The Index to the Library Chronicle: Subject Index

Italicized page numbers refer to photographs and illustrations.

A ^-top-^

"A" (Zukofsky), N.S. nos.38/39 (1987):77-105

A.D. Peters Agency. See Peters (A.D.) Agency

A Tutti I Fedeli D'Amore (Alighieri), v.23, nos.2/3 (1993):132

Abbeychurch (Yonge), v.23, no.1 (1993):17-19

Abbott, Claude Colleer, Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69

ABC of Reading (Pound), v.20, nos.1/2 (1990):14-16, 17

Abernethy, Milton A.

Contempo editorship, N.S. no.27 (1984):20-44; v.25, no.3 (1995):111-31, 119-20

photograph of, v.20, no.4 (1991):83

Pound's Draft of XXX Cantos and, v.25, no.3 (1995):126, 127-31

Abril, Manuel, line-drawing, N.S. no.13 (1980):23

Across the River and Into the Trees (Hemingway), N.S. no.30 (1985):16-28

Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103, 115

Acton, Harold, N.S. no.1 (1970):25

Actors. See individual actors

Actresses. See individual actresses

L'Adamo, sacra rapresentazione (Andreini), v.23, nos.2/3 (1993):126

Adams, Ansel, N.S. no.19 (1982):118, N.S. no.19 (1982):121

Adams, Maude, N.S. no.36 (1986):70

Adding Machine (Rice), v.25, no.1 (1994):6, 15-20, 17-18, 148

Addison, Joseph, N.S. no.7 (1974):59-60

Adler, Morton, How to Read a Book, v.20, nos.1/2 (1990):14-16

Adolpho Betti Collection. See Betti (Adolpho) Collection

African Americans. See also Harlem Renaissance; and specific African Americans

bebop aesthetic and black intellectual tradition, v.24, nos.1/2 (1994):105-17

correspondence of Fannie Hurst and Zora Neale Hurston, N.S. no.35 (1986):21-43

exhibit on Blacks at the University of Texas, N.S. no.23 (1983):9-10

Harlem Renaissance, v.22, no.4 (1992):51-83; v.24, nos.1/2 (1994):105-17

jazz and African-American literature, v.24, nos.1/2 (1994):47-51

New Negro Movement, v.24, nos.1/2 (1994):105-17

photographic archive in Barker Texas History Center, N.S. nos.38/39 (1987):13-15, 14

African Palimpsest (Zabus), v.27, no.3 (1997):113

Afrikaaner literature, N.S. no.4 (1972):31-37

"Afternoons in East Austin: Drawings by Edgar Dorsey Taylor" (exhibit), v.20, no.3 (1990):8-12, 9-12

Agee, James

film criticism, v.25, no.2 (1994):110-12

Let Us Now Praise Famous Men, v.25, no.2 (1994):103-10, 104, 107, 112, 119

Letters of James Agee to Father Flye, v.25, no.2 (1994):95

musical-literary style and sonata form of writing, v.25, no.2 (1994):91-119

Noa, Noa, v.25, no.2 (1994):113-18, 116-17

photograph of, v.25, no.2 (1994):90

"Plans for Work: October, 1937," v.25, no.2 (1994):101-03

poetry, v.25, no.2 (1994):97-100

Agee (James) Collection, v.25, no.2 (1994):90-119

Agee, Mia, v.25, no.2 (1994):90

Aida (Ghislanzoni), v.23, nos.2/3 (1993):63-65, 64

Aida (Verdi), v.23, nos.2/3 (1993):63-65, 64

Aiken, Conrad

childhood, v.23, no.1 (1993):101-02

divorce from Jessie McDonald, v.23, no.1 (1993):108-09

photograph of, v.23, no.1 (1993):103

relationship with M.D. Armstrong, v.23, no.1 (1993):101, 102, 105-07, 111, 117

Aiken, Jessie. See McDonald, Jessie

Aitken Library, N.S. no.7 (1974):59-63

Albee, Edward

correspondence with Bob Livingston, v.20, no.3 (1990):82-85, 93

correspondence with Harry Joe Brown, v.20, no.3 (1990):76-82, 93

HRHRC holdings generally, v.20, no.3 (1990):94-95; v.25, no.1 (1994):115

Adrienne Kennedy and, v.25, no.1 (1994):109-10, 139

Malcolm, v.25, no.1 (1994):140

photographs of, v.20, no.3 (1990):74; v.25, no.1 (1994):81

Who's Afraid of Virginia Woolf?, v.20, no.3 (1990):84

Zoo Story, v.20, no.3 (1990):75-93, 79, 92

Albert Davis Collection. See Davis (Albert) Collection

Albert-Birot, Pierre

friendship with Gino Severini, N.S. no.35 (1986):51-53

friendship with Guillaume Apollinaire, N.S. no.35 (1986):53-56

Modernism and, N.S. no.35 (1986):45-59

self-portrait of, N.S. no.35 (1986):44

SIC publishing archive, N.S. no.35 (1986):44-59; v.22, no.4 (1992):14

sketches, N.S. no.35 (1986):49, 52

writings, N.S. no.35 (1986):45, 48-51, 54-56, 55

Alberti, Leon-Battista, Della pittura; Della statua, v.23, nos.2/3 (1993):48

Album Musical de Michoacan (Domínguez), v.22, no.3 (1992):108

Albumen prints

creation of, N.S. nos.44/45 (1989):136-38, 137

Robinson's "Bringing Home the May," N.S. nos.44/45 (1989):135-47, 137, 142, 145-46

Alcide al bivio... (Metastasio), v.23, nos.2/3 (1993):128

Aldine Collection, N.S. no.37 (1986):6, 7-8, 8; v.23, nos.2/3 (1993):28-34

Aldine Press, v.23, nos.2/3 (1993):33

Aldington, Richard

as biographer of Lawrence of Arabia, v.20, no.3 (1990):20

correspondence, N.S. no.7 (1974):21-26; N.S. no.40 (1987):100-101

photograph of, N.S. no.40 (1987):101

Alfred A. Knopf, Inc. Archive. See Knopf (Alfred A.) Inc. Archive

Alfred Cortot Collection. See Cortot (Alfred) Collection

Alice's Adventures in Wonderland (Carroll)

book cover, N.S. no.2 (1970):39

HRHRC holdings, N.S. nos.32/33 (1985):23-87

illustrations from, N.S. no.2 (1970):43; N.S. nos.32/33 (1985):13, 32, 69, 76, 83

title page, N.S. no.2 (1970):39; N.S. nos.32/33 (1985):22

translations/editions, N.S. no.2 (1970):39-45

Alighieri, Dante

A Tutti I Fedeli D'Amore, v.23, nos.2/3 (1993):132

Dante con l'esposizione di Cristoforo Landino, et d'Alessandro Vellutello, sopra la sua Commedia, v.23, nos.2/3 (1993):46

Divine Comedy, N.S. no.35 (1986):101; v.20, nos.1/2 (1990):118; v.23, nos.2/3 (1993):15, 24-25, 30, 46, 59, 88, 132, 163, 164

Francesca da Rimini, v.23, nos.2/3 (1993):131-33, 132

All My Pretty Ones (Sexton), v.22, nos.1/2 (1992):191-221, 193

All Strange Away (Beckett), N.S. no.28 (1984):133-36, 136

All That Fall (Beckett), N.S. no.28 (1984):93-95, 95

Allegory on Gluttony (Bosse), v.26, no.3 (1996):24, 25

Allegory on Lechery and Lust (Franco), v.26, no.3 (1996):23

Allen, Frederick Lewis, v.24, nos.1/2 (1994):50

Allinson, Adrian, v.23, no.1 (1993):59

Altaroche, Marie-Michel, N.S. no.17 (1981):67

Alvarez, José Sixto, v.20, no.3 (1990):13

Amado, Jorge, N.S. no.22 (1983):23-30, 25; v.26, nos.1/2 (1995):91-96

Amateur Photographer, v.24, nos.3/4 (1994):44-45

Amateur Photographer & Cinematographer, v.24, nos.3/4 (1994):46

Amateur Photographer & Photographic News, v.24, nos.3/4 (1994):49, 50, 53

Amateur Photographer & Photography, v.24, nos.3/4 (1994):38

Amateur Photographer's Annual, v.24, nos.3/4 (1994):9

Ambrose Vollard (Picasso), v.23, no.4 (1993):83, 87

America Settentrionale e Meridionale (Turin), v.23, nos.2/3 (1993):68

American Annual of Photography, v.24, nos.3/4 (1994):54

American Annual of Photography and Photographic Times Almanac, v.24, nos.3/4 (1994):cover, 55

American Ballet Theatre, v.20, no.4 (1991):10

American Indians, N.S. no.7 (1974):81-85

American Mercury, v.26, nos.1/2 (1995):39-49, 42

American Photographer, v.24, nos.3/4 (1994):32

American Photography, v.24, nos.3/4 (1994):61, 62, 63

American Poetry: The Nineteenth Century, v.25, no.4 (1995):6

American Poetry Review, v.22, nos.1/2 (1992):6

American Short Fiction, v.25, no.2 (1994):21

American theater. See Theater arts

Ametller, Blas, Poesías, N.S. no.5 (1972):45

Ametrallando (Flores), v.22, no.3 (1992):82

Amulet, N.S. nos.44/45 (1989):88, 101-02, 103

Anashim aherim: mivhar (Other People) (Oz), v.27, no.3 (1997):157

Anatolian rugs. See Persian and Anatolian textile collection

Anderson, Margaret, v.20, no.4 (1991):80

Anderson, Maxwell

biography, v.25, no.1 (1994):25-26

High Tor, v.25, no.1 (1994):25, 35, 37-38

HRHRC holdings, v.25, no.1 (1994):25-38, 29-30, 33, 36, 115, 116

letters to, v.25, no.1 (1994):28-31, 29-30

Lost in the Stars, v.25, no.1 (1994):26-32, 29-30, 33

photographs of, v.25, no.1 (1994):33, 36

portrait of, v.25, no.1 (1994):116

Winterset, v.25, no.1 (1994):34-35, 36

Andreini, Giovanni Battista, Adamo, sacra rapresentazione, v.23, nos.2/3 (1993):126

Andrews, Wayne, v.22, no.4 (1992):14

Anew (Zukofsky), N.S. no.23 (1983):44-49

Anglican Sisterhoods, v.23, no.1 (1993):10, 11-31, 15, 26

Anglicus, Bartholomaeus, De proprietatibus rerum, N.S. no.10 (1978):25

Annotation

description, v.20, nos.1/2 (1990):167-69

Piers Ploughman, v.20, nos.1/2 (1990):167-83

Anthony's Photographic Bulletin, v.24, nos.3/4 (1994):68

Anzilotti, Rolando, v.23, nos.2/3 (1993):101

Aperture, v.24, nos.3/4 (1994):71

Apes of God (Lewis), N.S. no.14 (1980):cover

Apocalypse (Lawrence), N.S. no.34 (1986):39-51

Apollinaire, Guillaume

Calligrames, v.21, nos.1/2 (1991):89

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):86-89, 86

friendship with Pierre Albert-Birot, N.S. no.35 (1986):53-56

portrait of, v.21, nos.1/2 (1991):89

Applied Photography, v.24, nos.3/4 (1994):72

Arabia, T.E. Lawrence's scenes of, N.S. nos.38/39 (1987):25-39

Arabic Collection, v.27, no.3 (1997):155-56

"Architectural Views of Old London" (exhibit catalog), N.S. no.15 (1981):6-48

Architecture

London photographs, N.S. no.15 (1981):6-48

Marshall-Walton Papers, N.S. no.9 (1978):61-65, 62-63

military architecture, N.S. nos.38/39 (1987):17-25

of Trost, N.S. no.16 (1981):78-92

Archives. See names of specific archives

Arensberg, Louise, v.21, nos.1/2 (1991):80-81, 81

Arensberg, Walter, v.21, nos.1/2 (1991):80-81, 81

Argentina, Bebop tradition in, v.24, nos.1/2 (1994):204-06

Arikha, Avigdor, N.S. no.28 (1984):87

Ariosto, Ludovico, Orlando Furioso, N.S. no.48 (1989):11-12; v.20, nos.1/2 (1990):61-85; v.23, nos.2/3 (1993):36, 38-42, 40

Arise Young Men (Oe), v.27, no.3 (1997):56

Arlen, Richard, N.S. no.19 (1982):141

Armadillo in the Grass, v.26, nos.1/2 (1995):232, 233-34

Armstrong, Jessie. See McDonald, Jessie

Armstrong, Martin Donisthorpe

career, v.23, no.1 (1993):102-16

Desert, a Legend, v.23, no.1 (1993):110

family life, v.23, no.1 (1993):112, 116-17

life and work, v.23, no.1 (1993):99-117

photograph of, v.23, no.1 (1993):98

relationship with Conrad Aiken, v.23, no.1 (1993):101-02, 105, 111, 117

Sleeping Fury, v.23, no.1 (1993):6

World War I, v.23, no.1 (1993):102-03

Arnshtam, Alexander, N.S. no.9 (1978):34

Arp, Jean, N.S. no.28 (1984):21

Art. See also Bookbinding; Caricatures; Photography; and specific artists

conservation and treatment procedures for paintings, N.S. nos.44/45 (1989):79-85, 83-84

cubism, N.S. no.12 (1979):16-18

Italian art, v.23, nos.2/3 (1993):137-52

Mexican art, N.S. no.5 (1972):32, 33-34; N.S. no.9 (1978):9

Molino Campos paintings, N.S. no.3 (1971):62-67, 62, 64-65, 67

Russian art books, N.S. no.9 (1978):28, 29-37, 32, 34-35, 37

South American art, N.S. no.9 (1978):9

Southwestern art, N.S. no.10 (1978):7-8

surrealism, N.S. no.16 (1981):17-41, 37

Art and Photography, v.24, nos.3/4 (1994):75

Art Collection, Italian art, v.23, nos.2/3 (1993):137-52

Art-Union, v.24, nos.3/4 (1994):30

ARTnews, v.24, nos.3/4 (1994):370

Arts et Métiers Graphiques, v.25, no.2 (1994):20

Arturo Taracena Flores Collection. See Taracena Flores (Arturo) Collection

ASCAP Award, to Library Chronicle, N.S. no.34 (1986):13-14; N.S. no.41 (1987):15

Ascham, Roger, English Works, v.21, nos.3/4 (1991):14-39, 34

Asian Collections, v.27, no.3 (1997):61-67

Asociación de Literatura Feminina Hispánica papers, v.20, no.3 (1990):18

Astrologia, v.23, nos.2/3 (1993):21

Astronomy, N.S. no.2 (1970):12-13, 13

Atlantic Monthly, N.S. no.40 (1987):67, 70, 72-87

Auden, W.H., v.25, no.3 (1995):76, 83-86, 85

Aungerville, Richard. See De Bury, Richard

Auric, Georges

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):52-55

drawing by Jean Cocteau, v.21, nos.1/2 (1991):54

music for A Midsummer Night's Dream, v.23, no.4 (1993):63, 66

photograph of, v.21, nos.1/2 (1991):53

portrait of, v.23, no.4 (1993):62

Austin, Mary, N.S. no.6 (1973):82-85

Australia

Joseph Furphy in, N.S. nos.42/43 (1988):103-19

Alice Henry in, N.S. nos.42/43 (1988):121-41

Grattan (C. Hartley) Collection, N.S. nos.42/43 (1988):27-32, 51-75

Grattan's interest in, N.S. nos.42/43 (1988):11-101, 121-41

HRHRC holdings, N.S. nos.42/43 (1988):7-201

literary publications, N.S. nos.42/43 (1988):39-49

Milutinovic (Iris Osborne) Collection, N.S. nos.42/43 (1988):143-59

painters, N.S. nos.42/43 (1988):181-201

Stead's Man Who Loved Children, N.S. nos.42/43 (1988):161-77

University of Texas and, N.S. nos.42/43 (1988):7-9

Australia (Grattan), N.S. nos.42/43 (1988):6

Australian Studies Center, N.S. nos.42/43 (1988):7-9, 79

Authors' Syndicate, N.S. no.35 (1986):60-87, 60

Authorship, stages in authorship-publishing relationship, v.20, nos.1/2 (1990):116-17, 119

Autographs, Juliette's door, N.S. no.5 (1972):35-37, 36

Automatic writing, N.S. no.8 (1974):26, 27

Avant-garde, and Brakhage, N.S. no.17 (1981):84, 85-103

Awful Rowing Toward God (Sexton), v.22, nos.1/2 (1992):183, 188, 223-35

Ayckbourn, Alan, v.27, nos.1/2 (1996):8

Ayid al-Majid, Ismail, v.27, no.3 (1997):152

Aztec languages. See Nahuatl

B ^-top-^

Bach, J.S., Clavier Sonaten mit Obligater Violine, N.S. nos.25/26 (1984):17

Bachmann, Edwin, N.S. nos.25/26 (1984):10, 11-23

Bacon Library subscription series, v.21, nos.3/4 (1991):150, 179-81, 180

Baker, Kate

correspondence with Howarth, N.S. nos.42/43 (1988):105-06, 109, 112

Furphy and, N.S. nos.42/43 (1988):81, 98, 105-6, 109, 112

Baldwin, James, v.26, nos.1/2 (1995):147-52

Balla, Giacomo, Ricostruzione futurista dell'universo, v.23, nos.2/3 (1993):85, 86

