A Guide to the Louise Daggett Fischer Papers,
1863-1966
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Creator: |
Fischer, Louise D. (Louise Daggett), 1872-1959 |
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Title: |
Louise Daggett Fischer Papers |
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Dates: |
1863-1966 |
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Creator Abstract: |
Minnesota native Louise Daggett (1872-1959) moved to San Antonio, Texas, with her family in 1891. She studied and taught music throughout her life and was a long-time member of local and state musical organizations as a composer and performer. Married to businessman Albert M. Fischer of San Antonio, she had one daughter. |
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Content Abstract: |
Creative works, correspondence, legal and financial documents, printed material, scrapbooks and scrapbook material, and photographs created or collected by Louise Daggett Fischer are found in her papers, documenting her personal and family life and emphasizing her musical interests as a composer, performer, and clubwoman in San Antonio, Texas. |
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Identification: |
Col 935 |
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Extent: |
10.29 linear feet (8 document boxes, 8 oversize boxes) |
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Language: |
Materials are in English. |
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Repository: |
Daughters of the Republic of Texas Library at the Alamo, San Antonio, Texas |
Emma Louise Daggett was born in Ottertail City, Minnesota, on 1872 April 3 to Lorenzo Dow and Mary Frances Reynolds Daggett, the oldest of the couple's four children. Her father was a piano and pipe organ tuner who also gave piano and voice lessons. In 1891, he moved the family from their home in Erie, Pennsylvania, to San Antonio, Texas, for health reasons.
In 1898, Louise married Albert Martin Fischer, a local businessman. They owned and operated the Fischer Drug Store, located in an adobe building at the corner of Alamo and Houston streets. Their only child, Katharine Louise, was born in 1900.
Louise Daggett Fischer was a noted pianist, composer, and arranger and was a member of several musical societies in San Antonio and Texas. She was the first member invited to join the Tuesday Musical Club (1901) and began writing arrangements for the group. This work led to her charter membership in the Composers' Club (organized in 1927), and she served as the organization's dean for three years in the late 1930s. In addition, she served as Chairman of the Junior Tuesday Musical Club and suggested the formation of the Manuscript Group within the Texas Federation of Music Clubs.
Mrs. Fischer won many awards for her compositions, including prizes from the Composers' Club and several offered by the Manuscript Group. Her works were frequently performed in recitals presented by the Tuesday Musical Club, the Composers' Club, and Our Lady of the Lake College in San Antonio; at state meetings of the Texas Federation of Music Clubs; during annual observances of Music Week; and on at least one occasion on a national radio broadcast.
Louise Daggett Fischer died in San Antonio on 1959 July 7 at the age of eighty-seven.
Creative works, correspondence, legal and financial documents, printed material, scrapbooks and scrapbook material, and photographs created or collected by Louise Daggett Fischer are found in her papers, documenting her personal and family life and emphasizing her musical interests as a composer, performer, and clubwoman in San Antonio, Texas.
The greater portion of the papers is associated with Fischer's musical activities, including her work as a composer of songs, chamber music, solo instrumental pieces, and choral works, which are represented by over thirty complete scores in addition to notes and sketches. A much smaller amount of material is associated with general personal and business activities, including a few items associated with her husband's business, Fischer's Drug Store.
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Organization of Collection |
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This collection is organized into three series. |
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Series 1: Musical activities |
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Series 2: Business and personal papers |
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Series 3: Photographs |
Access Restrictions
No restrictions. The collection is open for research.
Usage Restrictions
Please be advised that the library does not hold the copyright to most of the material in its archival collections. It is the responsibility of the researcher to secure those rights when needed. Permission to reproduce does not constitute permission to publish. The researcher assumes full responsibility for conforming to the laws of copyright, literary property rights, and libel.
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Personal Names |
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Fischer, Louise D. (Louise Daggett), 1872-1959. |
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Fischer, Albert M. |
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Fischer, Katherine, d. 1984. |
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Organizations |
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Composer's Club (San Antonio, Tex.) |
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Fischer's Drug Store (San Antonio, Tex.) |
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Tuesday Musical Club (San Antonio, Tex.) |
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Subjects |
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Music--Texas--San Antonio--Societies, etc. |
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Women composers--Texas--San Antonio. |
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Genres/Formats |
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Personal papers. |
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Correspondence. |
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Financial records. |
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Legal documents. |
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Notebooks. |
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Photographs. |
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Printed ephemera. |
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Scores. |
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Scrapbooks. |
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The Geology and Mineral Resources of Bexar County by E. H. Sellards (Austin: University of Texas, 1919) has been separated from the collection and is part of the general library collection (call number 551 S467g c.2). |
[Identification of item], Louise Daggett Fischer Papers, 1863-1966, Col 935, Daughters of the Republic of Texas Library, San Antonio, Texas.
