J. Frank Dobie, folklorist, was born on a ranch in Live Oak County, Texas, on September 26, 1888. In 1906 he enrolled in Southwestern University in Georgetown, where he met Bertha McKee, whom he married in 1916, and Professor Albert Shipp Pegues, his English teacher, who encouraged him as a writer. He worked two summers as a reporter, first for the and then the . He got his first teaching job in 1910 in Alpine, where he was also the principal, play director, and editor of the school paper. He returned to Georgetown in 1911 and taught in the Southwestern University preparatory school until 1913, when he went to Columbia to work on his master's degree. With his new M.A. he joined the University of Texas faculty in 1914. At this time he also joined the Texas Folklore Society. Dobie left the university in 1917 and served for two years in the field artillery in World War I. His outfit was sent overseas right at the war's end, and he returned to be discharged in 1919. In 1919 he published his first articles. He resigned his position at the university in 1920 to manage his uncle Jim Dobie's ranch.

Dobie returned to Austin and the university in 1921. On April 1, 1922, Dobie became secretary of the Texas Folklore Society and immediately began a publication program. Dobie served as the society's secretary-editor for twenty-one years and built the society into a permanent professional organization. After years of an on-again, off-again relationship with the University of Texas he was dismissed in 1947. After this separation Dobie devoted all of his time to writing and anthologizing.

Dobie wrote a Sunday newspaper column from 1939 until his death in 1964. His most celebrated targets were professional educationists ("unctuous elaborators of the obvious"); state politicians ("When I get ready to explain homemade fascism in America, I can take my example from the state capitol of Texas"); Pompeo Coppini's Alamo cenotaph ("From a distance it looks like a grain elevator or one of those swimming pool slides"); and inappropriate architecture (a friend reports his saying that the University Tower, into which he refused to move, "looked like a toothpick in a pie, ought to be laid on its side and have galleries put around it"). His war against bragging Texans, political, social, and religious restraints on individual liberty, and the mechanized world's erosion of the human spirit was continual.

SOURCE: adapted from the http://www.tshaonline.org/handbook/online/articles/fdo02

ACCESSED: 2012 January 31