment Illinois Cavalry</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Reynolds, Military Governor Joseph J., Yankee in Texas during the Reconstruction period</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Savage, Captain Cyrus, Company I 42nd Regiment M.V.I., wartime image taken by J.W. Black, Boston; Savage taken prisoner at Galveston, 1-1-1863</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Shumard, Brigadier General George Getz (1823-1867)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Smith, Major General Giles A., Commanding, 1st Division 25th A.C. and Post of Brownsville</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Spencer, Captain Henry, 34th Indiana Volunteers</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Stevenson, 1st Lieutenant, S.H., 48th O., Galveston</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Sweetman, M.A., 114th Ohio Volunteers</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Thomas, William, Co. H, 9th US Colored Troops</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Weitzel, Major General G., Commanding 25th Army Corps and District of the Rio Grande, Brownsville</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Wham, Joseph Washington, 1st Lieutenant, 21st Illinois Infantry with an Indianola imprint</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>White, 1st Lieutenant S.T., Co. I 42nd Regiment</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Withey, Captain Anson</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Miscellaneous militia and military school cdvs, circa 1870-1880</unittitle></did></c03>
</c02>

<c02><did><container type="Box">1</container><unittitle><emph render="bold">People, Historical Texas</emph></unittitle></did>
     <c03><did><container type="Box">1</container><unittitle>Barry, James Buckner "Buck" (1821-1906) and Col. Russell, as elderly men, tintype.  Barry was a Texas Ranger and Confederate</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Bonny, Dr. E.T., family physician to J.P. Osterhout’s family in Bellville, Texas</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Borden, Emeline Eunace Church, Gail Borden’s third wife</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Borden, Gail, Jr., a young child so not the right age for Gail Borden, Jr., perhaps a grandson</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Borden, Louisa R. Graves, Thomas Borden’s second wife</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Borden, Thomas S., brother of Gail Borden, Galveston, tintype</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Gaines, Matthew (?), (1840-1900), African American activist</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hays, John Coffee, (1917-1883), active in Texas Revolution, Texas Ranger, and Mexican War Officer</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Hunt, Memucan, (1807-1856), active in the Texas Revolution and the Mexican War</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Johnson, Lizzie – see Elizabeth Johnson Williams</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Kleberg, Robert Justice, (1853-1932), son of Robert Justice Kleberg and head of the King Ranch</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Labadie, Dr. Nicholas Descomps (1802-1867), carte de visite copy of a daguerreotype or ambrotype of Canadian physician who was in the battle of San Jacinto and wrote a controversial account of the battle </unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Lungkwitz, Hermann (?), artist (2)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Menger, William in his volunteer fireman's uniform</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Onderdonk, Robert J., artist in serape and leather pants holding a cigar</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Osterhout, John Patterson (1826-1903) lawyer, journalist, politician and family related:</unittitle></did>
          <c04><did><container type="Box">1</container><unittitle>Doul (?), Mrs.</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Hoffman, E.N.</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Marcy, A. and son (2)</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Neyland, Cora </unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Chloe E.</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Eunice, wife of P.M. Osterhout</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Gertrude</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Isaac</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Marcy, son of Edgar Osterhout</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Orlando</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Hon. P.M.</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Paul</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Mrs. Sarah</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Thomas</unittitle></did></c04>
          <c04><did><container type="Box">1</container><unittitle>Osterhout, Mrs. Thomas</unittitle></did></c04>
     </c03>
     <c03><did><container type="Box">1</container><unittitle>Parrott, Robert B. (1848-1903)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Pinson, Reverend J. F., Dallas preacher and wife (4)</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Queen Emma of Hawaii with Austin Photograph Company back mark</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Stone, Mr. and Mrs. Samuel T. Jr. – father and son operated a ferry in Austin</unittitle></did></c03>
     <c03><did><container type="Box">1</container><unittitle>Williams, Elizabeth Ellen Johnson, (1840-1924), teacher, cattle dealer, landowner and investor</unittitle></did></c03>
</c02>

<c02><did><container type="Box">2</container><unittitle><emph render="bold">Civil War, Texas Confederates and Historical People (5) [Vault]</emph></unittitle></did>
     <c03><did><container type="Box">2</container><unittitle>Dowling, Major Richard William (Dick), (1838-1867)</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Ford, John Salmon "Rip", (1815-1897) among the portraits are Rip Ford dressed in uniform of Confederate Army colonel, circa 1865 carte de visite studio portrait by Louis de Planque done at Matamoros, Mexico or Brownsville, Texas. Rip Ford was a legendary Texas Ranger, Indian fighter, historian, and journalist, who won for the Confederacy the last land battle of the Civil War--the Battle of Palmito Ranch, May 13, 1865.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Granbury, General H. B., only war-time photograph of him, taken in Baltimore when he was a paroled prisoner of war before he was exchanged.  He resumed his Confederate military service until he was killed in action at the Battle of Franklin, Tennessee, November 30, 1864.</unittitle></did></c03>
     <c03><did><container type="Box">2</container><unittitle>Houston, Samuel, (1793-1863) portraits – one circa 1860 and a copy from a painting of Sam Houston as a Cherokee (2)</unittitle></did></c03>
</c02>

<c02><did><container type="Box">3</container><unittitle><emph render="bold">Cartes de Visite – Outdoor Scenes, Texas Locations (65 cartes de visite)</emph></unittitle></did>
     <c03><did><container type="Box">3</container><unittitle>Austin, Myers's architectural plans for the Capital </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Brownsville, rare views 1866-1867, Miller Hotel in Brownsville (Robert E. Lee &#x0026; everybody who was anybody stayed there), Elizabeth Street, circa 1865, June 1866 Cortina gang hanging including Father Parisot, Brownsville-Matamoros, ferry crossing, Brownsville hurricane, refugees </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Comanche, Texas, rare and important for John Wesley Hardin who was in jail there around the time of this photograph, 1870s </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>First U.S. Artillery Battery and their 12-lb. brass cannon during Reconstruction, late 1865-1866 </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Brownsville studio shot during Reconstruction</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Fort Parker, 3 images of identified persons who were at massacre when Cynthia Parker was kidnapped by Indians, etc. </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Fort Brown arsenal, African American soldiers at Fort Brown, Fort Brown Guard House</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Fort Concho view of adobe restaurant by an unknown photographer </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Galveston, aftermath of a devastating hurricane in 1867, 3 views, including Strand under water</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Jefferson, showing Yankee occupation and funny circus shot of dog riding a pony </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Houston, D. P. Barr late 1860s view of Tom Thumb's carriage, a church alter, Blessing &#x0026; Bros. cdv showing steam-pumping fire truck with crowd of diverse ethnic types, Houston &#x0026; Texas Central locomotive #8, the W.R. Baker, and tender in front of a hardware and dry goods shop and Wahrenbeck &#x0026; Co. office (William Robinson Baker (1820-1890) was mayor of Houston, state legislator and president of the Houston &#x0026;Texas Central Railway) circa 1865-1866, earliest view of a train in Texas in the collection</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Jacksboro, very early view across from Fort Richardson, 1866 </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Kaufmann, travelling band being pulled in </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>San Antonio, Menger Hotel 1869-1872, 1860s mission views in San Antonio, artistic shots of San Antonio area by A. J. Dignowity including a view of Mission San Jose</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>William Bliss town view</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Miscellaneous animals, etc., a view of buffalo in Texas (has to do with an expedition by photographer Troutman working for Martin and wife in Texas 1860s &#x0026; 1870s, also in the collection is the advertisement for Mrs. Martin's photographic studio in the <emph render="italic">Austin Republican</emph> for May 27, 1869, and horned toads</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>"Young Texas," has both Dallas and Jefferson imprint</unittitle></did></c03>
</c02>

<c02><did><container type="Box">3</container><unittitle><emph render="bold">Cartes de Visite – Mexico</emph></unittitle></did>
     <c03><did><container type="Box">3</container><unittitle>Scenes of Matamoros, circa 1864-68</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Almonte, General</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Diaz, Porfirio</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Juarez, Benito </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Matamoros chief of police in fancy charro outfit</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Maximilian, Emperor and wife Carlota </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Maximilian’s Austrian troops in Matamoros by Constant &#x0026; Stephen, from an album with other such historic unusual subjects, including view of plaza at Matamoros </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Mejía, Tomás</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Miramón, Miguel (1832-1867)</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Mexican ranchero with lasso by French photographer, Merille</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Morelos, L’Abbe Jose (1765-1815)</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Santa Anna, Antonio Lopez de (1784-1876) two images </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Vidaurri, Santiago (1809-1867) executed in Mexico City</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Matamoros 1865-1866 </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Matamoros Cathedral, also a shot from the tower showing the Customs House</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Mexican water carrier. </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Mexican woman - camp follower </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>"Mexican Scene," Mexican Mother preparing to follow her husband in the Army </unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Mexican vaquero with saddle</unittitle></did></c03>
     <c03><did><container type="Box">3</container><unittitle>Napoleon III, "Photographic Novelty" political caricature</unittitle></did></c03>
</c02>

<c02><did><unittitle><emph render="bold">Cartes de Visite – Texas Photographers’ Back Mark Studio Imprints</emph></unittitle></did></c02>
<c02><did><unittitle>This is a comprehensive collection of cartes de visite (cdvs) from the 1860s-1880s with back mark studio imprints providing much information on Texas photographers and their locations. There is a good concentration of such major photographers as Barr &#x0026; Wright, Blessing, Louis De Planque, Henry A. Doerr, S.B. Hill, H.B. Hillyer, H.R. Marks, W.J. Oliphant, George Schuwirth, J. Serdinko, and R.H. Wallis, and some by travelling photographers, along with imprints of lesser known and, in some cases, undocumented photographers.  </unittitle></did></c02>
<c02><did><unittitle>Occupational and mixed subject matter include: steam boat captain from Jefferson, Max Krüger (see Howes &#x0026; Herd) itinerant photographer image of a man before and after his death in a ship explosion, musicians, firemen, carpenter with tools, preacher at Fort Griffin, priest, nun, first communion boys, girls with dolls, cowboys, people in costume, etc.  Also included are some tintypes by cdv photographers. Cdvs are arranged by photographer.  (815 cartes de visite)</unittitle></did></c02>

<c02><did><container type="Box">4</container><unittitle><emph render="bold">Cartes de visite, A-misc. H (280 cdvs)</emph></unittitle></did></c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Cartes de visite, Hill-O (263 cdvs)</emph></unittitle></did></c02>

<c02><did><container type="Box">6</container><unittitle><emph render="bold">Cartes de visite, P-Travelling; Occupational (272 cdvs)</emph></unittitle></did></c02>