Ballad of the Sad Cafe (McCullers), v.25, no.1 (1994):70-71, 74, 76, 77-82, 78-79, 81

"Ballet: From Court to Theatre" (exhibit), v.20, no.4 (1991):10, 10

Ballet, N.S. no.19 (1982):12, N.S. no.48 (1989):8; v.20, no.4 (1991):10, 10

Balzac Library subscription series, v.21, nos.3/4 (1991):150, 181-85, 183

Banbury, Frith, v.26, no.3 (1996):15; v.27, nos.1/2 (1996):64-68

Bangs, José Manuel, N.S. no.3 (1971):58-61, 58, 61

Bankhead, Tallulah, N.S. no.41 (1987):31

Banks, Banking, and Paper Currencies (Hildreth), N.S. nos.44/45 (1989):87-88, 93, 94, 102

Banks, Mrs. G. Linnaeus

drawing of, N.S. no.37 (1986):20

Manchester Man, N.S. no.37 (1986):21-27, 25

Barber, Samuel, Four Songs for Voice and Piano, N.S. nos.46/47 (1989):146

Barker Texas History Center

Blacks at the University of Texas exhibit, N.S. no.23 (1983):9-10

Hickman Archive of black people, N.S. nos.38/39 (1987):13-15, 14

McCulloch Brothers' papers, N.S. no.41 (1987):13-15

Natchez Trace Collection, N.S. no.35 (1986):9

E.D. Taylor collection, v.20, no.3 (1990):8, 9-12

women's history resources exhibits, N.S. no.19 (1982):9-11; v.20, no.4 (1991):12-15, 13

Barnes, Djuna

"Behind the Heart," v.23, no.4 (1993):27-35

description of James Joyce, v.20, no.3 (1990):8

Nightwood, v.23, no.4 (1993):30-35, 30,

photographs of, v.23, no.4 (1993):26, 33

relationship with Charles Henri Ford, v.23, no.4 (1993):27-35

Barnes, Harry Elmer, N.S. nos.42/43 (1988):15, 17

Barradas, Rafael, N.S. no.13 (1980):19-20, 22-25

Barrett, Eaton Stannard, v.23, no.1 (1993):13-14

Barrett, Wilson

correspondence, N.S. no.7 (1974):19-20

financial and legal records, N.S. no.7 (1974):11-18, 15

new school interpretation of Othello, N.S. no.22 (1983):67-87

Othello and, N.S. no.22 (1983):77, 85

photographs of, N.S. no.7 (1974):10; N.S. no.22 (1983):66, 73, 82

Barry, Sebastian, v.27, nos.1/2 (1996):205-06

Barrymore, John, N.S. no.22 (1983):54-59, 58

Barrymore, Lionel, N.S. no.24 (1983):21

Bartezago, Luigi, v.23, nos.2/3 (1993):160

Bartholomew, Freddie, N.S. no.24 (1983):22

Basserman, Albert, v.26, no.3 (1996):99

Bastin, Henri, N.S. nos.42/43 (1988):cover, 195-96

Batrachomyomachia (Homer), N.S. no.7 (1974):62

Baudelaire, Charles

Fleurs du mal, N.S. no.27 (1984):47-59, 52, 55

photographic portrait of, N.S. no.14 (1980):43

"Baudelaire to Beckett" (exhibit), N.S. no.9 (1978):66, 67-73

Bauerle, James E., N.S. no.9 (1978):59-60, 60

Bayton, Lady Anne, v.23, no.1 (1993):120, 122

Beach, Sylvia

photograph of, N.S. nos.20/21 (1982):21

Ulysses French translation and, N.S. nos.20/21 (1982):29-59

Ulysses page proofs and, N.S. nos.20/21 (1982):14

Beacham, Roger, This Bitterly Beautiful Land, A Texas Commonplace Book, N.S. no.5 (1972):13, 13

Beale, Mary

Earl of Rochester and, v.23, no.1 (1993):121-24

life and work, v.23, no.1 (1993):119-29

portrait of, v.23, no.1 (1993):125

portrait of Earl of Rochester, v.23, no.1 (1993):120, 123

portrait of Lady Anne Bayton, v.23, no.1 (1993):120, 122

Beat poets, v.24, nos.1/2 (1994):46-47

Beaton, Cecil, N.S. no.28 (1984):14

Beatty, Warren, v.25, no.2 (1994):cover

Beavers, Louise, N.S. no.35 (1986):38

Bebop. See also Dial Records; Parker, Charlie

African-American literature and, v.24, nos.1/2 (1994):47-51

after World War II, v.24, nos.1/2 (1994):39-40, 70-77

ban on, v.24, nos.1/2 (1994):140-42

Beat poets and, v.24, nos.1/2 (1994):46-47

beginnings, v.24, nos.1/2 (1994):19-25, 34-36, 81, 138-42

at Billy Berg's in Los Angeles, v.24, nos.1/2 (1994):36, 67, 69, 141

black intellectual tradition and, v.24, nos.1/2 (1994):105-17

characteristics, v.24, nos.1/2 (1994):34

commercial success, v.24, nos.1/2 (1994):151-54

decline and death, v.24, nos.1/2 (1994):154-57

definition, v.24, nos.1/2 (1994):141-42

Dial recordings of Charlie Parker, v.24, nos.1/2 (1994):21-24, 37-40, 67-68, 79-103

exhibit, v.24, nos.1/2 (1994):26, 27-47

Langston Hughes as bop ethnographer in "Trumpet Player: 52nd Street," v.24, nos.1/2 (1994):119-35

in jazz canon, v.24, nos.1/2 (1994):157-59

at Minton's Playhouse, v.24, nos.1/2 (1994):34-35

in 1990s, v.24, nos.1/2 (1994):211-25

origin of term, v.24, nos.1/2 (1994):53

panel discussion, v.24, nos.1/2 (1994):210, 211-25, 216

Charlie Parker's career, v.24, nos.1/2 (1994):17-25, 34-43, 53-103

publicity flyer, v.24, nos.1/2 (1994):16

reactions to, v.24, nos.1/2 (1994):21, 35, 137-59

Russell as writer on, v.24, nos.1/2 (1994):44, 45-46

in South America, v.24, nos.1/2 (1994):202, 203-09, 207, 209

symposium, v.24, nos.1/2 (1994):7-225

"Bebop Revolution in Words and Music" (exhibit), v.24, nos.1/2 (1994):26, 27-47

Bebop Revolution in Words and Music (symposium), v.24, nos.1/2 (1994):7-225

Beck, Julian, v.25, no.1 (1994):117

Beckett, Samuel

Act Without Words, N.S. no.28 (1984):97-104, 103, 115

All Strange Away, N.S. no.28 (1984):133-36, 136

All That Fall, N.S. no.28 (1984):93-95, 95

catalog of works, N.S. no.28 (1984):5-187

correspondence generally, v.22, no.4 (1992):13

correspondence with George Devine, N.S. no.28 (1984):98-99

correspondence with George Reavey, N.S. no.28 (1984):43-44, 53, 66, 75, 81, 110-11, 125, 129, 151, 155

correspondence with Jack MacGowran, N.S. no.28 (1984):129, 141

correspondence with Jake Schwartz, N.S. no.28 (1984):90

correspondence with John Cadler, N.S. no.28 (1984):111-12

correspondence with Mary Manning Howe, N.S. no.28 (1984):43, 66, 98-99, 119

correspondence with Nancy Cunard, N.S. no.28 (1984):6, 93, 97-98

correspondence with Richard Church, N.S. no.28 (1984):43

correspondence with Susan Manning, N.S. no.28 (1984):66, 97

early life and early writings of, N.S. no.28 (1984):7-27

Echo's Bones and Other Precipitates, N.S. no.28 (1984):28, 29-30

Eh Joe, N.S. no.28 (1984):141-42, 143

"Eleuthéria," N.S. no.28 (1984):51-52, 52

Endgame, N.S. no.28 (1984):96, 97-104, 100, 102

exhibit on, N.S. no.27 (1984):8

First Love, N.S. no.28 (1984):147-49, 148

Fizzles, N.S. no.28 (1984):160, 161-74, 163, 166, 171, 173

friends of, N.S. no.28 (1984):39-42

Happy Days, N.S. no.28 (1984):124, 125-26

How It Is, N.S. no.28 (1984):119-23, 120, 123

Imagination Dead Imagine, N.S. no.28 (1984):133-34

Lucia Joyce and, N.S. nos.20/21 (1982):75-76

Krapp's Last Tape, N.S. no.28 (1984):105-10, 106-07, 109

language used in writing, N.S. no.28 (1984):49-50

Lost Ones, N.S. no.28 (1984):133-34, 139-40

Mercier and Camier, N.S. no.28 (1984):150, 151-53, 152

Molloy, Malone Dies, the Unnamable, N.S. no.28 (1984):53-64, 55-56, 59-61

Murphy, N.S. no.28 (1984):43-48, 45-47

Nobel Prize for Beckett, N.S. no.28 (1984):147

Not I, N.S. no.28 (1984):154-56

photographs of, N.S. no.28 (1984):33, 41, 42, 79, 90, 100, 123, 137, 144, 163; v.27, nos.1/2 (1996):46

Ping, N.S. no.28 (1984):133-34, 138

Play, N.S. no.28 (1984):129-30

poem by Kay Boyle, v.22, no.4 (1992):13

poems in English, N.S. no.28 (1984):111-18, 115, 117

postcard to A.J. Leventhal, v.22, no.4 (1992):15

sketch of, N.S. no.28 (1984):6

Stories and Texts for Nothing, N.S. no.28 (1984):80, 81-92, 84-85, 87, 90-91

Waiting for Godot, N.S. no.28 (1984):65-74, 67, 69, 71; v.20, nos.1/2 (1990):38, 39-40, 59; v.27, nos.1/2 (1996):41-63, 62

Watt, N.S. no.28 (1984):75-78, 77, 79

Beckett Translating/Translating Beckett (symposium), N.S. no.27 (1984):9

"Bede manuscript," N.S. no.35 (1986):96

Bedford, Sybille, v.23, no.4 (1993):13, 15

Bedford-Jones, H., N.S. no.10 (1978):72, 73-75

Beeching, H.C., N.S. nos.46/47 (1989):41-49, 43

Beerbohm, Max

exhibit on, N.S. no.11 (1979):7

frescoes, N.S. no.11 (1979):89-91, 90

watercolor of Arnold Bennett by, N.S. no.2 (1970):33

Beethoven, Ludwig van

dealings with music publishers, N.S. nos.25/26 (1984):15-19

First Sonata for Violin and Piano (op. 12, no. 1), N.S. nos.25/26 (1984):19-23, 21

letter from, N.S. no.7 (1974):105-15, 107, 111-13

lithograph of, N.S. nos.25/26 (1984):cover

Behan, Brendan, v.27, nos.1/2 (1996):81-85

"Behind the Heart" (Barnes)

and Barnes's relationship with Charles Henri Ford, v.23, no.4 (1993):27-35

text of, v.23, no.4 (1993):37-41

Behrman, Samuel Nathaniel, v.25, no.1 (1994):117-18

Beinecke Rare Book and Manuscript Library, Osborn Collection, N.S. no.5 (1972):15-29

Bel Geddes, Norman

costume designs for La nave, v.23, nos.2/3 (1993):164-67, 166

designs illustrating streamlining, N.S. no.13 (1980):94, 97, 100, 103, 107, 109

exhibit of theater designs, N.S. no.41 (1987):11-13, 12

HRHRC holdings generally, v.25, no.1 (1994):118-19

photograph of, N.S. no.13 (1980):90

popularization of streamlining, N.S. no.13 (1980):91-110

scene designs for The Divine Comedy, v.23, nos.2/3 (1993):161-64, 163

watercolor by, N.S. no.13 (1980):cover

Bell, Clive, N.S. no.48 (1989):17-19, 25, 30, 35, 38, 40

Bell, Edward Price, N.S. no.10 (1978):47-54

Bender, Todd, Gerard Manley Hopkins, N.S. nos.46/47 (1989):91

Bennett, Arnold, N.S. no.2 (1970):31-35, 32, 33

Benny, Jack, N.S. no.23 (1983):11

Benson, Nettie Lee

career, N.S. no.8 (1974):7-8

photographs of, N.S. no.8 (1974):6; v.22, no.3 (1992):6

Benson (Nettie Lee) Latin American Collection

Alvarez scrapbooks, v.20, no.3 (1990):13

Asociación de Literatura Feminina Hispánica papers, v.20, no.3 (1990):18

bibliographies produced by, N.S. no.2 (1970):13

"Chronicles of the New World" exhibit, N.S. no.40 (1987):12, 13-15

Cortázar's manuscripts, v.20, no.3 (1990):13

family history research, v.22, no.3 (1992):85-97

Guatemalan political materials, v.22, no.3 (1992):117-31, 119, 120, 123, 124, 127

history, v.22, no.3 (1992):11-21

Jitrik materials, v.20, no.3 (1990):18

Mexican American Library Program archives, v.22, no.3 (1992):133-53

Mexican cultural resources, v.22, no.3 (1992):69-83

Mexican Treasury Department, N.S. no.4 (1972):7-8, 8

Gabriela Mistral's letters and works, v.20, no.3 (1990):18; v.22, no.3 (1992):23-33, 31

music holdings, v.22, no.3 (1992):108, 109-15, 112, 113

Nahuatl holdings, v.22, no.3 (1992):41-53, 45, 46, 49, 52

Magda Portal's materials, v.20, no.3 (1990):14

Rayuela manuscript, v.22, no.3 (1992):34, 35-39, 37, 38

Alfonso Reyes's works, N.S. no.3 (1971):45-49

serials, v.22, no.3 (1992):98, 99-107, 103, 106

sixteenth-century maps, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65

Victoria Urbano's papers, v.20, no.3 (1990):18

Benton, Walter, v.26, nos.1/2 (1995):175-76, 177

Bergman, Ingrid, N.S. no.24 (1983):24

Berlin Diary (Shirer), v.26, nos.1/2 (1995):181

Bernard, Émile, v.21, nos.1/2 (1991):132

Bernard, St., Golden Pistle, v.20, nos.1/2 (1990):cover

Bernhardt, Sarah, N.S. no.6 (1973):74, 75

Bernstein, Leonard

photograph of, v.25, no.1 (1994):47

vocal score for Candide, v.25, no.1 (1994):49, 50

Bertelli, Ferdinando, v.26, no.3 (1996):33

Besant, Sir Walter, N.S. no.35 (1986):76, 77-81

Betti (Adolpho) Collection, v.25, no.2 (1994):32

Bhuskute, Govinda Krishna, v.27, no.3 (1997):63

Bible

"Biblia del Oso," N.S. no.8 (1974):cover, 63

Gutenberg Bible, N.S. no.11 (1979):8, 9; N.S. no.22 (1983):88, 89-99, 95; v.20, nos.1/2 (1990):126; v.21, nos.3/4 (1991):205; v.25, no.4 (1995):88

Haddaway's collection, N.S. no.8 (1974):82-84

Second Coverdale Bible, N.S. no.27 (1984):16

Bibliographical Monographs, N.S. no.1 (1970):11

Bibliographies

William B. Todd, v.21, nos.3/4 (1991):187-213

British printing and publishing, v.21, nos.3/4 (1991):122-45

Latin-American Collection, N.S. no.2 (1970):13

Tucker's imprints, v.21, nos.3/4 (1991):150-79, 151, 156, 161, 164, 169, 172, 177

Bibliography and bibliographers

book collecting and, N.S. no.4 (1972):11-15

history of, N.S. no.3 (1971):29-44

principles and practices, N.S. no.4 (1972):11-22

speech by Sir Frank Francis, N.S. no.3 (1971):29-44

terminology, N.S. no.4 (1972):12, 20

trends, N.S. no.4 (1972):14-22

Bibliotheca Parsoniana. See Parsons Collection

Bilis, A., N.S. no.28 (1984):33

Binding. See Bookbinding

Bing. See Ping (Beckett)

Binney, E.W., N.S. no.19 (1982):68, 69, 70, 71

Bird Lives: The High Life and Hard Times of Charlie "Yardbird" Parker (Russell), N.S. nos.25/26 (1984):137, 138, 145-46

Bizhan a Manizhah (A Story Taken from the Shahnamah of Firdawsi), v.27, no.3 (1997):158