Gift of Katherine L. Fischer and Ella Daggett Stumpf, 1979 November.
Processed by Andy Crews, Lynda Howell, and Kathy Rankin, 2002 December.
Additional processing by Warren Stricker, 2003 August.
Finding aid edited and encoded by David Gallin-Parisi, 2011 August.
Detailed Description of the Collection
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Series 1: Musical activities |
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Forming the bulk of the papers, this series gathers together correspondence related to music, musical scores, material associated with musical organizations, and general musical information. Further divided into subseries by form and subject matter, significant items include compositions by Fischer in various stages of the creative process, from preliminary sketches and exercises found in notebooks to completed manuscript and printed scores. Writing for a variety of performers, the works include songs, chamber music, choral works, and solo pieces. Several compositions exist in multiple arrangements for various instrumental and vocal combinations. Frequently found with her scores are correspondence related to copyright and permission for the use of poems set to music and occasionally some performance-related material such as programs. Over thirty of her works exist in complete form. |
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A small number of works by other composers, arranged by Fischer, also exist in manuscript form. |
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Collected music consists primarily of published works by various composers, including familiar classical masters and Fischer's friends and colleagues. |
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Fischer's musical studies and research are represented by notebooks and scrapbooks reflecting her interest in particular composers and other aspects of music, such as bells, sounds in the natural world, and the physics of sound. |
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Fischer was a member of a number of local and state musical organizations. Her long association with the Tuesday Musical Club led to the creation of three notebooks documenting the history of the organization (at least one other notebook, the first in a numbered series, is not found the papers), gathering notes, photographs, and printed material. Programs and a fairly complete set of yearbooks dating from 1922-1966 are also found. Other organizations are represented by a smaller amount of material; material on the Composers' Club consists of a notebook on club history, programs, notes and yearbooks. Miscellaneous material for the Texas Federation of Music Clubs is also part of the papers. |
| Box |
Folder |
| 1 |
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Correspondence |
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1 |
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1928-1953, undated |
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2 |
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Notebook: "Business letters," circa 1930-1939 |
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Compositions by Louise Daggett Fischer |
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Notebooks |
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3 |
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Allemande, Bourree, arrangements, 1929 |
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4 |
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Counterpoint, volume II, 1929-1930 |
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5 |
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Modal exercises, 1931 |
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6 |
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Early Hebrew music, 1932 |
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7 |
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Reverie, Sailing Away, A Cradle Song, 1933 |
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8 |
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Sketches and exercises, 1933 |
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9 |
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How the Wog became a Frog, etc., 1941 |
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10 |
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Book I: Questing Duo, Chiaroscuro, 1939, undated |
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11 |
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Book II. String Quartet, etc., undated |
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12 |
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Book III, undated |
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13 |
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Book IV. Etude in 7/8 rhythm, etc., 1940, 1943, undated |
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14 |
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Kyrie, Agnus Dei, Sanctus, Gloria, 1946 |
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15 |
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Mass in D-flat, 1946-1947 |
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16 |
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Wood Violets, etc. |
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17 |
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Lambkins, A Song of Thanksgiving, undated |
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18 |
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A Prayer for Courage, sketches, undated |
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19 |
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Star Cop, sketches, undated |
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20 |
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Pastorale, sketches, undated |
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21 |
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Sketches, undated |
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22 |
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Sketches, transcripts, undated |
| Box |
Folder |
| Tall 2 |
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Scores |
| Box |
Folder |
| Tall 2 |
23 |
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“An album leaf: for four violins and piano,” manuscript and copyright material, 1932 |
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24 |
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“An album leaf: cello solo with four violins and piano accompaniment,” manuscript, undated |
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25 |
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“Allemande – String Quartet,” manuscripts, undated |
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26 |
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“Anthems: A song for Christmas or Mother’s Day,” words by Minnie Case Hopkins, manuscripts, correspondence, copyright material, 1928-1929 |
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27 |
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“The beautiful land of Nod: Four Part Chorus for Women’s Voices with String Quartet and Piano accompaniment,” words by Ella Wheeler Wilcox, manuscripts, correspondence, copyright material, 1929 |
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28 |
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“A birthday song,” words by Maude K. Yates, manuscripts and copyright material, 1929 |
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29 |
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“Bourrée: string quartet,” manuscript, undated |
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30 |
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“A Celtic plaint: Theme in the 1st Gregorian Mode, string quartet,” manuscripts, correspondence, copyright material, 1931-1935 |
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31 |