<c02><did><container type="Box">7</container><unittitle><emph render="bold">Cartes de Visite – Indians (21 cartes de visit) [Vault]</emph></unittitle></did>
     <c03><did><unittitle>Tonkawa collection, with a few Comanche including: Kiowa’s (Lone Wolf, other two uncertain - possibly Satanta and Big Tree) in regular garb; unidentified army wife with Fort Concho imprint, Chief of Scouts (Johnson was his English name, and he was half Tonkawa and Lipan-Apache) for Ranald Mackenzie; two Tonkawa women; group including U.S. Army Surgeon Gunning and Tonkawa Grant Richards as a young boy; portrait of Grant Richards, Tonkawa scout named Buffalo at Fort Griffin, includes excellent material-culture and ethnography that documents how the tribe outfitted themselves (includes silver hair pieces), etc.; Tonkawa (?) scout probably made at Fort Concho by Ragsdale; Satanta taken when he was in prison in Huntsville with a Comanche named Bull (in prison stripes), anunpublished image.  Also included are two small albums relating to cdvs in collection that were previously removed, <emph render="italic">Album</emph>, maroon fabric album with 10 pages, all photographs removed, handwritten note inside cover: "Tonkawa cdvs in this album." <emph render="italic">Photographs</emph>, manuscript notation inside cover, "Given to my grandmother Mary, Clark, 1869," 8 pages, all photographs removed, manuscript Tonkawa Indian names under openings. Pottawattamie, W. P. Bliss imprint.</unittitle></did></c03>
</c02>

</c01>

<c01 level="series" id="series3"> 
	<did> 
		<unitid>Series 3:</unitid> 
		<unittitle>Cabinet Card Photographs</unittitle> 
		<physdesc>
			<extent></extent>
		</physdesc> 
	</did> 
	<scopecontent> 
		<p><?SERIES DESCRIPTION?></p> 
	</scopecontent> 
	
<c02><did><unittitle><emph render="bold">Cabinet Card Portraits with Texas Imprints</emph></unittitle></did></c02>
<c02><did><unittitle>Two boxes of cabinet card portraits arranged by photographer’s studio name with a wide variety of Texas photographer imprints. Box 2 includes some occupational images: military, light house keeper, people with animals, gymnast, children with toys, man with beer steins, men with wine, mailman, women hunters with rifles, costumes, one forgery (Conner's McKinney, town scene), Blanco card of a depressed man with "Blue" written on his shoe sole, true grit couple on Caddo, Indian Territory card, boy on high-wheeler cycle, humorous subjects, various types including travelling snake-oil salesman, cowboy, unidentified photography, man with violin, baseball player, first communion, priest, tennis players, young man on bicycle, Eagle Pass. 
Also included are such famous people as David Ayres (1793-1881), James, "Buck" Barry and family, Professor L.A. Bailey of Simmons College, Abilene and cowboy Reverend Jesse Morgan Salter, General Servando Canales, Madame Candelaria, only survivor at the Alamo, Thomas T. Holloway, Oran Roberts (3), and thumbnail portraits of members of the Twenty-second Texas Legislature.</unittitle></did></c02> 

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Cabinet Cards, A-M,</emph> (169 cabinet cards)</unittitle></did></c02>

<c02><did><container type="Box">2</container><unittitle><emph render="bold">Cabinet Cards, N-Z,</emph> portraits, including occupational, special subjects, and historical people, (183 cabinet cards)</unittitle></did></c02>

</c01>

<c01 level="series" id="series4"> 
	<did> 
		<unitid>Series 4:</unitid> 
		<unittitle>Texas Locations and People</unittitle> 
		<physdesc>
			<extent></extent>
		</physdesc> 
	</did> 
	<scopecontent> 
		<p>Albumen prints and gelatin silver prints most mounted on heavy card stock, a wide variety of subjects, including, for example, towns, stores, parades, agriculture, homesteads, family gatherings, and forts.  Also included are some cabinet cards, almost all with imprints or identification of some type verso and a few tintypes of locations. Some of the more fragile images are filed in separate folders.  Photographs are arranged by location and town name.</p> 
	</scopecontent> 

<c02><did><unittitle><emph render="bold">Mounted prints 8 x 10 and smaller:</emph></unittitle></did></c02>

<c02><did><unittitle><emph render="bold">A-C (80 photographs)</emph></unittitle></did> 

	<c03><did><container type="Box">1</container><container type="Folder">1</container><unittitle>Abilene, parade</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Abilene, house with family</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Amarillo, R.E. Smith Ranch with ranchers and cattle, landscape, ranch or town building with men, lumber yard, early Panhandle views with blind-stamped imprints in Amarillo by Samuel W. Sherman (4)</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Anderson Mill, Williamson County, images of the mill that had been used to make gunpowder for the Confederate Army during the Civil War and later as a grist mill, E.R. Anderson fishing and his home (4) (see also related "Govalle" images)</unittitle></did></c03>

	<c03><did><container type="Box">1</container><container type="Folder">2</container><unittitle>Austin, bird’s-eye view, skyline with sign for Fox &#x0026; Mills Hardware store</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, "Capitol Green House" Austin when a spring was on the capitol grounds, 1908 by E. P. Jordan Studio</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin Capitol, interior of rotunda under dome view by F. Chapman </unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, Capitol, temporary building by S. H. Cooper and P. Verkin</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, cowboys and cattle, 1882</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, Deaf &#x0026; Dumb Asylum exterior with students, Main Building, Girls Dept., West Building, Boys Dept. (3)</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, Eisenbeisen's Grocery interior (showing African American patrons), attributed to George Schuwirth</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, Empire Livery &#x0026; Sale Stable, M.J. Dagnan, Proprietor</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, Congress Avenue (?) parade of uniformed men, firemen (?) by S. B. Hill</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, "Govalle," house, 1898-1899 (2) (see also related Anderson Mill images)</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, grocery store interior</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, Lake Austin by S. B. Hill</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, quarrying granite for Capitol</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, 6th Street view with tinsmiths attending meeting by Luck</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, street scene with wagons of beer barrels, carriages, etc. including parade floats by Geo. H. Berner with H.R. Marks, Photographer</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, University School of Aeronautics, Austin, woman in cockpit of plane, 1928 </unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Austin, Waller Creek, 1938</unittitle></did></c03>

	<c03><did><container type="Box">1</container><container type="Folder">3</container><unittitle>Austin, full-plate albumen of the fire burning the Texas Capitol by Hillyer </unittitle></did></c03>

	<c03><did><container type="Box">1</container><container type="Folder">4</container><unittitle>Austin and vicinity, including man hauling wood on cart, Barton’s Creek, Bee Spring with Hillyer in photograph, Mount Bonnell, Onion Creek, Ware Canal by Hillyer (11)</unittitle></did></c03>
	
	<c03><did><container type="Box">1</container><container type="Folder">5</container><unittitle>Barstow, ranch, small house with thatch roof and cowboys, W.G. Altenburgh, architect and superintendent</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Bastrop, bar/saloon</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Biardstown, Anglo cotton pickers, some women by Lee Skidmore</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Bonham, bank by M.E. Hartman</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Bonham, home with family</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Brady, Wade Transfer Co., circa 1910</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Brownsville, headquarters of General Reynolds, 1867 by C. H. Boyd </unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Buffalo, Texas store buildings of I. M. Pearlstone &#x0026; Sons, 1894 (2)</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Buffalo Bayou, cotton compress</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Buffalo Bayou, Cumming’s Saw Mill</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Buffalo Bayou, Inman compress near Harrisburg</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Buffalo Bayou, mesquite bush</unittitle></did></c03>
	
	<c03><did><container type="Box">1</container><container type="Folder">6</container><unittitle>Belton, street scene with wagons and shops</unittitle></did></c03>
	
	<c03><did><container type="Box">1</container><container type="Folder">7</container><unittitle>Canton, bridge with wagon, 1898</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Cameron County, prostitutes </unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Carmine, Sheriff James S. Scarborough with Andrew Harris, an African American man about to be hanged, 1909 </unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Carney, restaurant and meat market (now O’Brien)</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Central Texas, farm house from the front and back, rare large-format tinted tintypes (2)</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Cisco, flour mill, 1888</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Clarendon, chuck wagon scene by Alderson’s Art Studio &#x0026; Gift Shop</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Claytonville, Texas showing farm and windmill on Staked Plains, 1909</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Colorado River, rice farming with teams</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Colorado River, Camp McAdie, Greenwood branch, 1897 (4 related views)</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Colorado River, falls</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Colorado River, picnic group with guitar and croquet equipment, 1895 by C. L. Vincent</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Columbia (West), old capitol, Independence Tree, Union Monument (3), 2 by F. E. Beach (Houston), 1 by Cockrell</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Corpus Christi, 16-foot alligator by C.C. Art Gallery; African American hack driver</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Cotulla, "Col. Robert Hall." "Indian Fighter and Hero of Three Wars," with Republic of Texas ribbons (San Jacinto veteran), gun and a famous Lafitte pirate powder horn (has been published in a book about Hall), and hunting dogs</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Coyote Springs, chuck wagon or vendor’s wagon? with bread and fruit</unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Crush, train crash, 1896 by C(onrad) Petersen </unittitle></did></c03>
	<c03><did><container type="Box">1</container><unittitle>Crystal Falls, cowboys, July, 1890</unittitle></did></c03>
	
	<c03><did><container type="Box">1</container><container type="Folder">8</container><unittitle>Central Texas, houses, circa late 1860s-early 1870s (2)</unittitle></did></c03>

</c02>
	

<c02><did><unittitle><emph render="bold">D-G (84 photographs)</emph></unittitle></did>

	<c03><did><container type="Box">2</container><container type="Folder">1</container><unittitle>Dale, Texas street scene</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Dallas, Charity circus parade, 1895 (2)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Dallas, Hinkley and Dibrell, combined ventilator and chimney, patented June 27th, 1874, by J.R.</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Davis, Photograph &#x0026; Gem Gallery</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Dallas, theater interior, circa 1900</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Del Rio, sailing on the Rio Grande, also railroad track by Charles T. Wilmeth (id from duplicate with imprint)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Denton?</unittitle></did></c03>
	
	<c03><did><container type="Box">2</container><container type="Folder">2</container><unittitle>El Paso, Mexican carreta (ox cart) by Parker</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>El Paso, Fort Bliss by Parker</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Eagle Lake, large tin water barrel and sign for Lott's Photograph Gallery (Sarah D. Lott) circa 1900</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Eagle Pass, coal mines by F. Chapman</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Eagle Pass, Da Bono family in wagon with donkeys, 1893 by Beach</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Eagle Pass, depot with railroad cars and wagons with cotton by Beach</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Eagle Pass, Eagle Pass Rifles, Maverick County jail guards, 1891, two images of soldiers in Eagle Pass in anticipation of a Garza War raid to break into the jail and free prisoner Catarino Erasmo Garza (persons identified in ink)  (2)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Eagle Pass, Infantry at camp, 1896 </unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Eagle Pass, landscape by F. Chapman</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Eden, Concho County, Anglo cotton pickers</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Enchanted Rock</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Estacado, cattle ranch in Yellow House Canyon circa 1880s</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Estacado, town building with large group of mostly men</unittitle></did></c03>
	