Black Mischief (Waugh), N.S. no.16 (1981):43-61

Black Photographers Annual, v.24, nos.3/4 (1994):88

Blacks. See African Americans

Blackstone Hotel (Chicago), N.S. no.9 (1978):63

Blake, William (1757-1827), v.27, no.3 (1997):57, 58

Blake, William (died 1968), N.S. nos.42/43 (1988):170, 171-72

Blesh, Rudi, v.24, nos.1/2 (1994):202; v.26, nos.1/2 (1995):212, 213

Blind Man (Roché), v.21, nos.1/2 (1991):207

Blindman's Ball, v.21, nos.1/2 (1991):208

Bloomsbury Group. See also individual members

correspondence in the Hutchinson (Mary) Collection, N.S. no.48 (1989):15-41

drawing of, by Dorothy Brett, N.S. no.48 (1989):26

Bodenheim, Maxwell, v.20, no.4 (1991):80

Bodoni, Giambattista, v.23, nos.2/3 (1993):59-60

Bodoni Collection, v.23, nos.2/3 (1993):59-60

Boek der Psalmen, N.S. nos.25/26 (1984):32

La Bohémienne endormie (Rousseau), v.21, nos.1/2 (1991):100

Boiardo, Matteo Maria, Orlando Innamorato, N.S. no.48 (1989):11-12

Bolingbroke, Henry St. John, First Viscount

politics of, v.25, no.3 (1995):10-11

portrait of, v.25, no.3 (1995):6

Remarks on the History of England, v.25, no.3 (1995):7-29, 9, 19, 27

Bonar, Ave, Otavalo, N.S. no.35 (1986):14-15, 15

Boni, Albert, v.26, nos.1/2 (1995):16-17

Boni, Charles, v.26, nos.1/2 (1995):16-17

Bonifacius VIII, Liber sextus Decretalium, v.20, nos.1/2 (1990):136, 137

Bono Serrano, Gaspar

marginal notes on Obras inéditas de Quintana, N.S. no.5 (1972):46, 49-60

relationship with Quintana, N.S. no.5 (1972):47-48

Bonython, Kym, N.S. nos.42/43 (1988):180

Book collectors. See Collectors

Book design, v.22, no.4 (1992):85-101; v.26, nos.1/2 (1995):51-57

Book dust jackets, N.S. no.30 (1985):39-55. See also specific books

Book of Merlyn, v.23, no.4 (1993):108, 110-12

Book publishing. See Publishing

Bookbinding

argument for restoration, N.S. no.17 (1981):46-59

conservation of, N.S. nos.44/45 (1989):116, 117-33, 119-20, 123-24, 127-28, 130, 132

emblematic tools decorating Hollis volumes, N.S. no.14 (1980):103

exhibits, N.S. no.14 (1980):8

"hard-board conservation" bindings, N.S. nos.44/45 (1989):117, 121-22, 123, 125

and Thomas Hollis, N.S. no.14 (1980):100-104

HRHRC holdings generally, N.S. no.17 (1981):46, 47-49

Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9

"K-118" bindings, N.S. nos.44/45 (1989):116, 122-33, 124, 127-28, 130

"limp" bindings, N.S. nos.44/45 (1989):117-21, 120

nineteenth-century book bindings, N.S. nos.44/45 (1989):88-91, 89-91

"Nuremberg" bindings, N.S. nos.44/45 (1989):121-25, 123-24

Sarah Treverbian Prideaux, N.S. no.16 (1981):103-05, 104

"rounded and backed" bindings, N.S. nos.44/45 (1989):117-18, 119, 125

Books. See Bookbinding; Booksellers; Cloth-covered case-bound books; Collectors; Publishing; and specific authors and titles of specific books

"Books from the Medici Library" (exhibit), N.S. no.11 (1979):8

Books of Hours, N.S. no.3 (1971):68-79, 68, 73, 75; N.S. no.35 (1986):89-90, 97, 100-104

Booksellers

antiquarian books, N.S. no.4 (1972):41-43

Association Book Company, N.S. no.4 (1972):41

James F. Drake, Inc., N.S. no.4 (1972):40-43, 40

in early twentieth century, v.26, nos.1/2 (1995):19-20

rare books, N.S. no.4 (1972):41-43

Bool, A. & J., N.S. no.15 (1981):6-43, 18, 21

Boothby, Penelope. See Kitchin, Xie

Bop. See Bebop

Boris L. Glassé Collection. See Glassé (Boris L.) Collection

Borzoi 1920, v.26, nos.1/2 (1995):216, 217-18

Borzoi Quarterly, v.26, nos.1/2 (1995):221, 222-23

Bosman, Herman Charles, N.S. no.4 (1972):31-37, 36

Bosse, Abraham, v.26, no.3 (1996):24, 25

Botany

exhibit, N.S. no.17 (1981):11-13

Lundell (C.L.) Collection, N.S. no.6 (1973):10-11

"Botany from Linnaeus to Lamarck" (exhibit), N.S. no.17 (1981):11-13

Botteghe Oscure, v.23, nos.2/3 (1993):94-97, 95, 102-04, 103

Bow, Clara, N.S. no.19 (1982):141

Bowden, Ann, Tauchnitz International Editions in English 1841-1955, N.S. no.48 (1989):12-13; v.21, nos.3/4 (1991):140

Bowen, Elizabeth

photographs of, N.S. no.48 (1989):68, 77; v.26, nos.1/2 (1995):161

published by Knopf, v.26, nos.1/2 (1995):58, 59-61, 61, 156, 158-62

short stories, N.S. no.48 (1989):69-85, 80

Vassar College notebook, N.S. no.48 (1989):73-74

Bowles, Jane

feminine values, v.25, no.2 (1994):137-38, 160, 163-67, 169

health of, v.25, no.2 (1994):151, 168-69

HRHRC holdings generally, v.25, no.1 (1994):119-20

Out in the World, v.25, no.2 (1994):121-69, 125, 128, 139-40, 153-54

photograph of, v.25, no.2 (1994):120

production still of In the Summer House, v.25, no.1 (1994):121

Bowles, Paul

exhibits, v.20, no.4 (1991):7-8

fragment of unfinished novel, N.S. no.30 (1985):67-71

manuscript notes, N.S. no.30 (1985):57-65

photographs of, N.S. no.30 (1985):56, 61, 66

score for Williams's Glass Menagerie, v.26, no.3 (1996):16

Sheltering Sky, v.20, no.4 (1991):6

Bowles (Paul and Jane) Collection, v.25, no.2 (1994):121-69

Boyd, Arthur, N.S. nos.42/43 (1988):184

Boydell Collection, N.S. no.13 (1980):11

Boyle, Father Robert, Metaphor in Hopkins, N.S. nos.46/47 (1989):101

Brady, Matthew, N.S. no.4 (1972):60, 62, 65

Bragdon, Claude, v.26, nos.1/2 (1995):51-52

Braisted, William, v.27, no.3 (1997):49-50, 52

Brakhage, Stan, N.S. no.17 (1981):84, 85-103, 101

Brancusi, Constantin

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):117

Fontaine de Narcisse, v.21, nos.1/2 (1991):118

photograph of, v.21, nos.1/2 (1991):114

Brando, Marlon, N.S. no.41 (1987):32-33, 34; v.25, no.1 (1994):57, 59

Braque, Georges, N.S. no.48 (1989):106; v.21, nos.1/2 (1991):111-13, 112, 113

Brave New World (Huxley), N.S. no.1 (1970):42

Brazil

Bebop tradition, v.24, nos.1/2 (1994):206

gold mining, N.S. no.11 (1979):27-32, 28, 30

Brecht, Bertolt, v.27, nos.1/2 (1996):97-100

Breen, Joseph I., N.S. no.24 (1983):31; N.S. no.36 (1986):15

Breitkopf and Härtel (music publisher), N.S. nos.25/26 (1984):14-19, 23

Breton, André

holograph manuscripts in Lake Collection, N.S. no.16 (1981):16-41

photographs of, N.S. no.16 (1981):16, 21, 40; N.S. no.28 (1984):21

Bréviarie Romain (Demotz de la Salle), N.S. nos.25/26 (1984):40

Brewster, David

Letters on Natural Magic, v.25, no.3 (1995):35, 40-43

Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton, v.25, no.3 (1995):30

Newtonian philosophy, v.25, no.3 (1995):34-45

Bridal Souvenir, N.S. nos.44/45 (1989):88, 99-102, 100

Bride of Abydos (Byron), N.S. no.9 (1978):82-86, 84-85

Bridges, Robert

editor of Gerard Manley Hopkins, N.S. nos.46/47 (1989):41-73, 50

Letters of Gerard Manley Hopkins to Robert Bridges, N.S. nos.46/47 (1989):66

Spirit of Man: An Anthology in English & French from the Philosophers & Poets, N.S. nos.46/47 (1989):40

Briefe Exposition, Paraphrase, or Interpretation, upon the Lord of Canterburies Sermon or Speech (Starbucke), v.20, nos.1/2 (1990):95

Briggs, Asa, Essays in the History of Publishing, v.21, nos.3/4 (1991):139

Brighton (Sitwell), N.S. no.30 (1985):47

"Bringing Home the May" (Robinson)

conservation treatment procedures, N.S. nos.44/45 (1989):143-47, 145-46

description of, N.S. nos.44/45 (1989):139-41

photographs of, N.S. nos.44/45 (1989):137, 142, 145-46

British Journal of Photography Annual, v.24, nos.3/4 (1994):93

British Journal Photographic Almanac and Photographer's Daily Companion, v.24, nos.3/4 (1994):25, 96

British Library, v.21, nos.3/4 (1991):80-93

British literature. See also individual authors

Coleridge Collection, N.S. no.1 (1970):33-38

eighteenth-century poetry catalog, N.S. no.13 (1980):39-63

about India, v.27, no.3 (1997):69-101

literary philosophy in the 1930s, v.25, no.3 (1995):77-109

Romantic poetry, N.S. no.41 (1987):63-81

seventeenth-century English poetry, N.S. no.13 (1980):31-63

twentieth-century English fiction published by Knopf, v.26, nos.1/2 (1995):157-65

Waugh (Evelyn) Library, N.S. no.1 (1970):25-29

British theater. See Theater arts

British theatrical management, N.S. no.7 (1974):11-20, 15

Broadsides

emblematic broadsides, N.S. no.11 (1979):62-64

German broadside, N.S. no.12 (1979):cover

Brooke-Rose, Christine, v.22, no.4 (1992):6, 9-10

Brown, Bob, N.S. no.27 (1984):36-37, 38

Brown, Joe Harry, v.20, no.3 (1990):76-82, 93

Brown, Katharine (Kay)

film rights to Gone With The Wind, N.S. no.24 (1983):25-28

letter from Theodore Geisel to, v.25, no.1 (1994):45, 47, 48

photograph of, N.S. no.24 (1983):26

Brown, Robert Morgan, N.S. no.48 (1989):8-10

Browne, Sir Thomas, Christian Morals, v.21, nos.3/4 (1991):14-39, 17

Browning (Robert and Elizabeth Barrett) Collection, v.25, no.2 (1994):21-22

Bruhn, Erik, v.20, no.4 (1991):10

Bryan (James P.) Collection, N.S. no.5 (1972):10

Bryan, Margaret, v.25, no.3 (1995):38, 39

Bryan, William Jennings, N.S. nos.42/43 (1988):30

Bryher, v.23, no.1 (1993):63-66

Bryson, Bernarda, N.S. no.28 (1984):8

Buchanan, Francis Hamilton, v.27, no.3 (1997):90-92, 93, 94

Buchanan, Robert, v.23, no.1 (1993):38-41

Bücking (Wiesel), Luise, v.21, nos.1/2 (1991):162

Buffet-Picabia, Gabrielle, v.21, nos.1/2 (1991):20

Buffone (The Fool) (Luzzati), v.23, nos.2/3 (1993):cover

Bullen, G.W., Essays: Social and Political, 1874-76, N.S. nos.46/47 (1989):122

Bullock, Wynn, N.S. no.19 (1982):122

Buñuel, Luis, N.S. no.13 (1980):15, 19

Burgess, Anthony, This Man and Music, N.S. nos.46/47 (1989):142, 145

Burke, Billie, N.S. no.24 (1983):21

Burnshaw, Stanley, N.S. nos.42/43 (1988):74-75, 162-72, 173, 177-79

Burr-McIntosh Monthly, v.24, nos.3/4 (1994):103

Burton, Richard, v.20, no.3 (1990):84

Bus Stop (Inge), v.25, no.2 (1994):55-57, 65

Busbey, Arthur, N.S. no.5 (1972):6

Bush, Norman, v.25, no.1 (1994):113

Bustos, Tomas, Selected Poems: A Hopkins Anthology in Oils, N.S. nos.46/47 (1989):181

Bute, Earl of, v.20, no.3 (1990):68-69, 71-73, 73

Butler, Rhett. See Gable, Clark

Buttitta, Anthony J., N.S. no.27 (1984):20-44; v.20, no.4 (1991):83; v.25, no.3 (1995):111-24, 119-20, 125

Byington, Stephen, v.21, nos.3/4 (1991):172

Bynner, Witter, v.26, nos.1/2 (1995):122-23

Byrne, Sam, N.S. nos.42/43 (1988):192, 195-96

Byron, George Gordon, Lord

Bride of Abydos, N.S. no.9 (1978):82-86, 84-85

Mazeppa, N.S. no.9 (1978):82-86

painting of, N.S. nos.44/45 (1989):22

portrait of, N.S. no.2 (1970):47

Siege of Corinth, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38

Byron (Lord) Collection

conservation of, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38

description of, N.S. nos.44/45 (1989):23

Siege of Corinth, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38

C ^-top-^

C. Hartley Grattan Collection. See Grattan (C. Hartley) Collection

Caetani, Princess Margaret, v.23, nos.2/3 (1993):94-100, 98, 100, 102, 103

Caffin, Charles, N.S. no.19 (1982):104-05, 109

Cain, James M., v.26, nos.1/2 (1995):185, 187, 188

Calamity Sue, v.20, no.3 (1990):109

Calder, Alexander, v.25, no.2 (1994):32

Calder, John, N.S. no.28 (1984):111-12

Calithump (Perry), N.S. no.2 (1970):64-66, 65

Callahan, Harry, Color Portfolio, N.S. no.30 (1985):10

Calligraphy. See Lettering

Calling cards. See Carte-de-visite

Callot, Jacques, v.23, nos.2/3 (1993):153-54, 155

Camera, v.24, nos.3/4 (1994):102, 105-09

Camera Craft, v.24, nos.3/4 (1994):112

"Camera Obscura" (exhibit), N.S. no.10 (1978):7

Camera Work, N.S. no.14 (1980):12; N.S. no.19 (1982):103-23; v.24, nos.3/4 (1994):18, 117, 118

Cameron, Julia Margaret

catalog of HRHRC holdings, v.26, no.4 (1996):145-95

Ceylonese photographs, v.26, no.4 (1996):135-43

exhibition of photographs of, v. 25, no.2 (1994):23; v.26, no.4 (1996):7-8

illustrations of Tennyson's Idylls of the King, v.26, no.4 (1996):cover, 89-115

images of the Orient, v.26, no.4 (1996):117-43

photograph of, v.26, no.4 (1996):6

photography by, v. 25, no.2 (1994):24; v.26, no.4 (1996):cover, 12, 25, 27-30, 39-40, 46-47, 52, 54-55, 62, 68-69, 73-74, 77-78, 88, 100-101, 103-04, 109-10, 112, 116, 122-23, 130, 133-34, 138, 141, 144

Lindsay Smith's essay on, v.26, no.4 (1996):13-31

and Thackeray Album, v.26, no.4 (1996):32, 33-61

visual meditations on the self, v.26, no.4 (1996):63-87

Camões, Os Lusiadas, N.S. no.5 (1972):9

Campbell, Marjorie, N.S. nos.42/43 (1988):11, 17-19

Campbell, Roy, and Talking Bronco affair, v.25, no.3 (1995):80, 86-87

Campbell, Scott, v.26, no.3 (1996):20, 21

Camus, Albert, v.26, nos.1/2 (1995):78-87, 84, 87; v.26, no.3 (1996):13-14

Candide (Hellman), v.25, no.1 (1994):44-50, 46-49

Cano, Melchor, De Locis Theologica, N.S. no.8 (1974):60

Canon law, N.S. no.5 (1972):39-42

Canterbury Tales (Chaucer), N.S. no.41 (1987):83-111, 92, 97, 98, 101, 104, 107, 110; v.20, nos.1/2 (1990):114, 115

Cantique. See Chanson spirituelle

Canto 78 (Pound), N.S. no.29 (1984):29-30

Cantor, Eddie, N.S. no.22 (1983):9

Cantos of Ezra Pound: Some Testimonies (Pound), v.25, no.3 (1995):129, 131

Cantos of Ezra Pound, v.20, nos.1/2 (1990):18, 19, 22, 23, 24, 27, 29, 31-34

Canzone de li Ucelli, N.S. nos.25/26 (1984):121-27

Capell, Edward, Prolusions; or Select Pieces of antient Poetry, v.20, nos.1/2 (1990):150

Capitan Spaventa, v.23, nos.2/3 (1993):146

Capote, Truman, My Sister's Hand in Mine: The Collected Works of Jane Bowles, v.25, no.2 (1994):121-52

