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<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "ead.dtd">
<ead relatedencoding="marc21"> 
<eadheader audience="internal" langencoding="ISO639-2b"> 
  <eadid countrycode="us" mainagencycode="TxHR"
	encodinganalog="852$a">urn:taro:rice.wrc.00071</eadid> 
  <filedesc> 
	 <titlestmt> 
		<titleproper>Guide to the John Masefield papers, 1911-1931</titleproper> 
	 </titlestmt> 
  </filedesc> 
  <profiledesc> 
	 <creation>Text converted by SPI Content Sciences Inc., 
		<date>June 2003</date>.</creation> 
	 <langusage>Finding aid written in <language>English</language>.</langusage>
	 
  </profiledesc> 
  <revisiondesc> 
	 <change> 
		<date>20030811</date> 
		<item>Edited with XMetal 3 by Mandy York, according to instructions in 
		  <title>TARO 2 EAD 2002 Editing Instructions</title>.</item> 
	 </change> 
  </revisiondesc> 
</eadheader> 
<archdesc level="collection" type="inventory"> 
  <did> 
	 <head>Descriptive Summary</head> 
	 <origination label="Creator:"> 
		<persname encodinganalog="100" source="lcnaf">Masefield, John,
		  1878-1967</persname></origination> 
	 <unittitle label="Title:" encodinganalog="245">John Masefield papers 
		<unitdate label="Dates:" type="inclusive"
		 encodinganalog="245$f">1911-1931</unitdate></unittitle> 
	 <physdesc label="Quantity:" encodinganalog="300">41 items (0.25 linear
		ft.)</physdesc> 
	 <unitid label="Identification:" encodinganalog="099">MS 323</unitid> 
	 <repository label="Repository:" encodinganalog="852$a">Woodson Research
		Center, Fondren Library, Rice University, Houston, TX</repository> 
	 <langmaterial label="Language:">Materials are in <language
	 langcode="eng">English</language>. </langmaterial> 
	 <abstract label="Abstract:" encodinganalog="520$a">This collection is
		comprised of 41 items, most of which are letters or cards from English poet,
		playwright and novelist, John Masefield to Miss Mabel Cary Fogg. The recipient
		of most of the pieces in this collection, Miss Fogg, remains unidentified. The
		collection covers the years from 1911 to 1931, when the poet was in his most
		productive and well regarded years.</abstract> 
  </did> 
  <accessrestrict encodinganalog="506"> 
	 <head>Access Restrctions</head> 
	 <p>No access restrictions; this material is open for research.</p> 
  </accessrestrict> 
  <userestrict encodinganalog="540"> 
	 <head>Use Restrictions</head> 
	 <p>Permission to publish material from the John Masefield papers must be
		obtained from the Woodson Research Center, Fondren Library.</p> 
  </userestrict> 
  <relatedmaterial encodinganalog="544 1"> 
	 <head>Related Material</head><p><emph render="italic">Flyleaf</emph>
		article, v. 9:3, p. 10</p> 
  </relatedmaterial> 
  <prefercite encodinganalog="524"> 
	 <head>Preferred Citation</head> 
	 <p>John Masefield papers, 1911-1931, MS 323, Woodson Research Center,
		Fondren Library, Rice University</p> 
  </prefercite> 
  <acqinfo encodinganalog="544"> 
	 <head>Acquisition Information</head> 
	 <p>Purchase made possible by Whittington gift, 1953. Previously formed part
		of MS 18.</p> 
  </acqinfo> 
  <bioghist encodinganalog="545"> 
	 <head>Biographical Note</head> 
	 <p>The English poet, playwright and novelist, John Masefield was born in
		1878 in Ledbury. After running away to sea early (when he was thirteen) he
		settled in London from 1897 and devoted himself to writing. Later he moved to
		Oxford which was where he lived when most of the following collection was
		produced. Masefield became Poet Laureate in 1930 and was awarded the Order of
		Merit in 1935. Among his more notable works are, some early reflections of his
		maritime experiences in 
	 <title render="underline">Salt Water Ballads</title> (1902) and 
	 <title render="underline">A Mainsail Haul</title> (1905); 
	 <title render="underline">The Tragedy of Pompey the Great</title> (1910); 
	 <title render="underline">The Widow in Bye Street</title> (1912); 
	 <title render="underline">Dauber</title> (1913); 
	 <title render="underline">Reynard the Fox</title> (1919); 
	 <title render="underline">Sard Harker</title> (1924); 
	 <title render="underline">Dead Ned</title> (1938); and, 
	 <title render="underline">Live and Kicking Ned</title> (1939). The
	 recipient of most of the pieces in this collection, Miss Mabel Cary Fogg,
	 remains unidentified. John Masefield died in 1967.</p> 
  </bioghist> 
  <scopecontent encodinganalog="520"> 
	 <head>Scope and Contents</head> 