	<c03><did><container type="Box">2</container><container type="Folder">3</container><unittitle>Fayette County, town scene with wagons</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Fayette County, German family</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Fayette County, restaurant/store interior, circa 1944 (2)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Fisher, group of cotton pickers</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Flatonia, July 4th parade</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Flatonia, town view with store fronts by G. A. Pannewitz</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Floresville, bird’s eye view from court house</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Floyd, cotton gin</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Fort Clark</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Fort Hancock (3)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Fort Stockton, early views (5)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Fort Worth, Texas Spring Palace, 1889 by G.C. Rhine</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Fort Worth, St. James 2nd Street Baptist Church</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Friona, town view with crowd, 1908</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Frost, town view, 1904</unittitle></did></c03>
	
	<c03><did><container type="Box">2</container><container type="Folder">4</container><unittitle>Galveston, Brigham-San Jacinto monument unveiling with flag carried at San Jacinto by Rose</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Galveston, The Texas Company, i.e. Texaco, with delivery trucks and pumps (2), 1 by Verkin</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Galveston, oyster boats by Harris</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Galveston (?), Texas oyster bar</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Giddings, town view, railroad station</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Giddings, railroad depot with crowd by Charles A. Meyer</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Goliad, La Bahia Mission</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Gonzales, town with cotton bales by M. Hughes</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Goodlett, bank; hotel in Goodlett by Lee's studio in Quanah (4)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Goodnight, Goodnight Ranch in the Pan Handle by Heister’s Souvenir Views of Texas (3)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Granger, town, 1893 by Heiman &#x0026; Schlueter</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Greenville, Beckham’s Hotel, verso: J. A. Aston monument</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Greenville, Carnegie Library</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Greenville, group of men outside business</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Greenville, Lee Street looking East, verso: group on porch</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Greenville, Mercantile Co. store interior, 1932</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Greenville, parade float with store advertising (2), on verso of one: man in carriage and horse</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Gunsight, view with people on large rock for which the town was named because of shape</unittitle></did></c03>
	
	<c03><did><container type="Box">2</container><container type="Folder">5</container><unittitle>Georgetown, Indian Bone Hollow (2)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Georgetown, Chautauqua thumbnail views by N. M. Wilcox </unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Georgetown, old court house</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Georgetown, landscapes by Wilcox &#x0026; Chapman, 1889 (3)</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Georgetown, San Gabriel River (3), 2 by Will Schultz</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Georgetown, Southwestern University</unittitle></did></c03>
	<c03><did><container type="Box">2</container><unittitle>Georgetown, school group</unittitle></did></c03>
	
	<c03><did><container type="Box">2</container><container type="Folder">6</container><unittitle>Gulf Colorado &#x0026; San Antonio Railroad, surveyors with equipment and tent, landscape verso, circa 1887-1890 </unittitle></did></c03>

</c02>


<c02><did><unittitle><emph render="bold">H-Q (95 photographs)</emph></unittitle></did>

	<c03><did><container type="Box">3</container><container type="Folder">1</container><unittitle>Hamilton, carriage decorated with flowers, May Day Picnic, circa 1900</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Hayden, string band, circa 1890s</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta, branding scene by J.A. Caldwell</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta, Bridge Street looking north, by J.A. Caldwell, 1882</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta, Bridge Street looking south, by J.A. Caldwell, 1882</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta area, a bunch of range cattle by J.A. Caldwell, 1888</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta, Cornett Band</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta area, haymakers on the staked plains made by Caldwell, 1890</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta, ranch family and ranch house, by J.A. Caldwell</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta area, threshing hay by J.A. Caldwell</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Henrietta, town square by J.A. Caldwell</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Hereford, land seekers, 1909</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Honey Grove, town view, street filled with wagons by F. B. Walcott</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Houston, Bayou City Cotton Compress</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Houston, street scene with the Houston Wholesale Confectionery Co. building, circa 1890</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Houston, USGS surveyors, 1915</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Howe, street scene by Miss Clara Kimmons</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Hunt County, J.W. Scott residence, house with family</unittitle></did></c03>
	
	<c03><did><container type="Box">3</container><container type="Folder">2</container><unittitle>Hebronville, Colegio Altamirano, school for Hispanic students (5)</unittitle></did></c03>
	
	<c03><did><container type="Box">3</container><container type="Folder">3</container><unittitle>Katy, Hotel Clardy</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Katy, looking north </unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Katy, poor man’s farm residence</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Katy, rice mill</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Katy, Mr. Weller’s residence, lumberman</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen, Baptist Church with Tabernacle at back, 1900</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen, Christmas tree, 1899</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen, M.L. Coleman reading a letter from Annie Coleman, 1901</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen, Methodist Church and Parsonage, 1898</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen, Miss Wilma Beckwith with store candy display, 1900</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen, Miss Lucia Bishop and Mr. Sid Bishop, 1898</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen, school house, 1898</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen (?), string band</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Killeen (?), Walter and Jettie (?) Coleman, circa 1901</unittitle></did></c03>
	
	<c03><did><container type="Box">3</container><container type="Folder">4</container><unittitle>Ladonia, town street view of market day, wagons with cotton by M. Gaither</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>La Grange, mailmen (?)</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>La Grange, stone masons, O. E. Stolz Properties</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>La Porte, fig trees</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Lampasas, court house</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Lampasas vicinity, Fall Creek, 1882 (2 views, one with log building)</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Lampasas, landscape with river by Farquhar</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Lampasas, Silver Canyon Park, 1882 by John Webber</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Lanham Mill, Somervell County, grist mill and cotton gin, May 12, 1896, burned 1898, only known photograph</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Langtry, Judge Roy Bean’s building</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Laredo, "Escuela" Mexican school, rare cabinet card showing Mexicans in Texas, by T.K. Hamilton, circa 1880s</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Laredo, Shaving &#x0026; Shoemaking shop by T.K. Hamilton Gallery, circa 1880s</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Laredo, "Young American Merchants," boys in wagon by Thomas J. Cockrell, circa 1890</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Llano County, man and rock formation, circa 1890</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Llano County, old man at river</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Llano County, Packsaddle Mountain</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Llano County, Texas pioneer woman standing in front of dog-run house  </unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Lockhart?, WCTU float in a parade </unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Lockney, Lockney Caprock views of human bones, etc. found in cave, 1907 (2) by Bruce Gerdice</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Lone Oak, store interior with hanging bananas by Lee Atkinson</unittitle></did></c03>
	
	<c03><did><container type="Box">3</container><container type="Folder">5</container><unittitle>Marshall, public square, Saturday afternoon with lots of wagons</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>McAllen vicinity, <emph render="italic">Native Life, Rio Grande Valley</emph>, by Eskildsen</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>McKinney, monument dedication, 1903</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>McKinney, wagon pulled by donkeys with girl and boy riding donkeys, circa 1890 by (Henry T.) Conner</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Mesquite, churn model, 1889</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Mexia, oil drill rig, circa 1920-21</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Mexia, carriage with five women, 1899 by (James A.) Arvin</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Midland, special Texas &#x0026; Pacific wool train, 14 cars from John B. Tower’s spring sheering</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Mineral Wells, street scene circa 1880s, by S.B. Hall</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Missouri City, Umbrella trees, rear of John Wine’s residence</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Mount Livermore, Fort Davis</unittitle></did></c03>
	
	<c03><did><container type="Box">3</container><container type="Folder">6</container><unittitle>New Birmingham, Boyd drug store interior</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>New Braunfels, court house, December 2, 1900</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>New Braunfels, grain and feed store exterior</unittitle></did></c03>
	
	<c03><did><container type="Box">3</container><container type="Folder">7</container><unittitle>Odessa, notation verso, "picnic at Pegrus Ranch, May 22, 1909. Four miles North of Odessa." (3)</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Old Stone Ranch, 1887, copy photograph</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Olive, snowfall, Feb. 14, 1895, town view showing saloon by Charles A. Meyer</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Olney, Rodgers and Goodloe (?) store interior</unittitle></did></c03>
	
	<c03><did><container type="Box">3</container><container type="Folder">8</container><unittitle>Palacios, potatoes, turnips, cabbage lettuce, peas, garden, March 19, 1908</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Palo Pinto, <emph render="italic">View approaching ‘Lover’s Retreat,’ 3 miles west from Palo Pinto, Texas, July 28/92. Temp. 100 in the shade.</emph> Image of women and children, one woman fishing</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Paris, town view with wagons loaded with cotton bales by W.M. Caldwell circa 1885</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Pearsall, Frio County Courthouse </unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Pecan Gap, Clem family in front of their house with log smoke house, circa 1899-1900</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Pecos, Justice of the Peace building, Judge Roy Bean by Studer Studion, San Antonio</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Pioneer, Roland A. Gouger hardware, saddlery and oil store </unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Porterville, series at river, ferry, washing clothes, swimming, train at nearby Arno (10)</unittitle></did></c03>
	<c03><did><container type="Box">3</container><unittitle>Quintana, <emph render="italic">View of jetties by moonlight at Quintana, 1892,</emph> by H.P. Robinson</unittitle></did></c03>
</c02>


<c02><did><unittitle><emph render="bold">R-S (66 photographs)</emph></unittitle></did>

	<c03><did><container type="Box">4</container><container type="Folder">1</container><unittitle>Ranger, Two Salvation Army boys</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Richmond, Colorado River with bridge </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Rowena, snow scene, December 19, 1909 (3)</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Rusk, penitentiary  </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Rusk, shoe store interior </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Rusk, State Mail Hack by R. M. Storey</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Rusk County, Woodbine oil field, circa 1930 </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Ruidoso, store with grouping of Mescalero Apache and their wives (includes artifacts such as beaded work) by A. J. Buck</unittitle></did></c03>
	