Carco, Francis, N.S. no.27 (1984):57

Cardigan Manuscript (Canterbury Tales), N.S. no.41 (1987):83-111, 92, 97, 98, 101, 104, 107, 110; v.20, nos.1/2 (1990):114

Caricatures

of Adolphe, N.S. no.17 (1981):71

of Altaroche, N.S. no.17 (1981):67

of Caruso, v.23, nos.2/3 (1993):159

of Champfleury, N.S. no.17 (1981):73

of Clairville, N.S. no.17 (1981):68

of Janin, N.S. no.17 (1981):65

of Nabokov, N.S. no.17 (1981):76

by Nadar, N.S. no.17 (1981):60, 61-75, 65, 67-68, 71, 73

of Varèse, v.23, no.4 (1993):29

of Waugh's brother, N.S. no.7 (1974):54

Carjat, Étienne, N.S. no.14 (1980):35, 43, 45

Carlo Coccioli Collection. See Coccioli (Carlo) Collection

Carlos Villalongín Dramatic Company Archives. See Villalongín (Carlos) Dramatic Company Archives

Carlton Lake Collection. See Lake (Carlton) Collection

Carlyle, Thomas, N.S. no.17 (1981):54

Les Carnets (Roché), v.21, nos.1/2 (1991):216-23

Carpenter, Meta, v.20, no.4 (1991):30-32, 32

Carpentier, Alejo, N.S. no.22 (1983):40-43; v.26, nos.1/2 (1995):104, 105

Carrington, Dora, N.S. no.48 (1989):25, 27, 40-41

Carroll, Lewis

Alice's Adventures in Wonderland, N.S. no.2 (1970):38-45; N.S. nos.32/33 (1985):23-87

correspondence, N.S. nos.32/33 (1985):178-83

drawings by, N.S. nos.32/33 (1985):177-78

etching of, N.S. nos.32/33 (1985):8

exhibit, N.S. no.34 (1986):14-15

HRHRC holdings, N.S. nos.32/33 (1985):7-233

manuscripts by, N.S. nos.32/33 (1985):174-83

mathematical and miscellaneous writings by, N.S. nos.32/33 (1985):101-63

mnemonic system, N.S. no.11 (1979):77-88, 82, 87

periodical publications, N.S. nos.32/33 (1985):165-72

photographs of, N.S. no.2 (1970):38; N.S. nos.32/33 (1985):cover, 6, 184

photography by, N.S. nos.32/33 (1985):cover, 185-213, 189, 192, 197, 198, 208; v.26, no.4 (1996):20-26, 22, 24

self-portrait of, N.S. no.2 (1970):39

Sewell Collection, N.S. no.30 (1985):9

Through the Looking Glass, N.S. nos.32/33 (1985):89-99

Weaver as collector of, N.S. nos.32/33 (1985):9-15

Weaver (Warren) Collection, N.S. no.30 (1985):9

Carte-de-visite, N.S. no.4 (1972):60, 61-65

Carter, Frederick

Dragon of Revelation, N.S. no.34 (1986):38-51

etchings by, N.S. no.34 (1986):38, 44

letters from D.H. Lawrence, N.S. no.34 (1986):38-51

occult and, N.S. no.34 (1986):40-46

sketches by, N.S. no.34 (1986):41, 49, 50

Carter (John) Catullus Collection, N.S. no.10 (1978):14

Cartography

Mesoamerica, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65

Ortelius's Theatrum Orbis Terrarum, v.23, no.4 (1993):130, 131-43, 134, 137

Renaissance, v.23, no.4 (1993):130, 131-43, 133, 134, 137, 140, 141

sixteenth century, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65

Caruso, Enrico, v.23, nos.2/3 (1993):159

Carvel Collins Faulkner Collection. See Collins (Carvel) Faulkner Collection

Caryl, Joan, Portrait of Hopkins, N.S. nos.46/47 (1989):6

Casa del Libro, N.S. no.48 (1989):44, 45, 46-47

Casals, Pablo, N.S. no.48 (1989):102

Case of Mr. Crump (Lewisohn), v.20, no.4 (1991):99-135, 112

Cash, W. J., v.26, nos.1/2 (1995):242-44, 243

Cask of Jerepigo (Bosman), N.S. no.4 (1972):34

Castañeda, Carlos, v.22, no.3 (1992):138

Castillejo, Cristobal de, N.S. no.8 (1974):67

Castro, Juan José, correspondence, v.22, no.4 (1992):18

Catalogs

"Architectural Views of Old London," N.S. no.15 (1981):6-48

Samuel Beckett, N.S. no.28 (1984):5-187

Cameron's photographs, v.26, no.4 (1996):145-95

Lewis Carroll, N.S. nos.32/33 (1985):7-233

"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers," v.26, nos.1/2 (1995):7-264

Cortot Collection, N.S. nos.25/26 (1984):43-49

eighteenth-century poetry, N.S. no.13 (1980):39-63

Gill (Eric) Collection, N.S. no.18 (1982):8-193

Gone With The Wind exhibit, N.S. no.24 (1983):8-121

"Hopkins Lives" exhibit, N.S. nos.46/47 (1989):cover, 7-185

Italian Collections Across the Centuries, v.23, nos.2/3 (1993):1-182

Henri-Pierre Roché, v.21, nos.1/2 (1991):9-223

"Shouting in the Evening" [British theater in twentieth century], v.26, no.4 (1996):9-212

Henry C. Trost drawings, N.S. no.16 (1981):93-102

Twentieth-Century American Playwrights: Views of a Changing Culture, v.25, no.1 (1994):7-114

Weaver (Warren) Collection, N.S. nos.32/33 (1985):7-233

Zukofsky (Louis) Manuscript Collection (supplement), N.S. nos.38/39 (1987):106-81

Cathay, N.S. no.23 (1983):54-56, 57

Cather, Willa, v.26, nos.1/2 (1995):128, 129-31

Catholic Church, and censorship, N.S. no.6 (1973):36-37

Catullus Collection, N.S. no.2 (1970):7-9, 8

Caxton, William, v.21, nos.3/4 (1991):114-15, 115

Cecilia, St., N.S. nos.25/26 (1984):42

Céline

Guignol's Band, N.S. no.9 (1978):68-71

Pont de Londres, N.S. no.9 (1978):68-71

Cellulose nitrate film, N.S. no.19 (1982):166, 167-78, 169-70, 172-73, 176-77

Cempoala map, v.22, no.3 (1992):cover

Censorship

in British theater, v.27, nos.1/2 (1996):149-50

Catholic Church and, N.S. no.6 (1973):36-37

censors' marks on manuscript, N.S. no.6 (1973):24

of Chinese fiction, v.27, no.3 (1997):42

in eighteenth-century France, N.S. no.6 (1973):24, 25-41

Gone With The Wind film, N.S. no.36 (1986):16-31

Joyce's Ulysses, N.S. nos.20/21 (1982):91-105, 98

public libraries, v.25, no.4 (1995):75-79

publishing, v.25, no.4 (1995):75-79

school libraries, v.25, no.4 (1995):75-79

Selznick International Pictures, N.S. no.36 (1986):11-31

Waugh's Black Mischief, N.S. no.16 (1981):43-61

Centeno, Juan, N.S. no.13 (1980):12

Center for American History. See Barker Texas History Center

Century Magazine, N.S. no.17 (1981):15-29

Cerf, Bennett, N.S. nos.20/21 (1982):91-105; v.26, nos.1/2 (1995):261-64

Cervantes Saavedra, Miguel de, v.25, no.4 (1995):123

Cevat, Ahmet, N.S. nos.32/33 (1985):83

Chagall, Marc, N.S. nos.38/39 (1987):11-13

Chamber (Grisham), v.25, no.4 (1995):103

Champfleury, N.S. no.17 (1981):73, 74

Chan, Sucheng, Hmong Means Free: Life in Laos and America, v.25, no.4 (1995):74

Chandler, Joan, N.S. no.5 (1972):6

Chandler, Raymond, v.26, nos.1/2 (1995):189-90

Chanson de Roland (Turoldus), v.23, nos.2/3 (1993):37

Chanson d'Ève (Fauré), N.S. nos.25/26 (1984):51-54, 53, 54

Chanson spirituelle, N.S. nos.25/26 (1984):32-35

Chapin, Marguerite. See Caetani, Princess Margaret

Chaplin, Charlie, N.S. no.22 (1983):9

Chappell, Lydia, v.26, nos.1/2 (1995):50

Chappell, Warren, v.26, nos.1/2 (1995):50, 56-57

Charlemagne, v.23, nos.2/3 (1993):35, 37

Charles V, Holy Roman Emperor, N.S. no.13 (1980):82-89, 82

Charlton, George, v.23, no.1 (1993):cover

Chaucer, Geoffrey

Canterbury Tales, N.S. no.41 (1987):83-111; v.20, nos.1/2 (1990):114, 115

portrait of, N.S. no.41 (1987):82

Chernyshevsky, N.G., What Is To Be Done?, v.21, nos.3/4 (1991):161

Cheynell, Francis, Chillingworthi Novissima, v.20, nos.1/2 (1990):104, 105

Chi non sa impari (Florimi), v.23, nos.2/3 (1993):142

Child, Julia, v.26, nos.1/2 (1995):193-94

Children's Hour (Hellman), v.25, no.1 (1994):39-44, 43

Childs, Mary Arnold Crocker. See Lewisohn, Mary

Chile

census documents, v.22, no.3 (1992):89

historical documents, v.22, no.3 (1992):85-97, 89, 92, 95

literature, v.22, no.3 (1992):84, 85-97

poetry, v.22, no.3 (1992):23-33, 26, 31

Chillingworthi Novissima (Cheynell), v.20, nos.1/2 (1990):104, 105

Chinese fiction, v.27, no.3 (1997):39-47

Chitrangada, (Tagore), v.27, no.3 (1997):25

Christ Church, Oxford, N.S. no.34 (1986):18, 19

Christian imagery. See Religious imagery

Christian Morals (Browne), v.21, nos.3/4 (1991):14-39, 17

Christian View of the Ephemeral Nature of All Worldly Things (Fleischberger), v.26, no.3 (1996):28, 30

Chromolithographs exhibit, N.S. no.13 (1980):7

"Chronicles" (Froissart)

bookplates on, N.S. no.22 (1983):58

illustrations from, N.S. no.22 (1983):cover, 55, 63

owned by Edward Alexander Parsons, N.S. no.22 (1983):54-56, 58

owned by John Barrymore, N.S. no.22 (1983):54-59, 58

ownership history of HRHRC copy, N.S. no.22 (1983):51-65

photograph of, N.S. nos.44/45 (1989):116

"Chronicles of the New World" (exhibit), N.S. no.40 (1987):12, 13-15

Church, Richard, N.S. no.28 (1984):43

Church music. See Sacred vocal music

Church of England. See Anglican Sisterhoods

Churchill, Caryl, v.27, nos.1/2 (1996):151-52

Cicero, M. T. Ci. De Oratore ad Quintum Fratrem Libri I, v.23, nos.2/3 (1993):18

"Cine Cubano: Posters from the Cuban Institute of Art and Film" (exhibit), N.S. no.19 (1982):11, 13

Cinema. See Films; and names of specific films

Cinq livres (Rabelais), N.S. nos.20/21 (1982):159-70, 169

Ciol, Elio, N.S. no.35 (1986):13

Circus

Cocteau's concept of "Theater as Circus," v.23, no.4 (1993):46-47, 54-57

posters, N.S. no.12 (1979):92, 93-101, 98, 100

Circus Collection, N.S. no.2 (1970):10

Cities exhibit, N.S. no.35 (1986):18-19

Clairville, N.S. no.17 (1981):68

Clavier Sonaten mit Obligater Violine (Bach), N.S. nos.25/26 (1984):17

Clemens, Olivia Susan ("Susy"), N.S. no.27 (1984):94, 95-103, 101

Clemens, Samuel L.

daughter of, N.S. no.27 (1984):94, 95-103, 101

editing of Romance of a Pro-Consul, N.S. no.11 (1979):19, 20

letter, v.22, no.4 (1992):8

"Murder, a Mystery, and a Marriage," N.S. no.37 (1986):55-75, 62, 73

personal library of, N.S. no.27 (1984):93-103

photographs of, N.S. no.27 (1984):101; N.S. no.37 (1986):54

portrait of, N.S. no.7 (1974):27-29, 28

Shakespeare set and, N.S. no.27 (1984):95-103

Clemens, Susy. See Clemens, Olivia Susan ("Susy")

Clement, Caroline, N.S. no.40 (1987):71, 82, 83

Cline, C.L., N.S. no.7 (1974):37-41; N.S. no.10 (1978):6-7

La Closerie des Lilas (Montparnasse), v.21, nos.1/2 (1991):29

Cloth-covered case-bound books

Amulet, N.S. nos.44/45 (1989):88, 101-02, 103

Banks, Banking, and Paper Currencies (Hildreth), N.S. nos.44/45 (1989):87-88, 93, 94, 102

bindings, N.S. nos.44/45 (1989):88-91, 89-91

Bridal Souvenir, N.S. nos.44/45 (1989):88, 99-102, 100

conservation of, N.S. nos.44/45 (1989):86, 87-103, 89-91, 94, 97, 100, 103

London Labour and the London Poor (Mayhew), N.S. nos.44/45 (1989):88, 96-99, 97, 102

Poetical and Prose Works of Oliver Goldsmith, N.S. nos.44/45 (1989):86, 88, 95-96, 102

Cloud, Random, v.20, nos.1/2 (1990):62

Clune, Frank, Try Anything Once, N.S. nos.42/43 (1988):47

Cobbe, Thomas, N.S. no.11 (1979):65-76, 68, 70, 73

Cobden-Sanderson, Thomas James, N.S. no.7 (1974):30-35; N.S. no.17 (1981):46, 50

Cobos, Ben, N.S. no.19 (1982):164, 164

Coccioli, Carlo, v.20, no.4 (1991):12; v.23, nos.2/3 (1993):119-24, 120, 123; v.26, no.3 (1996):12, 13

Coccioli (Carlo) Collection, v.23, nos.2/3 (1993):119-24

Cocteau, Jean

correspondence on A Midsummer Night's Dream, v.23, no.4 (1993):50-51, 53, 56

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):120-23, 122

cubism, v.23, no.4 (1993):83-84, 93-94

description of Le Piquey, N.S. no.12 (1979):11-13

drawing of Georges Auric, v.21, nos.1/2 (1991):54

drawing of Picasso, v.21, nos.1/2 (1991):41

drawing of Valentine Hugo, v.21, nos.1/2 (1991):59

graphic arts, N.S. no.41 (1987):41-61, 46, 49, 54, 59, 60

Head of a Man and Head of a Woman, v.23, no.4 (1993):98, 100, 101, 102

Head of a Woman, v.23, no.4 (1993):93-94, 96, 102

ideas about art, v.23, no.4 (1993):89-90, 94, 104-05

influenced by Pablo Picasso, N.S. no.41 (1987):42, 45

Mais oui mais oui...Picasso, v.23, no.4 (1993):70-105

Mystères des chambres vides, N.S. no.41 (1987):41-61, 43

Orphée, N.S. no.41 (1987):48-57

photograph of, N.S. no.41 (1987):40

portraits of, N.S. no.12 (1979):10, 11-20; v.23, no.4 (1993):85

production of A Midsummer Night's Dream, v.23, no.4 (1993):43-77

relationship with Picasso, v.23, no.4 (1993):79-80, 83-84, 89

Rien ne trouble les Mortimer, v.23, no.4 (1993):95

self-portrait of, v.21, nos.1/2 (1991):119

Sketch of Rimbaud in Bed, Ill, N.S. no.9 (1978):38

"Theater as Circus" concept, v.23, no.4 (1993):46-47, 54-57

Codex Ashburneri, N.S. no.2 (1970):7, 8

Cohen, Barry, N.S. no.5 (1972):6

Colbert, Claudette, N.S. no.24 (1983):108; N.S. no.35 (1986):38; v.26, no.3 (1996):85, 89-90, 96, 105