	 <p>This collection is comprised of 41 items, most of which are letters or
		cards from Masefield to Miss Fogg. Only two items do not fall under this
		category; a newspaper clipping of a book review, and some notes made by
		Masefield for himself. The collection covers the years from 1911 to 1931, when
		the poet was in his most productive and well regarded years.</p><p>Items are
		identified mainly as ALS (handwritten, signed letters) and ACS (handwritten,
		signed cards).</p>
  </scopecontent> 
  <controlaccess>
	 <head>Index Terms</head>
	 <controlaccess>
		<head>Subjects (Persons)</head>
		<persname encodinganalog="600" source="lcnaf">Fogg, Mabel
		  Cary.</persname>
		<persname encodinganalog="600" source="lcnaf">Masefield, John,
		  1878-1967</persname>
	 </controlaccess>
	 <controlaccess>
		<head>Subjects</head>
		<subject encodinganalog="650" source="lcsh">Poets - English - 20th
		  century - Correspondence.</subject>
		<subject encodinganalog="650" source="lcsh">Poets - English - 20th
		  century - Biography.</subject>
	 </controlaccess>
	 <controlaccess>
		<head>Formats</head>
		<genreform encodinganalog="655" source="aat">Correspondence.</genreform>
	 </controlaccess>
  </controlaccess>
  <arrangement encodinganalog="351"> 
	 <head>Arrangement</head> 
	 <p>Materials are arranged in chronological order, in one folder.</p> 
  </arrangement> 
  <dsc type="in-depth"> 
	 <head>Detailed Description of the Collection</head>
	 <c01 id="ser1" level="series"> 
		<did> 
		  <unittitle>Letters, 1911-1920, and undated</unittitle> 
		</did>
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Explaining
				that he is not sure about the <emph render="underline">Unicornian</emph>, but
				it may have appeared in the <emph render="underline">Academy</emph> in April,
				May or June, 1903.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Thanking
				her for some clippings.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>6 October 1911</unitdate> ALS John Masefield to Mabel
				Cary Fogg Answering questions about `critical estimates' and about a portrait
				called `The Explorer'.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>7 October 1911</unitdate> ALS John Masefield to Mabel
				Cary Fogg Reiterating that personal details are unimportant when trying to
				trace `whatever it may be that the man's mind groped for and got.'</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>24 November 1919</unitdate> ACS John Masefield to Mabel
				Cary Fogg Asking her to tea at the Midland Hotel.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>5 December 1919</unitdate> ACS John Masefield to Mabel
				Cary Fogg Observations about hawthorns and their colours; poetic uses by
				Arnold.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle> 
				<unitdate>14 December 1919</unitdate> ACS John Masefield to Mabel
				Cary Fogg Explaining why men have regarded hawthorns with superstition in the
				past.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>29 December 1919</unitdate> ACS John Masefield to Mabel
				Cary Fogg Thanking her for a Rodin study and warning her not to get carried
				away.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle> 
				<unitdate>24 April 1920</unitdate> ALS John Masefield to Mabel Cary
				Fogg Letter about getting tickets to see the `Locked Chest
				production'.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle>? ALS John Masefield to Mabel Cary Fogg. Sending
				autographs for a bazzaar.</unittitle> 
		  </did> 
		</c02> 
	 </c01> 
	 <c01 id="ser2" level="series"> 
		<did> 
		  <unittitle>Letters, 1921-1931, and undated</unittitle> 
		</did>
		<c02> 
		  <did> <container></container> 
			 <unittitle> 
				<unitdate>8 May 1921</unitdate> ALS John Masefield to Mabel Cary
				Fogg. Thanking her for some Naval books and saying how valuable they are. He
				mentions meeting Edward Arlington Robinson and expresses his opinion that `the
				Americans are best of all at short stories'.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle> 
				<unitdate>26 May 1921</unitdate> ALS John Masefield to Mabel Cary
				Fogg. Thanking her for sme books and sending one to her.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. `One begins
				to feel about Ireland what that man in the French Revolution felt about
				Robespierre's new God, the Être Superiêre'.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Thanking
				her for her congratulations, for some lines she sent and suggesting some