	<c03><did><container type="Box">4</container><container type="Folder">2</container><unittitle>San Angelo, barber shop by M. C. Ragsdale</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Angelo, bird’s eye view by M.C. Ragsdale </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Angelo, "poor white trash" notation verso by M.C. Ragsdale </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Angelo, "Emigrants going through San Angelo" town view with ox carts by M.C. Ragsdale</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Angelo, house for sale by M.C. Ragsdale </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Angelo, <emph render="italic">Residence of Senor Alfonso Begarona an Old Timer</emph> by M.C. Ragsdale</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Angelo, <emph render="italic">Rise in North Concho, Aug. 10th ‘94</emph> view of flood by M.C. Ragsdale</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Angelo, three men aiming guns at calf on ground, by Baker, a traveling photographer working for Ragsdale</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Marcos, <emph render="italic">San Marcos River, Dam from the South side, looking N.E</emph> by F.B. Bailey</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Marcos, <emph render="italic">San Marcos, Woolfolk’s Irrigating Water Wheel, one-fourth mile below Town</emph> by F.B. Bailey</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Marcos, <emph render="italic">View from top of Court House, looking North-East</emph> by F.B. Bailey</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Saba, San Saba Fair, hot air balloon, 1907</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Santa Anna, Walker House hotel </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Schulenburg, photographs of folk art paintings of Haley's comet, copyright 1921 (2)</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Seguin, Guadalupe College, Guadalupe College and W.B. Ball (Black history) (3)</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Seguin, large building with group of people standing and sitting outside Seguin, log cabin, one of the original houses in Seguin by Cozby &#x0026; Charles</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Seguin, mailman on horseback </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Seguin, town view with wagons and cotton</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Seguin, large group of men in front of school (possibly St. Paul Gymnasium?)</unittitle></did></c03>

	<c03><did><container type="Box">4</container><container type="Folder">3</container><unittitle>Seymour, <emph render="italic">Bridges at Seymour</emph></unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Sherman, Furniture Room store, 1899</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Sherman, <emph render="italic">Sherman Race Track and Grandstand</emph></unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Shafter, bootleggers with car and whisky, 1928 </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Sour Lake, bird’s eye view, July 18, 1903 by Hampton &#x0026; Heir</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Sour Lake, stores with men on porch also includes view camera</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Sour Lake, <emph render="italic">Upper End of Fannin St., Sour Lake, Texas, July – 1903</emph> shows dirt street with oil derricks in background</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Stamford, bird’s eye view</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>Stamford, large building, photograph by Rector and Rector</unittitle></did></c03>

	<c03><did><container type="Box">4</container><container type="Folder">4</container><unittitle>San Antonio estate, 1870s tintype</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, Alamo Beer wagon with advertisement</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, Anglos picking cotton outside San Antonio circa 1890 by Bruno Nauschuetz</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, barber shop &#x0026; Texas Steam laundry branch office, Flores Street </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, bird’s eye view, circa 1886-87by Sturdevant</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, cotton on trucks circa 1925, Fox Co., copyright Carl D. Newton</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, <emph render="italic">Exhibit at San Antonio Fair, 1902</emph> showing model of an International &#x0026; Great Northern train with freight cars for transporting fruit </unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, first bicycles according to note verso, Steves’ family, Sept. 5, 1880 by N. Winther</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, Fort Sam Houston, military training (6) –include several copies of group photo</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, Houston Street from the bank by Sturdevant</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, meat market also selling oysters</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, milk wagon</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio vicinity, Moser family camp</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, old aqueduct, women washing clothes in river, 1886 by Sturdevant</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, <emph render="italic">Our Mexican Citizens</emph> by Jacobson (2)</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, ox cart with Mexican driver, 1887 by Sturdevant</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, Sturdevant Keystone photographic studio exterior including the photographer with camera in doorway (rare image)</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio, The Travis, hotel or rooming house? by Frisbie (3)</unittitle></did></c03>
	<c03><did><container type="Box">4</container><unittitle>San Antonio area, outdoor scene with stone farmhouse, tintype</unittitle></did></c03>
</c02>

<c02><did><unittitle><emph render="bold">T-Y (57 photographs)</emph></unittitle></did>

	<c03><did><container type="Box">5</container><container type="Folder">1</container><unittitle>Taylor, unidentified couple in wagon pulled by mules with hay bales by Otto’s Studio</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Texas Pacific Railway hot air balloon with advertising, unidentified location</unittitle></did></c03>

	<c03><did><container type="Box">5</container><container type="Folder">2</container><unittitle>Texas Infantry, Camp Cuba Libre, Florida, 1898, Spanish-American War</unittitle></did></c03>

	<c03><did><container type="Box">5</container><container type="Folder">3</container><unittitle>Uvalde, wagon with donkeys hauling wood by D. Moehring </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Uvalde, street scene with two men in carriage with photograph gallery behind, 1905</unittitle></did></c03>

	<c03><did><container type="Box">5</container><container type="Folder">4</container><unittitle>Unidentified Texas views: towns, shops, houses, people and outdoor musicians, courthouse, bridge building, ranches, African American water cart with donkey, 3 by J.P. Morrison, Traveling Photographer, 1 by Hinshaw, Joy &#x0026; Baker, some by Watkins Bros./ Brack &#x0026; Watkins; M. R. Freeman</unittitle></did></c03>

	<c03><did><container type="Box">5</container><container type="Folder">5</container><unittitle>Vance vicinity, farm with log buildings by A.J. Buck, Traveling Artist                                                                                                                                          </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Velasco, copy of map </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Velasco, small boats on coastal beach with tents including restaurant tent and barrels</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Velasco, houses by H.P. Robinson</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Velasco, ships by H.P. Robinson</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Velasco, Low Wood convicts (mostly African Americans and Mexicans) on noon lunch rest from cutting sugar cane showing Warden Cunningham—the other photo of the guards, 1902, stamped verso Live Oak Saloon, Velasco, Texas (2)</unittitle></did></c03>

	<c03><did><container type="Box">5</container><container type="Folder">6</container><unittitle>Waco, image of parade float with advertising for "Goldstein and Migel Dry Goods, Clothing, Hats and Shoes" also a sign on the second floor of building for Deane’s Photograph Gallery, photograph by W.D. Jackson</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Waco, interior of restaurant (?), image by Deane</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Waco Springs, "Stamping Grounds," May, 1894</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Wallace, wagon with sign, "Ruhmann’s Improved Cotton Sprinkler."</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Walnut Springs, <emph render="italic">Col. J. Buck Barry Holding a Percheron Stallion in 1885, Walnut Springs, Texas</emph>.  </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Wellington, group of views of Wellington, people, horses, homes, agriculture and cowboys (6)</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Weatherford, image of a miniature steam engine designed by Frank Marley and Paul Flynn (?) by W.A. Randall</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Weatherford, image of Nell Flinn sitting on cotton bales in front of McGrattan Bros. (?) Cotton Gin, March 22, 1904</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Whitewright, image of two women and a carriage by Goben </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Whitewright, <emph render="italic">Cotton Yard at Whitewright, Tex.</emph></unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Winona, James T. Kay and family on horseback</unittitle></did></c03>

	<c03><did><container type="Box">5</container><container type="Folder">7</container><unittitle>Women and families, unidentified views with women some in maternity clothes and families (5)</unittitle></did></c03>

	<c03><did><container type="Box">5</container><container type="Folder">8</container><unittitle>Yoakum, <emph render="italic">Piggly Wiggly store No. 1, Yoakum, Texas 1917</emph></unittitle></did></c03>
</c02>

<c02><did><container type="Box">6</container><unittitle><emph render="bold">People</emph></unittitle></did> 
     <c03><did><unittitle><emph render="bold">African Americans:</emph> African American portraits in various formats including cdvs, tintypes, cabinet cards and postcards, some occupationals: musician, doctor, cook, cotton pickers, African American woman holding a white child with Galveston imprint, "Manahuill Babtis Churrh" at Goliad with African American congregation, African American woman fishing, Agua Negra School in Ditto, 1913.  </unittitle></did></c03>
     <c03><did><unittitle><emph render="bold">Indians:</emph> Tonkawa Indians, rare 1873 view of Tonkawa village at Fort Griffin showing four figures, horses, tepee, Comanche papoose, Ponto and Lone Bear (Kiowa warriors who were participants in the last Indian raid in Texas in 1897, made when they were very old- Lone Bear is carrying the shield and bow he took on the raid and is painted white), Big Tree Kiowa chief from which <emph render="italic">Gentilz</emph> painting was made with some interesting alterations (p. 107, Kendall Gentilz), Comanche women at Fort Sill, Isa-Tai Comanche medicine man who fomented Adobe Walls (circa 1873), Comanche girls (identified by name) on horseback on Vernon card, Kiowa couple Red Otter wearing peyote imagery and wife, group of noteworthy Comanche including Quanah Parker, the only Quanah Parker image with a Texas imprint in the collection.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">7</container><unittitle><emph render="bold">People</emph> </unittitle></did>
     <c03><did><unittitle><emph render="bold">Portraits:</emph> mostly studio portraits, one of a band with women wearing oriental costumes, including one of Pasquale De Bona and another of the De Bona family with bicycles, two Chinese men in El Paso, Chinese laundryman in El Paso; unusual image of woman advertising photography, clothed in dress with cabinet card portraits attached to it and on her hat for the Trade Carnival in Greenville, August 1899.  Also includes some non-Texas images, an Oklahoma store, Caddo, I.T. couple, Laguna NM view of pharmacist in shop, and an 1897 Philadelphia bicycle race.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">8</container><unittitle><emph render="bold">Mounted photographs, 11 x 14 and smaller</emph></unittitle></did></c02>

<c02><did><container type="Box">8</container><unittitle><emph render="bold">People</emph></unittitle></did>
     <c03><did><unittitle><emph render="bold">Civil War:</emph> Portraits - hand-painted photograph of Major George Washington Lafayette  Fly, (1835-1905) Second Texas Infantry Regiment, C.S.A., cdv  of Union officer inscribed verso, "Colonel J.H. Hanks, Adams Express Agt. Brownsville, Texas," Colonel J.A. Andrews, 32nd Texas Cavalry Regiment, C.S.A. taken after the Civil War at house in Grapevine, Confederate veterans barbeque in 1912 at Camp Ben McCulloch, Driftwood, one-legged Confederate veteran on crutches, copy print of the seven legislators who voted against Secession, full-length portrait General Samuel Heintzelman, USA taken in Texas circa 1865-1866, Civil War Reunions: barbeque dinner for Confederate veterans at Camp Ben McCulloch in Driftwood, a wonderful mounted gelatin silver print of a salty-looking group of Confederate veterans of Cherokee county with a brief but poetic inscription that reads: "NO HARM IN US NOW," a tough-looking bunch of guys even if they are old </unittitle></did></c03>
     <c03><did><unittitle><emph render="bold">Portraits:</emph> portrait of Olin H. Ragsdale, a portrait of a woman in top hat and tuxedo attire advertising "Fred Diercks the Tailor," a group portrait of the Texas Conference of the Evangelical Association, San Antonio, portrait of several members of the GCG, German musicians. </unittitle></did></c03>
</c02>

