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The Index to the Library Chronicle: Subject Index

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Introduction Author Index

Italicized page numbers refer to photographs and illustrations.

A ^-top-^

"A" (Zukofsky), N.S. nos.38/39 (1987):77-105
A.D. Peters Agency. See Peters (A.D.) Agency
A Tutti I Fedeli D'Amore (Alighieri), v.23, nos.2/3 (1993):132
Abbeychurch (Yonge), v.23, no.1 (1993):17-19
Abbott, Claude Colleer, Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69
ABC of Reading (Pound), v.20, nos.1/2 (1990):14-16, 17
Abernethy, Milton A.
Contempo editorship, N.S. no.27 (1984):20-44; v.25, no.3 (1995):111-31, 119-20
photograph of, v.20, no.4 (1991):83
Pound's Draft of XXX Cantos and, v.25, no.3 (1995):126, 127-31
Abril, Manuel, line-drawing, N.S. no.13 (1980):23
Across the River and Into the Trees (Hemingway), N.S. no.30 (1985):16-28
Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103, 115
Acton, Harold, N.S. no.1 (1970):25
Actors. See individual actors
Actresses. See individual actresses
L'Adamo, sacra rapresentazione (Andreini), v.23, nos.2/3 (1993):126
Adams, Ansel, N.S. no.19 (1982):118, N.S. no.19 (1982):121
Adams, Maude, N.S. no.36 (1986):70
Adding Machine (Rice), v.25, no.1 (1994):6, 15-20, 17-18, 148
Addison, Joseph, N.S. no.7 (1974):59-60
Adler, Morton, How to Read a Book, v.20, nos.1/2 (1990):14-16
Adolpho Betti Collection. See Betti (Adolpho) Collection
African Americans. See also Harlem Renaissance; and specific African Americans
bebop aesthetic and black intellectual tradition, v.24, nos.1/2 (1994):105-17
correspondence of Fannie Hurst and Zora Neale Hurston, N.S. no.35 (1986):21-43
exhibit on Blacks at the University of Texas, N.S. no.23 (1983):9-10
Harlem Renaissance, v.22, no.4 (1992):51-83; v.24, nos.1/2 (1994):105-17
jazz and African-American literature, v.24, nos.1/2 (1994):47-51
New Negro Movement, v.24, nos.1/2 (1994):105-17
photographic archive in Barker Texas History Center, N.S. nos.38/39 (1987):13-15, 14
African Palimpsest (Zabus), v.27, no.3 (1997):113
Afrikaaner literature, N.S. no.4 (1972):31-37
"Afternoons in East Austin: Drawings by Edgar Dorsey Taylor" (exhibit), v.20, no.3 (1990):8-12, 9-12
Agee, James
film criticism, v.25, no.2 (1994):110-12
Let Us Now Praise Famous Men, v.25, no.2 (1994):103-10, 104, 107, 112, 119
Letters of James Agee to Father Flye, v.25, no.2 (1994):95
musical-literary style and sonata form of writing, v.25, no.2 (1994):91-119
Noa, Noa, v.25, no.2 (1994):113-18, 116-17
photograph of, v.25, no.2 (1994):90
"Plans for Work: October, 1937," v.25, no.2 (1994):101-03
poetry, v.25, no.2 (1994):97-100
Agee (James) Collection, v.25, no.2 (1994):90-119
Agee, Mia, v.25, no.2 (1994):90
Aida (Ghislanzoni), v.23, nos.2/3 (1993):63-65, 64
Aida (Verdi), v.23, nos.2/3 (1993):63-65, 64
Aiken, Conrad
childhood, v.23, no.1 (1993):101-02
divorce from Jessie McDonald, v.23, no.1 (1993):108-09
photograph of, v.23, no.1 (1993):103
relationship with M.D. Armstrong, v.23, no.1 (1993):101, 102, 105-07, 111, 117
Aiken, Jessie. See McDonald, Jessie
Aitken Library, N.S. no.7 (1974):59-63
Albee, Edward
correspondence with Bob Livingston, v.20, no.3 (1990):82-85, 93
correspondence with Harry Joe Brown, v.20, no.3 (1990):76-82, 93
HRHRC holdings generally, v.20, no.3 (1990):94-95; v.25, no.1 (1994):115
Adrienne Kennedy and, v.25, no.1 (1994):109-10, 139
Malcolm, v.25, no.1 (1994):140
photographs of, v.20, no.3 (1990):74; v.25, no.1 (1994):81
Who's Afraid of Virginia Woolf?, v.20, no.3 (1990):84
Zoo Story, v.20, no.3 (1990):75-93, 79, 92
Albert Davis Collection. See Davis (Albert) Collection
Albert-Birot, Pierre
friendship with Gino Severini, N.S. no.35 (1986):51-53
friendship with Guillaume Apollinaire, N.S. no.35 (1986):53-56
Modernism and, N.S. no.35 (1986):45-59
self-portrait of, N.S. no.35 (1986):44
SIC publishing archive, N.S. no.35 (1986):44-59; v.22, no.4 (1992):14
sketches, N.S. no.35 (1986):49, 52
writings, N.S. no.35 (1986):45, 48-51, 54-56, 55
Alberti, Leon-Battista, Della pittura; Della statua, v.23, nos.2/3 (1993):48
Album Musical de Michoacan (Domínguez), v.22, no.3 (1992):108
Albumen prints
creation of, N.S. nos.44/45 (1989):136-38, 137
Robinson's "Bringing Home the May," N.S. nos.44/45 (1989):135-47, 137, 142, 145-46
Alcide al bivio... (Metastasio), v.23, nos.2/3 (1993):128
Aldine Collection, N.S. no.37 (1986):6, 7-8, 8; v.23, nos.2/3 (1993):28-34
Aldine Press, v.23, nos.2/3 (1993):33
Aldington, Richard
as biographer of Lawrence of Arabia, v.20, no.3 (1990):20
correspondence, N.S. no.7 (1974):21-26; N.S. no.40 (1987):100-101
photograph of, N.S. no.40 (1987):101
Alfred A. Knopf, Inc. Archive. See Knopf (Alfred A.) Inc. Archive
Alfred Cortot Collection. See Cortot (Alfred) Collection
Alice's Adventures in Wonderland (Carroll)
book cover, N.S. no.2 (1970):39
HRHRC holdings, N.S. nos.32/33 (1985):23-87
illustrations from, N.S. no.2 (1970):43; N.S. nos.32/33 (1985):13, 32, 69, 76, 83
title page, N.S. no.2 (1970):39; N.S. nos.32/33 (1985):22
translations/editions, N.S. no.2 (1970):39-45
Alighieri, Dante
A Tutti I Fedeli D'Amore, v.23, nos.2/3 (1993):132
Dante con l'esposizione di Cristoforo Landino, et d'Alessandro Vellutello, sopra la sua Commedia, v.23, nos.2/3 (1993):46
Divine Comedy, N.S. no.35 (1986):101; v.20, nos.1/2 (1990):118; v.23, nos.2/3 (1993):15, 24-25, 30, 46, 59, 88, 132, 163, 164
Francesca da Rimini, v.23, nos.2/3 (1993):131-33, 132
All My Pretty Ones (Sexton), v.22, nos.1/2 (1992):191-221, 193
All Strange Away (Beckett), N.S. no.28 (1984):133-36, 136
All That Fall (Beckett), N.S. no.28 (1984):93-95, 95
Allegory on Gluttony (Bosse), v.26, no.3 (1996):24, 25
Allegory on Lechery and Lust (Franco), v.26, no.3 (1996):23
Allen, Frederick Lewis, v.24, nos.1/2 (1994):50
Allinson, Adrian, v.23, no.1 (1993):59
Altaroche, Marie-Michel, N.S. no.17 (1981):67
Alvarez, José Sixto, v.20, no.3 (1990):13
Amado, Jorge, N.S. no.22 (1983):23-30, 25; v.26, nos.1/2 (1995):91-96
Amateur Photographer, v.24, nos.3/4 (1994):44-45
Amateur Photographer & Cinematographer, v.24, nos.3/4 (1994):46
Amateur Photographer & Photographic News, v.24, nos.3/4 (1994):49, 50, 53
Amateur Photographer & Photography, v.24, nos.3/4 (1994):38
Amateur Photographer's Annual, v.24, nos.3/4 (1994):9
Ambrose Vollard (Picasso), v.23, no.4 (1993):83, 87
America Settentrionale e Meridionale (Turin), v.23, nos.2/3 (1993):68
American Annual of Photography, v.24, nos.3/4 (1994):54
American Annual of Photography and Photographic Times Almanac, v.24, nos.3/4 (1994):cover, 55
American Ballet Theatre, v.20, no.4 (1991):10
American Indians, N.S. no.7 (1974):81-85
American Mercury, v.26, nos.1/2 (1995):39-49, 42
American Photographer, v.24, nos.3/4 (1994):32
American Photography, v.24, nos.3/4 (1994):61, 62, 63
American Poetry: The Nineteenth Century, v.25, no.4 (1995):6
American Poetry Review, v.22, nos.1/2 (1992):6
American Short Fiction, v.25, no.2 (1994):21
American theater. See Theater arts
Ametller, Blas, Poesías, N.S. no.5 (1972):45
Ametrallando (Flores), v.22, no.3 (1992):82
Amulet, N.S. nos.44/45 (1989):88, 101-02, 103
Anashim aherim: mivhar (Other People) (Oz), v.27, no.3 (1997):157
Anatolian rugs. See Persian and Anatolian textile collection
Anderson, Margaret, v.20, no.4 (1991):80
Anderson, Maxwell
biography, v.25, no.1 (1994):25-26
High Tor, v.25, no.1 (1994):25, 35, 37-38
HRHRC holdings, v.25, no.1 (1994):25-38, 29-30, 33, 36, 115, 116
letters to, v.25, no.1 (1994):28-31, 29-30
Lost in the Stars, v.25, no.1 (1994):26-32, 29-30, 33
photographs of, v.25, no.1 (1994):33, 36
portrait of, v.25, no.1 (1994):116
Winterset, v.25, no.1 (1994):34-35, 36
Andreini, Giovanni Battista, Adamo, sacra rapresentazione, v.23, nos.2/3 (1993):126
Andrews, Wayne, v.22, no.4 (1992):14
Anew (Zukofsky), N.S. no.23 (1983):44-49
Anglican Sisterhoods, v.23, no.1 (1993):10, 11-31, 15, 26
Anglicus, Bartholomaeus, De proprietatibus rerum, N.S. no.10 (1978):25
Annotation
description, v.20, nos.1/2 (1990):167-69
Piers Ploughman, v.20, nos.1/2 (1990):167-83
Anthony's Photographic Bulletin, v.24, nos.3/4 (1994):68
Anzilotti, Rolando, v.23, nos.2/3 (1993):101
Aperture, v.24, nos.3/4 (1994):71
Apes of God (Lewis), N.S. no.14 (1980):cover
Apocalypse (Lawrence), N.S. no.34 (1986):39-51
Apollinaire, Guillaume
Calligrames, v.21, nos.1/2 (1991):89
correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):86-89, 86
friendship with Pierre Albert-Birot, N.S. no.35 (1986):53-56
portrait of, v.21, nos.1/2 (1991):89
Applied Photography, v.24, nos.3/4 (1994):72
Arabia, T.E. Lawrence's scenes of, N.S. nos.38/39 (1987):25-39
Arabic Collection, v.27, no.3 (1997):155-56
"Architectural Views of Old London" (exhibit catalog), N.S. no.15 (1981):6-48
Architecture
London photographs, N.S. no.15 (1981):6-48
Marshall-Walton Papers, N.S. no.9 (1978):61-65, 62-63
military architecture, N.S. nos.38/39 (1987):17-25
of Trost, N.S. no.16 (1981):78-92
Archives. See names of specific archives
Arensberg, Louise, v.21, nos.1/2 (1991):80-81, 81
Arensberg, Walter, v.21, nos.1/2 (1991):80-81, 81
Argentina, Bebop tradition in, v.24, nos.1/2 (1994):204-06
Arikha, Avigdor, N.S. no.28 (1984):87
Ariosto, Ludovico, Orlando Furioso, N.S. no.48 (1989):11-12; v.20, nos.1/2 (1990):61-85; v.23, nos.2/3 (1993):36, 38-42, 40
Arise Young Men (Oe), v.27, no.3 (1997):56
Arlen, Richard, N.S. no.19 (1982):141
Armadillo in the Grass, v.26, nos.1/2 (1995):232, 233-34
Armstrong, Jessie. See McDonald, Jessie
Armstrong, Martin Donisthorpe
career, v.23, no.1 (1993):102-16
Desert, a Legend, v.23, no.1 (1993):110
family life, v.23, no.1 (1993):112, 116-17
life and work, v.23, no.1 (1993):99-117
photograph of, v.23, no.1 (1993):98
relationship with Conrad Aiken, v.23, no.1 (1993):101-02, 105, 111, 117
Sleeping Fury, v.23, no.1 (1993):6
World War I, v.23, no.1 (1993):102-03
Arnshtam, Alexander, N.S. no.9 (1978):34
Arp, Jean, N.S. no.28 (1984):21
Art. See also Bookbinding; Caricatures; Photography; and specific artists
conservation and treatment procedures for paintings, N.S. nos.44/45 (1989):79-85, 83-84
cubism, N.S. no.12 (1979):16-18
Italian art, v.23, nos.2/3 (1993):137-52
Mexican art, N.S. no.5 (1972):32, 33-34; N.S. no.9 (1978):9
Molino Campos paintings, N.S. no.3 (1971):62-67, 62, 64-65, 67
Russian art books, N.S. no.9 (1978):28, 29-37, 32, 34-35, 37
South American art, N.S. no.9 (1978):9
Southwestern art, N.S. no.10 (1978):7-8
surrealism, N.S. no.16 (1981):17-41, 37
Art and Photography, v.24, nos.3/4 (1994):75
Art Collection, Italian art, v.23, nos.2/3 (1993):137-52
Art-Union, v.24, nos.3/4 (1994):30
ARTnews, v.24, nos.3/4 (1994):370
Arts et Métiers Graphiques, v.25, no.2 (1994):20
Arturo Taracena Flores Collection. See Taracena Flores (Arturo) Collection
ASCAP Award, to Library Chronicle, N.S. no.34 (1986):13-14; N.S. no.41 (1987):15
Ascham, Roger, English Works, v.21, nos.3/4 (1991):14-39, 34
Asian Collections, v.27, no.3 (1997):61-67
Asociación de Literatura Feminina Hispánica papers, v.20, no.3 (1990):18
Astrologia, v.23, nos.2/3 (1993):21
Astronomy, N.S. no.2 (1970):12-13, 13
Atlantic Monthly, N.S. no.40 (1987):67, 70, 72-87
Auden, W.H., v.25, no.3 (1995):76, 83-86, 85
Aungerville, Richard. See De Bury, Richard
Auric, Georges
correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):52-55
drawing by Jean Cocteau, v.21, nos.1/2 (1991):54
music for A Midsummer Night's Dream, v.23, no.4 (1993):63, 66
photograph of, v.21, nos.1/2 (1991):53
portrait of, v.23, no.4 (1993):62
Austin, Mary, N.S. no.6 (1973):82-85
Australia
Joseph Furphy in, N.S. nos.42/43 (1988):103-19
Alice Henry in, N.S. nos.42/43 (1988):121-41