Cold Stone Jug (Bosman), N.S. no.4 (1972):32

Coleman, Earl, N.S. nos.25/26 (1984):136; v.24, nos.1/2 (1994):23

Coleridge, Hartley, N.S. no.1 (1970):32, 33-38

Coleridge, Samuel Taylor, N.S. no.23 (1983):16, 17, 33, 35

Coleridge, Sara

contributions to Coleridge scholarship, N.S. no.23 (1983):16, 21, 33-35

correspondence with Edward Quillinan, v.23, no.1 (1993):20-22, 21

"Essay on Beauty" excerpts, N.S. no.23 (1983):20, 26

Greta Hall drawing, N.S. no.23 (1983):23

inscriptions in her commonplace book, N.S. no.23 (1983):28-31, 30

letters to Derwent Coleridge, N.S. no.23 (1983):22-24, 26-27

letters to Henry Nelson Coleridge, N.S. no.23 (1983):27

opium addiction, N.S. no.23 (1983):23-25, 31-33

"Poppies," N.S. no.23 (1983):32-33

portrait of, N.S. no.23 (1983):14

Coleridge Collection, N.S. no.1 (1970):33-38

Collaert, Hans, v.26, no.3 (1996):cover, 27

Collected Poems (Stevens), v.26, nos.1/2 (1995):124

Collections. See names of specific collections

Collectors

Austin collectors, N.S. no.34 (1986):9-11

authors' libraries, N.S. no.34 (1986):7-9

James E. Bauerle, N.S. no.9 (1978):59-60, 60

Richard de Bury, N.S. no.5 (1972):15-16, 23-24, 28

Everett L. DeGolyer, Jr., N.S. no.2 (1970):90-92, 90

James F. Drake, Inc., N.S. no.4 (1972):40-43, 40

William B. Ferguson III, N.S. no.1 (1970):51

Jenkins Garrett, N.S. no.4 (1972):72-74, 72

Grattan as collector of Australian literature, N.S. nos.42/43 (1988):39-49

George P. Isbell, N.S. no.5 (1972):82, 83-84

Nina W. Matheson as collector of Nabokov, N.S. no.17 (1981):76-83

Trueman E. O'Quinn, N.S. no.3 (1971):88-90, 88

John Peace, N.S. no.6 (1973):106-07

Harry Huntt Ransom, N.S. no.10 (1978):10, 11-12

Peter J. Rempe, N.S. no.11 (1979):97-99, 98

Byron and Susan Sewell, N.S. no.14 (1980):105-09

Robert L.B. Tobin, N.S. no.12 (1979):102, 103-05

Warren Weaver, N.S. no.2 (1970):38-45

Warren Weaver as collector of Lewis Carroll, N.S. nos.32/33 (1985):9-15

Sam Whitten, N.S. no.16 (1981):107-09, 106

"Collectors' Choice" (exhibit), N.S. no.34 (1986):9-11

College of Fellows of the American Theatre, v.26, no.3 (1996):15

Colles, William Morris, N.S. no.35 (1986):60-87, 85

Collins, Carvel, v.20, no.4 (1991):16, 17-35, 23

Collins (Carvel) Faulkner Collection, v.20, no.4 (1991):16-35, 16, 23, 26, 31, 32, 33

Collins, Wilkie

No Thoroughfare, N.S. no.37 (1986):38, 39-53, 49, 52

photograph of, N.S. no.37 (1986):44

Colman, Ronald, N.S. no.22 (1983):9

Colonna, Francesco, Hypnerotomachia Poliphili, v.23, nos.2/3 (1993):25-27, 26

Color Portfolio (Callahan), N.S. no.30 (1985):10

Columbus, Christopher, v.23, nos.2/3 (1993):68

Columbus, Ferdinand, N.S. no.7 (1974):69-70

Come Back Little Sheba (Inge), v.25, no.2 (1994):55-63

Comédie. See Play (Beckett)

Coming of the Fairies (Gardner), N.S. no.8 (1974):31

Commedia dell'arte, v.23, nos.2/3 (1993):153-54, 155

Comment C'est. See How It Is (Beckett)

Commonplace books

by D.M. Craik, v.23, no.1 (1993):12-17

Killigrew as compiler, N.S. no.13 (1980):31-38

sample pages, N.S. no.13 (1980):34, 36

Compañero (Vigil), v.22, no.3 (1992):84

"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers" (exhibit), v.26, nos.1/2 (1995):7-264

Complete Book of Trades (Whittock), v.21, nos.3/4 (1991):cover, 94

Concordia Discordantium Canonum. See Decretum

Conferences and symposia

Bebop Revolution in Words and Music, v.24, nos.1/2 (1994):7-225

Beckett Translating/Translating Beckett, N.S. no.27 (1984):9

Harry Ransom Conference on New Directions in Textual Studies, v.20, nos.1/2 (1990):6-183

Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9

Leopard, N.S. no.37 (1986):10-12, 11

Sources for Reinterpretation -- The Use of Nineteenth-Century Literary Documents, N.S. no.10 (1978):6-7

State and Fate of Publishing: A Flair Symposium, v.25, no.4 (1995):1-131

Connolloy, Cyril, N.S. no.1 (1970):39-47

Conrad, Joseph

influence on works of James Joyce, N.S. nos.20/21 (1982):145-57

and Knopf, v.26, nos.1/2 (1995):23-26, 27

letters to Norman Douglas, N.S. no.3 (1971):52-57

photograph of, N.S. no.3 (1971):52

portrait of, N.S. no.5 (1972):30, 31

Conscience of the University and Other Essays (Ransom), N.S. no.22 (1983):13; N.S. no.30 (1985):12

Conservation

albumen prints, N.S. nos.44/45 (1989):135-47, 137, 142, 145-46

Byron (Lord) Collection, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38

cellulose nitrate photographs, N.S. no.19 (1982):167-78

cloth-covered case-bound books, N.S. nos.44/45 (1989):87-103, 89-91, 94, 100, 103

duplication of photographs, N.S. no.19 (1982):174-75

ethical issues, N.S. nos.44/45 (1989):26-27, 31, 39, 42, 44, 55, 87, 92-93, 95, 98

exhibit, N.S. no.27 (1984):12

Faulkner (William) Collection, N.S. nos.44/45 (1989):cover, 56, 57-77, 61, 64, 67-68, 71-72, 75-76

Gone With The Wind storyboard, N.S. nos.44/45 (1989):104, 105-15, 107-08, 111-14

housing, N.S. nos.44/45 (1989):148, 149-55, 153-54

Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9

internships, N.S. nos.44/45 (1989):78, 79-85, 83-84

"K-118" binding structure, N.S. nos.44/45 (1989):116, 117-33, 124, 127-28, 130

Lawrence (D. H.) Collection, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54

motion picture film, N.S. no.19 (1982):172-74

painting conservation, N.S. nos.44/45 (1989):79-85, 83-84

photography collections, N.S. no.19 (1982):167-72

Conservation Department

exhibition policy, N.S. nos.44/45 (1989):12

history of, N.S. nos.44/45 (1989):8-19, 13, 18

internships, N.S. nos.44/45 (1989):17

new facilities, N.S. no.22 (1983):14, 15

programs and seminars, N.S. nos.44/45 (1989):15-16

staffing, N.S. nos.44/45 (1989):10-11, 18-19

Conservation treatment procedures

alkalinization, N.S. nos.44/45 (1989):70

ammonium hydroxide baths, N.S. nos.44/45 (1989):69-70, 72

aqueous treatment, N.S. nos.44/45 (1989):66, 68-69, 68

bound manuscripts, N.S. nos.44/45 (1989):22, 23-55, 25-26, 29-30, 33, 38, 40, 43, 46, 51-52, 54

encapsulation, N.S. nos.44/45 (1989):74, 76

ethyl alcohol treatment, N.S. nos.44/45 (1989):69, 71

ink analysis, N.S. nos.44/45 (1989):32, 47

Klucel G treatment, N.S. nos.44/45 (1989):63, 70

lining, N.S. nos.44/45 (1989):73-74, 75

paintings survey method, N.S. nos.44/45 (1989):79-80

paper, analysis of, N.S. nos.44/45 (1989):28, 34-37, 44-47, 46

reversibility, N.S. nos.44/45 (1989):65-66, 96, 98, 101, 103

Contempo

advertisement in, N.S. no.27 (1984):32

authors published in, N.S. no.27 (1984):19-45

contributors, v.25, no.3 (1995):111, 114-24, 119-20, 125, 131

covers, v.20, no.4 (1991):88; v.25, no.3 (1995):119

demise of journal, v.20, no.4 (1991):85-86

Faulkner and, N.S. no.27 (1984):31, 33-34

front pages, N.S. no.27 (1984):18, 38

journal, v.20, no.4 (1991):81-82

management of, v.25, no.3 (1995):111-12, 115-17, 122-24

masthead, v.25, no.3 (1995):120

Pound and, v.25, no.3 (1995):111-24, 119-20, 127-31

sample page, v.20, no.4 (1991):68

Contempo Collection, N.S. no.27 (1984):19-45

"Contemporary Czechoslovakian Photography" (exhibit), v.23, no.4 (1993):23-25, 23, 24

Contemporary Texas: A Photographic Portrait, N.S. no.35 (1986):14, 16

Controversial books, v.25, no.4 (1995):74, 75-79, 78

Convents, Anglican. See Anglican Sisterhoods

Conversion (Marca-Relli), N.S. nos.44/45 (1989):81-82, 83-84

Conway, Gordon, v.22, no.4 (1992):23

Cook, Morris, N.S. no.7 (1974):102-03, 103

Cookbooks, v.26, nos.1/2 (1995):193-201

Cooper, Merian C., N.S. no.36 (1986):61

Copernicus, Nicolai, N.S. no.12 (1979):65-66; v.25, no.4 (1995):112

Coriolanus (Shakespeare), N.S. no.11 (1979):70

Corke, Helen, N.S. no.34 (1986):33

Corman, Cid, v.22, nos.1/2 (1992):59

Cornhill Magazine, N.S. no.30 (1985):83-112, 108

Cornwell, David. See Le Carré, John

Corpus Juris Canonici, N.S. no.5 (1972):41. See also Decretum

Cortázar, Julio

manuscripts in Benson Latin American Collection, N.S. no.27 (1984):14; v.20, no.3 (1990):13-15

Rayuela, v.22, no.3 (1992):15, 34, 35-39, 37, 38

Cortázar (Julio) Collection, N.S. no.27 (1984):13-15, 14

Cortés, Hernando, N.S. no.13 (1980):82-89, 82

Cortot, Alfred, N.S. nos.25/26 (1984):24

Cortot (Alfred) Collection

catalog, N.S. nos.25/26 (1984):43-49

sacred vocal music in, N.S. nos.25/26 (1984):25-49

Corvo, Baron, N.S. no.13 (1980):9

Cosgrove, Jack, N.S. no.24 (1983):57-58

Costume design

Chout by Emanuele Luzzati, v.23, nos.2/3 (1993):167-68

Crane (William) Collection, v.23, no.4 (1993):17, 18

exhibit, N.S. no.17 (1981):9-10

Gone With The Wind, N.S. no.24 (1983):62-68; N.S. no.36 (1986):32, 33-55, 36, 37, 39, 42, 43, 46, 50, 53

La Scala production by Luigi Bartezago, v.23, nos.2/3 (1993):160

Midsummer Night's Dream, v.23, no.4 (1993):48, 58, 59-63

Nave by Norman Bel Geddes, v.23, nos.2/3 (1993):164-65, 166

in Russian theater, N.S. no.10 (1978):41-43, 42

Cotten, Joseph, N.S. no.36 (1986):92, 104, 107, 109, 110, 112; v.26, no.3 (1996):89-90

Country Journal: or, The Craftsman

front pages, v.25, no.3 (1995):9, 19, 27

legal battles, v.25, no.3 (1995):18, 21

Remarks on the History of England published in, v.25, no.3 (1995):7-29, 9, 19, 27

Covici (Pascal) Collection, N.S. no.3 (1971):80-81, 80

Cowdell, Harry, N.S. no.30 (1985):50-55, 52, 54

Craftsman. See Country Journal: or, The Craftsman

Craig, Edward Gordon, N.S. nos.38/39 (1987):15

Craik, Dinah Mulock, v.23, no.1 (1993):12-17

Crain (W.H.) Collection, N.S. no.40 (1987):10; v.23, no.4 (1993):16-19, 18; v.25, no.1 (1994):120-21; v.25, no.2 (1994):19

Crandon, Mina Stinson, N.S. no.8 (1974):25

Crane, Hart, N.S. no.27 (1984):37, 39-40

Cranfill Collection, N.S. no.9 (1978):9

Creeley, Robert

friendship with Stan Brakhage, N.S. no.17 (1981):85-103

photograph of, N.S. no.17 (1981):86

poem samples, N.S. no.17 (1981):85-103, 99

Crevel, René, N.S. no.16 (1981):21; N.S. no.28 (1984):21

Crichton, Michael, Jurassic Park, v.25, no.4 (1995):67

Cristo si è fermato a Eboli (Levi), v.23, nos.2/3 (1993):108, 109-12, 111

Critical Perspectives on Amos Tutuola, v.27, no.3 (1997):111

Critique of Modern Textual Criticism (McGann), v.27, no.3 (1997):107

Crome Yellow (Huxley), N.S. no.1 (1970):42

Cromos, v.22, no.3 (1992):103

Cronica van der hilliger stat van Coellen, v.21, nos.3/4 (1991):63

Cronje, General, N.S. no.4 (1972):33

Cronyn, Hume, N.S. no.28 (1984):103, 109

Crowley, Pat, v.25, no.2 (1994):49

Cruel Sea (Monsarrat), v.26, nos.1/2 (1995):180

Crum, Margaret, First Line Index to Manuscript Poetry in the Bodleian Library before 1800, N.S. no.5 (1972):17

Crump, Anne. See Lewisohn, Mary

Cry, the Peacock (Desai), v.25, no.4 (1995):96

Cuban film posters exhibit, N.S. no.19 (1982):11, 13

Cubism, N.S. no.12 (1979):16-18

Cukor, George

director of Gone With The Wind, N.S. no.24 (1983):12, 75

exhibit of film memorabilia of, N.S. no.13 (1980):10

photograph of, N.S. no.24 (1983):74

Culture, future of, v.25, no.4 (1995):17-23

cummings, e. e., N.S. no.34 (1986):7-8

Cunard, Nancy

correspondence with Samuel Beckett, N.S. no.28 (1984):6, 93, 97-98

photographs of, N.S. nos.20/21 (1982):82, 88; N.S. no.28 (1984):14; N.S. no.29 (1984):16

reminiscence of James Joyce, N.S. nos.20/21 (1982):80-89

Cunard (Nancy) Collection

Auden's "Spain" and, v.25, no.3 (1995):82, 83-84

marquette of questionnaire, v.25, no.3 (1995):82

Cycling, v.24, nos.3/4 (1994):133

Czechoslovakian photography exhibit, v.23, no.4 (1993):23-25, 23

D

D.H. Lawrence Collection. See Lawrence (D.H.) Collection

Dacey, Philip, Gerard Manley Hopkins Meets Walt Whitman in Heaven and Other Poems, N.S. nos.46/47 (1989):159

Dafne (Rinuccini), N.S. no.2 (1970):10, 11

Dahl, Roald, v.26, nos.1/2 (1995):163

Dahlberg, Edward, N.S. no.14 (1980):47-65, 51, 61

Dahlberg (Edward) Collection, N.S. no.8 (1974):85-88

Daily Telegraph, N.S. no.9 (1978):21-26

Dali, Salvador, N.S. no.13 (1980):20; N.S. no.28 (1984):21

Dana, Charles Anderson, Proudhon and His "Bank of the People", v.21, nos.3/4 (1991):169

Dance

ballet, N.S. no.19 (1982):12; N.S. no.48 (1989):8; v.20, no.4 (1991):10, 10

choreographer Mary Wigman, v.23, no.4 (1993):16

history, N.S. no.8 (1974):11-21

Dancer, Elizabeth Eleanor, N.S. no.19 (1982):76, 76, 77

Dancer, John Benjamin

photographic techniques, N.S. no.19 (1982):53-58

photographs of, N.S. no.19 (1982):52, 61, 69

photographs of children, N.S. no.19 (1982):72, 74

photographs of wife, N.S. no.19 (1982):72, 74

photography by, N.S. no.19 (1982):58-77, 61, 63-64, 66-67, 69-70, 72, 74-76

Dancer (John Benjamin) Collection, N.S. no.19 (1982):53-77

Dancer, Mrs. John Benjamin, N.S. no.19 (1982):71, 72, 74, 76

Daniel, Arnaut, N.S. nos.25/26 (1984):125-27

Daniell, Thomas, v.27, no.3 (1997):71, 74, 75

Daniell, William, v.27, no.3 (1997):71, 74, 75

Daniels, William, v.20, no.3 (1990):92

Danielson, Jacques, N.S. no.35 (1986):23

D'Annunzio, Gabriele. See Alighieri, Dante

Dante. See Alighieri, Dante

Dante con l'esposizione di Cristoforo Landino, et d'Alessandro Vellutello, sopra la sua Commedia (Alighieri), v.23, nos.2/3 (1993):46

Dante's Dream at the Time of the Death of Beatrice (Rossetti), v.23, nos.2/3 (1993):150-52