<c02><did><container type="Box">9</container><unittitle><emph render="bold">Locations</emph></unittitle></did> 
     <c03><did><unittitle>World War I scene Houston, Texas, 36th Division coming home with Red Cross ladies handing out donuts, 3-22-1919 by Schlueter; Stamford market scene with many wagons loaded with cotton hauled by G. W. Whatley, dredging for deep-water on the Neches in Beaumont, Boerne hay harvest, Corpus Christi with wagons decorated for festival, Clem Lumber Company in Dallas, cotton baling (?) near Dallas, 1887 "Bailing Oil at Well No. 15" petroleum in Corsicana, very early, El Campo irrigation project and El Campo Rice Milling Co., August A. Busch &#x0026; Co. ice house in Fort Worth (exterior and 3 views of interior), First Baptist Church in Fort Worth, cotton crop at Ballinger in Runnels County 1906, cotton gin at Ladonia, "Oak Park" residence of J.H. Richardson, Lampasas, mules with float for a dry Texas in Lockhart  Women’s Christian Temperance Union, WTCU, 1909, a river baptism in Midlothian, TM steers and cowboys 1909, Electric Light and Ice Works in Quanah.</unittitle></did></c03>
</c02>

</c01>

<c01 level="series" id="series5"> 
	<did> 
		<unitid>Series 5:</unitid> 
		<unittitle>Albums and Books</unittitle> 
		<physdesc>
			<extent>24 total</extent>             
		</physdesc> 
	</did> 
	<scopecontent> 
		<p><?SERIES DESCRIPTION?></p> 
	</scopecontent> 

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Albums, cartes de visite, circa 1860s</emph></unittitle></did>
     <c03><did><unittitle>1. <emph render="italic">Album</emph>, black or dark brown embossed leather cover with four white studs recto and verso, 84 cdvs and genre prints, some hand colored and some with tax stamps, 1860s. 3 detached prints.  Note in box indicates: "descendents of Lewis &#x0026; Clark: Campbell, Raven, Nichols &#x0026; Roberts."  Photographers: W.W. Sloan (Lee Gallery, Jefferson, Texas); Turner &#x0026; Cohen (New Orleans); C. D. Fredericks &#x0026; Co. (New York), Swymmer &#x0026; Leeson (New Orleans), Howell’s Photographic Studio (New York), H.B. Hillyer (Austin), H.R. Marks (Austin), W.W. Washburn (Austin). </unittitle></did></c03>
     <c03><did><unittitle>2. <emph render="italic">Album</emph>, brown leather with embossed palm leaf design, 12 cdv and tintype portraits - 11 mounted and 1 detached.  Also 1 photographic print, 2 men, 3 women, 3 children, posing with 1 calf, 1 automobile, next to a building. Photographers: J.A. Sheldon (Jefferson, TX), Bogardus, W.W. Sloan – Lee Gallery, (Jefferson, TX).</unittitle></did></c03>
</c02>

<c02><did><container type="Box">2</container><unittitle><emph render="bold">Albums, cartes de visite, circa 1860s</emph></unittitle></did>
     <c03><did><unittitle>3. <emph render="italic">The Photographic Album</emph>, embossed brown leather cover, mostly cdvs but also includes some tintypes; inscribed inside facing title page, "To Cull Collins From Sister Katie."  Most cdvs are of the Burrell H. Collins family, also Simmons, Johnson, Baldwin, Douglas, Devereaux, and Dellis families.  Photographers from Water Valley, Mississippi, Jackson, Tennessee, and Waco, Texas, circa 1860s and 1870s. Cull Collins appears to have lost a leg in the Civil War as there is a cdv of him with one leg removed at the knee seated holding a crutch and another with him seated next to another man with his hand on the other man’s knee hiding his missing leg. 70 cdvs and tintypes.</unittitle></did></c03>
     <c03><did><unittitle>4. <emph render="italic">Album</emph>, green leather with gilt decoration and brass strap clasps inscribed on first page, "Sarah Agnes Robertson, Christmas."  Title page printed, <emph render="italic">The Photographic Album</emph>. New York, D. Appleton &#x0026; co., 443-445 Broadway, 1863.  Texas album with cdvs and tintypes by Blessing, Oliphant, Sam Gallway, Traveling Artist, H.R. Marks, J.E.H. Chapman, Practical Photographer, Hempstead, and Hillyer.  24 cdvs and tintypes.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">3</container><unittitle><emph render="bold">Albums, cartes de visite, circa 1860s-1880s</emph></unittitle></did>
     <c03><did><unittitle>5. <emph render="italic">The Photograph Album</emph>, small brown leather album with embossed covers, circa 1863: 13 cdv portraits; includes note that some cdvs were removed by Jones are with the other cdvs under "Mexico"; includes index to photographs with some of the sitter’s names, some German names and some Spanish, also a portrait of Emperor Maximillian by Neurdein, Paris, France. Manuscript note on one cdv identifies it was taken in Matamoros.  Most photographs by H.B. Hillyer (Austin) or have no imprint. </unittitle></did></c03>
     <c03><did><unittitle>6. <emph render="italic">Album for Photographs</emph>, New York, brown leather embossed covers with four white studs recto and verso and silver inlaid plaque recto with engraved initials, "LEH" in the middle.  37 portraits, some tintypes also gem tintypes; 1 colored photographic print of flowers; marriage announcements; newspaper clippings; some cdvs are missing. Most photographs made in Marshall, Texas by photographer: Bruce; others from Shreveport, LA; Anamosa, IA (photographer: O.M. Ellis); Warsaw, NY; Cairo, Ill; a few from London, England. </unittitle></did></c03>
     <c03><did><unittitle>7. <emph render="italic">The American Photograph Album</emph>, brown leather with white studs recto and verso, inscribed inside, John C. Dasch, Pauline Tritze married at Waco, Texas, January 11, 1870.   Dasch family was from Waco and Oak Lawn, Dallas, includes biographical family notes about birth, etc. 17 mounted portraits and photographs of paintings (1 dog portrait); 2 tintypes; 3 cdvs loose in album). Photographers: J.J. Mullins (Waco); J.B. Russell (Waco); J. H. Reinhold (Cincinnati)</unittitle></did></c03>
     <c03><did><unittitle>8. <emph render="italic">Album</emph>, brown embossed leather covers with floral hand-painted oval inset, spine missing, circa 1860s-1880s. Includes 32 tintypes, most removed from album; 2 later photographic prints; 1 letter, postmarked Arkansas, dated April 18, 1886, addressed to Mrs. Jane Masters, Bronco, Georgia.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">4</container><unittitle><emph render="bold">Albums, small, cartes de visite, and tintypes, circa 1860s-1870s </emph></unittitle></did>
     <c03><did><unittitle>9. <emph render="italic">Album</emph>, small brown leather, missing spine with note inside, "Great Aunt Tony Fay DeLaney’s family, Captain H.H. Fay."  12 tintype portraits on 8 double-sided album pages and 1 detached tintype</unittitle></did></c03>
     <c03><did><unittitle>10. <emph render="italic">Album</emph>, small, brown leather, inscribed, "Eldorado, Texas, 1870" Album appears to be the Edward Pharr and Mary A.J. Weeks Pharr family also including the Ware family, 24 cdv and tintype portraits </unittitle></did></c03>
     <c03><did><unittitle>11. <emph render="italic">Album</emph>, small, red leather, inscribed, "Texas." Ware family album with 13 tintypes and 1 cdv.</unittitle></did></c03>
     <c03><did><unittitle>12. <emph render="italic">Album</emph>, small black leather. Inscribed on last page, "Family of Scott &#x0026; Cotter, John O. Scott of Sherman, TX, 1837-1904, Robert Cotter, Houston Druggist &#x0026; Texas Ranger." 13 cdv portraits, some hand tinted and one with Civil War tax stamp; studios: Mark’s Photographic Gallery, Houston;  Bean &#x0026; Co.’s City Photographic  Portrait Galleries, Vicksburg, Miss. and Jackson, Miss.; Houston City Gallery, Chas. N. Bean, photographer.  (See also, an ambrotype of Robert Cotter as a Texas Confederate soldier.)</unittitle></did></c03>
     <c03><did><unittitle>13. <emph render="italic">Album</emph>, small black leather, 9 pages, all photographs removed.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Book</emph></unittitle></did>
     <c03><did><unittitle>14. <emph render="italic">Views of Texas photographed by S.B. Hill. Austin, Texas.</emph>  Dull green fabric covers with printed title, 34 albumen prints approximately 4 ½ x 7 ½ in. on double sided mounts, "S.B. Hill, Photographer, Austin, Texas," printed under each image and titles stamped below, circa 1880-1890.  Views include scenes of rivers, Pecos Bridge, geological formations, the Southern Pacific Railroad, ranches, Fort Stockton Spring, Austin and vicinity.  </unittitle></did></c03>
</c02>

<c02><did><container type="Box">6</container><unittitle><emph render="bold">Albums, 1904</emph></unittitle></did>
     <c03><did><unittitle>15. <emph render="italic">Photographs</emph>, 1904. 21 photographic prints 3 x 3 in. glued on 7 black paper pages. White manuscript notations sometimes difficult to decipher.  Photographs of a man and a woman perhaps from Kansas City and their trip to Austin, Texas showing the state capitol, Confederate monument, court house, state land office, post office, and house at #119 W.8th Street.</unittitle></did></c03>
     <c03><did><unittitle>16. <emph render="italic">Souvenirs. GIC</emph> and hand painted flowers on album cover, verso: "1904, S.C.K." 8 prints 4 ½ x 6 ½ in. of activities at the Girls Industrial College of Texas which opened to the public in 1903 in Denton, the name later changed to Texas Women’s University. The school was to educate women in literary education, domestic sciences, child care, nursing and give them vocational training.  The photographs, perhaps platinum prints, are glued on gray paper pages. Subjects include: the main school building, gardening, cooking, class work, tennis, shop work using tools, and dress making.  Also numerous magazine clippings with recipes and practical advice. </unittitle></did></c03>
</c02>

<c02><did><container type="Box">7</container><unittitle><emph render="bold">Album, circa 1915</emph></unittitle></did>
     <c03><did><unittitle>17. <emph render="italic">Photographs</emph> printed on black fabric cover, <emph render="italic">Compliments of the Garford Motor Truck Co., Lima, Ohio</emph>, printed on the title page and S.M. Williams, general sales manager’s card, circa 1915.  Album disbound, images glued to black paper sheets; white captions.  Includes 112 photographs of trucks travelling in Texas and New Mexico, some in Fort Sam Houston and Fort Hancock, military camps, bad road conditions, landscapes etc. related to the Mexican Revolution.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">8</container><unittitle><emph render="bold">Albums, circa 1921-1940</emph></unittitle></did>
     <c03><did><unittitle>18. <emph render="italic">Snapshots</emph> on black fabric cover, dedication on inside cover: "To Nola Hutchinson, age 15, from Daddy. July 12, 1922." 68 photographs glued to black paper sheets; 1 loose portrait of baby 5 ½ x 4 in. mounted on 7 ¾ x 6 in. board. Included are photographs of and by Nola Hutchinson or her family of the Oak Grove School house, family gatherings, a car trip to New Mexico and Colorado, clipping about high school graduation</unittitle></did></c03>
     <c03><did><unittitle>19. <emph render="italic">Photographs</emph>, album with maroon paper covers, 1936 to circa 1940: approximately 200 photographs, glued on black paper pages, white handwritten captions. Subjects include school, family, and friends.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">9</container><unittitle><emph render="bold">Album, circa 1932-1940</emph></unittitle></did>
     <c03><did><unittitle>20. <emph render="italic">Galveston Wharves</emph>, brown leather album cover, circa 1932-1940. "Port of Galveston," 8 pages of typescript describing the Galveston wharves and shipping; 40 black and white photographic prints, 7 ½ x 9 ½ inches by photographic firm, Verkin Photo Co. with typed captions showing industry in and around the Galveston wharves, cotton, rice, flour locomotive cranes, switch engines, elevators, and ships. 1 map: <emph render="italic">Port of Galveston, Texas.  Terminal facilities, cotton compresses and warehouses</emph> (April, 1932).  Also inserted "Photographic promotion to sell Galveston wharves," a 1 page description of the album with auction estimation. </unittitle></did></c03>
</c02>