Grattan (C. Hartley) Collection, N.S. nos.42/43 (1988):27-32, 51-75
Grattan's interest in, N.S. nos.42/43 (1988):11-101, 121-41
HRHRC holdings, N.S. nos.42/43 (1988):7-201
literary publications, N.S. nos.42/43 (1988):39-49
Milutinovic (Iris Osborne) Collection, N.S. nos.42/43 (1988):143-59
painters, N.S. nos.42/43 (1988):181-201
Stead's Man Who Loved Children, N.S. nos.42/43 (1988):161-77
University of Texas and, N.S. nos.42/43 (1988):7-9
Australia (Grattan), N.S. nos.42/43 (1988):6
Australian Studies Center, N.S. nos.42/43 (1988):7-9, 79
Authors' Syndicate, N.S. no.35 (1986):60-87, 60
Authorship, stages in authorship-publishing relationship, v.20, nos.1/2 (1990):116-17, 119
Autographs, Juliette's door, N.S. no.5 (1972):35-37, 36
Automatic writing, N.S. no.8 (1974):26, 27
Avant-garde, and Brakhage, N.S. no.17 (1981):84, 85-103
Awful Rowing Toward God (Sexton), v.22, nos.1/2 (1992):183, 188, 223-35
Ayckbourn, Alan, v.27, nos.1/2 (1996):8
Ayid al-Majid, Ismail, v.27, no.3 (1997):152
Aztec languages. See Nahuatl

B ^-top-^

Bach, J.S., Clavier Sonaten mit Obligater Violine, N.S. nos.25/26 (1984):17
Bachmann, Edwin, N.S. nos.25/26 (1984):10, 11-23
Bacon Library subscription series, v.21, nos.3/4 (1991):150, 179-81, 180
Baker, Kate
correspondence with Howarth, N.S. nos.42/43 (1988):105-06, 109, 112
Furphy and, N.S. nos.42/43 (1988):81, 98, 105-6, 109, 112
Baldwin, James, v.26, nos.1/2 (1995):147-52
Balla, Giacomo, Ricostruzione futurista dell'universo, v.23, nos.2/3 (1993):85, 86
Ballad of the Sad Cafe (McCullers), v.25, no.1 (1994):70-71, 74, 76, 77-82, 78-79, 81
"Ballet: From Court to Theatre" (exhibit), v.20, no.4 (1991):10, 10
Ballet, N.S. no.19 (1982):12, N.S. no.48 (1989):8; v.20, no.4 (1991):10, 10
Balzac Library subscription series, v.21, nos.3/4 (1991):150, 181-85, 183
Banbury, Frith, v.26, no.3 (1996):15; v.27, nos.1/2 (1996):64-68
Bangs, José Manuel, N.S. no.3 (1971):58-61, 58, 61
Bankhead, Tallulah, N.S. no.41 (1987):31
Banks, Banking, and Paper Currencies (Hildreth), N.S. nos.44/45 (1989):87-88, 93, 94, 102
Banks, Mrs. G. Linnaeus
drawing of, N.S. no.37 (1986):20
Manchester Man, N.S. no.37 (1986):21-27, 25
Barber, Samuel, Four Songs for Voice and Piano, N.S. nos.46/47 (1989):146
Barker Texas History Center
Blacks at the University of Texas exhibit, N.S. no.23 (1983):9-10
Hickman Archive of black people, N.S. nos.38/39 (1987):13-15, 14
McCulloch Brothers' papers, N.S. no.41 (1987):13-15
Natchez Trace Collection, N.S. no.35 (1986):9
E.D. Taylor collection, v.20, no.3 (1990):8, 9-12
women's history resources exhibits, N.S. no.19 (1982):9-11; v.20, no.4 (1991):12-15, 13
Barnes, Djuna
"Behind the Heart," v.23, no.4 (1993):27-35
description of James Joyce, v.20, no.3 (1990):8
Nightwood, v.23, no.4 (1993):30-35, 30,
photographs of, v.23, no.4 (1993):26, 33
relationship with Charles Henri Ford, v.23, no.4 (1993):27-35
Barnes, Harry Elmer, N.S. nos.42/43 (1988):15, 17
Barradas, Rafael, N.S. no.13 (1980):19-20, 22-25
Barrett, Eaton Stannard, v.23, no.1 (1993):13-14
Barrett, Wilson
correspondence, N.S. no.7 (1974):19-20
financial and legal records, N.S. no.7 (1974):11-18, 15
new school interpretation of Othello, N.S. no.22 (1983):67-87
Othello and, N.S. no.22 (1983):77, 85
photographs of, N.S. no.7 (1974):10; N.S. no.22 (1983):66, 73, 82
Barry, Sebastian, v.27, nos.1/2 (1996):205-06
Barrymore, John, N.S. no.22 (1983):54-59, 58
Barrymore, Lionel, N.S. no.24 (1983):21
Bartezago, Luigi, v.23, nos.2/3 (1993):160
Bartholomew, Freddie, N.S. no.24 (1983):22
Basserman, Albert, v.26, no.3 (1996):99
Bastin, Henri, N.S. nos.42/43 (1988):cover, 195-96
Batrachomyomachia (Homer), N.S. no.7 (1974):62
Baudelaire, Charles
Fleurs du mal, N.S. no.27 (1984):47-59, 52, 55
photographic portrait of, N.S. no.14 (1980):43
"Baudelaire to Beckett" (exhibit), N.S. no.9 (1978):66, 67-73
Bauerle, James E., N.S. no.9 (1978):59-60, 60
Bayton, Lady Anne, v.23, no.1 (1993):120, 122
Beach, Sylvia
photograph of, N.S. nos.20/21 (1982):21
Ulysses French translation and, N.S. nos.20/21 (1982):29-59
Ulysses page proofs and, N.S. nos.20/21 (1982):14
Beacham, Roger, This Bitterly Beautiful Land, A Texas Commonplace Book, N.S. no.5 (1972):13, 13
Beale, Mary
Earl of Rochester and, v.23, no.1 (1993):121-24
life and work, v.23, no.1 (1993):119-29
portrait of, v.23, no.1 (1993):125
portrait of Earl of Rochester, v.23, no.1 (1993):120, 123
portrait of Lady Anne Bayton, v.23, no.1 (1993):120, 122
Beat poets, v.24, nos.1/2 (1994):46-47
Beaton, Cecil, N.S. no.28 (1984):14
Beatty, Warren, v.25, no.2 (1994):cover
Beavers, Louise, N.S. no.35 (1986):38
Bebop. See also Dial Records; Parker, Charlie
African-American literature and, v.24, nos.1/2 (1994):47-51
after World War II, v.24, nos.1/2 (1994):39-40, 70-77
ban on, v.24, nos.1/2 (1994):140-42
Beat poets and, v.24, nos.1/2 (1994):46-47
beginnings, v.24, nos.1/2 (1994):19-25, 34-36, 81, 138-42
at Billy Berg's in Los Angeles, v.24, nos.1/2 (1994):36, 67, 69, 141
black intellectual tradition and, v.24, nos.1/2 (1994):105-17
characteristics, v.24, nos.1/2 (1994):34
commercial success, v.24, nos.1/2 (1994):151-54
decline and death, v.24, nos.1/2 (1994):154-57
definition, v.24, nos.1/2 (1994):141-42
Dial recordings of Charlie Parker, v.24, nos.1/2 (1994):21-24, 37-40, 67-68, 79-103
exhibit, v.24, nos.1/2 (1994):26, 27-47
Langston Hughes as bop ethnographer in "Trumpet Player: 52nd Street," v.24, nos.1/2 (1994):119-35
in jazz canon, v.24, nos.1/2 (1994):157-59
at Minton's Playhouse, v.24, nos.1/2 (1994):34-35
in 1990s, v.24, nos.1/2 (1994):211-25
origin of term, v.24, nos.1/2 (1994):53
panel discussion, v.24, nos.1/2 (1994):210, 211-25, 216
Charlie Parker's career, v.24, nos.1/2 (1994):17-25, 34-43, 53-103
publicity flyer, v.24, nos.1/2 (1994):16
reactions to, v.24, nos.1/2 (1994):21, 35, 137-59
Russell as writer on, v.24, nos.1/2 (1994):44, 45-46
in South America, v.24, nos.1/2 (1994):202, 203-09, 207, 209
symposium, v.24, nos.1/2 (1994):7-225
"Bebop Revolution in Words and Music" (exhibit), v.24, nos.1/2 (1994):26, 27-47
Bebop Revolution in Words and Music (symposium), v.24, nos.1/2 (1994):7-225
Beck, Julian, v.25, no.1 (1994):117
Beckett, Samuel
Act Without Words, N.S. no.28 (1984):97-104, 103, 115
All Strange Away, N.S. no.28 (1984):133-36, 136
All That Fall, N.S. no.28 (1984):93-95, 95
catalog of works, N.S. no.28 (1984):5-187
correspondence generally, v.22, no.4 (1992):13
correspondence with George Devine, N.S. no.28 (1984):98-99
correspondence with George Reavey, N.S. no.28 (1984):43-44, 53, 66, 75, 81, 110-11, 125, 129, 151, 155
correspondence with Jack MacGowran, N.S. no.28 (1984):129, 141
correspondence with Jake Schwartz, N.S. no.28 (1984):90
correspondence with John Cadler, N.S. no.28 (1984):111-12
correspondence with Mary Manning Howe, N.S. no.28 (1984):43, 66, 98-99, 119
correspondence with Nancy Cunard, N.S. no.28 (1984):6, 93, 97-98
correspondence with Richard Church, N.S. no.28 (1984):43
correspondence with Susan Manning, N.S. no.28 (1984):66, 97
early life and early writings of, N.S. no.28 (1984):7-27
Echo's Bones and Other Precipitates, N.S. no.28 (1984):28, 29-30
Eh Joe, N.S. no.28 (1984):141-42, 143
"Eleuthéria," N.S. no.28 (1984):51-52, 52
Endgame, N.S. no.28 (1984):96, 97-104, 100, 102
exhibit on, N.S. no.27 (1984):8
First Love, N.S. no.28 (1984):147-49, 148
Fizzles, N.S. no.28 (1984):160, 161-74, 163, 166, 171, 173
friends of, N.S. no.28 (1984):39-42
Happy Days, N.S. no.28 (1984):124, 125-26
How It Is, N.S. no.28 (1984):119-23, 120, 123
Imagination Dead Imagine, N.S. no.28 (1984):133-34
Lucia Joyce and, N.S. nos.20/21 (1982):75-76
Krapp's Last Tape, N.S. no.28 (1984):105-10, 106-07, 109
language used in writing, N.S. no.28 (1984):49-50
Lost Ones, N.S. no.28 (1984):133-34, 139-40
Mercier and Camier, N.S. no.28 (1984):150, 151-53, 152
Molloy, Malone Dies, the Unnamable, N.S. no.28 (1984):53-64, 55-56, 59-61
Murphy, N.S. no.28 (1984):43-48, 45-47
Nobel Prize for Beckett, N.S. no.28 (1984):147
Not I, N.S. no.28 (1984):154-56
photographs of, N.S. no.28 (1984):33, 41, 42, 79, 90, 100, 123, 137, 144, 163; v.27, nos.1/2 (1996):46
Ping, N.S. no.28 (1984):133-34, 138
Play, N.S. no.28 (1984):129-30
poem by Kay Boyle, v.22, no.4 (1992):13
poems in English, N.S. no.28 (1984):111-18, 115, 117
postcard to A.J. Leventhal, v.22, no.4 (1992):15
sketch of, N.S. no.28 (1984):6
Stories and Texts for Nothing, N.S. no.28 (1984):80, 81-92, 84-85, 87, 90-91
Waiting for Godot, N.S. no.28 (1984):65-74, 67, 69, 71; v.20, nos.1/2 (1990):38, 39-40, 59; v.27, nos.1/2 (1996):41-63, 62
Watt, N.S. no.28 (1984):75-78, 77, 79
Beckett Translating/Translating Beckett (symposium), N.S. no.27 (1984):9
"Bede manuscript," N.S. no.35 (1986):96
Bedford, Sybille, v.23, no.4 (1993):13, 15
Bedford-Jones, H., N.S. no.10 (1978):72, 73-75
Beeching, H.C., N.S. nos.46/47 (1989):41-49, 43
Beerbohm, Max
exhibit on, N.S. no.11 (1979):7
frescoes, N.S. no.11 (1979):89-91, 90
watercolor of Arnold Bennett by, N.S. no.2 (1970):33
Beethoven, Ludwig van
dealings with music publishers, N.S. nos.25/26 (1984):15-19
First Sonata for Violin and Piano (op. 12, no. 1), N.S. nos.25/26 (1984):19-23, 21
letter from, N.S. no.7 (1974):105-15, 107, 111-13
lithograph of, N.S. nos.25/26 (1984):cover
Behan, Brendan, v.27, nos.1/2 (1996):81-85
"Behind the Heart" (Barnes)
and Barnes's relationship with Charles Henri Ford, v.23, no.4 (1993):27-35
text of, v.23, no.4 (1993):37-41
Behrman, Samuel Nathaniel, v.25, no.1 (1994):117-18
Beinecke Rare Book and Manuscript Library, Osborn Collection, N.S. no.5 (1972):15-29
Bel Geddes, Norman
costume designs for La nave, v.23, nos.2/3 (1993):164-67, 166
designs illustrating streamlining, N.S. no.13 (1980):94, 97, 100, 103, 107, 109
exhibit of theater designs, N.S. no.41 (1987):11-13, 12
HRHRC holdings generally, v.25, no.1 (1994):118-19
photograph of, N.S. no.13 (1980):90
popularization of streamlining, N.S. no.13 (1980):91-110
scene designs for The Divine Comedy, v.23, nos.2/3 (1993):161-64, 163
watercolor by, N.S. no.13 (1980):cover
Bell, Clive, N.S. no.48 (1989):17-19, 25, 30, 35, 38, 40
Bell, Edward Price, N.S. no.10 (1978):47-54
Bender, Todd, Gerard Manley Hopkins, N.S. nos.46/47 (1989):91
Bennett, Arnold, N.S. no.2 (1970):31-35, 32, 33
Benny, Jack, N.S. no.23 (1983):11
Benson, Nettie Lee
career, N.S. no.8 (1974):7-8
photographs of, N.S. no.8 (1974):6; v.22, no.3 (1992):6
Benson (Nettie Lee) Latin American Collection
Alvarez scrapbooks, v.20, no.3 (1990):13
Asociación de Literatura Feminina Hispánica papers, v.20, no.3 (1990):18
bibliographies produced by, N.S. no.2 (1970):13
"Chronicles of the New World" exhibit, N.S. no.40 (1987):12, 13-15
Cortázar's manuscripts, v.20, no.3 (1990):13
family history research, v.22, no.3 (1992):85-97
Guatemalan political materials, v.22, no.3 (1992):117-31, 119, 120, 123, 124, 127
history, v.22, no.3 (1992):11-21
Jitrik materials, v.20, no.3 (1990):18
Mexican American Library Program archives, v.22, no.3 (1992):133-53
Mexican cultural resources, v.22, no.3 (1992):69-83
Mexican Treasury Department, N.S. no.4 (1972):7-8, 8
Gabriela Mistral's letters and works, v.20, no.3 (1990):18; v.22, no.3 (1992):23-33, 31
music holdings, v.22, no.3 (1992):108, 109-15, 112, 113
Nahuatl holdings, v.22, no.3 (1992):41-53, 45, 46, 49, 52
Magda Portal's materials, v.20, no.3 (1990):14
Rayuela manuscript, v.22, no.3 (1992):34, 35-39, 37, 38
Alfonso Reyes's works, N.S. no.3 (1971):45-49
serials, v.22, no.3 (1992):98, 99-107, 103, 106
sixteenth-century maps, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65
Victoria Urbano's papers, v.20, no.3 (1990):18
Benton, Walter, v.26, nos.1/2 (1995):175-76, 177
Bergman, Ingrid, N.S. no.24 (1983):24