Daragnès, Jean-Gabriel, N.S. no.27 (1984):47-59, 57

Dark at the Top of the Stairs (Inge), v.25, no.2 (1994):38, 39, 54, 61

Darling, Malcolm and Josie

Forster on being their son's godfather, N.S. no.23 (1983):63-73

letters from Forster, N.S. no.23 (1983):64-71, 67

"Liking Being Alive," N.S. no.23 (1983):75-79

"Darwinism in Texas" (exhibit), N.S. no.5 (1972):12

Das, Sisir Kumar, v.27, no.3 (1997):33-34

Daum, Raymond, N.S. no.23 (1983):12

David Jackson McWilliams Collection. See McWilliams (David Jackson) Collection

David O. Selznick Archive. See Selznick (David O.) Archive

Davis (Albert) Collection, N.S. no.4 (1972):23-30

Davis, Bette, v.25, no.2 (1994):76

Davis, Donald, N.S. no.28 (1984):110

Davis, J. Frank, v.25, no.1 (1994):121-23, 122

Davis, Miles

Donna Lee, v.24, nos.1/2 (1994):161-201

photographs of, v.24, nos.1/2 (1994):160, 167

Dawn, Norman O.

bird of paradise sketch, v.20, no.3 (1990):cover

Calamity Sue, v.20, no.3 (1990):109

cinematic special effects collection, v.20, no.3 (1990):97-118, 99, 102, 105-06, 109-10, 113, 114

Drifter, v.20, no.3 (1990):108

For the Term of His Natural Life, v.20, no.3 (1990):112-15, 113, 114

Great Barrier Reef, v.20, no.3 (1990):104

life and activity, v.20, no.3 (1990):98-118

list of movies, v.20, no.3 (1990):117-21

Men of the West, v.20, no.3 (1990):107

Missions of California, v.20, no.3 (1990):103-04

photographs of, v.20, no.3 (1990):96, 110, 117

Story of the Andes, v.20, no.3 (1990):104, 105-06, 107

Tundra, v.20, no.3 (1990):116

Two Men of Tinted Butte, v.20, no.3 (1990):108

Day, Clarence, v.26, nos.1/2 (1995):178, 179

Day Lewis, C., v.25, no.3 (1995):78-80, 81, 83

De Barbari, Jacopo, v.23, nos.2/3 (1993):138

De Beauvoir, Simone

photograph of, v.22, no.4 (1992):105

Second Sex, v.22, no.4 (1992):103-21

De Bello Catilinae (Sallust), N.S. no.27 (1984):15-16

De Bello Jurgunthinum (Sallust), N.S. no.27 (1984):15-16

De Bury, Richard

collecting habits, N.S. no.5 (1972):15-16, 28

Philobiblon, N.S. no.5 (1972):15, 23-24, 28

De Havilland, Olivia, N.S. no.24 (1983):104-05

De la Roche, Esmée, N.S. no.40 (1987):83

De la Roche, Mazo

Caroline Clement and, N.S. no.40 (1987):82

correspondence with Edward Weeks, N.S. no.40 (1987):67-87

Jalna Series, N.S. no.40 (1987):67-70, 73-77, 79-81, 85-87

photographs of, N.S. no.40 (1987):66, 71, 76, 84

De la Roche, René, N.S. no.40 (1987):83

De Locis Theologica (Cano), N.S. no.8 (1974):60

De Mille, Cecil B., N.S. no.30 (1985):6

De Revolutionibus orbium coelestium, Libri VI (Copernicus), v.25, no.4 (1995):112

De Voto, Bernard, v.24, nos.1/2 (1994):50

De Witt, Rita, v.23, no.4 (1993):21

Death, and rhetoric of "knowledge," v.26, no.3 (1996):23-51

Death of a Salesman (Miller), v.25, no.1 (1994):84-96, 85, 87, 90

Deaths and Entrances (Thomas), N.S. no.1 (1970):41

Debussy, Claude

correspondence and friendship with Messager, N.S. nos.25/26 (1984):69, 81-84

etching, N.S. nos.25/26 (1984):68

mélodies, N.S. nos.25/26 (1984):70, 71, 75-76

photograph of, N.S. nos.25/26 (1984):87

text setting, N.S. nos.25/26 (1984):70-81

Trois Ballades de François Villon, N.S. nos.25/26 (1984):69-99

Decorative arts and topography, N.S. no.1 (1970):28-29

Decretum, N.S. no. 5 (1972):38-42, 38. See also Corpus Juris Canonici; Glossa Ordinaria

Deeping, Warwick, v.26, nos.1/2 (1995):176, 179

DeGolyer, Everett L., Jr., N.S. no.2 (1970):90-92, 90

Delaney, Shelagh, v.27, nos.1/2 (1996):85-88

Delgado, Abelardo, "Open," v.22, no.3 (1992):135

Dell, Floyd, v.20, no.4 (1991):80

Della metoposcopia (Spontone), v.23, nos.2/3 (1993):52

Dell'arte di fabricare i fuochi artificiali... (Anonymous), v.23, nos.2/3 (1993):8

Democracy

access to information, v.25, no.4 (1995):43-47

Jeffers's speeches on democracy, N.S. no.40 (1987):47-65

paranoia and, v.25, no.4 (1995):43-47

poetry and, N.S. no.40 (1987):47-65

Denham, Sir John

Cooper's Hill, N.S. no.5 (1972):22

Poems and Translations, N.S. no.5 (1972):22

Dennery, Adolphe, N.S. no.17 (1981):71

Dennis, Sandy, v.20, no.3 (1990):84

Depero, Fortunato, Ricostruzione futurista dell'universo, v.23, nos.2/3 (1993):85, 86

Dépeupleur. See Lost Ones (Beckett)

Dernière Bande. See Krapp's Last Tape (Beckett)

Desai, Anita

Cry, the Peacock, v.25, no.4 (1995):96

HRHRC holdings, v.23, no.4 (1993):13-14

photograph of, v.23, no.4 (1993):15

Desert, a Legend (Armstrong), v.23, no.1 (1993):110

Designer Bookbinders (exhibit), N.S. no.22 (1983):7

Desolación (Mistral), v.22, no.3 (1992):31

Detective fiction, v.26, nos.1/2 (1995):183-91

Deutscher Kamera-Almanach, v.24, nos.3/4 (1994):14, 138, 141

Deux anglaises et le continent (Roché)

book wrappers, v.21, nos.1/2 (1991):179

description, v.21, nos.1/2 (1991):178-201

film photographs, v.21, nos.1/2 (1991):200

manuscript drafts, v.21, nos.1/2 (1991):187, 194-96

Deux semaines à la Conciergerie pendant la bataille de la Marne (Roché), v.21, nos.1/2 (1991):130-33, 131

Deuxième Sexe (de Beauvoir). See Second Sex (de Beauvoir)

Devil to Pay in the Backlands (Rosa), v.26, nos.1/2 (1995):102, 103

Devine, George, N.S. no.28 (1984):98-99, v.27, nos.1/2 (1996):124-29

Devlin, Christopher, Sermons and Devotional Writings of Gerard Manley Hopkins, N.S. nos.46/47 (1989):53

"Devout Woman," v.23, no.1 (1993):11-31

Deyrolle, Jean, N.S. no.28 (1984):137

Di Lampedusa, Prince Giuseppe Tomasi

Leopard, N.S. no.37 (1986):10-12

photograph of, N.S. no.37 (1986):11

Dial, v.20, nos.1/2 (1990):35

Dial Records. See also Russell, Ross

Charlie Parker's contract, v.24, nos.1/2 (1994):21-22, 36-37, 85, 86

Charlie Parker's recordings, v.24, nos.1/2 (1994):21-24, 37-40, 67-68, 79-103

publicity flyer, v.24, nos.1/2 (1994):16

record labels, v.24, nos.1/2 (1994):cover, 78, 97

recording sessions, v.24, nos.1/2 (1994):23, 38

recordings of jazz and Bebop, v.24, nos.1/2 (1994):37-40

and Ross Russell, N.S. nos.25/26 (1984):137-39, 142

Diálogos (de Salazar), v.22, no.3 (1992):10

Dialogue of a Dead Man with his Soul (Sustris), v.26, no.3 (1996):38

Dickens, Charles

engraving of, N.S. no.37 (1986):41

exhibit, N.S. no.35 (1986):9-11

"Ivy Green," N.S. no.6 (1973):80, 81

Life and Adventures of Martin Chuzzlewit, v.25, no.4 (1995):16

No Thoroughfare, N.S. no.37 (1986):38, 39-53, 49, 52

Dime novels, N.S. no.9 (1978):7; N.S. no.10 (1978):72, 73-75

"Dime Novels" (exhibit), N.S. no.9 (1978):7

Dimple Hill (Richardson), v.23, no.1 (1993):53

Dingell Amendment. See PL-480 Program

Directors. See Film directors

Dis Joe. See Eh Joe (Beckett)

Disderi, André Adolphe, N.S. no.4 (1972):62, 64, 65

Dissertation sur la Littérature Orientale (Jones), v.20, no.3 (1990):54

Dittmar, Gus C., N.S. no.6 (1973):49

Dittmar (Gus C.) Collection, N.S. no.6 (1973):cover, 49-55, 50, 53-54

Divine Comedy (Dante)

HRHRC holdings, v.23, nos.2/3 (1993):15, 24-25, 30, 46, 59, 88, 161-64, 163

Inferno in Italian text, v.20, nos.1/2 (1990):118

manuscript, N.S. no.35 (1986):101

scene designs by Norman Bel Geddes, v.23, nos.2/3 (1993):161-64, 163

Dixie, N.S. no.4 (1972):25

Dixon, Henry

chronology of career, N.S. no.15 (1981):44-45

photography by, N.S. no.15 (1981):cover, 6-42, 6, 8, 12, 13, 14, 17, 19, 22, 25, 26, 28, 32

Dixon, T.J.

chronology of career, N.S. no.15 (1981):45-46

photography by, N.S. no.15 (1981):cover, 6-42, 6, 8, 12, 13, 14, 17, 19, 22, 25, 26, 28, 32

Dobell, William, N.S. nos.42/43 (1988):182-83, 185

Dobie, J. Frank

Dykes (Jeff) Collection of, N.S. no.4 (1972):8

on Earl of Rochester, v.23, no.1 (1993):128

essay on LaSalle County Library, N.S. no.1 (1970):54, 55-60

letter from Carl Hertzog, N.S. no.2 (1970):72, 73

Dobson, William, N.S. no.10 (1978):56

Dodgson, Charles Lutwidge. See Carroll, Lewis

Dodgson, Skeffington, N.S. nos.32/33 (1985):192

Dodgson family, N.S. nos.32/33 (1985):189

Dodsley, Robert, Preceptor, v.21, nos.3/4 (1991):29

Dolce vita (Fellini), v.23, nos.2/3 (1993):93

Domínguez, Francisco, Album Musical de Michoacan, v.22, no.3 (1992):108

Don Juan (Roché), v.21, nos.1/2 (1991):134-47, 135, 138, 141

Dona Flora and Her Two Husbands (Amado), v.26, nos.1/2 (1995):94, 95

Donna Lee (Davis), v.24, nos.1/2 (1994):161-201

Donoso, José, N.S. no.22 (1983):43-49, 45, 48; v.26, nos.1/2 (1995):88, 106

Doolittle, Hilda (H.D.)

friendship with William Carlos Williams, N.S. no.29 (1984):11-12, 14-15, 20, 23-26

influence of World War II, N.S. no.29 (1984):26

photographs of, N.S. no.29 (1984):10, 21

"Walls Do Not Fall," N.S. no.29 (1984):30-31

Dorn, Marion, v.22, nos.1/2 (1992):67-70

Dorynne, Jess, N.S. nos.38/39 (1987):15

Douglas, Norman, N.S. no.3 (1971):52, 53-57

Doves Press, N.S. no.7 (1974):31-35, 33

Down Beat, v.24, nos.1/2 (1994):6, 136, 137-59

Downes, David A., Gerard Manley Hopkins: A Study of his Ignatian Spirit, N.S. nos.46/47 (1989):82

Downey, W., N.S. no.4 (1972):63-65, 63

Downing, Robert

biographical information, N.S. no.9 (1978):79-80

HRHRC holdings, N.S. no.9 (1978):78, 80-81; v.25, no.1 (1994):123-24

photograph of, v.25, no.1 (1994):125

portrait of, N.S. no.9 (1978):78

Downing (Robert) Theatre Collection, N.S. no.9 (1978):78, 80-81

Doyle, Arthur Conan

lecture handbill, N.S. no.8 (1974):cover

photographs of, N.S. no.8 (1974):22, 36

relationship with Houdini, N.S. no.8 (1974):32-33

spiritualism, N.S. no.8 (1974):23-37

Doyle, Jean Conan, N.S. no.8 (1974):22, 36

Draft of the Cantos 17-27 (Pound), v.20, nos.1/2 (1990):20

Draft of XVI Cantos (Pound), v.20, nos.1/2 (1990):18, 32

Draft of XXX Cantos (Pound), v.25, no.3 (1995):113, 124, 126, 127-31

Drake, James F., N.S. no.4 (1972):40, 41-43

Drama. See Theater arts; and specific playwrights, plays, directors, and actors

Dreiser, Theodore, N.S. no.2 (1970):88; v.20, no.4 (1991):80, 125

Dresser, Paul

On the Banks of the Wabash, v.24, nos.1/2 (1994):169-81

photograph of, v.24, nos.1/2 (1994):172

Drifter, v.20, no.3 (1990):108

Druids, v.27, no.3 (1997):80

Drysdale, Russell, N.S. nos.42/43 (1988):183-84

Drysdale, William, Half-Caste Woman, N.S. nos.42/43 (1988):186

Du Camp, Maxime

photograph of, N.S. no.19 (1982):18

as photographer, N.S. no.19 (1982):19-51

photography by, N.S. no.19 (1982):27-28, 33, 36-37, 39-40, 42, 48

travels of, N.S. no.19 (1982):19-51

Du Rietz, Rolf E., Bibliotheca Polynesia, N.S. no.4 (1972):20

Duchamp, Marcel

correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):74, 172, 199, 212

drawings, v.21, nos.1/2 (1991):65, 77

influence on William Carlos Williams, N.S. no.29 (1984):37-47

manuscript, v.21, nos.1/2 (1991):73

photographs of, N.S. no.29 (1984):34; v.21, nos.1/2 (1991):78, 81, 82

readymades, N.S. no.29 (1984):35-47

Duel in the Sun

exhibit, N.S. no.24 (1983):109-10

musical score, N.S. no.27 (1984):64-87, 70-71, 82

promotion of, N.S. no.27 (1984):61-62, 87-91, 88

Dufek, Tony, v.23, no.4 (1993):25

Dulles (John Foster) Collection, N.S. no.13 (1980):10

Duncan, Isadora, N.S. no.8 (1974):13, 15, 18

Duncan, Ronald, N.S. nos.25/26 (1984):119-35, 134

Duse, Eleonora, v.23, nos.2/3 (1993):133, 134, 135

Dust jackets. See Book dust jackets; and specific books

Dwiggins, William Addison

as book designer at Knopf, Inc., v.22, no.4 (1992):85-101; v.26, nos.1/2 (1995):52-56

Caledonia typeface, v.22, no.4 (1992):95

letter, v.22, no.4 (1992):92

photograph of, v.22, no.4 (1992):84

photograph of hands doing lettering, v.22, no.4 (1992):87

sample book designs, v.22, no.4 (1992):88, 93-94, 96-101; v.26, nos.1/2 (1995):55