<c02><did><container type="Box">10</container><unittitle><emph render="bold">John J. Haynes Family Collection, [Vault]</emph></unittitle></did>
     <c03><did><unittitle>1. <emph render="italic">Photographs</emph>, John J. Haynes family album, small light brown embossed fabric cover with painted oval inset and white studs. Early Haynes family Texas cowboy views from Blanco County.  12 cdvs, some tintypes in the album, circa 1860-1870s.  Includes note that Jones removed 13 cdvs and tintypes from the album, and they are stored in a separate marked envelope.  Included in the same box: 17 loose tintypes, several by George Schuwirth, Austin, 1 cdv with Civil War tax stamp verso; 1 tintype of C. P. Haynes as an old man, 1 more recent photograph of couple in front of house, among the group is a tintype of Caleb Holden identified as an "Indian fighter."</unittitle></did></c03>
     <c03><did><unittitle>2. 1 book: <emph render="italic">Elliot’s Book of Forms: for the use of stockmen, farmers, and all persons engaged in buying and selling live stock or personal property.  Containing agreements, bills of sale, deeds, leases, powers of attorney, marks and brands and memoranda. Also the Stock Law</emph> (Austin, Texas: O. H. Elliott Publ., 1881).   [1 other library, UT Austin, owns the book, according to OCLC.]</unittitle></did></c03>
</c02>
	

	
</c01>

<c01 level="series" id="series6">
     <did>
          <unitid>Series 6:</unitid>
          <unittitle>Photographica</unittitle>
          <physdesc>
               <extent></extent>
          </physdesc>
     </did>
     <scopecontent>
          <p><?SERIES DESCRIPTION?></p>
     </scopecontent>

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Portraits of photographers</emph></unittitle></did>
	<c03><did><unittitle>Portraits of photographers and important photographer's covers: W.H. Adams, series of cartes de visite of daughter and granddaughter D. P. Barr (photographer in Civil War in Vicksburg), portraits of various Texas photographers including George Bennett, W. M. Bruce photographer's card with his photo tipped onto it-no later than 1866, Bushong &#x0026; Gray, Van Alstyne, Texas, Clogenson’s studio, photographer Phillip R. Cook with his camera, portrait of Delafraisse, Louis De Planque's photograph of his studio in Brownsville (de Planque was one of the first in Texas to do extensive outdoor photography and among the first journalistic photographers in Texas, 
	he came with Maximilian's army and was Franco-Prussian, had photography studios on both sides of the Rio Grande, and his wife worked with him), full-length portrait of De Planque in jaguar skin coat and charro pants, stereo of San Antonio photograph gallery of Doerr, Flatonia, snow scene, February, 1895 and others including self-portraits (5) by Anton Foitik, probably an amateur photographer; H.B. Hillyer, Latourette stereos with camera shadow, George K. Miller, Conrad Petersen, J. Frank P’Pool,  George Schuwirth's Austin photography gallery, John Trlica ad with map of Texas, K. Vasbinder, S.S. Ward and daughter, female photographer in her studio, 
	interior of photographer's studio; travelling photographer's wagon  at Kenedy;  photographer's invoices, M. Cadwell, Fey &#x0026; Braunig, C. R. Wear, N. Winther, M. M. Ferguson, P. Watts, images relating to Texas photography 1885-1890, shows photographer with camera in a studio and the other shows an assistant in a workroom with supplies and another camera assistant is cutting prints, both cabinet cards circa 1885-1890.  </unittitle></did></c03>
</c02>

<c02><did><container type="Box">2</container><unittitle><emph render="bold">Photographica and ephemera related to 19th and early 20th century Texas photography</emph></unittitle></did>
	<c03><did><container type="Box">2</container><unittitle><emph render="italic">Photographs</emph>, album from the Blessing photography family with green fabric cover, circa 1918-1930s. Approximately 221 snapshot photographs mounted on black paper sheets; 18 unmounted photographs, includes 3 portraits of photographer S.T. (Solomon Thomas) Blessing; 2 of his tombstone in cemetery (before death). Also included are images of family, friends, automobiles, houses, the Blessing store in Fort Worth, a Navy dirigible, the grave of a soldier who died, 1918, many babies and birth announcements. See Blessing’s biography in Peter E. Palmquist, <emph render="italic">Pioneer Photographers from the Mississippi to the Continental Divide: 1839-1865</emph> (2005).  R. H. Wallis, 
	photographer, unmounted whole plate albumen print of Wallis and other photos, probably of his family, from an album found under a house in a sack, cdvs by photographer R.H. Wallis, Brownsville and portrait of Wallis and family; photographer's coupons and trade cards, and ephemera, includes 1856 letter from would be ambrotypist "studying the art;" 1866 letter from Federal soldier (6th U.S. Cavalry in Austin, Texas) sending ambrotype home to loved ones; unusual railroad photo gallery on train; an S.T. Blessing Photo Supply calendar  for 1912 with photograph of Blessing; a decorative 1908 calendar of a little girl holding a camera from the Lyman Drug Co., Eagle Pass.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">2</container><unittitle><emph render="bold">William James Oliphant (1845-1930) Collection </emph></unittitle></did>
	<c03><did><container type="Box">2</container><unittitle>William James Oliphant was a photographer working in Austin after the Civil War.  The Oliphant Collection consists of cased images, tintypes, cartes de visite, and cabinet cards, 1840-1870s.  He was the father-in-law of historian Walter Prescott Webb, see the 1932 article in SWHQ by Webb discussing the importance of early Texas photography and need to be utilized in research.  There are also Oliphant stereographs from this collection stored with the other stereo views.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">3</container><unittitle><emph render="bold">Oliphant Family Cased Images</emph></unittitle></did>
	<c03><did><unittitle>Oliphant Family Cased Images.  The cased images, daguerreotypes (13), ambrotypes (2) and tintypes (5), circa 1850-1870 are all from Walter Prescott Webb, Oliphant’s son-in-law, only a few are identified, but some may relate to Bryan family (needs research), all were in the Oliphant family collection, many have the Oliphant imprint inside the case. Webb married Oliphant's daughter and lived with the Oliphant’s in his old age. Collection includes William J. Oliphant’s tintype portrait while in the 6th Texas Infantry Regiment, CSA.  He was captured later by Yankees who took his gold buttons.  Gold buttons on his uniform were made from Mexican gold coins. 
	Oliphant's parents were jewelers on 6th Street, Austin. The quarter plate tintype is in fair condition, somewhat dark and a few dents.  Published in Jones CC, and elsewhere.* </unittitle></did></c03>
</c02>

<c02><did><container type="Box">4</container><unittitle><emph render="bold">Oliphant Family Cartes de Visite</emph></unittitle></did>
	<c03><did><unittitle>The group has about 22 cdv images of Oliphant at various phases of his life and career and eight tintypes of him, some before the Civil War, and three cabinet cards of Oliphant as an older man, an unusual number of photographs of a single photographer in one collection. Some of the cdvs show Oliphant with family members and sometimes holding stereoscopes.  There are also cdvs of the Stuart and Townsend families related to Oliphant or his wife and a group of cdvs of unidentified people, many with tax stamps and from New Orleans.  Also includes an image of Oliphant's father reading an Austin newspaper.  Many of these cdvs have rare Texas imprints, such as a studio on Pecan Street. Some have personal inscriptions relating to the sitters.  </unittitle></did></c03>
</c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Oliphant/Gardner/Pywell Cartes de Visite [Vault]</emph></unittitle></did>
	<c03><did><unittitle>Oliphant studied photography in Alexander Gardner’s Washington, DC studio circa 1867-1869, and there are a number of cdv images in the Oliphant Collection that were made in Gardner’s studio. It appears that Oliphant and photographer, William R. Pywell were acquainted; the collection includes several portraits made in Gardner’s studio of Pywell, who worked with Gardner, and Pywell’s sister, Laura Pywell who later became Timothy O’Sullivan’s wife and Eddie Pywell.  There are also cdvs from the Pywell &#x0026; Sterzing studio in Austin and the W.R. Pywell Photographic Studio in Homer, Louisiana.  Also included is an 1869 portrait of photographer George Robertson by David Knox with his notes verso on the photograph.  
	Gardner’s portrait of Timothy O'Sullivan in this collection is one of few autographed images of him.  </unittitle></did></c03>
</c02>

</c01>

<c01 level="series" id="series7">
     <did>
          <unitid>Series 7:</unitid>
          <unittitle>Stereographs</unittitle>
          <physdesc>
               <extent></extent>
          </physdesc>
     </did>
     <scopecontent>
          <p><?SERIES DESCRIPTION?></p>
     </scopecontent>

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Stereographs, Texas Locations (approximately 500 stereographs)</emph></unittitle></did></c02>

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Austin to Eagle Pass</emph></unittitle></did>
	<c03><did><unittitle>Austin, many views including old capital before it burned, old capital burned and interior view of the ruins, old pontoon bridge for crossing river to south, view at top of Mt. Bonnell, Congress Avenue, photography galleries.</unittitle></did></c03>
	<c03><did><unittitle>Baird, </unittitle></did></c03>
	<c03><did><unittitle>Bandera, </unittitle></did></c03>
	<c03><did><unittitle>Beaumont, including oil boom </unittitle></did></c03>
	<c03><did><unittitle>Belton, </unittitle></did></c03>
	<c03><did><unittitle>Bonham, </unittitle></did></c03>
	<c03><did><unittitle>Brenham, court house with horses tied up </unittitle></did></c03>
	<c03><did><unittitle>Brownsville, </unittitle></did></c03>
	<c03><did><unittitle>Cisco, Cattle Exchange Saloon</unittitle></did></c03>
	<c03><did><unittitle>Clarksville </unittitle></did></c03>
	<c03><did><unittitle>Cleburne</unittitle></did></c03>
	<c03><did><unittitle>Comfort, Union monument to Nueces Massacre right after it was constructed (rare) </unittitle></did></c03>
	<c03><did><unittitle>Cuero</unittitle></did></c03>
	<c03><did><unittitle>Dallas, good views including Dallas county courthouse, studio of photographer Alfred Freeman</unittitle></did></c03>
	<c03><did><unittitle>Del Rio, </unittitle></did></c03>
	<c03><did><unittitle>Dennison, including tinted art shots of photographer family, </unittitle></did></c03>
	<c03><did><unittitle>Devil's River, cave scenes—unusual </unittitle></did></c03>
	<c03><did><unittitle>Eagle Pass, including ferry crossing to Piedras Negras, 3 variant views</unittitle></did></c03>
</c02>