Berlin Diary (Shirer), v.26, nos.1/2 (1995):181
Bernard, Émile, v.21, nos.1/2 (1991):132
Bernard, St., Golden Pistle, v.20, nos.1/2 (1990):cover
Bernhardt, Sarah, N.S. no.6 (1973):74, 75
Bernstein, Leonard
photograph of, v.25, no.1 (1994):47
vocal score for Candide, v.25, no.1 (1994):49, 50
Bertelli, Ferdinando, v.26, no.3 (1996):33
Besant, Sir Walter, N.S. no.35 (1986):76, 77-81
Betti (Adolpho) Collection, v.25, no.2 (1994):32
Bhuskute, Govinda Krishna, v.27, no.3 (1997):63
Bible
"Biblia del Oso," N.S. no.8 (1974):cover, 63
Gutenberg Bible, N.S. no.11 (1979):8, 9; N.S. no.22 (1983):88, 89-99, 95; v.20, nos.1/2 (1990):126; v.21, nos.3/4 (1991):205; v.25, no.4 (1995):88
Haddaway's collection, N.S. no.8 (1974):82-84
Second Coverdale Bible, N.S. no.27 (1984):16
Bibliographical Monographs, N.S. no.1 (1970):11
Bibliographies
William B. Todd, v.21, nos.3/4 (1991):187-213
British printing and publishing, v.21, nos.3/4 (1991):122-45
Latin-American Collection, N.S. no.2 (1970):13
Tucker's imprints, v.21, nos.3/4 (1991):150-79, 151, 156, 161, 164, 169, 172, 177
Bibliography and bibliographers
book collecting and, N.S. no.4 (1972):11-15
history of, N.S. no.3 (1971):29-44
principles and practices, N.S. no.4 (1972):11-22
speech by Sir Frank Francis, N.S. no.3 (1971):29-44
terminology, N.S. no.4 (1972):12, 20
trends, N.S. no.4 (1972):14-22
Bibliotheca Parsoniana. See Parsons Collection
Bilis, A., N.S. no.28 (1984):33
Binding. See Bookbinding
Bing. See Ping (Beckett)
Binney, E.W., N.S. no.19 (1982):68, 69, 70, 71
Bird Lives: The High Life and Hard Times of Charlie "Yardbird" Parker (Russell), N.S. nos.25/26 (1984):137, 138, 145-46
Bizhan a Manizhah (A Story Taken from the Shahnamah of Firdawsi), v.27, no.3 (1997):158
Black Mischief (Waugh), N.S. no.16 (1981):43-61
Black Photographers Annual, v.24, nos.3/4 (1994):88
Blacks. See African Americans
Blackstone Hotel (Chicago), N.S. no.9 (1978):63
Blake, William (1757-1827), v.27, no.3 (1997):57, 58
Blake, William (died 1968), N.S. nos.42/43 (1988):170, 171-72
Blesh, Rudi, v.24, nos.1/2 (1994):202; v.26, nos.1/2 (1995):212, 213
Blind Man (Roché), v.21, nos.1/2 (1991):207
Blindman's Ball, v.21, nos.1/2 (1991):208
Bloomsbury Group. See also individual members
correspondence in the Hutchinson (Mary) Collection, N.S. no.48 (1989):15-41
drawing of, by Dorothy Brett, N.S. no.48 (1989):26
Bodenheim, Maxwell, v.20, no.4 (1991):80
Bodoni, Giambattista, v.23, nos.2/3 (1993):59-60
Bodoni Collection, v.23, nos.2/3 (1993):59-60
Boek der Psalmen, N.S. nos.25/26 (1984):32
La Bohémienne endormie (Rousseau), v.21, nos.1/2 (1991):100
Boiardo, Matteo Maria, Orlando Innamorato, N.S. no.48 (1989):11-12
Bolingbroke, Henry St. John, First Viscount
politics of, v.25, no.3 (1995):10-11
portrait of, v.25, no.3 (1995):6
Remarks on the History of England, v.25, no.3 (1995):7-29, 9, 19, 27
Bonar, Ave, Otavalo, N.S. no.35 (1986):14-15, 15
Boni, Albert, v.26, nos.1/2 (1995):16-17
Boni, Charles, v.26, nos.1/2 (1995):16-17
Bonifacius VIII, Liber sextus Decretalium, v.20, nos.1/2 (1990):136, 137
Bono Serrano, Gaspar
marginal notes on Obras inéditas de Quintana, N.S. no.5 (1972):46, 49-60
relationship with Quintana, N.S. no.5 (1972):47-48
Bonython, Kym, N.S. nos.42/43 (1988):180
Book collectors. See Collectors
Book design, v.22, no.4 (1992):85-101; v.26, nos.1/2 (1995):51-57
Book dust jackets, N.S. no.30 (1985):39-55. See also specific books
Book of Merlyn, v.23, no.4 (1993):108, 110-12
Book publishing. See Publishing
Bookbinding
argument for restoration, N.S. no.17 (1981):46-59
conservation of, N.S. nos.44/45 (1989):116, 117-33, 119-20, 123-24, 127-28, 130, 132
emblematic tools decorating Hollis volumes, N.S. no.14 (1980):103
exhibits, N.S. no.14 (1980):8
"hard-board conservation" bindings, N.S. nos.44/45 (1989):117, 121-22, 123, 125
and Thomas Hollis, N.S. no.14 (1980):100-104
HRHRC holdings generally, N.S. no.17 (1981):46, 47-49
Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9
"K-118" bindings, N.S. nos.44/45 (1989):116, 122-33, 124, 127-28, 130
"limp" bindings, N.S. nos.44/45 (1989):117-21, 120
nineteenth-century book bindings, N.S. nos.44/45 (1989):88-91, 89-91
"Nuremberg" bindings, N.S. nos.44/45 (1989):121-25, 123-24
Sarah Treverbian Prideaux, N.S. no.16 (1981):103-05, 104
"rounded and backed" bindings, N.S. nos.44/45 (1989):117-18, 119, 125
Books. See Bookbinding; Booksellers; Cloth-covered case-bound books; Collectors; Publishing; and specific authors and titles of specific books
"Books from the Medici Library" (exhibit), N.S. no.11 (1979):8
Books of Hours, N.S. no.3 (1971):68-79, 68, 73, 75; N.S. no.35 (1986):89-90, 97, 100-104
Booksellers
antiquarian books, N.S. no.4 (1972):41-43
Association Book Company, N.S. no.4 (1972):41
James F. Drake, Inc., N.S. no.4 (1972):40-43, 40
in early twentieth century, v.26, nos.1/2 (1995):19-20
rare books, N.S. no.4 (1972):41-43
Bool, A. & J., N.S. no.15 (1981):6-43, 18, 21
Boothby, Penelope. See Kitchin, Xie
Bop. See Bebop
Boris L. Glassé Collection. See Glassé (Boris L.) Collection
Borzoi 1920, v.26, nos.1/2 (1995):216, 217-18
Borzoi Quarterly, v.26, nos.1/2 (1995):221, 222-23
Bosman, Herman Charles, N.S. no.4 (1972):31-37, 36
Bosse, Abraham, v.26, no.3 (1996):24, 25
Botany
exhibit, N.S. no.17 (1981):11-13
Lundell (C.L.) Collection, N.S. no.6 (1973):10-11
"Botany from Linnaeus to Lamarck" (exhibit), N.S. no.17 (1981):11-13
Botteghe Oscure, v.23, nos.2/3 (1993):94-97, 95, 102-04, 103
Bow, Clara, N.S. no.19 (1982):141
Bowden, Ann, Tauchnitz International Editions in English 1841-1955, N.S. no.48 (1989):12-13; v.21, nos.3/4 (1991):140
Bowen, Elizabeth
photographs of, N.S. no.48 (1989):68, 77; v.26, nos.1/2 (1995):161
published by Knopf, v.26, nos.1/2 (1995):58, 59-61, 61, 156, 158-62
short stories, N.S. no.48 (1989):69-85, 80
Vassar College notebook, N.S. no.48 (1989):73-74
Bowles, Jane
feminine values, v.25, no.2 (1994):137-38, 160, 163-67, 169
health of, v.25, no.2 (1994):151, 168-69
HRHRC holdings generally, v.25, no.1 (1994):119-20
Out in the World, v.25, no.2 (1994):121-69, 125, 128, 139-40, 153-54
photograph of, v.25, no.2 (1994):120
production still of In the Summer House, v.25, no.1 (1994):121
Bowles, Paul
exhibits, v.20, no.4 (1991):7-8
fragment of unfinished novel, N.S. no.30 (1985):67-71
manuscript notes, N.S. no.30 (1985):57-65
photographs of, N.S. no.30 (1985):56, 61, 66
score for Williams's Glass Menagerie, v.26, no.3 (1996):16
Sheltering Sky, v.20, no.4 (1991):6
Bowles (Paul and Jane) Collection, v.25, no.2 (1994):121-69
Boyd, Arthur, N.S. nos.42/43 (1988):184
Boydell Collection, N.S. no.13 (1980):11
Boyle, Father Robert, Metaphor in Hopkins, N.S. nos.46/47 (1989):101
Brady, Matthew, N.S. no.4 (1972):60, 62, 65
Bragdon, Claude, v.26, nos.1/2 (1995):51-52
Braisted, William, v.27, no.3 (1997):49-50, 52
Brakhage, Stan, N.S. no.17 (1981):84, 85-103, 101
Brancusi, Constantin
correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):117
Fontaine de Narcisse, v.21, nos.1/2 (1991):118
photograph of, v.21, nos.1/2 (1991):114
Brando, Marlon, N.S. no.41 (1987):32-33, 34; v.25, no.1 (1994):57, 59
Braque, Georges, N.S. no.48 (1989):106; v.21, nos.1/2 (1991):111-13, 112, 113
Brave New World (Huxley), N.S. no.1 (1970):42
Brazil
Bebop tradition, v.24, nos.1/2 (1994):206
gold mining, N.S. no.11 (1979):27-32, 28, 30
Brecht, Bertolt, v.27, nos.1/2 (1996):97-100
Breen, Joseph I., N.S. no.24 (1983):31; N.S. no.36 (1986):15
Breitkopf and Härtel (music publisher), N.S. nos.25/26 (1984):14-19, 23
Breton, André
holograph manuscripts in Lake Collection, N.S. no.16 (1981):16-41
photographs of, N.S. no.16 (1981):16, 21, 40; N.S. no.28 (1984):21
Bréviarie Romain (Demotz de la Salle), N.S. nos.25/26 (1984):40
Brewster, David
Letters on Natural Magic, v.25, no.3 (1995):35, 40-43
Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton, v.25, no.3 (1995):30
Newtonian philosophy, v.25, no.3 (1995):34-45
Bridal Souvenir, N.S. nos.44/45 (1989):88, 99-102, 100
Bride of Abydos (Byron), N.S. no.9 (1978):82-86, 84-85
Bridges, Robert
editor of Gerard Manley Hopkins, N.S. nos.46/47 (1989):41-73, 50
Letters of Gerard Manley Hopkins to Robert Bridges, N.S. nos.46/47 (1989):66
Spirit of Man: An Anthology in English & French from the Philosophers & Poets, N.S. nos.46/47 (1989):40
Briefe Exposition, Paraphrase, or Interpretation, upon the Lord of Canterburies Sermon or Speech (Starbucke), v.20, nos.1/2 (1990):95
Briggs, Asa, Essays in the History of Publishing, v.21, nos.3/4 (1991):139
Brighton (Sitwell), N.S. no.30 (1985):47
"Bringing Home the May" (Robinson)
conservation treatment procedures, N.S. nos.44/45 (1989):143-47, 145-46
description of, N.S. nos.44/45 (1989):139-41
photographs of, N.S. nos.44/45 (1989):137, 142, 145-46
British Journal of Photography Annual, v.24, nos.3/4 (1994):93
British Journal Photographic Almanac and Photographer's Daily Companion, v.24, nos.3/4 (1994):25, 96
British Library, v.21, nos.3/4 (1991):80-93
British literature. See also individual authors
Coleridge Collection, N.S. no.1 (1970):33-38
eighteenth-century poetry catalog, N.S. no.13 (1980):39-63
about India, v.27, no.3 (1997):69-101
literary philosophy in the 1930s, v.25, no.3 (1995):77-109
Romantic poetry, N.S. no.41 (1987):63-81
seventeenth-century English poetry, N.S. no.13 (1980):31-63
twentieth-century English fiction published by Knopf, v.26, nos.1/2 (1995):157-65
Waugh (Evelyn) Library, N.S. no.1 (1970):25-29
British theater. See Theater arts
British theatrical management, N.S. no.7 (1974):11-20, 15
Broadsides
emblematic broadsides, N.S. no.11 (1979):62-64
German broadside, N.S. no.12 (1979):cover
Brooke-Rose, Christine, v.22, no.4 (1992):6, 9-10
Brown, Bob, N.S. no.27 (1984):36-37, 38
Brown, Joe Harry, v.20, no.3 (1990):76-82, 93
Brown, Katharine (Kay)
film rights to Gone With The Wind, N.S. no.24 (1983):25-28
letter from Theodore Geisel to, v.25, no.1 (1994):45, 47, 48
photograph of, N.S. no.24 (1983):26
Brown, Robert Morgan, N.S. no.48 (1989):8-10
Browne, Sir Thomas, Christian Morals, v.21, nos.3/4 (1991):14-39, 17
Browning (Robert and Elizabeth Barrett) Collection, v.25, no.2 (1994):21-22
Bruhn, Erik, v.20, no.4 (1991):10
Bryan (James P.) Collection, N.S. no.5 (1972):10
Bryan, Margaret, v.25, no.3 (1995):38, 39
Bryan, William Jennings, N.S. nos.42/43 (1988):30
Bryher, v.23, no.1 (1993):63-66
Bryson, Bernarda, N.S. no.28 (1984):8
Buchanan, Francis Hamilton, v.27, no.3 (1997):90-92, 93, 94
Buchanan, Robert, v.23, no.1 (1993):38-41
Bücking (Wiesel), Luise, v.21, nos.1/2 (1991):162
Buffet-Picabia, Gabrielle, v.21, nos.1/2 (1991):20
Buffone (The Fool) (Luzzati), v.23, nos.2/3 (1993):cover
Bullen, G.W., Essays: Social and Political, 1874-76, N.S. nos.46/47 (1989):122
Bullock, Wynn, N.S. no.19 (1982):122
Buñuel, Luis, N.S. no.13 (1980):15, 19
Burgess, Anthony, This Man and Music, N.S. nos.46/47 (1989):142, 145
Burke, Billie, N.S. no.24 (1983):21
Burnshaw, Stanley, N.S. nos.42/43 (1988):74-75, 162-72, 173, 177-79
Burr-McIntosh Monthly, v.24, nos.3/4 (1994):103
Burton, Richard, v.20, no.3 (1990):84
Bus Stop (Inge), v.25, no.2 (1994):55-57, 65
Busbey, Arthur, N.S. no.5 (1972):6
Bush, Norman, v.25, no.1 (1994):113
Bustos, Tomas, Selected Poems: A Hopkins Anthology in Oils, N.S. nos.46/47 (1989):181
Bute, Earl of, v.20, no.3 (1990):68-69, 71-73, 73
Butler, Rhett. See Gable, Clark
Buttitta, Anthony J., N.S. no.27 (1984):20-44; v.20, no.4 (1991):83; v.25, no.3 (1995):111-24, 119-20, 125
Byington, Stephen, v.21, nos.3/4 (1991):172
Bynner, Witter, v.26, nos.1/2 (1995):122-23
Byrne, Sam, N.S. nos.42/43 (1988):192, 195-96
Byron, George Gordon, Lord
Bride of Abydos, N.S. no.9 (1978):82-86, 84-85
Mazeppa, N.S. no.9 (1978):82-86