				reading for her.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle>Undated ACS John Masefield to Mabel Cary Fogg. Thanks for
				the interesting press cuttings.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle> 
				<unitdate>12 May ?</unitdate> ALS John Masefield to Mabel Cary
				Fogg. Thanks for a gift and sending a book and a photograph.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. About
				getting some tickets for her to attend a public award.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Thanking
				her for some Manchester Guardians he had received - if she had sent
				them.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Thanks for
				sending a list of words for his perusal.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Asking her
				to look up an article on Verdun which he had contributed to 
				<title render="underline">Harper's Magazine</title> sometime in
				1917.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Thanking
				her for some cuttings and saying never mind about the 
				<title render="underline">Harper's</title> business.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Thanking
				her for some cuttings and saying that, according to him, both sides had the
				story wrong.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Thanking
				her for the Guardian and Professor Herford's lecture.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Sending her
				a book and mentioning that he had just received a piece of a ship from the
				Spanish Armada.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Gary Fogg Thanking
				her, sending books, and telling her what he has read recently.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg Saying how
				useful to him her book of maritime disasters had been to him. He had consulted
				it twice in one day.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>20 April 1923</unitdate> ALS John Masefield to Mabel Cary
				Fogg. Thanks for the clipping she had sent.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>?, 1923</unitdate> ALS John Masefield to Mabel Cary Fogg/
				Thanks for the cuttings she had sent, and suggests that next year she try to
				attend the Recitations.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Thanks for
				some cuttings she'd sent to him.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>21 April 1924</unitdate> ALS John Masefield to Mabel Cary
				Fogg. Saying he would like to meet up with Mabel et al soon, but it may not be
				possible owing to the unreliability of the trains.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ACS John Masefield to Mabel Cary Fogg.</unittitle>
			 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated TMs A newspaper cutting of a review of Masefield's
				novel, 
				<title render="underline">Sard Harker</title>.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Sending
				autographs for the bazaar and apologising for his tardiness.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Saying he
				knows nothing about it.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg. Saying he
				will be lecturing in Stockport and perhaps they could arrange to meet in
				Didsbury.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle>Undated ALS John Masefield to Mabel Cary Fogg Thanks for
				the cuttings she had sent him and saying not to send him M. Legouis' Spenser.
				He does not think the French mind would be at ease with Spenser.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle> 
				<unitdate>24 December 1925</unitdate> ALS John Masefield to Mabel
				Cary Fogg Happy Christmas and New Year greetings.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle>Undated AMS Some notes and jottings in the hand of John
				Masefield.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>14 May 1930</unitdate> ALS John Masefield to Mabel Cary
				Fogg. Thanking her for her letter and talking about 
				<title render="underline">The Witch</title>.</unittitle> 
		  </did> 
		</c02> 
		<c02> 
		  <did> <container></container> 
			 <unittitle> 
				<unitdate>7 November 1930</unitdate> ALS John Masefield to Mabel
				Cary Fogg. `So many thanks for your very kind and charming letter'.</unittitle>
			 
		  </did> 
		</c02> 
		<c02> 
		  <did> 
			 <unittitle> 
				<unitdate>?, 1931</unitdate> ACS John Masefield to Mabel Cary Fogg.
				Thanking her for the gift she had sent to him.</unittitle> 
		  </did> 
		</c02> 
	 </c01> 
  </dsc> 
</archdesc> </ead> 