<c02><did><container type="Box">2</container><unittitle><emph render="bold">El Paso to Llano </emph></unittitle></did>
	<c03><did><unittitle>El Paso, </unittitle></did></c03>
	<c03><did><unittitle>Enchanted Rock, 3 views </unittitle></did></c03>
	<c03><did><unittitle>Fort Clark, some at the height of the Indian Wars, laundress and camp followers quarters, officers, Seminole camp, jacal houses with chimneys, 2 variant views, both with a Seminole woman in Victorian dress with a Lipan chief</unittitle></did></c03>
	<c03><did><unittitle>Fort Concho, (Ragsdale, including costume party with Grierson), </unittitle></did></c03>
	<c03><did><unittitle>Fort Davis, including officer's row below Sleeping Lion Mountain also Butterfield Trail </unittitle></did></c03>
	<c03><did><unittitle>Fort Stockton, traders' post </unittitle></did></c03>
	<c03><did><unittitle>Fort Worth, courthouse showing market day and people bringing their cotton </unittitle></did></c03>
	<c03><did><unittitle>Galveston, large group of images 1860s to 1880s, Galveston Bay frozen in 1895, early train view 1866-1867, cotton train </unittitle></did></c03>
	<c03><did><unittitle>Goliad, early, 1870s</unittitle></did></c03>
	<c03><did><unittitle>Greenville, </unittitle></did></c03>
	<c03><did><unittitle>Greenwood, including a group scene with sign in front saying where and when it was made </unittitle></did></c03>
	<c03><did><unittitle>Houston, including oldest standing building </unittitle></did></c03>
	<c03><did><unittitle>Indianola, 1868, early, including a busy scene </unittitle></did></c03>
	<c03><did><unittitle>Kerr County, </unittitle></did></c03>
	<c03><did><unittitle>Lagarto, </unittitle></did></c03>
	<c03><did><unittitle>Lampasas, </unittitle></did></c03>
	<c03><did><unittitle>Langtry, </unittitle></did></c03>
	<c03><did><unittitle>Laredo, </unittitle></did></c03>
	<c03><did><unittitle>Llano County </unittitle></did></c03>
</c02>

<c02><did><container type="Box">3</container><unittitle><emph render="bold">Lufkin to Wooten Wells </emph></unittitle></did>
	<c03><did><unittitle>Lufkin, </unittitle></did></c03>
	<c03><did><unittitle>McKinney, interior of photographic studio—rare image</unittitle></did></c03>
	<c03><did><unittitle>New Braunfels, </unittitle></did></c03>
	<c03><did><unittitle>Palestine, interior of a railroad car </unittitle></did></c03>
	<c03><did><unittitle>Terlingua area, </unittitle></did></c03>
	<c03><did><unittitle>Pecos High Bridge, </unittitle></did></c03>
	<c03><did><unittitle>Peniel, </unittitle></did></c03>
	<c03><did><unittitle>San Antonio, 60 or 70 including many of Alamo, includes all types such as vendors, cowboys, tamale vender, praline vender, a Lipan Apache Indian chief and daughters by Doerr</unittitle></did></c03>
	<c03><did><unittitle>Seguin, view showing Jahn Furniture, county jail, </unittitle></did></c03>
	<c03><did><unittitle>Waco, early downtown scene with livestock, people, wagons loaded with cotton)</unittitle></did></c03>
	<c03><did><unittitle>Wooten Wells </unittitle></did></c03>
</c02>

<c02><did><container type="Box">4</container><unittitle><emph render="bold">Stereographs, Texas Topics and Groupings (173 stereographs) </emph></unittitle></did></c02>

<c02><did><container type="Box">4</container><unittitle><emph render="bold">Texas Topics and Groupings</emph></unittitle></did>
	<c03><did><unittitle>Agriculture</unittitle></did></c03>
	<c03><did><unittitle>Battleship <emph render="italic">Texas</emph>, </unittitle></did></c03>
	<c03><did><unittitle>Cattle industry, </unittitle></did></c03>
	<c03><did><unittitle>Cotton industry, </unittitle></did></c03>
	<c03><did><unittitle>People, historical personalities </unittitle></did></c03>
	<c03><did><unittitle>Louisiana Purchase Exposition, St. Louis, 1904 Texas exhibit </unittitle></did></c03>
	<c03><did><unittitle>McKinley, President William visit to Texas in 1901</unittitle></did></c03>
	<c03><did><unittitle>Modern stereos of caving views </unittitle></did></c03>
	<c03><did><unittitle>Oil industry, </unittitle></did></c03>
	<c03><did><unittitle>Roosevelt, President Theodore visit to Texas in 1905, some by Alexander Lambert surveying camp on Devil's River and Nueces River</unittitle></did></c03>
	<c03><did><unittitle>Unidentified Texas, post Civil War military occupation of Texas, emigrants coming to Texas from Arkansas, comic stunt shot by photographer showing Ben Wittick in a set-up scene shooting giant horned toads and some unidentified views.  </unittitle></did></c03>
</c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Stereographs, Special Collections and Sets (205 stereographs)</emph></unittitle></did></c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Indians of the Southern Plains</emph></unittitle></did>
	<c03><did><container type="Box">5</container><unittitle>Stereographs of Native Americans also included are some cabinet cards.  15 stereos of prisoners of war in 1875 sent to Florida, including Capt. Pratt who took them to Florida and founded the Carlisle School, many of Natives are identifiable. </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Lone Wolf </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Mamante, only known photo of Kiowa medicine man who supervised raids into Texas from the 1860s </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Quo-Hada camp</unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Kiowa Big Bow with his Mexican slave taken in Santa Fe (he was among the last to go to the reservation), Wichita hunt and other related views in Indian Territory, </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>William Bliss views of Kiowa and Comanche (one of Southern Arapaho) including captive Mexican boy </unittitle></did></c03>
	<c03><did><container type="Box">5</container><unittitle>Earliest paper view of Pima in Arizona (1865) by H. H. Edgerton (Bancroft has 7 Edgerton photos 1866).</unittitle></did></c03>
</c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Leach &#x0026; Hanna. </emph></unittitle></did>
	<c03><did><container type="Box">5</container><unittitle>Strong collection of Leach &#x0026; Hanna and Leach &#x0026; Shannon photographers who worked in Cherokee and Llano includes their broken down photo wagon at Old Government Crossing on the Pecos River, Seminole Canyon, staged hold-up on the way to Big Bend, Hot Springs across from Mexico, mines at Shafter, Fort Davis, Mexican children, interiors of Mexico, Mexican religious ceremonies, caves in Kinney County, Alamo, Santa Elena Canyon, and Mexican jacals.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">R. R. Parker </emph></unittitle></did>
	<c03><did><container type="Box">5</container><unittitle>Stereos with good genre views, social history, picnics, </unittitle></did></c03>
</c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Texas Buffalo Hunt</emph></unittitle></did>
	<c03><did><container type="Box">5</container><unittitle>9 Oliphant imprint, Robertson the photographer, views documenting a Texas buffalo hunt near Abilene in 1874, thought to be earliest photographs of a buffalo hunt in North America (see p. 189 in James L. Haley's <emph render="italic">Texas: An Album of History...</emph>). Walter Prescott Webb traced down the last survivor of the hunt Emil Obervetter, who described the hunt and gave the itinerary. This is the largest collection of images from this expedition.  </unittitle></did></c03>
</c02>

<c02><did><container type="Box">5</container><unittitle><emph render="bold">Texas Land &#x0026; Copper Association </emph></unittitle></did>
	<c03><did><container type="Box">5</container><unittitle>Troutman stereos from the 1872 expedition for which M. K. Kellogg kept the journal (Llerena Friend in her book on Kellogg states that no photos have been found from the Texas Land and Copper Association, p. 8), but here are 83 of them (perhaps 105 were done), including Colbert's Ferry on the Red River, engineers having dinner in the forest, scenes of and near Fort Richardson, repairing a break in a railroad on Creek lands, ruins of Fort Belknap showing officer's quarters, "Island Home" at Fort Richardson showing prostitutes, Clear Fork of the Brazos River show photo wagon going up the hill toward Fort Griffin, Tonkawa Indian Village at Fort Griffin (extremely rare type of image), guard at spring at Fort Richardson, Jacksboro, Texas.  </unittitle></did></c03>
</c02>

<c02><did><container type="Box">6</container><unittitle><emph render="bold">Stereographs: Special Collections</emph></unittitle></did></c02>

<c02><did><container type="Box">6</container><unittitle><emph render="bold">Texas View Company </emph></unittitle></did>
	<c03><did><unittitle>Texas Centennial, 1936 set with 25 cards.  Also includes a set of unpublished stereos with manuscript notations, perhaps unpublished, and a salesman sampler book entitled <emph render="italic">Texas History Photographs</emph> with miniature 336 stereo halves reproduced.  </unittitle></did></c03>
</c02>

<c02><did><container type="Box">7</container><unittitle><emph render="bold">Stereographs, Mexico (102 stereographs) </emph></unittitle></did>
	<c03><did><unittitle>A variety of Mexican subjects, Chilapa, Cuernavaca, Puebla, Pachuca, Guadalajara, Guanajuato, Saltillo, mining, an early series by Alberto Fahrenberg of Monterey, etc.</unittitle></did></c03>
</c02>

<c02><did><container type="Box">8-9</container><unittitle><emph render="bold">Stereographs, Stereo Realist</emph></unittitle></did>
	<c03><did><unittitle>Stereo Realist color slides of Texas flowers and landscapes and viewer by the Texas View Company, Tyler, Texas, circa 1950s.</unittitle></did></c03>
</c02>

</c01>

<c01 level="series" id="series8">
     <did>
          <unitid>Series 8:</unitid>
          <unittitle>Postcards</unittitle>
          <physdesc>
               <extent></extent>
          </physdesc>
     </did>
     <scopecontent>
          <p><?SERIES DESCRIPTION?></p>
     </scopecontent>