painting of, N.S. nos.44/45 (1989):22
portrait of, N.S. no.2 (1970):47
Siege of Corinth, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38
Byron (Lord) Collection
conservation of, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38
description of, N.S. nos.44/45 (1989):23
Siege of Corinth, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38

C ^-top-^

C. Hartley Grattan Collection. See Grattan (C. Hartley) Collection
Caetani, Princess Margaret, v.23, nos.2/3 (1993):94-100, 98, 100, 102, 103
Caffin, Charles, N.S. no.19 (1982):104-05, 109
Cain, James M., v.26, nos.1/2 (1995):185, 187, 188
Calamity Sue, v.20, no.3 (1990):109
Calder, Alexander, v.25, no.2 (1994):32
Calder, John, N.S. no.28 (1984):111-12
Calithump (Perry), N.S. no.2 (1970):64-66, 65
Callahan, Harry, Color Portfolio, N.S. no.30 (1985):10
Calligraphy. See Lettering
Calling cards. See Carte-de-visite
Callot, Jacques, v.23, nos.2/3 (1993):153-54, 155
Camera, v.24, nos.3/4 (1994):102, 105-09
Camera Craft, v.24, nos.3/4 (1994):112
"Camera Obscura" (exhibit), N.S. no.10 (1978):7
Camera Work, N.S. no.14 (1980):12; N.S. no.19 (1982):103-23; v.24, nos.3/4 (1994):18, 117, 118
Cameron, Julia Margaret
catalog of HRHRC holdings, v.26, no.4 (1996):145-95
Ceylonese photographs, v.26, no.4 (1996):135-43
exhibition of photographs of, v. 25, no.2 (1994):23; v.26, no.4 (1996):7-8
illustrations of Tennyson's Idylls of the King, v.26, no.4 (1996):cover, 89-115
images of the Orient, v.26, no.4 (1996):117-43
photograph of, v.26, no.4 (1996):6
photography by, v. 25, no.2 (1994):24; v.26, no.4 (1996):cover, 12, 25, 27-30, 39-40, 46-47, 52, 54-55, 62, 68-69, 73-74, 77-78, 88, 100-101, 103-04, 109-10, 112, 116, 122-23, 130, 133-34, 138, 141, 144
Lindsay Smith's essay on, v.26, no.4 (1996):13-31
and Thackeray Album, v.26, no.4 (1996):32, 33-61
visual meditations on the self, v.26, no.4 (1996):63-87
Camões, Os Lusiadas, N.S. no.5 (1972):9
Campbell, Marjorie, N.S. nos.42/43 (1988):11, 17-19
Campbell, Roy, and Talking Bronco affair, v.25, no.3 (1995):80, 86-87
Campbell, Scott, v.26, no.3 (1996):20, 21
Camus, Albert, v.26, nos.1/2 (1995):78-87, 84, 87; v.26, no.3 (1996):13-14
Candide (Hellman), v.25, no.1 (1994):44-50, 46-49
Cano, Melchor, De Locis Theologica, N.S. no.8 (1974):60
Canon law, N.S. no.5 (1972):39-42
Canterbury Tales (Chaucer), N.S. no.41 (1987):83-111, 92, 97, 98, 101, 104, 107, 110; v.20, nos.1/2 (1990):114, 115
Cantique. See Chanson spirituelle
Canto 78 (Pound), N.S. no.29 (1984):29-30
Cantor, Eddie, N.S. no.22 (1983):9
Cantos of Ezra Pound: Some Testimonies (Pound), v.25, no.3 (1995):129, 131
Cantos of Ezra Pound, v.20, nos.1/2 (1990):18, 19, 22, 23, 24, 27, 29, 31-34
Canzone de li Ucelli, N.S. nos.25/26 (1984):121-27
Capell, Edward, Prolusions; or Select Pieces of antient Poetry, v.20, nos.1/2 (1990):150
Capitan Spaventa, v.23, nos.2/3 (1993):146
Capote, Truman, My Sister's Hand in Mine: The Collected Works of Jane Bowles, v.25, no.2 (1994):121-52
Carco, Francis, N.S. no.27 (1984):57
Cardigan Manuscript (Canterbury Tales), N.S. no.41 (1987):83-111, 92, 97, 98, 101, 104, 107, 110; v.20, nos.1/2 (1990):114
Caricatures
of Adolphe, N.S. no.17 (1981):71
of Altaroche, N.S. no.17 (1981):67
of Caruso, v.23, nos.2/3 (1993):159
of Champfleury, N.S. no.17 (1981):73
of Clairville, N.S. no.17 (1981):68
of Janin, N.S. no.17 (1981):65
of Nabokov, N.S. no.17 (1981):76
by Nadar, N.S. no.17 (1981):60, 61-75, 65, 67-68, 71, 73
of Varèse, v.23, no.4 (1993):29
of Waugh's brother, N.S. no.7 (1974):54
Carjat, Étienne, N.S. no.14 (1980):35, 43, 45
Carlo Coccioli Collection. See Coccioli (Carlo) Collection
Carlos Villalongín Dramatic Company Archives. See Villalongín (Carlos) Dramatic Company Archives
Carlton Lake Collection. See Lake (Carlton) Collection
Carlyle, Thomas, N.S. no.17 (1981):54
Les Carnets (Roché), v.21, nos.1/2 (1991):216-23
Carpenter, Meta, v.20, no.4 (1991):30-32, 32
Carpentier, Alejo, N.S. no.22 (1983):40-43; v.26, nos.1/2 (1995):104, 105
Carrington, Dora, N.S. no.48 (1989):25, 27, 40-41
Carroll, Lewis
Alice's Adventures in Wonderland, N.S. no.2 (1970):38-45; N.S. nos.32/33 (1985):23-87
correspondence, N.S. nos.32/33 (1985):178-83
drawings by, N.S. nos.32/33 (1985):177-78
etching of, N.S. nos.32/33 (1985):8
exhibit, N.S. no.34 (1986):14-15
HRHRC holdings, N.S. nos.32/33 (1985):7-233
manuscripts by, N.S. nos.32/33 (1985):174-83
mathematical and miscellaneous writings by, N.S. nos.32/33 (1985):101-63
mnemonic system, N.S. no.11 (1979):77-88, 82, 87
periodical publications, N.S. nos.32/33 (1985):165-72
photographs of, N.S. no.2 (1970):38; N.S. nos.32/33 (1985):cover, 6, 184
photography by, N.S. nos.32/33 (1985):cover, 185-213, 189, 192, 197, 198, 208; v.26, no.4 (1996):20-26, 22, 24
self-portrait of, N.S. no.2 (1970):39
Sewell Collection, N.S. no.30 (1985):9
Through the Looking Glass, N.S. nos.32/33 (1985):89-99
Weaver as collector of, N.S. nos.32/33 (1985):9-15
Weaver (Warren) Collection, N.S. no.30 (1985):9
Carte-de-visite, N.S. no.4 (1972):60, 61-65
Carter, Frederick
Dragon of Revelation, N.S. no.34 (1986):38-51
etchings by, N.S. no.34 (1986):38, 44
letters from D.H. Lawrence, N.S. no.34 (1986):38-51
occult and, N.S. no.34 (1986):40-46
sketches by, N.S. no.34 (1986):41, 49, 50
Carter (John) Catullus Collection, N.S. no.10 (1978):14
Cartography
Mesoamerica, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65
Ortelius's Theatrum Orbis Terrarum, v.23, no.4 (1993):130, 131-43, 134, 137
Renaissance, v.23, no.4 (1993):130, 131-43, 133, 134, 137, 140, 141
sixteenth century, v.22, no.3 (1992):cover, 55-67, 60, 61, 64, 65
Caruso, Enrico, v.23, nos.2/3 (1993):159
Carvel Collins Faulkner Collection. See Collins (Carvel) Faulkner Collection
Caryl, Joan, Portrait of Hopkins, N.S. nos.46/47 (1989):6
Casa del Libro, N.S. no.48 (1989):44, 45, 46-47
Casals, Pablo, N.S. no.48 (1989):102
Case of Mr. Crump (Lewisohn), v.20, no.4 (1991):99-135, 112
Cash, W. J., v.26, nos.1/2 (1995):242-44, 243
Cask of Jerepigo (Bosman), N.S. no.4 (1972):34
Castañeda, Carlos, v.22, no.3 (1992):138
Castillejo, Cristobal de, N.S. no.8 (1974):67
Castro, Juan José, correspondence, v.22, no.4 (1992):18
Catalogs
"Architectural Views of Old London," N.S. no.15 (1981):6-48
Samuel Beckett, N.S. no.28 (1984):5-187
Cameron's photographs, v.26, no.4 (1996):145-95
Lewis Carroll, N.S. nos.32/33 (1985):7-233
"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers," v.26, nos.1/2 (1995):7-264
Cortot Collection, N.S. nos.25/26 (1984):43-49
eighteenth-century poetry, N.S. no.13 (1980):39-63
Gill (Eric) Collection, N.S. no.18 (1982):8-193
Gone With The Wind exhibit, N.S. no.24 (1983):8-121
"Hopkins Lives" exhibit, N.S. nos.46/47 (1989):cover, 7-185
Italian Collections Across the Centuries, v.23, nos.2/3 (1993):1-182
Henri-Pierre Roché, v.21, nos.1/2 (1991):9-223
"Shouting in the Evening" [British theater in twentieth century], v.26, no.4 (1996):9-212
Henry C. Trost drawings, N.S. no.16 (1981):93-102
Twentieth-Century American Playwrights: Views of a Changing Culture, v.25, no.1 (1994):7-114
Weaver (Warren) Collection, N.S. nos.32/33 (1985):7-233
Zukofsky (Louis) Manuscript Collection (supplement), N.S. nos.38/39 (1987):106-81
Cathay, N.S. no.23 (1983):54-56, 57
Cather, Willa, v.26, nos.1/2 (1995):128, 129-31
Catholic Church, and censorship, N.S. no.6 (1973):36-37
Catullus Collection, N.S. no.2 (1970):7-9, 8
Caxton, William, v.21, nos.3/4 (1991):114-15, 115
Cecilia, St., N.S. nos.25/26 (1984):42
Céline
Guignol's Band, N.S. no.9 (1978):68-71
Pont de Londres, N.S. no.9 (1978):68-71
Cellulose nitrate film, N.S. no.19 (1982):166, 167-78, 169-70, 172-73, 176-77
Cempoala map, v.22, no.3 (1992):cover
Censorship
in British theater, v.27, nos.1/2 (1996):149-50
Catholic Church and, N.S. no.6 (1973):36-37
censors' marks on manuscript, N.S. no.6 (1973):24
of Chinese fiction, v.27, no.3 (1997):42
in eighteenth-century France, N.S. no.6 (1973):24, 25-41
Gone With The Wind film, N.S. no.36 (1986):16-31
Joyce's Ulysses, N.S. nos.20/21 (1982):91-105, 98
public libraries, v.25, no.4 (1995):75-79
publishing, v.25, no.4 (1995):75-79
school libraries, v.25, no.4 (1995):75-79
Selznick International Pictures, N.S. no.36 (1986):11-31
Waugh's Black Mischief, N.S. no.16 (1981):43-61
Centeno, Juan, N.S. no.13 (1980):12
Center for American History. See Barker Texas History Center
Century Magazine, N.S. no.17 (1981):15-29
Cerf, Bennett, N.S. nos.20/21 (1982):91-105; v.26, nos.1/2 (1995):261-64
Cervantes Saavedra, Miguel de, v.25, no.4 (1995):123
Cevat, Ahmet, N.S. nos.32/33 (1985):83
Chagall, Marc, N.S. nos.38/39 (1987):11-13
Chamber (Grisham), v.25, no.4 (1995):103
Champfleury, N.S. no.17 (1981):73, 74
Chan, Sucheng, Hmong Means Free: Life in Laos and America, v.25, no.4 (1995):74
Chandler, Joan, N.S. no.5 (1972):6
Chandler, Raymond, v.26, nos.1/2 (1995):189-90
Chanson de Roland (Turoldus), v.23, nos.2/3 (1993):37
Chanson d'Ève (Fauré), N.S. nos.25/26 (1984):51-54, 53, 54
Chanson spirituelle, N.S. nos.25/26 (1984):32-35
Chapin, Marguerite. See Caetani, Princess Margaret
Chaplin, Charlie, N.S. no.22 (1983):9
Chappell, Lydia, v.26, nos.1/2 (1995):50
Chappell, Warren, v.26, nos.1/2 (1995):50, 56-57
Charlemagne, v.23, nos.2/3 (1993):35, 37
Charles V, Holy Roman Emperor, N.S. no.13 (1980):82-89, 82
Charlton, George, v.23, no.1 (1993):cover
Chaucer, Geoffrey
Canterbury Tales, N.S. no.41 (1987):83-111; v.20, nos.1/2 (1990):114, 115
portrait of, N.S. no.41 (1987):82
Chernyshevsky, N.G., What Is To Be Done?, v.21, nos.3/4 (1991):161
Cheynell, Francis, Chillingworthi Novissima, v.20, nos.1/2 (1990):104, 105
Chi non sa impari (Florimi), v.23, nos.2/3 (1993):142
Child, Julia, v.26, nos.1/2 (1995):193-94
Children's Hour (Hellman), v.25, no.1 (1994):39-44, 43
Childs, Mary Arnold Crocker. See Lewisohn, Mary
Chile
census documents, v.22, no.3 (1992):89
historical documents, v.22, no.3 (1992):85-97, 89, 92, 95
literature, v.22, no.3 (1992):84, 85-97
poetry, v.22, no.3 (1992):23-33, 26, 31
Chillingworthi Novissima (Cheynell), v.20, nos.1/2 (1990):104, 105
Chinese fiction, v.27, no.3 (1997):39-47
Chitrangada, (Tagore), v.27, no.3 (1997):25
Christ Church, Oxford, N.S. no.34 (1986):18, 19
Christian imagery. See Religious imagery
Christian Morals (Browne), v.21, nos.3/4 (1991):14-39, 17
Christian View of the Ephemeral Nature of All Worldly Things (Fleischberger), v.26, no.3 (1996):28, 30
Chromolithographs exhibit, N.S. no.13 (1980):7
"Chronicles" (Froissart)
bookplates on, N.S. no.22 (1983):58
illustrations from, N.S. no.22 (1983):cover, 55, 63
owned by Edward Alexander Parsons, N.S. no.22 (1983):54-56, 58
owned by John Barrymore, N.S. no.22 (1983):54-59, 58
ownership history of HRHRC copy, N.S. no.22 (1983):51-65
photograph of, N.S. nos.44/45 (1989):116
"Chronicles of the New World" (exhibit), N.S. no.40 (1987):12, 13-15
Church, Richard, N.S. no.28 (1984):43
Church music. See Sacred vocal music
Church of England. See Anglican Sisterhoods
Churchill, Caryl, v.27, nos.1/2 (1996):151-52
Cicero, M. T. Ci. De Oratore ad Quintum Fratrem Libri I, v.23, nos.2/3 (1993):18
"Cine Cubano: Posters from the Cuban Institute of Art and Film" (exhibit), N.S. no.19 (1982):11, 13
Cinema. See Films; and names of specific films
Cinq livres (Rabelais), N.S. nos.20/21 (1982):159-70, 169
Ciol, Elio, N.S. no.35 (1986):13
Circus
Cocteau's concept of "Theater as Circus," v.23, no.4 (1993):46-47, 54-57
posters, N.S. no.12 (1979):92, 93-101, 98, 100
Circus Collection, N.S. no.2 (1970):10
Cities exhibit, N.S. no.35 (1986):18-19
Clairville, N.S. no.17 (1981):68
Clavier Sonaten mit Obligater Violine (Bach), N.S. nos.25/26 (1984):17
Clemens, Olivia Susan ("Susy"), N.S. no.27 (1984):94, 95-103, 101
Clemens, Samuel L.