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“A Celtic plaint: Theme in the 1st Gregorian Mode, arranged for organ,” manuscripts and copyright material, 1931 |
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32 |
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“Clouds,” words by Sidney Stone Field, manuscripts, correspondence, copyright material, 1928-1929 |
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33 |
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“Embers,” manuscripts, copyright material, 1939 |
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34 |
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“Esther," manuscript, undated |
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35 |
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“An evening song (Now the day is over),” mixed quartet, words by S. Baring-Gould, manuscripts, correspondence, copyright material, 1928-1932 |
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36 |
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“Freedom,” soprano with violin obbligato and harp accompaniment, words by Hester King, manuscripts and copyright material, 1934 |
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37 |
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“Healing waters,” manuscript, undated |
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38 |
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“How the polly wog became a frog,” words by Dr. W. H. Pomeroy, manuscript, undated |
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39 |
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“I thought,” words by Cristel Hastings, manuscripts, correspondence, copyright material, 1928-1930 |
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40 |
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“If I were king of Ireland,” words by Alfred Perceval Graves, manuscripts and copyright material, 1930 |
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41 |
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“An Irish trilogy” (I. “Glendalough”; II. “The Banshee”; III. “A Jig”), piano duo, four violins and piano, manuscripts and copyright material, 1935-1937 |
| Box |
Folder |
| Tall 3 |
42 |
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“Kyrie,” women’s voices in three parts, manuscripts and copyright material, 1932 |
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43 |
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“Lambkins,” words by Francesca Talk Miller, manuscripts, copyright, correspondence, 1930-1950 |
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44 |
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“Longing,” various arrangements, manuscripts, correspondence, copyright material, 1931 |
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45 |
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“The lost lagoon,” words by E. Pauline Johnson, manuscripts, correspondence, copyright material, 1936-1942 |
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46 |
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“Love meets our needs,” words by Hazel Harper Hannis, manuscripts and copyright material, 1930 |
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47 |
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“Meet Him in the morning,” manuscript and correspondence, 1928 |
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48 |
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“O lovely May,” manuscripts and copyright material, 1932 |
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49 |
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“Pastorale,” various arrangements, manuscripts, undated |
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50 |
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“A prayer for courage,” words by Grace Noll Crowell, manuscripts, correspondence, copyright material, 1929-1938 |
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51 |
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“The puppy parade,” piano duet, manuscripts, undated |
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52 |
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“Questing,” manuscripts, printed copy, copyright, correspondence, 1935-1947 |
| Box |
Folder |
| Oversize 9 |
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“Questing,” additional printed copies, 1935-1947 |
| Box |
Folder |
| Tall 4 |
53 |
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“Reverie,” various arrangements, manuscripts and copyright material, 1930 |
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54 |
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“Sailing away,” words by Tristan Marc, manuscripts and copyright material, 1935 |
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55 |
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“Scherzo,” piano duo, manuscripts, undated |
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56 |
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“Sketch #1, Eglantine (Rose de Chemin),” manuscripts and copyright material, 1940-1941 |
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57 |
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“Sketch #2,” manuscripts, copyright material, printed, 1943-1951 |
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58 |
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“A slumber song,” manuscript and copyright material, 1935 |
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59 |
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“The star cop,” words by Katharine L. Fischer, manuscripts, correspondence, copyright material, 1931-1932 |
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60 |
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“That funny little pup,” words by Katharine L. Fischer, manuscripts and copyright material, c. 1935 |
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61 |
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“Theme in the Hypo-Dorian or the 2nd Gregorian mode,” for organ, manuscript, undated |
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62 |
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“Theme in the Phrygian or 3rd Gregorian mode,” for organ, manuscript, undated |
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63 |
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“The Tuesday Musical Club’s forty-fifth anniversary song, 1901-1946,” manuscript, 1946 |
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64 |
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“A twilight meditation,” violin and piano, trio for violin, cello and piano, manuscripts and copyright material, 1933 |
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65 |
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Violin obbligati, “Freedom” and “Clouds,” manuscripts, undated |
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66 |
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Unidentified and incomplete, manuscripts |
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Arrangements by Louise Daggett Fischer |
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67 |
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Anonymous, “The Origin of the Harp,” arranged by Louise D. Fischer for vocal duet with harp accompaniment, manuscript, undated |
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68 |
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Franck, Caesar, “Prelude, fugue, and variations,” arranged by Louise D. Fischer, manuscripts, printed, 1928 |
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69 |
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Hawley, C. B., “Land of Nod,” arranged by Louise D. Fischer for violin solo with violin and cello accompaniment, manuscript, 1928 |
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70 |