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Real Photographic Postcards (224 postcards)</emph></unittitle></did><note><p>
The real photographic postcard collection consists of many early city and small town views, also sports, parades, schools, oil, stores, agriculture, Indians, the Mexican Revolution, Texas Rangers, circa 1900-1939, arranged by town and subject.</p></note>

	<c03><did><unittitle>Alan Reed</unittitle></did></c03>
	<c03><did><unittitle>Alpine</unittitle></did></c03>
	<c03><did><unittitle>Amarillo, hail storm</unittitle></did></c03>
	<c03><did><unittitle>Aransas Pass, vineyard</unittitle></did></c03>
	<c03><did><unittitle>Austin</unittitle></did></c03>
	<c03><did><unittitle>Bandera</unittitle></did></c03>
	<c03><did><unittitle>Bastrop</unittitle></did></c03>
	<c03><did><unittitle>Big Bend</unittitle></did></c03>
	<c03><did><unittitle>Big Sandy</unittitle></did></c03>
	<c03><did><unittitle>Blanco</unittitle></did></c03>
	<c03><did><unittitle>Borger, showing oil boom</unittitle></did></c03>
	<c03><did><unittitle>Breckenridge </unittitle></did></c03>
	<c03><did><unittitle>Brewster County</unittitle></did></c03>
	<c03><did><unittitle>Brownsville, Runyan view of execution of Melquiades Chapa and Jose Buenrostro</unittitle></did></c03>
	<c03><did><unittitle>Brownwood</unittitle></did></c03>
	<c03><did><unittitle>Camp Swift</unittitle></did></c03>
	<c03><did><unittitle>Canadian, "Rise in the Canadian River"</unittitle></did></c03>
	<c03><did><unittitle>Corpus Christi</unittitle></did></c03>
	<c03><did><unittitle>Dalhart, County Fair</unittitle></did></c03>
	<c03><did><unittitle>Davis Mountains</unittitle></did></c03>
	<c03><did><unittitle>Del Rio</unittitle></did></c03>
	<c03><did><unittitle>Desdemona (inscription verso "When I came here one could count the rigs in a minute-Now they are as countless as the stars")</unittitle></did></c03>
	<c03><did><unittitle>Eagle Pass </unittitle></did></c03>
	<c03><did><unittitle>East Texas oil rig</unittitle></did></c03>
	<c03><did><unittitle>El Paso, aviation Hamilton </unittitle></did></c03>
	<c03><did><unittitle>Encinal, baseball image</unittitle></did></c03>
	<c03><did><unittitle>El Campo, cotton wagons</unittitle></did></c03>
	<c03><did><unittitle>Fort Davis, Bloys Camp Meeting Ground</unittitle></did></c03>
	<c03><did><unittitle>Fort Phantom Hill</unittitle></did></c03>
	<c03><did><unittitle>Fort Ringgold, Robert E. Lee home</unittitle></did></c03>
	<c03><did><unittitle>Gatesville, "Leeper and Powell Hanging Gatesville Texas" </unittitle></did></c03>
	<c03><did><unittitle>Gainesville, </unittitle></did></c03>
	<c03><did><unittitle>Georgetown</unittitle></did></c03>
	<c03><did><unittitle>Goliad</unittitle></did></c03>
	<c03><did><unittitle>Gonzales</unittitle></did></c03>
	<c03><did><unittitle>Gorman, 1909 football team riding in a parade </unittitle></did></c03>
	<c03><did><unittitle>Graham</unittitle></did></c03>
	<c03><did><unittitle>Greenville, "Burning of the Negro Smith" </unittitle></did></c03>
	<c03><did><unittitle>Harlingen</unittitle></did></c03>
	<c03><did><unittitle>Henrietta</unittitle></did></c03>
	<c03><did><unittitle>Hico</unittitle></did></c03>
	<c03><did><unittitle>Higgins</unittitle></did></c03>
	<c03><did><unittitle>Houston, Japanese lady in rice fields of Texas</unittitle></did></c03>
	<c03><did><unittitle>Hunt</unittitle></did></c03>
	<c03><did><unittitle>Huntsville </unittitle></did></c03>
	<c03><did><unittitle>Jacksboro</unittitle></did></c03>
	<c03><did><unittitle>Kerrville</unittitle></did></c03>
	<c03><did><unittitle>Kilgore</unittitle></did></c03>
	<c03><did><unittitle>Ladonia</unittitle></did></c03>
	<c03><did><unittitle>La Feria</unittitle></did></c03>
	<c03><did><unittitle>Langtry, Judge Roy Bean cabin  </unittitle></did></c03>
	<c03><did><unittitle>Llano</unittitle></did></c03>
	<c03><did><unittitle>Leakey</unittitle></did></c03>
	<c03><did><unittitle>Lovelady</unittitle></did></c03>
	<c03><did><unittitle>McAllen</unittitle></did></c03>
	<c03><did><unittitle>McCamey</unittitle></did></c03>
	<c03><did><unittitle>Markham, </unittitle></did></c03>
	<c03><did><unittitle>Mexia, oil rigs </unittitle></did></c03>
	<c03><did><unittitle>Midland</unittitle></did></c03>
	<c03><did><unittitle>Navarro</unittitle></did></c03>
	<c03><did><unittitle>Orange</unittitle></did></c03>
	<c03><did><unittitle>Palacio</unittitle></did></c03>
	<c03><did><unittitle>Pecos High Bridge</unittitle></did></c03>
	<c03><did><unittitle>Port Aransas</unittitle></did></c03>
	<c03><did><unittitle>Raymondville, treed mountain lion 1927</unittitle></did></c03>
	<c03><did><unittitle>Rio Grande, Rio Grande train</unittitle></did></c03>
	<c03><did><unittitle>Robstown, baseball 1907</unittitle></did></c03>
	<c03><did><unittitle>Rock Island</unittitle></did></c03>
	<c03><did><unittitle>Rockport</unittitle></did></c03>
	<c03><did><unittitle>Rosenberg</unittitle></did></c03>
	<c03><did><unittitle>San Antonio</unittitle></did></c03>
	<c03><did><unittitle>San Benito </unittitle></did></c03>
	<c03><did><unittitle>Seabrook</unittitle></did></c03>
	<c03><did><unittitle>Smithville </unittitle></did></c03>
	<c03><did><unittitle>Sugarland</unittitle></did></c03>
	<c03><did><unittitle>Tahoka</unittitle></did></c03>
	<c03><did><unittitle>Temple, first airplane in Texas (Frenchman ace Roland Garros, ink note 1903, but incorrect)</unittitle></did></c03>
	<c03><did><unittitle>Texas City </unittitle></did></c03>
	<c03><did><unittitle>Van Horn</unittitle></did></c03>
	<c03><did><unittitle>Willis, tobacco farm </unittitle></did></c03>
	<c03><did><unittitle>Winchester</unittitle></did></c03>
	<c03><did><unittitle>Yates Oil field near Pecos</unittitle></did></c03>
	<c03><did><unittitle>Indians: group of Kiowa and Comanche images excellent for artifacts such as cradle boards, includes Quanah Parker in a parade in Lawton, by Bates, home of  Quanah Parker in Cache, Oklahoma, burial of the remains of Quanah Parker when he was reburied, West Texas Indian village,</unittitle></did></c03>
	<c03><did><unittitle>Mexican Revolution in Texas: revolutionaries, soldaderas, etc.</unittitle></did></c03>
	<c03><did><unittitle>People and misc.: bicyclists, cowboys, cowgirls, L.D. Bertillion a collector of long horns with a huge horn, comical card of man with knife and fork sitting on a fat hog, Lindbergh and plane (Texas to Mexico City 1922), allegorical image of Prosperity done at Fort Worth, men with buffalo skulls possibly in Oklahoma or Kansas, funny dunning card of two men holding shotguns, Texas Confederate veteran with battle flag he saved (the flag showed up a few years ago at Fort Smith), oil wells, grave of Crockett's wife, Onalaska, tent revival meeting, "Old Rip" the famous horned toad,</unittitle></did></c03>
	<c03><did><unittitle>Texas Rangers: Borger 1920s chain gang</unittitle></did></c03>
	<c03><did><unittitle>Not Texas: Includes both real photographic and printed postcards, some Louisiana, Mexico, Wolfman Jack's station at Villa Acuña, New Mexico, Oklahoma</unittitle></did></c03>
</c02>

<c02><did><container type="Box">2</container><unittitle><emph render="bold">Postcards, Printed (427 postcards)</emph></unittitle></did>
<note><p>The printed postcard collection consists of a wide variety of subjects including towns, most major cities (many Dallas and Greenville), Gulf Coast, West Texas, Texas oil, agriculture, street scenes, schools, churches, circa 1905-1970.  Also includes large-letter cards, cowboys and cowgirls, Indians, topical and humorous subjects, Texas "critters," horned toads, longhorn steer, huge rabbits, World War II military, John F. Kennedy in Austin in 1960, and a few non-Texas postcards, Mexico, New Mexico and Oklahoma.</p></note>
</c02>

</c01>

<c01 level="series" id="series9">
     <did>
          <unitid>Series 9:</unitid>
          <unittitle>Miscellaneous Additional Materials</unittitle>
          <physdesc>
               <extent></extent>
          </physdesc>
     </did>
     <scopecontent>
          <p><?SERIES DESCRIPTION?></p>
     </scopecontent>

<c02><did><container type="Box">1</container><unittitle><emph render="bold">Miscellaneous, Oversize:</emph></unittitle></did>
<note><p>San Antonio Zither Club; large crayon portrait of couple; Brownsville, <emph render="italic">Daily Ranchero</emph> 1867 newspaper with large front page descriptive ad for photographer Louis de Planque. </p></note>

     <c03><did><unittitle><emph render="bold">Framed Pieces: </emph></unittitle></did></c03>
	<c03><did><unittitle>1) <emph render="italic">Sa-tan-ta, White Bear: War Chief of Kiowas. Prisoner in Texas</emph>, by William S. Soule, circa 1871</unittitle></did></c03>
	<c03><did><unittitle>2) <emph render="italic">Quanah Parker, Chief of Comanche Indians…</emph> in large group made probably for a Fourth of July Parade in Chickasha Oklahoma by photographer, "That Man Stone," panoramic gelatin silver print, circa 1908-1910 </unittitle></did></c03>
	<c03><did><unittitle>3) <emph render="italic">Rifle Pits and Target Range, Camp Mabry</emph>, by Goldbeck (National Photo Co.) panoramic gelatin silver print, circa 1910-1920</unittitle></did></c03>
	<c03><did><unittitle>4) Advertisement for photographer S. E. Dean, Trenton, Texas folk art, hand-drawn on cloth, circa 1900. Approximately 16 x 14 inches</unittitle></did></c03>

</c02>

</c01>


</dsc> 
</archdesc>
</ead> 