daughter of, N.S. no.27 (1984):94, 95-103, 101
editing of Romance of a Pro-Consul, N.S. no.11 (1979):19, 20
letter, v.22, no.4 (1992):8
"Murder, a Mystery, and a Marriage," N.S. no.37 (1986):55-75, 62, 73
personal library of, N.S. no.27 (1984):93-103
photographs of, N.S. no.27 (1984):101; N.S. no.37 (1986):54
portrait of, N.S. no.7 (1974):27-29, 28
Shakespeare set and, N.S. no.27 (1984):95-103
Clemens, Susy. See Clemens, Olivia Susan ("Susy")
Clement, Caroline, N.S. no.40 (1987):71, 82, 83
Cline, C.L., N.S. no.7 (1974):37-41; N.S. no.10 (1978):6-7
La Closerie des Lilas (Montparnasse), v.21, nos.1/2 (1991):29
Cloth-covered case-bound books
Amulet, N.S. nos.44/45 (1989):88, 101-02, 103
Banks, Banking, and Paper Currencies (Hildreth), N.S. nos.44/45 (1989):87-88, 93, 94, 102
bindings, N.S. nos.44/45 (1989):88-91, 89-91
Bridal Souvenir, N.S. nos.44/45 (1989):88, 99-102, 100
conservation of, N.S. nos.44/45 (1989):86, 87-103, 89-91, 94, 97, 100, 103
London Labour and the London Poor (Mayhew), N.S. nos.44/45 (1989):88, 96-99, 97, 102
Poetical and Prose Works of Oliver Goldsmith, N.S. nos.44/45 (1989):86, 88, 95-96, 102
Cloud, Random, v.20, nos.1/2 (1990):62
Clune, Frank, Try Anything Once, N.S. nos.42/43 (1988):47
Cobbe, Thomas, N.S. no.11 (1979):65-76, 68, 70, 73
Cobden-Sanderson, Thomas James, N.S. no.7 (1974):30-35; N.S. no.17 (1981):46, 50
Cobos, Ben, N.S. no.19 (1982):164, 164
Coccioli, Carlo, v.20, no.4 (1991):12; v.23, nos.2/3 (1993):119-24, 120, 123; v.26, no.3 (1996):12, 13
Coccioli (Carlo) Collection, v.23, nos.2/3 (1993):119-24
Cocteau, Jean
correspondence on A Midsummer Night's Dream, v.23, no.4 (1993):50-51, 53, 56
correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):120-23, 122
cubism, v.23, no.4 (1993):83-84, 93-94
description of Le Piquey, N.S. no.12 (1979):11-13
drawing of Georges Auric, v.21, nos.1/2 (1991):54
drawing of Picasso, v.21, nos.1/2 (1991):41
drawing of Valentine Hugo, v.21, nos.1/2 (1991):59
graphic arts, N.S. no.41 (1987):41-61, 46, 49, 54, 59, 60
Head of a Man and Head of a Woman, v.23, no.4 (1993):98, 100, 101, 102
Head of a Woman, v.23, no.4 (1993):93-94, 96, 102
ideas about art, v.23, no.4 (1993):89-90, 94, 104-05
influenced by Pablo Picasso, N.S. no.41 (1987):42, 45
Mais oui mais oui...Picasso, v.23, no.4 (1993):70-105
Mystères des chambres vides, N.S. no.41 (1987):41-61, 43
Orphée, N.S. no.41 (1987):48-57
photograph of, N.S. no.41 (1987):40
portraits of, N.S. no.12 (1979):10, 11-20; v.23, no.4 (1993):85
production of A Midsummer Night's Dream, v.23, no.4 (1993):43-77
relationship with Picasso, v.23, no.4 (1993):79-80, 83-84, 89
Rien ne trouble les Mortimer, v.23, no.4 (1993):95
self-portrait of, v.21, nos.1/2 (1991):119
Sketch of Rimbaud in Bed, Ill, N.S. no.9 (1978):38
"Theater as Circus" concept, v.23, no.4 (1993):46-47, 54-57
Codex Ashburneri, N.S. no.2 (1970):7, 8
Cohen, Barry, N.S. no.5 (1972):6
Colbert, Claudette, N.S. no.24 (1983):108; N.S. no.35 (1986):38; v.26, no.3 (1996):85, 89-90, 96, 105
Cold Stone Jug (Bosman), N.S. no.4 (1972):32
Coleman, Earl, N.S. nos.25/26 (1984):136; v.24, nos.1/2 (1994):23
Coleridge, Hartley, N.S. no.1 (1970):32, 33-38
Coleridge, Samuel Taylor, N.S. no.23 (1983):16, 17, 33, 35
Coleridge, Sara
contributions to Coleridge scholarship, N.S. no.23 (1983):16, 21, 33-35
correspondence with Edward Quillinan, v.23, no.1 (1993):20-22, 21
"Essay on Beauty" excerpts, N.S. no.23 (1983):20, 26
Greta Hall drawing, N.S. no.23 (1983):23
inscriptions in her commonplace book, N.S. no.23 (1983):28-31, 30
letters to Derwent Coleridge, N.S. no.23 (1983):22-24, 26-27
letters to Henry Nelson Coleridge, N.S. no.23 (1983):27
opium addiction, N.S. no.23 (1983):23-25, 31-33
"Poppies," N.S. no.23 (1983):32-33
portrait of, N.S. no.23 (1983):14
Coleridge Collection, N.S. no.1 (1970):33-38
Collaert, Hans, v.26, no.3 (1996):cover, 27
Collected Poems (Stevens), v.26, nos.1/2 (1995):124
Collections. See names of specific collections
Collectors
Austin collectors, N.S. no.34 (1986):9-11
authors' libraries, N.S. no.34 (1986):7-9
James E. Bauerle, N.S. no.9 (1978):59-60, 60
Richard de Bury, N.S. no.5 (1972):15-16, 23-24, 28
Everett L. DeGolyer, Jr., N.S. no.2 (1970):90-92, 90
James F. Drake, Inc., N.S. no.4 (1972):40-43, 40
William B. Ferguson III, N.S. no.1 (1970):51
Jenkins Garrett, N.S. no.4 (1972):72-74, 72
Grattan as collector of Australian literature, N.S. nos.42/43 (1988):39-49
George P. Isbell, N.S. no.5 (1972):82, 83-84
Nina W. Matheson as collector of Nabokov, N.S. no.17 (1981):76-83
Trueman E. O'Quinn, N.S. no.3 (1971):88-90, 88
John Peace, N.S. no.6 (1973):106-07
Harry Huntt Ransom, N.S. no.10 (1978):10, 11-12
Peter J. Rempe, N.S. no.11 (1979):97-99, 98
Byron and Susan Sewell, N.S. no.14 (1980):105-09
Robert L.B. Tobin, N.S. no.12 (1979):102, 103-05
Warren Weaver, N.S. no.2 (1970):38-45
Warren Weaver as collector of Lewis Carroll, N.S. nos.32/33 (1985):9-15
Sam Whitten, N.S. no.16 (1981):107-09, 106
"Collectors' Choice" (exhibit), N.S. no.34 (1986):9-11
College of Fellows of the American Theatre, v.26, no.3 (1996):15
Colles, William Morris, N.S. no.35 (1986):60-87, 85
Collins, Carvel, v.20, no.4 (1991):16, 17-35, 23
Collins (Carvel) Faulkner Collection, v.20, no.4 (1991):16-35, 16, 23, 26, 31, 32, 33
Collins, Wilkie
No Thoroughfare, N.S. no.37 (1986):38, 39-53, 49, 52
photograph of, N.S. no.37 (1986):44
Colman, Ronald, N.S. no.22 (1983):9
Colonna, Francesco, Hypnerotomachia Poliphili, v.23, nos.2/3 (1993):25-27, 26
Color Portfolio (Callahan), N.S. no.30 (1985):10
Columbus, Christopher, v.23, nos.2/3 (1993):68
Columbus, Ferdinand, N.S. no.7 (1974):69-70
Come Back Little Sheba (Inge), v.25, no.2 (1994):55-63
Comédie. See Play (Beckett)
Coming of the Fairies (Gardner), N.S. no.8 (1974):31
Commedia dell'arte, v.23, nos.2/3 (1993):153-54, 155
Comment C'est. See How It Is (Beckett)
Commonplace books
by D.M. Craik, v.23, no.1 (1993):12-17
Killigrew as compiler, N.S. no.13 (1980):31-38
sample pages, N.S. no.13 (1980):34, 36
Compañero (Vigil), v.22, no.3 (1992):84
"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers" (exhibit), v.26, nos.1/2 (1995):7-264
Complete Book of Trades (Whittock), v.21, nos.3/4 (1991):cover, 94
Concordia Discordantium Canonum. See Decretum
Conferences and symposia
Bebop Revolution in Words and Music, v.24, nos.1/2 (1994):7-225
Beckett Translating/Translating Beckett, N.S. no.27 (1984):9
Harry Ransom Conference on New Directions in Textual Studies, v.20, nos.1/2 (1990):6-183
Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9
Leopard, N.S. no.37 (1986):10-12, 11
Sources for Reinterpretation -- The Use of Nineteenth-Century Literary Documents, N.S. no.10 (1978):6-7
State and Fate of Publishing: A Flair Symposium, v.25, no.4 (1995):1-131
Connolloy, Cyril, N.S. no.1 (1970):39-47
Conrad, Joseph
influence on works of James Joyce, N.S. nos.20/21 (1982):145-57
and Knopf, v.26, nos.1/2 (1995):23-26, 27
letters to Norman Douglas, N.S. no.3 (1971):52-57
photograph of, N.S. no.3 (1971):52
portrait of, N.S. no.5 (1972):30, 31
Conscience of the University and Other Essays (Ransom), N.S. no.22 (1983):13; N.S. no.30 (1985):12
Conservation
albumen prints, N.S. nos.44/45 (1989):135-47, 137, 142, 145-46
Byron (Lord) Collection, N.S. nos.44/45 (1989):22, 23-39, 25-26, 29-30, 33, 38
cellulose nitrate photographs, N.S. no.19 (1982):167-78
cloth-covered case-bound books, N.S. nos.44/45 (1989):87-103, 89-91, 94, 100, 103
duplication of photographs, N.S. no.19 (1982):174-75
ethical issues, N.S. nos.44/45 (1989):26-27, 31, 39, 42, 44, 55, 87, 92-93, 95, 98
exhibit, N.S. no.27 (1984):12
Faulkner (William) Collection, N.S. nos.44/45 (1989):cover, 56, 57-77, 61, 64, 67-68, 71-72, 75-76
Gone With The Wind storyboard, N.S. nos.44/45 (1989):104, 105-15, 107-08, 111-14
housing, N.S. nos.44/45 (1989):148, 149-55, 153-54
Institute of Fine Book Binding and Conservation, N.S. no.41 (1987):6, 7-11, 9
internships, N.S. nos.44/45 (1989):78, 79-85, 83-84
"K-118" binding structure, N.S. nos.44/45 (1989):116, 117-33, 124, 127-28, 130
Lawrence (D. H.) Collection, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54
motion picture film, N.S. no.19 (1982):172-74
painting conservation, N.S. nos.44/45 (1989):79-85, 83-84
photography collections, N.S. no.19 (1982):167-72
Conservation Department
exhibition policy, N.S. nos.44/45 (1989):12