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Lake, Mary Daggett, “Have you ever been to Texas in the spring,” arranged by Louise D. Fischer, manuscript, 1928 |
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71 |
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Lieurance, Thurlow, “By the waters of Minnetonka,” arranged by Louise D. Fischer, manuscript, undated |
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72 |
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Scott, John Prindle, “Sun of my soul,” arranged by Louise D. Fischer, manuscripts, printed, correspondence, 1927 |
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73 |
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Thern, Carl, “Genius loci,” arranged by Louise D. Fischer, manuscript, 1928 |
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74 |
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Tivindelli, P. A., “Joy with sorrow,” arranged by Louise D. Fischer for violin solo with three violins and cello accompaniment, manuscript, printed, 1928 |
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75 |
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Copyright records |
| Box |
Folder |
| Tall 5 |
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Notes |
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76 |
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Notebook: Orchestration Note Book, exercises |
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77 |
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Notebook: Bird Calls and Sounds, appended loose notes and clippings, 1942 |
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78 |
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Notes: Chinese music |
| Box |
Folder |
| Oversize 15 |
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Notebook: General music, 1918-1928 |
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Notebook: General music, 1931 |
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Notebook: General music, 1935 |
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Notebook: General music, 1936 |
| Box |
Folder |
| Tall 5 |
79 |
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Notebook: General, incomplete |
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80 |
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Notes: found sounds |
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81 |
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Notes: general |
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Collected music |
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82 |
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Bach, Johan Sebastian, "Air," printed |
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83 |
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Balfe, Michael William, “The Bohemian Girl: An Opera in Three Acts,” printed, 1902 |
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84 |
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Beethoven, Ludwig von, “Concerte fur Pianoforte,” op. 73, printed |
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85 |
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Botts, Ida Bassett, “Our yesteryears,” printed, 1936 |
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86 |
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Brack, Ione Nerissa, “I thought,” words by Crystal Hastings, manuscript, 1937 |
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Brack, Ione Nerissa, “No Summer,” printed, 1938 |
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Brack, Ione Nerissa, “Snow toward evening,” manuscript, undated |
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87 |
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Bruch, Max, “Fair Ellen: a Cantata,” printed, 1911 |
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88 |
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Cecil, Richard, “I will arise,” printed, undated |
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89 |
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Chopin, Frederic, "Concert fur Piano forte,” op. 11 |
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Chopin, Frederic, “Nocturne, op. 9, no. 1,” printed, undated |
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90 |
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Clough-Leighter, H., “In royal David’s city,” printed, 1904 |
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91 |
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Coenen, W., “Come unto me,” printed, undated |
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92 |
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Davidica, Sister M., “Vocation, or Divine call,” manuscript, undated |
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93 |
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Debussy, Claude, “The Blessed Damozel,” manuscript copy and printed, 1908, undated |
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94 |
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Dubois, Theodore, “The Seven Last Words of Christ,” printed, 1927 |
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95 |
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Eaton, H. Grace, “Carol” and “Benediction,” printed, undated |
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96 |
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Elaine, Sister Mary, “Mass in honor of Blessed Martin de Porres,” printed, 1945 |
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97 |
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Ellis, James G., “Leave it with Him,” printed, 1917 |
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98 |
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Franck, César, “Panis Angelicus,” manuscript copy, undated |
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99 |
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Franck, César, “Priére,” manuscript copy, undated |
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100 |
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Gipprich, F. P. M., “Love’s golden dream,” manuscript, undated |
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101 |
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Graebner, Bertha, “Peace,” manuscript, undated |
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102 |
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Greenlund, Alys, “Bethlehem road,” printed, 1950 |
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103 |
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Hahn, Carl, “Come unto Me,” manuscript, undated |
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Hahn, Carl, arranger, “The lost chord,” manuscript, undated |
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104 |
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Harrington, Bess Farmer, “Dere’s a home beyond the river,” manuscripts, undated |
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Harrington, Bess Farmer, “The Lord is my shepherd,” manuscript, undated |
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Harrington, Bess Farmer, “This night in Spain,” manuscript, 1935 |
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105 |
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Harty, Hamilton, arranger, “My Lagan Love: Song from Three Traditional Ulster Airs,” manuscript copy, undated |
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106 |
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Liszt, Franz, “Fantasie uber Ungarische Volksmelodien,” printed |
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107 |
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Little, Jack, “Fiesta” and “Siesta,” manuscript, 1945 |
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108 |
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Marcia, “Fourth District Federation song,” words by Childs, Ida May, manuscript, undated |
| Box |
Folder |
| Tall 6 |