Dykes (Jeff) Collection, N.S. no.4 (1972):8

E ^-top-^

Earl Hines Band, v.24, nos.1/2 (1994):57-58, 60

East Indian Palace (Daniell), v.27, no.3 (1997):75

Eberstadt Collection, N.S. no.9 (1978):8

Echo of Heaven (Oe), v.27, no.3 (1997):51

Echo's Bones and Other Precipitates (Beckett), N.S. no.28 (1984):29

Edgard and Louise Varèse Collection. See Varèse (Edgard and Louise) Collection

Editing and editors

Beeching as editor of Gerard Manley Hopkins, N.S. nos.46/47 (1989):41-73

Contempo magazine, N.S. no.27 (1984):19-45; v.25, no.3 (1995):111-31

in first fifteen years of printing, v.20, nos.1/2 (1990):127-49

of Fitzgerald's The Great Gatsby, v.21, nos.3/4 (1991):40-59

Garvin as newspaper editor, N.S. no.9 (1978):13-27; N.S. no.10 (1978):45-47

history of the book and, v.20, nos.1/2 (1990):111-25

Howarth as Furphy's editor, N.S. nos.42/43 (1988):103-19

Samuel Johnson as, v.21, nos.3/4 (1991):14-39

Samuel Johnson as editor, v.21, nos.3/4 (1991):14-39

Kauffmann as editor of Percy's The Moviegoer, v.22, no.4 (1992):123-43

at Knopf, Inc., v.22, no.4 (1992):15, v.22, no.4 (1992):150-55

Lehmann as editor of New Writing, N.S. no.10 (1978):60-71

Letters of St. Jerome, v.20, nos.1/2 (1990):140-49, 146, 147

magazines and newspapers, v.25, no.4 (1995):25-31

Marianne Moore as editor of The Dial, v.22, nos.1/2 (1992):53-59

of newspapers, v.25, no.4 (1995):25-31

of Poetry magazine, v.20, no.4 (1991):75, 78-81

Stracey as editor for T.F. Powys, v.23, no.1 (1993):87-88

Twain's editing of Romance of a Pro-Consul, N.S. no.11 (1979):19, 20

Weeks as editor of Atlantic Monthly, N.S. no.40 (1987):67, 70, 72-87

Editorial Problem in Shakespeare (Greg), v.20, nos.1/2 (1990):110

Education and Culture (Riché), v.21, nos.3/4 (1991):112

Edward Dahlberg Collection. See Dahlberg (Edward) Collection

Edward Eberstadt & Sons. See Eberstadt Collection

Edward Weeks Collection. See Weeks, Edward

Edwards, Mary Lee, v.23, no.4 (1993):25

Egypt

Du Camp and Flaubert in, N.S. no.19 (1982):26, 29-32, 35, 38, 43-44

papyrus collection, N.S. no.35 (1986):8-9

photographs of monuments, N.S. no.19 (1982):29, 31-32, 35, 38, 43-44

Sphinx, N.S. no.19 (1982):35, 36-37

Eh Joe (Beckett), N.S. no.28 (1984):141-42, 143

Ehret, G.D., N.S. no.17 (1981):12

18 Poems (Thomas), N.S. no.1 (1970):40-41

Eighteenth century

censorship in France, N.S. no.6 (1973):24, 25-41

exhibits, N.S. no.13 (1980):8; N.S. no.16 (1981):8-10

French literature and book illustrations exhibit, N.S. no.13 (1980):8

poetry, N.S. no.13 (1980):39-63

"Eighteenth Century Miscellany" (exhibit), N.S. no.16 (1981):9-10

Einstein, Albert

childhood and adolescence, N.S. no.12 (1979):35-37, 54-56

compared to Newton, N.S. no.12 (1979):63-78

correspondence with Michele Besso, N.S. no.12 (1979):85-86, 87

education, N.S. no.12 (1979):35-37, 41, 57-58

HRHRC holdings generally, N.S. no.13 (1980):11

marriages, N.S. no.12 (1979):39, 41, 56, 86

personal characteristics of, N.S. no.12 (1979):49-62

photographs of, N.S. no.12 (1979):30, 40

professional career, N.S. no.12 (1979):39-47, 59

Theory of Relativity, N.S. no.12 (1979):42, 47-48, 73-77, 81-91

Elder, Eldon, v.23, no.4 (1993):17; v.26, no.3 (1996):15

Elderton, William, N.S. no.5 (1972):17-20

Elegy (Thomas), N.S. no.5 (1972):66, 67

"Eleuthéria" (Beckett), N.S. no.28 (1984):51-52, 52

Elgin Cathedral, N.S. no.35 (1986):12

Eliot, T.S.

correspondence with Marianne Moore, v.22, nos.1/2 (1992):64-71

HRHRC holdings generally, v.25, no.1 (1994):124

Mary Hutchinson and, N.S. no.48 (1989):18, 30

marriage to Vivienne Haigh-Wood, N.S. no.40 (1987):89-111

photographs of, N.S. no.40 (1987):88, 95, 98, 104; v.22, nos.1/2 (1992):66, 69

plays by, v.27, nos.1/2 (1996):25-30

Poems, v.26, nos.1/2 (1995):121, 122

portrait of, N.S. no.3 (1971):50, 51

published by Knopf, v.26, nos.1/2 (1995):120-22

Lytton Strachey and, N.S. no.48 (1989):20

Waste Land, N.S. no.17 (1981):43-44, 44; N.S. no.40 (1987):89, 108-11; v.20, nos.1/2 (1990):34, 36

Eliot, Vivienne. See Haigh-Wood, Vivienne

Elisofon, Eliot, v.26, no.3 (1996):17, 19, 20

Ellen Middleton (Rossetti), v.23, no.1 (1993):29, 30

Ellerman, Annie Winifred. See Bryher

Ellison, Ralph, v.24, nos.1/2 (1994):47, 50, 51

Ellmann, Richard, v.23, no.1 (1993):33-35

Elssler, Fanny, N.S. no.8 (1974):16

Eluard, Paul, N.S. no.28 (1984):21

Emblem books

checklist of HRHRC holdings, N.S. no.11 (1979):41-61

defined, N.S. no.11 (1979):35-37

illustrations, N.S. no.11 (1979):34, 40, 57

in Renaissance, N.S. no.11 (1979):34-61

Emblematic broadsides, N.S. no.11 (1979):62-64

Emerson, Peter Henry

bibliography of Emerson's works, N.S. no.5 (1972):76-81

criticisms of Robinson, N.S. no.19 (1982):92, 94

Life and Landscape of the Norfolk Broads, N.S. nos.44/45 (1989):131, 132

photograph of, N.S. no.5 (1972):76

photography by, N.S. no.5 (1972):cover, 69-81, 71-73, 75, 78-80

portrait of, N.S. no.5 (1972):68

Emerson, Ralph Waldo, N.S. nos.38/39 (1987):77-84

Eminent Victorians (Strachey), N.S. no.48 (1989):20

Emmett, Dan, N.S. no.4 (1972):25

En Attendant Godot. See Waiting for Godot (Beckett)

Encina, Juan del, N.S. no.7 (1974):67-69

Endgame/Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103

England. See headings beginning with British

English literature. See British literature

English Music Printing 1553-1700 (Krummel), v.21, nos.3/4 (1991):130

English Verse: 1701-1750 (Foxon), N.S. no.13 (1980):39-63, 43, 56

English Works of Roger Ascham (Ascham), v.21, nos.3/4 (1991):14-39, 34

Enos, Chris, v.23, no.4 (1993):21, 22, 25

Entertainer (Osborne), v.27, nos.1/2 (1996):106-10, 107

Environmental conservation, v.26, nos.1/2 (1995):249-51

Epistolare (Hieronymus), v.20, nos.1/2 (1990):143

Epstein, Alvin, N.S. no.28 (1984):103

Epstein, Jacob, v.21, nos.1/2 (1991):46-48, 47

Erhardt, H.M., N.S. no.28 (1984):115

Eric Gill Collection. See Gill (Eric) Collection

Erle Stanley Gardner Collection. See Gardner (Erle Stanley) Collection

Ernst, Max, N.S. nos.20/21 (1982):132, 133; N.S. no.28 (1984):21; v.22, no.4 (1992):14

Ernst, Morris L.

photographs of, N.S. nos.20/21 (1982):90, 102

Ulysses court case and, N.S. nos.20/21 (1982):91-105

Ertegun, Ahmet, v.24, nos.1/2 (1994):202

Escobar, Eleuterio, v.22, no.3 (1992):141

Espoir (Man's Hope) (Malraux), v.25, no.2 (1994):18, 19

Essay on the Law of Bailments (Jones), v.20, no.3 (1990):57

Essays in the History of Publishing (Briggs), v.21, nos.3/4 (1991):139

Essays on Southern History Written in Honor of Barnes F. Lathrop (Gallagher), N.S. no.19 (1982):15

Etherington, Don, N.S. nos.44/45 (1989):8-19

Ethnographic photography, N.S. no.19 (1982):149-65

European literature, v.26, nos.1/2 (1995):63-87. See also British literature; French literature; Spanish Renaissance literature; and specific authors

Evatt, H.V., N.S. nos.42/43 (1988):24, 25, 63, 65

Evelyn Waugh Library. See Waugh, Evelyn

Every Man in His Humour (Jonson), v.20, nos.1/2 (1990):41-42, 44-45, 110

Ewart, Gavin, v.25, no.3 (1995):90, 92-94

Exhibit catalogs. See Catalogs

Exhibits

"Afternoons in East Austin: Drawings by Edgar Dorsey Taylor,".20, no.3 (1990):8-12, 9-12

"Allen Ginsberg and Friends," N.S. no.13 (1980):8

antique furniture, fine silver and objets d'art, N.S. no.13 (1980):10

"Architectural Views of Old London," N.S. no.15 (1981):6-48

"Ballet: From Court to Theatre," v.20, no.4 (1991):10, 10

"Baron Corvo: An Exhibition," N.S. no.13 (1980):9

"Baudelaire to Beckett," N.S. no.9 (1978):66, 67-73

"Bebop Revolution in Words and Music," v.24, nos.1/2 (1994):26, 27-47

Samuel Beckett, N.S. no.28 (1984):5-187

Bel Geddes theater designs, N.S. no.41 (1987):11-13, 12

Bicentennial exhibits, N.S. no.10 (1978):8

Blacks at the University of Texas, N.S. no.23 (1983):9-10

"Books from the Medici Library," N.S. no.11 (1979):8

"Botany from Linnaeus to Lamarck," N.S. no.17 (1981):11-13

"Paul Bowles -- A Birthday Celebration," v.20, no.4 (1991):6-8, 6

"Camera Obscura," N.S. no.10 (1978):7

"Camera Work," N.S. no.14 (1980):12

Marc Chagall, N.S. nos.38/39 (1987):11-13

chromolithographs, N.S. no.13 (1980):7

"Chronicles of the New World," N.S. no.40 (1987):12, 13-15

"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers," v.26, nos.1/2 (1995):7-264

Conservation Department, N.S. no.27 (1984):12

"Contemporary Czechoslovakian Photography," v.23, no.4 (1993):23-25, 23

Cuban film posters, N.S. no.19 (1982):11, N.S. no.19 (1982):13

"Darwinism in Texas," N.S. no.5 (1972):12

Designer Bookbinders, N.S. no.22 (1983):7

"Dickens Revisited," N.S. no.35 (1986):9-11

"Dime Novels," N.S. no.9 (1978):7

"Eighteenth Century Miscellany," N.S. no.16 (1981):9-10

eighteenth-century French literature and book illustrations, N.S. no.13 (1980):8

"Ephemera: Selections from the Vertical File Collection," N.S. no.13 (1980):8

Eric Gill Centenary Exhibition, N.S. no.19 (1982):7

Erle Stanley Gardner exhibition, N.S. no.6 (1973):6, 7

fine bindings, N.S. no.14 (1980):8

"Finest Adventure: Scholars at Work," N.S. no.22 (1983):7-8; N.S. no.23 (1983):7-8, 51-61

first photograph from nature, v.25, no.2 (1994):27

"Frith in Egypt," N.S. no.11 (1979):7

"G.B.S. in Love," N.S. no.9 (1978):7

"Gendered Territory: Photographs of Women by Julia Margaret Cameron," v.26, no.4 (1996):7-8

Gill (Eric) Collection, N.S. no.18 (1982):8-193

"Gold Coins of the English Sovereigns," N.S. no.16 (1981):10

Gone With The Wind (movie), N.S. no.24 (1983):8-121

William Goyen, N.S. no.10 (1978):7

Graham Greene posters, v.20, no.4 (1991):8, 9

Gregynog Press publications, N.S. no.14 (1980):9

Guild of Book Workers, N.S. no.17 (1981):7-8

history of logic, N.S. no.14 (1980):12-13

history of photography, N.S. no.13 (1980):9

history of writing materials, N.S. nos.38/39 (1987):9-11

"Hopkins Lives," N.S. nos.46/47 (1989):cover, 7-185

HRHRC twenty-fifth anniversary, N.S. no.19 (1982):7-9

Italian Collections Across the Centuries, v.23, nos.2/3 (1993):1-182

J. Frank Dobie exhibition, N.S. no.6 (1973):6

"John Masefield: The Development of a Writer," N.S. no.11 (1979):8

Julio Cortázar: Manuscripts and Books, 1948-1980, N.S. no.27 (1984):15

Johannes Kepler, N.S. no.5 (1972):11

Leopard, N.S. no.37 (1986):10-12, 11

"London at Play," N.S. no.16 (1981):8-9

"London Paris New York," N.S. no.35 (1986):18-19

Katherine Mansfield, N.S. no.7 (1974):6, 7

marionettes, N.S. no.48 (1989):10-12

"Max on View," N.S. no.11 (1979):7

Middle Eastern materials, v.20, no.3 (1990):14-15

Mixtec codices, N.S. no.14 (1980):7

"Modern Movement by Cyril Connolly," N.S. no.1 (1970):39-47

R.L. Moore, N.S. no.10 (1978):7

"Mosaic: Women's History Resources at the Barker," v.20, no.4 (1991):12-15, 13

movie posters, N.S. no.14 (1980):10-11

music books, N.S. no.27 (1984):10

"Naturselbstdruck or Nature-Printing: A Unique Printing Technique," N.S. no.11 (1979):8

nineteenth-century photography, N.S. no.3 (1971):11-12, 12

nineteenth-century trade bookbindings, N.S. no.14 (1980):8

"No Symbols Where None Intended: Samuel Beckett at the Humanities Research Center," N.S. no.27 (1984):8

"One Hundred Modern Books," N.S. no.5 (1972):8

"Optic Nerve: The American Avant-Garde, 1940-80," N.S. no.16 (1981):7-8

photographs of the Orient, N.S. nos.38/39 (1987):6, N.S. nos.38/39 (1987):7-9

"Photography: A Surrealist Dream Come True," v.25, no.2 (1994):23, 27

"Picture Making by Photography," N.S. no.11 (1979):7

publications based on HRHRC research, N.S. no.14 (1980):10

"Ranuzzi Manuscripts," N.S. no.13 (1980):7

"Ray Rector: Cowboy Photographer," N.S. no.17 (1981):10-11

Rider Haggard's novels and nonfiction, N.S. no.13 (1980):8

"Rite of Spring," N.S. no.48 (1989):8

Henri-Pierre Roché, v.21, nos.1/2 (1991):9-223

"Russell Lee, Documentarian," N.S. no.40 (1987):15-19

"Scholar at Work," N.S. no.7 (1974):8, 9

"Sense of Place: Women in Literature," N.S. no.10 (1978):7

"Shakespeare For All Time," N.S. no.48 (1989):7-8

Shakespearean scene engravings, N.S. no.13 (1980):11

"Shaw: An Exhibit," N.S. no.11 (1979):7

"Shouting in the Evening" [British theater in twentieth century], v.26, no.4 (1996):9-212

"Some Curious and Important Second Editions," N.S. no.17 (1981):8-9

"Sources of Classicism: Five Centuries of Architectural Books from the Collections of the Humanities Research Center," N.S. no.11 (1979):8

"Spanish Civil War: An Exhibition," N.S. no.11 (1979):7

Gloria Swanson, N.S. no.30 (1985):7-8

Texas maps, N.S. no.5 (1972):10

"Texas Poets/Poets in Texas," N.S. no.35 (1986):16-18

"Through Women's Eyes: A Women's History of Texas," N.S. no.19 (1982):9-11

"Touring the World," N.S. no.17 (1981):10

"Twentieth-Century American Playwrights: Views of a Changing Culture," v.25, no.1 (1994):7-114

"Victoria's World," N.S. no.3 (1971):11-12, 12; N.S. no.13 (1980):10

"Views of Old London," N.S. no.11 (1979):7

"Visions of Texas," v.23, no.4 (1993):20, 21, 25

William Morris Calligraphic Exhibition, N.S. no.27 (1984):9-10, 11

women photographers, v.25, no.2 (1994):23, 24-25

"Work & Play of Adrian Wilson," N.S. no.27 (1984):7-8

Experience of Life (Sewell), v.23, no.1 (1993):28

Exploration and Empire (Goetzmann), v.26, nos.1/2 (1995):235, 237

Explorers of New World, N.S. no.40 (1987):12, 13-15

Exter, Alexandra, N.S. no.10 (1978):41-43, 42

"Ezekiel" (Powys), v.23, no.1 (1993):90

F ^-top-^

Faber and Faber, and Palm-Wine Drinkard, v.27, no.3 (1997):103-20

Fabrizio Lupo (Coccioli), v.23, nos.2/3 (1993):120

Façade (Walton), N.S. nos.25/26 (1984):101-13

Fairbanks, Douglas, N.S. no.22 (1983):9; N.S. no.24 (1983):26

Faith of Victorian women, v.23, no.1 (1993):11-31

Famous Photographers Magazine, v.24, nos.3/4 (1994):152

Farther Off From Heaven (Inge), v.25, no.2 (1994):38, 41-54

Fasciculus Temporum (Rolewinck), v.20, nos.1/2 (1990):130-31; v.21, nos.3/4 (1991):60, 61-79, 70

Faulk, John Henry, N.S. no.27 (1984):13

Faulkner, Jack, v.20, no.4 (1991):26

Faulkner, Mrs. Jack, v.20, no.4 (1991):26

Faulkner, Mrs. William, v.20, no.4 (1991):26

Faulkner, William

collected works, v.25, no.4 (1995):51

Collins (Carvel) Faulkner Collection, v.20, no.4 (1991):16-35, 16, 23, 26, 31, 32, 33