history of, N.S. nos.44/45 (1989):8-19, 13, 18
internships, N.S. nos.44/45 (1989):17
new facilities, N.S. no.22 (1983):14, 15
programs and seminars, N.S. nos.44/45 (1989):15-16
staffing, N.S. nos.44/45 (1989):10-11, 18-19
Conservation treatment procedures
alkalinization, N.S. nos.44/45 (1989):70
ammonium hydroxide baths, N.S. nos.44/45 (1989):69-70, 72
aqueous treatment, N.S. nos.44/45 (1989):66, 68-69, 68
bound manuscripts, N.S. nos.44/45 (1989):22, 23-55, 25-26, 29-30, 33, 38, 40, 43, 46, 51-52, 54
encapsulation, N.S. nos.44/45 (1989):74, 76
ethyl alcohol treatment, N.S. nos.44/45 (1989):69, 71
ink analysis, N.S. nos.44/45 (1989):32, 47
Klucel G treatment, N.S. nos.44/45 (1989):63, 70
lining, N.S. nos.44/45 (1989):73-74, 75
paintings survey method, N.S. nos.44/45 (1989):79-80
paper, analysis of, N.S. nos.44/45 (1989):28, 34-37, 44-47, 46
reversibility, N.S. nos.44/45 (1989):65-66, 96, 98, 101, 103
Contempo
advertisement in, N.S. no.27 (1984):32
authors published in, N.S. no.27 (1984):19-45
contributors, v.25, no.3 (1995):111, 114-24, 119-20, 125, 131
covers, v.20, no.4 (1991):88; v.25, no.3 (1995):119
demise of journal, v.20, no.4 (1991):85-86
Faulkner and, N.S. no.27 (1984):31, 33-34
front pages, N.S. no.27 (1984):18, 38
journal, v.20, no.4 (1991):81-82
management of, v.25, no.3 (1995):111-12, 115-17, 122-24
masthead, v.25, no.3 (1995):120
Pound and, v.25, no.3 (1995):111-24, 119-20, 127-31
sample page, v.20, no.4 (1991):68
Contempo Collection, N.S. no.27 (1984):19-45
"Contemporary Czechoslovakian Photography" (exhibit), v.23, no.4 (1993):23-25, 23, 24
Contemporary Texas: A Photographic Portrait, N.S. no.35 (1986):14, 16
Controversial books, v.25, no.4 (1995):74, 75-79, 78
Convents, Anglican. See Anglican Sisterhoods
Conversion (Marca-Relli), N.S. nos.44/45 (1989):81-82, 83-84
Conway, Gordon, v.22, no.4 (1992):23
Cook, Morris, N.S. no.7 (1974):102-03, 103
Cookbooks, v.26, nos.1/2 (1995):193-201
Cooper, Merian C., N.S. no.36 (1986):61
Copernicus, Nicolai, N.S. no.12 (1979):65-66; v.25, no.4 (1995):112
Coriolanus (Shakespeare), N.S. no.11 (1979):70
Corke, Helen, N.S. no.34 (1986):33
Corman, Cid, v.22, nos.1/2 (1992):59
Cornhill Magazine, N.S. no.30 (1985):83-112, 108
Cornwell, David. See Le Carré, John
Corpus Juris Canonici, N.S. no.5 (1972):41. See also Decretum
Cortázar, Julio
manuscripts in Benson Latin American Collection, N.S. no.27 (1984):14; v.20, no.3 (1990):13-15
Rayuela, v.22, no.3 (1992):15, 34, 35-39, 37, 38
Cortázar (Julio) Collection, N.S. no.27 (1984):13-15, 14
Cortés, Hernando, N.S. no.13 (1980):82-89, 82
Cortot, Alfred, N.S. nos.25/26 (1984):24
Cortot (Alfred) Collection
catalog, N.S. nos.25/26 (1984):43-49
sacred vocal music in, N.S. nos.25/26 (1984):25-49
Corvo, Baron, N.S. no.13 (1980):9
Cosgrove, Jack, N.S. no.24 (1983):57-58
Costume design
Chout by Emanuele Luzzati, v.23, nos.2/3 (1993):167-68
Crane (William) Collection, v.23, no.4 (1993):17, 18
exhibit, N.S. no.17 (1981):9-10
Gone With The Wind, N.S. no.24 (1983):62-68; N.S. no.36 (1986):32, 33-55, 36, 37, 39, 42, 43, 46, 50, 53
La Scala production by Luigi Bartezago, v.23, nos.2/3 (1993):160
Midsummer Night's Dream, v.23, no.4 (1993):48, 58, 59-63
Nave by Norman Bel Geddes, v.23, nos.2/3 (1993):164-65, 166
in Russian theater, N.S. no.10 (1978):41-43, 42
Cotten, Joseph, N.S. no.36 (1986):92, 104, 107, 109, 110, 112; v.26, no.3 (1996):89-90
Country Journal: or, The Craftsman
front pages, v.25, no.3 (1995):9, 19, 27
legal battles, v.25, no.3 (1995):18, 21
Remarks on the History of England published in, v.25, no.3 (1995):7-29, 9, 19, 27
Covici (Pascal) Collection, N.S. no.3 (1971):80-81, 80
Cowdell, Harry, N.S. no.30 (1985):50-55, 52, 54
Craftsman. See Country Journal: or, The Craftsman
Craig, Edward Gordon, N.S. nos.38/39 (1987):15
Craik, Dinah Mulock, v.23, no.1 (1993):12-17
Crain (W.H.) Collection, N.S. no.40 (1987):10; v.23, no.4 (1993):16-19, 18; v.25, no.1 (1994):120-21; v.25, no.2 (1994):19
Crandon, Mina Stinson, N.S. no.8 (1974):25
Crane, Hart, N.S. no.27 (1984):37, 39-40
Cranfill Collection, N.S. no.9 (1978):9
Creeley, Robert
friendship with Stan Brakhage, N.S. no.17 (1981):85-103
photograph of, N.S. no.17 (1981):86
poem samples, N.S. no.17 (1981):85-103, 99
Crevel, René, N.S. no.16 (1981):21; N.S. no.28 (1984):21
Crichton, Michael, Jurassic Park, v.25, no.4 (1995):67
Cristo si è fermato a Eboli (Levi), v.23, nos.2/3 (1993):108, 109-12, 111
Critical Perspectives on Amos Tutuola, v.27, no.3 (1997):111
Critique of Modern Textual Criticism (McGann), v.27, no.3 (1997):107
Crome Yellow (Huxley), N.S. no.1 (1970):42
Cromos, v.22, no.3 (1992):103
Cronica van der hilliger stat van Coellen, v.21, nos.3/4 (1991):63
Cronje, General, N.S. no.4 (1972):33
Cronyn, Hume, N.S. no.28 (1984):103, 109
Crowley, Pat, v.25, no.2 (1994):49
Cruel Sea (Monsarrat), v.26, nos.1/2 (1995):180
Crum, Margaret, First Line Index to Manuscript Poetry in the Bodleian Library before 1800, N.S. no.5 (1972):17
Crump, Anne. See Lewisohn, Mary
Cry, the Peacock (Desai), v.25, no.4 (1995):96
Cuban film posters exhibit, N.S. no.19 (1982):11, 13
Cubism, N.S. no.12 (1979):16-18
Cukor, George
director of Gone With The Wind, N.S. no.24 (1983):12, 75
exhibit of film memorabilia of, N.S. no.13 (1980):10
photograph of, N.S. no.24 (1983):74
Culture, future of, v.25, no.4 (1995):17-23
cummings, e. e., N.S. no.34 (1986):7-8
Cunard, Nancy
correspondence with Samuel Beckett, N.S. no.28 (1984):6, 93, 97-98
photographs of, N.S. nos.20/21 (1982):82, 88; N.S. no.28 (1984):14; N.S. no.29 (1984):16
reminiscence of James Joyce, N.S. nos.20/21 (1982):80-89
Cunard (Nancy) Collection
Auden's "Spain" and, v.25, no.3 (1995):82, 83-84
marquette of questionnaire, v.25, no.3 (1995):82
Cycling, v.24, nos.3/4 (1994):133
Czechoslovakian photography exhibit, v.23, no.4 (1993):23-25, 23

D

D.H. Lawrence Collection. See Lawrence (D.H.) Collection
Dacey, Philip, Gerard Manley Hopkins Meets Walt Whitman in Heaven and Other Poems, N.S. nos.46/47 (1989):159
Dafne (Rinuccini), N.S. no.2 (1970):10, 11
Dahl, Roald, v.26, nos.1/2 (1995):163
Dahlberg, Edward, N.S. no.14 (1980):47-65, 51, 61
Dahlberg (Edward) Collection, N.S. no.8 (1974):85-88
Daily Telegraph, N.S. no.9 (1978):21-26
Dali, Salvador, N.S. no.13 (1980):20; N.S. no.28 (1984):21
Dana, Charles Anderson, Proudhon and His "Bank of the People", v.21, nos.3/4 (1991):169
Dance
ballet, N.S. no.19 (1982):12; N.S. no.48 (1989):8; v.20, no.4 (1991):10, 10
choreographer Mary Wigman, v.23, no.4 (1993):16
history, N.S. no.8 (1974):11-21
Dancer, Elizabeth Eleanor, N.S. no.19 (1982):76, 76, 77
Dancer, John Benjamin
photographic techniques, N.S. no.19 (1982):53-58
photographs of, N.S. no.19 (1982):52, 61, 69
photographs of children, N.S. no.19 (1982):72, 74
photographs of wife, N.S. no.19 (1982):72, 74
photography by, N.S. no.19 (1982):58-77, 61, 63-64, 66-67, 69-70, 72, 74-76
Dancer (John Benjamin) Collection, N.S. no.19 (1982):53-77
Dancer, Mrs. John Benjamin, N.S. no.19 (1982):71, 72, 74, 76
Daniel, Arnaut, N.S. nos.25/26 (1984):125-27
Daniell, Thomas, v.27, no.3 (1997):71, 74, 75
Daniell, William, v.27, no.3 (1997):71, 74, 75
Daniels, William, v.20, no.3 (1990):92
Danielson, Jacques, N.S. no.35 (1986):23
D'Annunzio, Gabriele. See Alighieri, Dante
Dante. See Alighieri, Dante
Dante con l'esposizione di Cristoforo Landino, et d'Alessandro Vellutello, sopra la sua Commedia (Alighieri), v.23, nos.2/3 (1993):46
Dante's Dream at the Time of the Death of Beatrice (Rossetti), v.23, nos.2/3 (1993):150-52
Daragnès, Jean-Gabriel, N.S. no.27 (1984):47-59, 57
Dark at the Top of the Stairs (Inge), v.25, no.2 (1994):38, 39, 54, 61
Darling, Malcolm and Josie
Forster on being their son's godfather, N.S. no.23 (1983):63-73
letters from Forster, N.S. no.23 (1983):64-71, 67
"Liking Being Alive," N.S. no.23 (1983):75-79
"Darwinism in Texas" (exhibit), N.S. no.5 (1972):12
Das, Sisir Kumar, v.27, no.3 (1997):33-34
Daum, Raymond, N.S. no.23 (1983):12
David Jackson McWilliams Collection. See McWilliams (David Jackson) Collection
David O. Selznick Archive. See Selznick (David O.) Archive
Davis (Albert) Collection, N.S. no.4 (1972):23-30
Davis, Bette, v.25, no.2 (1994):76
Davis, Donald, N.S. no.28 (1984):110
Davis, J. Frank, v.25, no.1 (1994):121-23, 122
Davis, Miles
Donna Lee, v.24, nos.1/2 (1994):161-201
photographs of, v.24, nos.1/2 (1994):160, 167
Dawn, Norman O.