109 |
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Marsh, W. J., “A Flour Wreath: Song Suite,” printed, 1923 |
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Marsh, W. J., “Hail! Day of Gladness,” printed, 1952 |
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Marsh, W. J., “Nine Carols for Christmas,” printed, 1941 |
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110 |
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Maunder, J. H., “Penitence, Pardon and Peace: A Short Lenten Cantata,” printed, 1898 |
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111 |
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Mears, Ione Brack, “The Lord’s prayer,” printed, 2 copies, 1941 |
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112 |
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Mendelssohn, Felix, “Lieder Ohne Worte,” op. 9, nos. 1-6, printed, 1894 |
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113 |
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Mozart, Wolfgang Amadeus, “Sonate D Dur fur 2 Pianoforte 4 Handen,” printed |
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114 |
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Neidlinger, W. H., “The Birthday of a King,” printed, 1890 |
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115 |
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Neuland, Wilhelm, “Moonlight on the Rhine,” op. 39, printed |
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116 |
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Nevin, Ethelbert, “The rosary,” 13/15, 1898 |
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117 |
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Owen, Julia D., “Texas bluebonnet song,” printed, 1922 |
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118 |
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Parker, Effie Jackson, “To the Christ-Child,” printed, 1940 |
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119 |
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Peeples, Katherine B., “The Lost Lagoon,” manuscripts, undated |
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120 |
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Rawls, Kathryn Hill, “The Balloon Man,” printed, 1948 |
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121 |
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Rodesney, M. A., “O.L.L. Cheer Song,” printed, 1932 |
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122 |
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Siéroslawskiego, Jósefa, “Zbiór Kolęd,” 1922 |
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123 |
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Smart, Henry, “Run up the sail,” printed, undated |
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124 |
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Steinfeldt, John M., “Missa in honorem Sti. Thomae Apostoli,” printed, 1940 |
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125 |
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Tchaikovsky, Peter Ilich, “Concerto pour le Piano,” printed |
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126 |
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Venth, Carl, “Album of fifteen songs,” printed, 1922 |
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127 |
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Ware, Harriet, “Woman’s Triumphal March,” printed, 1927 |
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128 |
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Weber, Carl Maria von, “Concertstuck fur Pianoforte,” op. 79, printed |
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129 |
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Weimar, Fritzi, “My song to mother,” manuscript, undated |
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130 |
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Wiggins, Alvin S., “The barefoot trail,” printed, 1920 |
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131 |
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Wollenhaupt, H. A., “Spinning song,” printed, 1863 |
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132 |
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Unidentified, “A Change of Mind/La Bas Trinque/Fair, Isabeau was Walking/Shepherdess, Whence Come You?,” manuscript |
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133 |
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Fragments |
| Box |
Folder |
| Oversize 16 |
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Musical organizations |
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Tuesday Musical Club |
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Notebooks: Volumes II, III, IV |
| Box |
Folder |
| 7 |
134 |
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Programs |
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135 |
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Notes |
| Box |
Folder |
| Oversize 14 |
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Yearbooks, 1923-1966 |
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Junior Tuesday Musical Club yearbook, 1956-1957 |
| Box |
Folder |
| Oversize 16 |
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Composer's Club |
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Notebook |
| Box |
Folder |
| 7 |
136 |
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Programs |
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137 |
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Notes |
| Box |
Folder |
| Oversize 14 |
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Yearbooks, 1929-1930 |
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San Antonio Musical Club |
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Yearbook, 1922-1923 |
| Box |
Folder |
| 7 |
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Texas Federation of Music Clubs |
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138 |
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Correspondence |
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139 |
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Printed material |
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General printed material |
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140 |
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Invitations and programs |
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Books and pamphlets |
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141 |
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Cohon, A. Irma, An introduction to Jewish music in eight illustrated lectures, incomplete, possibly 1923 |
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142-143 |
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Famous Composers and their Works. Boston: J. Millet Co., incomplete, possibly 1891. |
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144 |
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Gehrkens, Karl Wilson, The Fundamentals of Music. Boston: Oliver Ditson Company, 1923. |
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145 |
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Assorted pamphlets and brochures |
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Clippings |
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146 |
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General Music |
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147 |
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Bells |
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148 |
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Sounds |
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149 |
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Sounds in nature |
| Box |
Folder |
| Oversize 10 |
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Scrapbooks |
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"MacDowell" |