Contempo magazine and, N.S. no.27 (1984):31, 33-34

photographs of, N.S. no.27 (1984):35; N.S. nos.44/45 (1989):56; v.20, no.4 (1991):26, 33, 83

photography by, v.20, no.4 (1991):32

relationship with Meta Carpenter, v.20, no.4 (1991):30, 32

Royal Street: New Orleans, N.S. no.13 (1980):27-30

Faulkner (William) Collection

burned fragments, N.S. nos.44/45 (1989):cover, 57-77, 61, 64, 67-68, 71-72, 75-76

conservation of, N.S. nos.44/45 (1989):cover, 56, 57-77, 61, 64, 67-68, 71-72, 75-76

description of, N.S. nos.44/45 (1989):57-59

Faulkner: Novels 1930-1935 (Faulkner), v.25, no.4 (1995):51

Fauré, Gabriel (1845-1924)

Chanson d'Ève, N.S. nos.25/26 (1984):51-53, 53, 54

correspondence with Vuillermoz, N.S. nos.25/26 (1984):57, 61-65

correspondence with Faure, N.S. nos.25/26 (1984):57-61

Fugue à 3 parties, N.S. nos.25/26 (1984):54-57, 55

Pénélope, N.S. nos.25/26 (1984):58-62

photographs of, N.S. nos.25/26 (1984):50, 63

Fauré (Gabriel) Manuscript Collection, N.S. nos.25/26 (1984):50-67

Faure, Gabriel (1877-1962), N.S. nos.25/26 (1984):57-61

Faurot, Jeannette, v.27, no.3 (1997):52-53

Faux Départs. See All Strange Away (Beckett)

Fawn, v.25, no.3 (1995):72-73

Feisal, Prince, v.20, no.3 (1990):24

Feldman (Lew David) Lecture in Bibliography

censorship in eighteenth-century France, N.S. no.6 (1973):24-41, 24

speech by Sir Frank Francis, N.S. no.3 (1971):29-44

Felipe, León, N.S. no.27 (1984):104, 105-13

Fellini, Federico, v.23, nos.2/3 (1993):93

Fénéon, Félix, v.21, nos.1/2 (1991):108-10, 110

Fenêtre ouverte (Picasso), v.21, nos.1/2 (1991):43

Ferguson, William B. III, N.S. no.1 (1970):50, 51-52

Ficke, Arthur Davison, v.20, no.4 (1991):80

Fiction. See Novels; and specific authors and titles

Fields, W.C., N.S. no.24 (1983):22

Fifteenth century

editing of printed texts, v.20, nos.1/2 (1990):127-49

Froissart's "Chronicles," N.S. no.22 (1983):51-65

printing, N.S. no.10 (1978):13-36, 15, 24

Film directors

Norman O. Dawn, v.20, no.3 (1990):97-121

Gone With The Wind, N.S. no.24 (1983):75-81, 84

Film (magazine), N.S. no.28 (1984):130-31, 131

Films. See also Film directors; Gone With The Wind; Screenwriters; and specific film titles, actors, directors, and screenwriters

Stan Brakhage as avant-garde filmmaker, N.S. no.17 (1981):85-103

conservation of, N.S. no.19 (1982):172-74

Norman O. Dawn and, v.20, no.3 (1990):97-118

exhibits on American avant-garde cinema, N.S. no.16 (1981):7-8

movie posters exhibit, N.S. no.14 (1980):10-11

Selznick's Since You Went Away, N.S. no.24 (1983):108; v.26, no.3 (1996):83-109

Smithers and, N.S. no.19 (1982):141

special effects, N.S. no.24 (1983):57-58; v.20, no.3 (1990):97-118, 99, 102, 105-06, 108-09, 113, 114

Fin de partie/Acte Sans Paroles. See Endgame (Beckett)

"Finest Adventure: Scholars at Work" (exhibit), N.S. no.22 (1983):7-8; N.S. no.23 (1983):7-8, 51-61

Fingerprinting, N.S. no.14 (1980):25-33

Finnegan's Wake (Joyce), N.S. nos.20/21 (1982):159-70

First Book of Urizen (Blake), v.27, no.3 (1997):57

First Christmas, from "Ben Hur" (Wallace), N.S. no.11 (1979):24, 25

First Lady Chatterley (Lawrence)

conservation of, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54

description of manuscript, N.S. nos.44/45 (1989):41-42, 44-48, 46

treatment procedures, N.S. nos.44/45 (1989):44-55, 46, 51-52, 54

First Love (Beckett), N.S. no.28 (1984):147-49, 148

Fitzclarence, Lieutenant Colonel George, v.27, no.3 (1997):68, 98

Fitzgerald, F. Scott

Great Gatsby, v.21, nos.3/4 (1991):40-59

letter to Joseph Hergesheimer, v.21, nos.3/4 (1991):55

memo about Gone With The Wind screenplay, N.S. no.24 (1983):35

photograph of, v.21, nos.3/4 (1991):40

screenwriter for Gone With The Wind, N.S. no.24 (1983):34-35

Fitzgerald, Robert, v.25, no.2 (1994):91, 93, 96, 98, 101

Fitzpatrick, Brian, N.S. nos.42/43 (1988):63, 65

Five Hundred Scorpions (Hearon), v.25, no.2 (1994):10

Fizzles (Beckett), N.S. no.28 (1984):160, 161-74, 163, 166, 171, 173

Flair (magazine)

covers, v.25, no.4 (1995):cover, 12

State and Fate of Publishing: A Flair Symposium, v.25, no.4 (1995):1-131

Flaubert, Gustave

friendship with Maxime Du Camp, N.S. no.19 (1982):19-21, 50-51

Lutte du sacerdoce et de l'empire, N.S. no.2 (1970):36, 37

photograph of, N.S. no.19 (1982):20

travels with Du Camp in Egypt, N.S. no.19 (1982):25-26, 30-32, 45-46

Flawn, Peter, N.S. no.4 (1972):8

Flea of Sodom (Dahlberg), N.S. no.14 (1980):48, 56-64

Fleischberger, Johann Friedrich, v.26, no.3 (1996):28, 30

Fleming, Richard T.

photographs of, N.S. no.6 (1973):10, 12

tribute by Joe B. Frantz at memorial services, N.S. no.6 (1973):16-23

University of Texas Writers Library, N.S. no.6 (1973):11-15

Fleming (Richard T.) Library of The University of Texas Writers, N.S. no.6 (1973):11-15

Fleming, Victor

director of Gone With The Wind, N.S. no.24 (1983):76-78, 84

photographs of, N.S. no.16 (1981):6; N.S. no.24 (1983):77, 78; N.S. no.36 (1986):6

Fleurs du mal (Baudelaire), N.S. no.27 (1984):47-59, 52, 55

Flonzaley String Quartet, v.25, no.2 (1994):30, 31

Flores, José Moreno, Ametrallando, v.22, no.3 (1992):82

Florimi, Matteo, Chi non sa impari, v.23, nos.2/3 (1993):142

Flynn, Robert, v.26, nos.1/2 (1995):235-36

Focus, v.24, nos.3/4 (1994):155

Foirades. See Fizzles (Beckett)

Folch y Costa, José Antonio, Poesías, N.S. no.5 (1972):45

Folmer, Fred, N.S. no.8 (1974):6, 7

Fontaine de Narcisse (Brancusi), v.21, nos.1/2 (1991):118

Fontaine, Joan, N.S. no.24 (1983):107

Food for Peace Program. See PL-480 Program

Fool (Luzzati). See Buffone (The Fool) (Luzzati)

For the Term of His Natural Life, v.20, no.3 (1990):112-15, 113, 114

Forbes, James, v.27, no.3 (1997):92, 95-97, 95, 97

Forbes, Lou, N.S. no.27 (1984):85

Ford, Charles Henri

HRHRC holdings, v.23, no.4 (1993):27, 31, 33, 34

photographs of, v.23, no.4 (1993):29, 33, 36

relationship with Djuna Barnes, v.23, no.4 (1993):27-35

Ford, Ruth, N.S. no.2 (1970):87

Forster, E.M.

drawings of, N.S. no.23 (1983):62, 74

letters to M.L. and J. Darling, N.S. no.23 (1983):64-71, 67

"Liking Being Alive," N.S. no.23 (1983):75-79

on love, faith, and coming to terms with being a godfather, N.S. no.23 (1983):63-73

portrait of, N.S. no.23 (1983):cover

Fort, Paul, v.21, nos.1/2 (1991):29

Foster, Jeanne Robert, v.21, nos.1/2 (1991):42, 90, 114

Fotofreund Jahrbuch, v.24, nos.3/4 (1994):156

Foulois, Benjamin, N.S. no.19 (1982):128

Fowles, John, v.22, no.4 (1992):9, 11

Fox, Charlie, v.24, nos.1/2 (1994):38

France. See also headings beginning with French

censorship in eighteenth-century France, N.S. no.6 (1973):24, 25-41

puppet theater, N.S. no.41 (1987):42, 44

Francesca da Rimini (D'Annunzio), v.23, nos.2/3 (1993):131-33, 132

Franceso da Milano, La Canzone de li Ucelli, N.S. nos.25/26 (1984):121-27

Francis, Kay, N.S. no.24 (1983):20

Francis, Sir Frank, N.S. no.3 (1971):29-44

Franco, Giacomo, v.26, no.3 (1996):23

Franco-Prussian War, N.S. no.30 (1985):10

Franklin, Benjamin, v.20, no.3 (1990):64, 65-73, 69

Franklin, Malcolm, v.20, no.4 (1991):26

Franklin, Mrs. Malcolm, v.20, no.4 (1991):26

Franklin, Miles

correspondence with Grattan, N.S. nos.42/43 (1988):69, 77-101

Grattan's trips to Australia and, N.S. nos.42/43 (1988):61

photographs of, N.S. nos.42/43 (1988):74, 86, 127

Ten Creek Run, N.S. nos.42/43 (1988):79

Frazee, Harry H., v.25, no.1 (1994):124, 126, 127

Frederics, John, N.S. no.36 (1986):33-55, 39

Free Briton, v.25, no.3 (1995):20

French literature. See also specific authors

"Baudelaire to Beckett" exhibit, N.S. no.9 (1978):66, 67-73

exhibit on eighteenth-century literature, N.S. no.13 (1980):8

Lake (Carlton) Collection, N.S. no.9 (1978):66, 67-73; v.26, no.3 (1996):13-14

in The Modern Movement exhibit, N.S. no.1 (1970):46-47

French music

Debussy's Trois Ballades de François Villon, N.S. nos.25/26 (1984):69-99

Fauré (Gabriel) Manuscript Collection, N.S. nos.25/26 (1984):51-67

19th and 20th century manuscripts, N.S. nos.25/26 (1984):7-9

Frescoes, N.S. no.11 (1979):89

Freud, Sigmund, v.21, nos.1/2 (1991):142

Freyre, Gilberto, N.S. no.22 (1983):30-32; v.26, nos.1/2 (1995):96-101, 97

Frith, Francis, N.S. no.35 (1986):11-13, 12

"Frith in Egypt" (exhibit), N.S. no.11 (1979):7

Fritz Henle Collection. See Henle (Fritz) Collection

Froissart, Jean

"Chronicles," N.S. no.22 (1983):51-65, 55, 63; N.S. nos.44/45 (1989):116

illustration of, N.S. no.22 (1983):50

Froman, P., N.S. no.9 (1978):37

Front Porch (Inge), v.25, no.2 (1994):50-56, 60, 62

Frost, Arthur B., N.S. nos.32/33 (1985):134

Frueh, Alfred, v.21, nos.1/2 (1991):45

Fry, Christopher, v.27, nos.1/2 (1996):30-33

Fuentes, Carlos, Where the Air is Clear, v.25, no.4 (1995):106

Fugitive Pieces (Hutchinson), N.S. no.48 (1989):17, 22-25, 27-29, 32, 37

Fugue à 3 parties in F major (Fauré), N.S. nos.25/26 (1984):51-53, 55

Fuller, Loie, N.S. no.8 (1974):15

Fullerton, Morton

affair with Edith Wharton, N.S. no.31 (1985):7-18, 73-107

letters from Wharton, N.S. no.31 (1985):17, 20, 21-71, 68, 86, 98, 106

literary advice from Wharton, N.S. no.31 (1985):48-51, 66-67, 100-104

photograph of, N.S. no.31 (1985):10

Funny House of a Negro (Kennedy), v.25, no.1 (1994):109-14, 112-13

Furphy, Joseph

Howarth as editor of, N.S. nos.42/43 (1988):103-19

photograph of, N.S. nos.42/43 (1988):102

Rigby's Romance, N.S. nos.42/43 (1988):104-09

Such Is Life, N.S. nos.42/43 (1988):77-78, 81, 104-06, 109

Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69

Future of Man (Medawar), v.21, nos.3/4 (1991):85

Futurism, Italian, v.23, nos.2/3 (1993):83-87

G ^-top-^

"G.B.S. in Love" (exhibit), N.S. no.9 (1978):7

Gable, Clark, N.S. no.24 (1983):39, 39, 52, 78, 86; N.S. no.36 (1986):46, 50

Gabriel Fauré Manuscript Collection. See Fauré (Gabriel) Manuscript Collection

Gabriela Mistral (Samatán), v.22, no.3 (1992):25

Gaddis, William, v.22, no.4 (1992):8; v.26, no.3 (1996):9-10

Galileo, N.S. no.12 (1979):66

Gallagher, Gary W., Essays on Southern History Written in Honor of Barnes F. Lathrop, N.S. no.19 (1982):15

Gallico, Paul, v.26, nos.1/2 (1995):139-40

Galsworthy, John, N.S. no.6 (1973):61-73, 66-67, 72; v.26, nos.1/2 (1995):21-23

Game of the Goose. See Giuco dell'oca (Game of the Goose)

Gangoly, O.C., v.27, no.3 (1997):18

García, Genaro, N.S. no.10 (1978):13; v.22, no.3 (1992):68

García López, Elisa, v.22, no.3 (1992):148

García Lorca, Federico, N.S. no.13 (1980):12, 13-26, 15, 22

Garden Beyond Paradise (Rumi), v.27, no.3 (1997):8

Gardner, Edward L., Coming of the Fairies, N.S. no.8 (1974):31

Gardner, Erle Stanley

biographical material, v.22, no.4 (1992):8

exhibit, N.S. no.6 (1973):6

writer's study at HRHRC, N.S. no.6 (1973):9-10

Gardner (Erle Stanley) Collection

description, N.S. no.6 (1973):9-10

Erle Stanley Gardner Room, N.S. no.6 (1973):9

exhibit from, N.S. no.6 (1973):6

Gardner (Erle Stanley) Room, N.S. no.6 (1973):9-10

Gardner, Stephen, N.S. no.5 (1972):6

Gardner, W.H., N.S. nos.46/47 (1989):61, 86

Garfias, Pedro, N.S. no.13 (1980):22

Garibay, Angel María, Poesía Náhuatl, v.22, no.3 (1992):46

Garrett, Jenkins, N.S. no.4 (1972):72-74, 72

Garrett, Oliver, N.S. no.24 (1983):33-34

Garrett, Oliver H.P., Story of Temple Drake, v.20, no.4 (1991):cover, 31

Garvin, James Louis

correspondence with Bell, N.S. no.10 (1978):47-54

journalism career of, N.S. no.9 (1978):13-27; N.S. no.10 (1978):45-47

photograph of, N.S. no.10 (1978):44

Gassner, John, v.25, no.1 (1994):127-28

Geisel, Theodore, v.25, no.1 (1994):45, 47, 48

Gellhorn, Martha, N.S. no.2 (1970):88

"Gendered Territory: Photographs of Women by Julia Margaret Cameron" (exhibit), v.26, no.4 (1996):7-8

Genet, Jean

Haute Surveillance, N.S. no.14 (1980):67-99

photograph of, N.S. no.14 (1980):66

Genevan Psalter, N.S. nos.25/26 (1984):29, 30-32, 35-36

Gentiana bavarica, N.S. no.11 (1979):cover

George, Roy, N.S. no.23 (1983):12

George III, v.20, no.3 (1990):68-73, 70, 73

George Gershwin (Goldberg), v.26, nos.1/2 (1995):210, 212

George Sessions Perry Manuscript Collection. See Perry (George Sessions) Manuscript Collection

Georgian Poets, v.23, no.1 (1993):107

Gepp, Sir Herbert, N.S. nos.42/43 (1988):66, 67

Gerard Manley Hopkins Archive. See Hopkins (Gerard Manley) Archive

Gernsheim, Alison, v.24, nos.3/4 (1994):6

Gernsheim, Helmut, N.S. no.48 (1989):107; v.24, nos.3/4 (1994):6

Gernsheim Collection

carte-de-visite, N.S. no.4 (1972):65

description, N.S. nos.44/45 (1989):135-36; v.24, nos.3/4 (1994):7-35

Peter Henry Emerson's photographs, N.S. no.5 (1972):69-81

exhibit of nineteenth-century photographers, N.S. no.3 (1971):11-12, 12

photography serials holdings, v.24, nos.3/4 (1994):7-411

Robinson's "Bringing Home the May," N.S. nos.44/45 (1989):135-47,

N.S. nos.44/45 (1989):137, 142, 145-46

significance, N.S. no.15 (1981):6-7