bird of paradise sketch, v.20, no.3 (1990):cover
Calamity Sue, v.20, no.3 (1990):109
cinematic special effects collection, v.20, no.3 (1990):97-118, 99, 102, 105-06, 109-10, 113, 114
Drifter, v.20, no.3 (1990):108
For the Term of His Natural Life, v.20, no.3 (1990):112-15, 113, 114
Great Barrier Reef, v.20, no.3 (1990):104
life and activity, v.20, no.3 (1990):98-118
list of movies, v.20, no.3 (1990):117-21
Men of the West, v.20, no.3 (1990):107
Missions of California, v.20, no.3 (1990):103-04
photographs of, v.20, no.3 (1990):96, 110, 117
Story of the Andes, v.20, no.3 (1990):104, 105-06, 107
Tundra, v.20, no.3 (1990):116
Two Men of Tinted Butte, v.20, no.3 (1990):108
Day, Clarence, v.26, nos.1/2 (1995):178, 179
Day Lewis, C., v.25, no.3 (1995):78-80, 81, 83
De Barbari, Jacopo, v.23, nos.2/3 (1993):138
De Beauvoir, Simone
photograph of, v.22, no.4 (1992):105
Second Sex, v.22, no.4 (1992):103-21
De Bello Catilinae (Sallust), N.S. no.27 (1984):15-16
De Bello Jurgunthinum (Sallust), N.S. no.27 (1984):15-16
De Bury, Richard
collecting habits, N.S. no.5 (1972):15-16, 28
Philobiblon, N.S. no.5 (1972):15, 23-24, 28
De Havilland, Olivia, N.S. no.24 (1983):104-05
De la Roche, Esmée, N.S. no.40 (1987):83
De la Roche, Mazo
Caroline Clement and, N.S. no.40 (1987):82
correspondence with Edward Weeks, N.S. no.40 (1987):67-87
Jalna Series, N.S. no.40 (1987):67-70, 73-77, 79-81, 85-87
photographs of, N.S. no.40 (1987):66, 71, 76, 84
De la Roche, René, N.S. no.40 (1987):83
De Locis Theologica (Cano), N.S. no.8 (1974):60
De Mille, Cecil B., N.S. no.30 (1985):6
De Revolutionibus orbium coelestium, Libri VI (Copernicus), v.25, no.4 (1995):112
De Voto, Bernard, v.24, nos.1/2 (1994):50
De Witt, Rita, v.23, no.4 (1993):21
Death, and rhetoric of "knowledge," v.26, no.3 (1996):23-51
Death of a Salesman (Miller), v.25, no.1 (1994):84-96, 85, 87, 90
Deaths and Entrances (Thomas), N.S. no.1 (1970):41
Debussy, Claude
correspondence and friendship with Messager, N.S. nos.25/26 (1984):69, 81-84
etching, N.S. nos.25/26 (1984):68
mélodies, N.S. nos.25/26 (1984):70, 71, 75-76
photograph of, N.S. nos.25/26 (1984):87
text setting, N.S. nos.25/26 (1984):70-81
Trois Ballades de François Villon, N.S. nos.25/26 (1984):69-99
Decorative arts and topography, N.S. no.1 (1970):28-29
Decretum, N.S. no. 5 (1972):38-42, 38. See also Corpus Juris Canonici; Glossa Ordinaria
Deeping, Warwick, v.26, nos.1/2 (1995):176, 179
DeGolyer, Everett L., Jr., N.S. no.2 (1970):90-92, 90
Delaney, Shelagh, v.27, nos.1/2 (1996):85-88
Delgado, Abelardo, "Open," v.22, no.3 (1992):135
Dell, Floyd, v.20, no.4 (1991):80
Della metoposcopia (Spontone), v.23, nos.2/3 (1993):52
Dell'arte di fabricare i fuochi artificiali... (Anonymous), v.23, nos.2/3 (1993):8
Democracy
access to information, v.25, no.4 (1995):43-47
Jeffers's speeches on democracy, N.S. no.40 (1987):47-65
paranoia and, v.25, no.4 (1995):43-47
poetry and, N.S. no.40 (1987):47-65
Denham, Sir John
Cooper's Hill, N.S. no.5 (1972):22
Poems and Translations, N.S. no.5 (1972):22
Dennery, Adolphe, N.S. no.17 (1981):71
Dennis, Sandy, v.20, no.3 (1990):84
Depero, Fortunato, Ricostruzione futurista dell'universo, v.23, nos.2/3 (1993):85, 86
Dépeupleur. See Lost Ones (Beckett)
Dernière Bande. See Krapp's Last Tape (Beckett)
Desai, Anita
Cry, the Peacock, v.25, no.4 (1995):96
HRHRC holdings, v.23, no.4 (1993):13-14
photograph of, v.23, no.4 (1993):15
Desert, a Legend (Armstrong), v.23, no.1 (1993):110
Designer Bookbinders (exhibit), N.S. no.22 (1983):7
Desolación (Mistral), v.22, no.3 (1992):31
Detective fiction, v.26, nos.1/2 (1995):183-91
Deutscher Kamera-Almanach, v.24, nos.3/4 (1994):14, 138, 141
Deux anglaises et le continent (Roché)
book wrappers, v.21, nos.1/2 (1991):179
description, v.21, nos.1/2 (1991):178-201
film photographs, v.21, nos.1/2 (1991):200
manuscript drafts, v.21, nos.1/2 (1991):187, 194-96
Deux semaines à la Conciergerie pendant la bataille de la Marne (Roché), v.21, nos.1/2 (1991):130-33, 131
Deuxième Sexe (de Beauvoir). See Second Sex (de Beauvoir)
Devil to Pay in the Backlands (Rosa), v.26, nos.1/2 (1995):102, 103
Devine, George, N.S. no.28 (1984):98-99, v.27, nos.1/2 (1996):124-29
Devlin, Christopher, Sermons and Devotional Writings of Gerard Manley Hopkins, N.S. nos.46/47 (1989):53
"Devout Woman," v.23, no.1 (1993):11-31
Deyrolle, Jean, N.S. no.28 (1984):137
Di Lampedusa, Prince Giuseppe Tomasi
Leopard, N.S. no.37 (1986):10-12
photograph of, N.S. no.37 (1986):11
Dial, v.20, nos.1/2 (1990):35
Dial Records. See also Russell, Ross
Charlie Parker's contract, v.24, nos.1/2 (1994):21-22, 36-37, 85, 86
Charlie Parker's recordings, v.24, nos.1/2 (1994):21-24, 37-40, 67-68, 79-103
publicity flyer, v.24, nos.1/2 (1994):16
record labels, v.24, nos.1/2 (1994):cover, 78, 97
recording sessions, v.24, nos.1/2 (1994):23, 38
recordings of jazz and Bebop, v.24, nos.1/2 (1994):37-40
and Ross Russell, N.S. nos.25/26 (1984):137-39, 142
Diálogos (de Salazar), v.22, no.3 (1992):10
Dialogue of a Dead Man with his Soul (Sustris), v.26, no.3 (1996):38
Dickens, Charles
engraving of, N.S. no.37 (1986):41
exhibit, N.S. no.35 (1986):9-11
"Ivy Green," N.S. no.6 (1973):80, 81
Life and Adventures of Martin Chuzzlewit, v.25, no.4 (1995):16
No Thoroughfare, N.S. no.37 (1986):38, 39-53, 49, 52
Dime novels, N.S. no.9 (1978):7; N.S. no.10 (1978):72, 73-75
"Dime Novels" (exhibit), N.S. no.9 (1978):7
Dimple Hill (Richardson), v.23, no.1 (1993):53
Dingell Amendment. See PL-480 Program
Directors. See Film directors
Dis Joe. See Eh Joe (Beckett)
Disderi, André Adolphe, N.S. no.4 (1972):62, 64, 65
Dissertation sur la Littérature Orientale (Jones), v.20, no.3 (1990):54
Dittmar, Gus C., N.S. no.6 (1973):49
Dittmar (Gus C.) Collection, N.S. no.6 (1973):cover, 49-55, 50, 53-54
Divine Comedy (Dante)
HRHRC holdings, v.23, nos.2/3 (1993):15, 24-25, 30, 46, 59, 88, 161-64, 163
Inferno in Italian text, v.20, nos.1/2 (1990):118
manuscript, N.S. no.35 (1986):101
scene designs by Norman Bel Geddes, v.23, nos.2/3 (1993):161-64, 163
Dixie, N.S. no.4 (1972):25
Dixon, Henry
chronology of career, N.S. no.15 (1981):44-45
photography by, N.S. no.15 (1981):cover, 6-42, 6, 8, 12, 13, 14, 17, 19, 22, 25, 26, 28, 32
Dixon, T.J.
chronology of career, N.S. no.15 (1981):45-46
photography by, N.S. no.15 (1981):cover, 6-42, 6, 8, 12, 13, 14, 17, 19, 22, 25, 26, 28, 32
Dobell, William, N.S. nos.42/43 (1988):182-83, 185
Dobie, J. Frank
Dykes (Jeff) Collection of, N.S. no.4 (1972):8
on Earl of Rochester, v.23, no.1 (1993):128
essay on LaSalle County Library, N.S. no.1 (1970):54, 55-60
letter from Carl Hertzog, N.S. no.2 (1970):72, 73
Dobson, William, N.S. no.10 (1978):56
Dodgson, Charles Lutwidge. See Carroll, Lewis
Dodgson, Skeffington, N.S. nos.32/33 (1985):192
Dodgson family, N.S. nos.32/33 (1985):189
Dodsley, Robert, Preceptor, v.21, nos.3/4 (1991):29
Dolce vita (Fellini), v.23, nos.2/3 (1993):93
Domínguez, Francisco, Album Musical de Michoacan, v.22, no.3 (1992):108
Don Juan (Roché), v.21, nos.1/2 (1991):134-47, 135, 138, 141
Dona Flora and Her Two Husbands (Amado), v.26, nos.1/2 (1995):94, 95
Donna Lee (Davis), v.24, nos.1/2 (1994):161-201
Donoso, José, N.S. no.22 (1983):43-49, 45, 48; v.26, nos.1/2 (1995):88, 106
Doolittle, Hilda (H.D.)
friendship with William Carlos Williams, N.S. no.29 (1984):11-12, 14-15, 20, 23-26
influence of World War II, N.S. no.29 (1984):26
photographs of, N.S. no.29 (1984):10, 21
"Walls Do Not Fall," N.S. no.29 (1984):30-31
Dorn, Marion, v.22, nos.1/2 (1992):67-70
Dorynne, Jess, N.S. nos.38/39 (1987):15
Douglas, Norman, N.S. no.3 (1971):52, 53-57
Doves Press, N.S. no.7 (1974):31-35, 33
Down Beat, v.24, nos.1/2 (1994):6, 136, 137-59
Downes, David A., Gerard Manley Hopkins: A Study of his Ignatian Spirit, N.S. nos.46/47 (1989):82
Downey, W., N.S. no.4 (1972):63-65, 63
Downing, Robert
biographical information, N.S. no.9 (1978):79-80
HRHRC holdings, N.S. no.9 (1978):78, 80-81; v.25, no.1 (1994):123-24
photograph of, v.25, no.1 (1994):125
portrait of, N.S. no.9 (1978):78
Downing (Robert) Theatre Collection, N.S. no.9 (1978):78, 80-81
Doyle, Arthur Conan
lecture handbill, N.S. no.8 (1974):cover
photographs of, N.S. no.8 (1974):22, 36
relationship with Houdini, N.S. no.8 (1974):32-33
spiritualism, N.S. no.8 (1974):23-37
Doyle, Jean Conan, N.S. no.8 (1974):22, 36
Draft of the Cantos 17-27 (Pound), v.20, nos.1/2 (1990):20
Draft of XVI Cantos (Pound), v.20, nos.1/2 (1990):18, 32
Draft of XXX Cantos (Pound), v.25, no.3 (1995):113, 124, 126, 127-31
Drake, James F., N.S. no.4 (1972):40, 41-43
Drama. See Theater arts; and specific playwrights, plays, directors, and actors
Dreiser, Theodore, N.S. no.2 (1970):88; v.20, no.4 (1991):80, 125
Dresser, Paul
On the Banks of the Wabash, v.24, nos.1/2 (1994):169-81
photograph of, v.24, nos.1/2 (1994):172
Drifter, v.20, no.3 (1990):108
Druids, v.27, no.3 (1997):80
Drysdale, Russell, N.S. nos.42/43 (1988):183-84
Drysdale, William, Half-Caste Woman, N.S. nos.42/43 (1988):186
Du Camp, Maxime
photograph of, N.S. no.19 (1982):18
as photographer, N.S. no.19 (1982):19-51
photography by, N.S. no.19 (1982):27-28, 33, 36-37, 39-40, 42, 48
travels of, N.S. no.19 (1982):19-51
Du Rietz, Rolf E., Bibliotheca Polynesia, N.S. no.4 (1972):20
Duchamp, Marcel
correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):74, 172, 199, 212
drawings, v.21, nos.1/2 (1991):65, 77
influence on William Carlos Williams, N.S. no.29 (1984):37-47
manuscript, v.21, nos.1/2 (1991):73
photographs of, N.S. no.29 (1984):34; v.21, nos.1/2 (1991):78, 81, 82
readymades, N.S. no.29 (1984):35-47
Duel in the Sun
exhibit, N.S. no.24 (1983):109-10
musical score, N.S. no.27 (1984):64-87, 70-71, 82
promotion of, N.S. no.27 (1984):61-62, 87-91, 88
Dufek, Tony, v.23, no.4 (1993):25
Dulles (John Foster) Collection, N.S. no.13 (1980):10
Duncan, Isadora, N.S. no.8 (1974):13, 15, 18
Duncan, Ronald, N.S. nos.25/26 (1984):119-35, 134
Duse, Eleonora, v.23, nos.2/3 (1993):133, 134, 135
Dust jackets. See Book dust jackets; and specific books
Dwiggins, William Addison
as book designer at Knopf, Inc., v.22, no.4 (1992):85-101; v.26, nos.1/2 (1995):52-56
Caledonia typeface, v.22, no.4 (1992):95
letter, v.22, no.4 (1992):92
photograph of, v.22, no.4 (1992):84
photograph of hands doing lettering, v.22, no.4 (1992):87
sample book designs, v.22, no.4 (1992):88, 93-94, 96-101; v.26, nos.1/2 (1995):55
Dykes (Jeff) Collection, N.S. no.4 (1972):8

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Earl Hines Band, v.24, nos.1/2 (1994):57-58, 60
East Indian Palace (Daniell), v.27, no.3 (1997):75
Eberstadt Collection, N.S. no.9 (1978):8
Echo of Heaven (Oe), v.27, no.3 (1997):51
Echo's Bones and Other Precipitates (Beckett), N.S. no.28 (1984):29
Edgard and Louise Varèse Collection. See Varèse (Edgard and Louise) Collection
Editing and editors
Beeching as editor of Gerard Manley Hopkins, N.S. nos.46/47 (1989):41-73
Contempo magazine, N.S. no.27 (1984):19-45; v.25, no.3 (1995):111-31
in first fifteen years of printing, v.20, nos.1/2 (1990):127-49
of Fitzgerald's The Great Gatsby, v.21, nos.3/4 (1991):40-59
Garvin as newspaper editor, N.S. no.9 (1978):13-27; N.S. no.10 (1978):45-47
history of the book and, v.20, nos.1/2 (1990):111-25
Howarth as Furphy's editor, N.S. nos.42/43 (1988):103-19
Samuel Johnson as, v.21, nos.3/4 (1991):14-39
Samuel Johnson as editor, v.21, nos.3/4 (1991):14-39
Kauffmann as editor of Percy's The Moviegoer, v.22, no.4 (1992):123-43
at Knopf, Inc., v.22, no.4 (1992):15, v.22, no.4 (1992):150-55
Lehmann as editor of New Writing, N.S. no.10 (1978):60-71
Letters of St. Jerome, v.20, nos.1/2 (1990):140-49, 146, 147
magazines and newspapers, v.25, no.4 (1995):25-31
Marianne Moore as editor of The Dial, v.22, nos.1/2 (1992):53-59
of newspapers, v.25, no.4 (1995):25-31
of Poetry magazine, v.20, no.4 (1991):75, 78-81
Stracey as editor for T.F. Powys, v.23, no.1 (1993):87-88
Twain's editing of Romance of a Pro-Consul, N.S. no.11 (1979):19, 20
Weeks as editor of Atlantic Monthly, N.S. no.40 (1987):67, 70, 72-87
Editorial Problem in Shakespeare (Greg), v.20, nos.1/2 (1990):110
Education and Culture (Riché), v.21, nos.3/4 (1991):112
Edward Dahlberg Collection. See Dahlberg (Edward) Collection
Edward Eberstadt & Sons. See Eberstadt Collection
Edward Weeks Collection. See Weeks, Edward
Edwards, Mary Lee, v.23, no.4 (1993):25
Egypt
Du Camp and Flaubert in, N.S. no.19 (1982):26, 29-32, 35, 38, 43-44
papyrus collection, N.S. no.35 (1986):8-9
photographs of monuments, N.S. no.19 (1982):29, 31-32, 35, 38, 43-44
Sphinx, N.S. no.19 (1982):35, 36-37
Eh Joe (Beckett), N.S. no.28 (1984):141-42, 143
Ehret, G.D., N.S. no.17 (1981):12
18 Poems (Thomas), N.S. no.1 (1970):40-41
Eighteenth century
censorship in France, N.S. no.6 (1973):24, 25-41
exhibits, N.S. no.13 (1980):8; N.S. no.16 (1981):8-10
French literature and book illustrations exhibit, N.S. no.13 (1980):8
poetry, N.S. no.13 (1980):39-63
"Eighteenth Century Miscellany" (exhibit), N.S. no.16 (1981):9-10
Einstein, Albert
childhood and adolescence, N.S. no.12 (1979):35-37, 54-56
compared to Newton, N.S. no.12 (1979):63-78
correspondence with Michele Besso, N.S. no.12 (1979):85-86, 87
education, N.S. no.12 (1979):35-37, 41, 57-58
HRHRC holdings generally, N.S. no.13 (1980):11
marriages, N.S. no.12 (1979):39, 41, 56, 86
personal characteristics of, N.S. no.12 (1979):49-62
photographs of, N.S. no.12 (1979):30, 40
professional career, N.S. no.12 (1979):39-47, 59
Theory of Relativity, N.S. no.12 (1979):42, 47-48, 73-77, 81-91
Elder, Eldon, v.23, no.4 (1993):17; v.26, no.3 (1996):15
Elderton, William, N.S. no.5 (1972):17-20
Elegy (Thomas), N.S. no.5 (1972):66, 67
"Eleuthéria" (Beckett), N.S. no.28 (1984):51-52, 52
Elgin Cathedral, N.S. no.35 (1986):12
Eliot, T.S.