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"Nature Music" |
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Richard Wagner |
| Box |
Folder |
| Oversize 11 |
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"Chopin" |
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"Grieg" |
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"Music" |
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Series 2: Business and personal papers |
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This much smaller portion of the papers is associated with business and personal activities of Louise Daggett Fischer and her family and consists of a miscellany of items, arranged by type. |
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Correspondence is made up of scattered letters from family and friends. A body of letters from the 1940s was received from Chinese military officers whom Fischer had assisted with English language studies while they were in San Antonio. |
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A few items are associated with Fischer's Drug Store, the San Antonio business owned by Albert M. Fischer, including two daybooks, a lease, financial documents, and some printed items. Other personal material includes Mrs. Fischer's grade reports from Westmoorland College, individual items from several organizations, printed ephemera, clippings, and scrapbooks and albums. Also found in the papers are plaster casts of the hand of Elsa Sternsdorff, described as a pianist and one of Mrs. Fischer's music teachers. |
| Box |
Folder |
| 8 |
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Correspondence |
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150 |
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General, 1918-1946, undated |
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151 |
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Chinese officers, 1945-1947 |
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Legal documents |
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152 |
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Lease, 1909 |
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153 |
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Promissory note, 1917 |
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Financial documents |
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154 |
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Daybooks, 1917-1918 |
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155 |
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Daybooks, 1920-1924 |
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156 |
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Bills and receipts |
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157 |
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School material: Our Lade of Lake College, Westmoorland College, 1930-1932, undated |
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Organizations |
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158 |
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Alamo Country Club, undated |
| Box |
Folder |
| Oversize 14 |
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San Antonio Conservation Society yearbook, 1955-1956 |
| Box |
Folder |
| 8 |
159 |
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Texas Pharmaceutical Association, 1915, 1921 |
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160 |
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Travis Club, 1912 |
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161 |
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Creative works: poetry |
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Printed material |
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162 |
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Sugar certificates, 1918 |
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163 |
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Invitations, cards, announcements |
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164 |
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Advertising and promotional material |
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165 |
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Menu |
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166 |
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Calling card |
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167 |
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Napkins: Louise D. and Albert M. Fischer anniversary, 1948 |
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168 |
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Pamphlets |
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169 |
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Periodicals |
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170 |
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Programs |
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171 |
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Printed poetry and quotations |
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Clippings |
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172 |
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Poetry |
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173 |
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Family |
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174 |
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General interest |
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175 |
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Notes |
| Box |
Folder |
| Oversize 9 |
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Scrapbooks and albums |
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Autograph album, Lorenzo Dow Daggett, 1877-1894 |
| Box |
Folder |
| Oversize 12 |
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"Pickings," Albert M. Fischer |
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"Beautiful Thoughts Illustrated," Albert M. Fischer, 1907 |
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Botany |
| Box |
Folder |
| 8 |
176 |
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Loose scrapbook pages |
| Box |
Folder |
| Oversize 13 |
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Artifacts: plaster casts |
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Series 3: Photographs |
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This series consists of a small number of photographic portraits and snapshots of family, friends, and colleagues from the musical world. |
| Box |
Folder |
| 8 |
177 |
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Albert M. Fischer, 3 items |
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Mary Frank Reynolds Daggett, 1 item |
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178 |
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Roe Daggett Johnson and Ever Johnson, 3 items |
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179 |
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Louise D. Fischer, Jennie Sachs, Mrs. Hesse, and unknown, 1 item |
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Gilbert Schramm, Alena Howerson, Pat Means, Gus Bonnet, Louise Daggett, Marion Dove, Ben Hammond, "The Mets," 2 copies, 1896 |
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Carolers, 1 item, 1928-1929 |
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180 |
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Percy Grainger, 1 item, 1921 |
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William J. Marsh, 1 item, 1927 |
| Box |
Folder |
| Oversize 10 |
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Katherine B. Peeples, 1 item, 1924 |
| Box |
Folder |
| 8 |
180 |
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Plants, snapshots, 9 items |
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