correspondence with Marianne Moore, v.22, nos.1/2 (1992):64-71
HRHRC holdings generally, v.25, no.1 (1994):124
Mary Hutchinson and, N.S. no.48 (1989):18, 30
marriage to Vivienne Haigh-Wood, N.S. no.40 (1987):89-111
photographs of, N.S. no.40 (1987):88, 95, 98, 104; v.22, nos.1/2 (1992):66, 69
plays by, v.27, nos.1/2 (1996):25-30
Poems, v.26, nos.1/2 (1995):121, 122
portrait of, N.S. no.3 (1971):50, 51
published by Knopf, v.26, nos.1/2 (1995):120-22
Lytton Strachey and, N.S. no.48 (1989):20
Waste Land, N.S. no.17 (1981):43-44, 44; N.S. no.40 (1987):89, 108-11; v.20, nos.1/2 (1990):34, 36
Eliot, Vivienne. See Haigh-Wood, Vivienne
Elisofon, Eliot, v.26, no.3 (1996):17, 19, 20
Ellen Middleton (Rossetti), v.23, no.1 (1993):29, 30
Ellerman, Annie Winifred. See Bryher
Ellison, Ralph, v.24, nos.1/2 (1994):47, 50, 51
Ellmann, Richard, v.23, no.1 (1993):33-35
Elssler, Fanny, N.S. no.8 (1974):16
Eluard, Paul, N.S. no.28 (1984):21
Emblem books
checklist of HRHRC holdings, N.S. no.11 (1979):41-61
defined, N.S. no.11 (1979):35-37
illustrations, N.S. no.11 (1979):34, 40, 57
in Renaissance, N.S. no.11 (1979):34-61
Emblematic broadsides, N.S. no.11 (1979):62-64
Emerson, Peter Henry
bibliography of Emerson's works, N.S. no.5 (1972):76-81
criticisms of Robinson, N.S. no.19 (1982):92, 94
Life and Landscape of the Norfolk Broads, N.S. nos.44/45 (1989):131, 132
photograph of, N.S. no.5 (1972):76
photography by, N.S. no.5 (1972):cover, 69-81, 71-73, 75, 78-80
portrait of, N.S. no.5 (1972):68
Emerson, Ralph Waldo, N.S. nos.38/39 (1987):77-84
Eminent Victorians (Strachey), N.S. no.48 (1989):20
Emmett, Dan, N.S. no.4 (1972):25
En Attendant Godot. See Waiting for Godot (Beckett)
Encina, Juan del, N.S. no.7 (1974):67-69
Endgame/Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103
England. See headings beginning with British
English literature. See British literature
English Music Printing 1553-1700 (Krummel), v.21, nos.3/4 (1991):130
English Verse: 1701-1750 (Foxon), N.S. no.13 (1980):39-63, 43, 56
English Works of Roger Ascham (Ascham), v.21, nos.3/4 (1991):14-39, 34
Enos, Chris, v.23, no.4 (1993):21, 22, 25
Entertainer (Osborne), v.27, nos.1/2 (1996):106-10, 107
Environmental conservation, v.26, nos.1/2 (1995):249-51
Epistolare (Hieronymus), v.20, nos.1/2 (1990):143
Epstein, Alvin, N.S. no.28 (1984):103
Epstein, Jacob, v.21, nos.1/2 (1991):46-48, 47
Erhardt, H.M., N.S. no.28 (1984):115
Eric Gill Collection. See Gill (Eric) Collection
Erle Stanley Gardner Collection. See Gardner (Erle Stanley) Collection
Ernst, Max, N.S. nos.20/21 (1982):132, 133; N.S. no.28 (1984):21; v.22, no.4 (1992):14
Ernst, Morris L.
photographs of, N.S. nos.20/21 (1982):90, 102
Ulysses court case and, N.S. nos.20/21 (1982):91-105
Ertegun, Ahmet, v.24, nos.1/2 (1994):202
Escobar, Eleuterio, v.22, no.3 (1992):141
Espoir (Man's Hope) (Malraux), v.25, no.2 (1994):18, 19
Essay on the Law of Bailments (Jones), v.20, no.3 (1990):57
Essays in the History of Publishing (Briggs), v.21, nos.3/4 (1991):139
Essays on Southern History Written in Honor of Barnes F. Lathrop (Gallagher), N.S. no.19 (1982):15
Etherington, Don, N.S. nos.44/45 (1989):8-19
Ethnographic photography, N.S. no.19 (1982):149-65
European literature, v.26, nos.1/2 (1995):63-87. See also British literature; French literature; Spanish Renaissance literature; and specific authors
Evatt, H.V., N.S. nos.42/43 (1988):24, 25, 63, 65
Evelyn Waugh Library. See Waugh, Evelyn
Every Man in His Humour (Jonson), v.20, nos.1/2 (1990):41-42, 44-45, 110
Ewart, Gavin, v.25, no.3 (1995):90, 92-94
Exhibit catalogs. See Catalogs
Exhibits
"Afternoons in East Austin: Drawings by Edgar Dorsey Taylor,".20, no.3 (1990):8-12, 9-12
"Allen Ginsberg and Friends," N.S. no.13 (1980):8
antique furniture, fine silver and objets d'art, N.S. no.13 (1980):10
"Architectural Views of Old London," N.S. no.15 (1981):6-48
"Ballet: From Court to Theatre," v.20, no.4 (1991):10, 10
"Baron Corvo: An Exhibition," N.S. no.13 (1980):9
"Baudelaire to Beckett," N.S. no.9 (1978):66, 67-73
"Bebop Revolution in Words and Music," v.24, nos.1/2 (1994):26, 27-47
Samuel Beckett, N.S. no.28 (1984):5-187
Bel Geddes theater designs, N.S. no.41 (1987):11-13, 12
Bicentennial exhibits, N.S. no.10 (1978):8
Blacks at the University of Texas, N.S. no.23 (1983):9-10
"Books from the Medici Library," N.S. no.11 (1979):8
"Botany from Linnaeus to Lamarck," N.S. no.17 (1981):11-13
"Paul Bowles -- A Birthday Celebration," v.20, no.4 (1991):6-8, 6
"Camera Obscura," N.S. no.10 (1978):7
"Camera Work," N.S. no.14 (1980):12
Marc Chagall, N.S. nos.38/39 (1987):11-13
chromolithographs, N.S. no.13 (1980):7
"Chronicles of the New World," N.S. no.40 (1987):12, 13-15
"Company They Kept: Alfred A. and Blanche W. Knopf, Publishers," v.26, nos.1/2 (1995):7-264
Conservation Department, N.S. no.27 (1984):12
"Contemporary Czechoslovakian Photography," v.23, no.4 (1993):23-25, 23
Cuban film posters, N.S. no.19 (1982):11, N.S. no.19 (1982):13
"Darwinism in Texas," N.S. no.5 (1972):12
Designer Bookbinders, N.S. no.22 (1983):7
"Dickens Revisited," N.S. no.35 (1986):9-11
"Dime Novels," N.S. no.9 (1978):7
"Eighteenth Century Miscellany," N.S. no.16 (1981):9-10
eighteenth-century French literature and book illustrations, N.S. no.13 (1980):8
"Ephemera: Selections from the Vertical File Collection," N.S. no.13 (1980):8
Eric Gill Centenary Exhibition, N.S. no.19 (1982):7
Erle Stanley Gardner exhibition, N.S. no.6 (1973):6, 7
fine bindings, N.S. no.14 (1980):8
"Finest Adventure: Scholars at Work," N.S. no.22 (1983):7-8; N.S. no.23 (1983):7-8, 51-61
first photograph from nature, v.25, no.2 (1994):27
"Frith in Egypt," N.S. no.11 (1979):7
"G.B.S. in Love," N.S. no.9 (1978):7
"Gendered Territory: Photographs of Women by Julia Margaret Cameron," v.26, no.4 (1996):7-8
Gill (Eric) Collection, N.S. no.18 (1982):8-193
"Gold Coins of the English Sovereigns," N.S. no.16 (1981):10
Gone With The Wind (movie), N.S. no.24 (1983):8-121
William Goyen, N.S. no.10 (1978):7
Graham Greene posters, v.20, no.4 (1991):8, 9
Gregynog Press publications, N.S. no.14 (1980):9
Guild of Book Workers, N.S. no.17 (1981):7-8
history of logic, N.S. no.14 (1980):12-13
history of photography, N.S. no.13 (1980):9
history of writing materials, N.S. nos.38/39 (1987):9-11
"Hopkins Lives," N.S. nos.46/47 (1989):cover, 7-185
HRHRC twenty-fifth anniversary, N.S. no.19 (1982):7-9
Italian Collections Across the Centuries, v.23, nos.2/3 (1993):1-182
J. Frank Dobie exhibition, N.S. no.6 (1973):6
"John Masefield: The Development of a Writer," N.S. no.11 (1979):8
Julio Cortázar: Manuscripts and Books, 1948-1980, N.S. no.27 (1984):15
Johannes Kepler, N.S. no.5 (1972):11
Leopard, N.S. no.37 (1986):10-12, 11
"London at Play," N.S. no.16 (1981):8-9
"London Paris New York," N.S. no.35 (1986):18-19
Katherine Mansfield, N.S. no.7 (1974):6, 7
marionettes, N.S. no.48 (1989):10-12
"Max on View," N.S. no.11 (1979):7
Middle Eastern materials, v.20, no.3 (1990):14-15
Mixtec codices, N.S. no.14 (1980):7
"Modern Movement by Cyril Connolly," N.S. no.1 (1970):39-47
R.L. Moore, N.S. no.10 (1978):7
"Mosaic: Women's History Resources at the Barker," v.20, no.4 (1991):12-15, 13
movie posters, N.S. no.14 (1980):10-11
music books, N.S. no.27 (1984):10
"Naturselbstdruck or Nature-Printing: A Unique Printing Technique," N.S. no.11 (1979):8
nineteenth-century photography, N.S. no.3 (1971):11-12, 12
nineteenth-century trade bookbindings, N.S. no.14 (1980):8
"No Symbols Where None Intended: Samuel Beckett at the Humanities Research Center," N.S. no.27 (1984):8
"One Hundred Modern Books," N.S. no.5 (1972):8
"Optic Nerve: The American Avant-Garde, 1940-80," N.S. no.16 (1981):7-8
photographs of the Orient, N.S. nos.38/39 (1987):6, N.S. nos.38/39 (1987):7-9
"Photography: A Surrealist Dream Come True," v.25, no.2 (1994):23, 27
"Picture Making by Photography," N.S. no.11 (1979):7
publications based on HRHRC research, N.S. no.14 (1980):10
"Ranuzzi Manuscripts," N.S. no.13 (1980):7
"Ray Rector: Cowboy Photographer," N.S. no.17 (1981):10-11
Rider Haggard's novels and nonfiction, N.S. no.13 (1980):8
"Rite of Spring," N.S. no.48 (1989):8
Henri-Pierre Roché, v.21, nos.1/2 (1991):9-223
"Russell Lee, Documentarian," N.S. no.40 (1987):15-19
"Scholar at Work," N.S. no.7 (1974):8, 9
"Sense of Place: Women in Literature," N.S. no.10 (1978):7
"Shakespeare For All Time," N.S. no.48 (1989):7-8
Shakespearean scene engravings, N.S. no.13 (1980):11
"Shaw: An Exhibit," N.S. no.11 (1979):7
"Shouting in the Evening" [British theater in twentieth century], v.26, no.4 (1996):9-212
"Some Curious and Important Second Editions," N.S. no.17 (1981):8-9
"Sources of Classicism: Five Centuries of Architectural Books from the Collections of the Humanities Research Center," N.S. no.11 (1979):8
"Spanish Civil War: An Exhibition," N.S. no.11 (1979):7
Gloria Swanson, N.S. no.30 (1985):7-8
Texas maps, N.S. no.5 (1972):10
"Texas Poets/Poets in Texas," N.S. no.35 (1986):16-18
"Through Women's Eyes: A Women's History of Texas," N.S. no.19 (1982):9-11
"Touring the World," N.S. no.17 (1981):10
"Twentieth-Century American Playwrights: Views of a Changing Culture," v.25, no.1 (1994):7-114
"Victoria's World," N.S. no.3 (1971):11-12, 12; N.S. no.13 (1980):10
"Views of Old London," N.S. no.11 (1979):7
"Visions of Texas," v.23, no.4 (1993):20, 21, 25
William Morris Calligraphic Exhibition, N.S. no.27 (1984):9-10, 11
women photographers, v.25, no.2 (1994):23, 24-25
"Work & Play of Adrian Wilson," N.S. no.27 (1984):7-8
Experience of Life (Sewell), v.23, no.1 (1993):28
Exploration and Empire (Goetzmann), v.26, nos.1/2 (1995):235, 237
Explorers of New World, N.S. no.40 (1987):12, 13-15
Exter, Alexandra, N.S. no.10 (1978):41-43, 42
"Ezekiel" (Powys), v.23, no.1 (1993):90

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Faber and Faber, and Palm-Wine Drinkard, v.27, no.3 (1997):103-20
Fabrizio Lupo (Coccioli), v.23, nos.2/3 (1993):120
Façade (Walton), N.S. nos.25/26 (1984):101-13
Fairbanks, Douglas, N.S. no.22 (1983):9; N.S. no.24 (1983):26
Faith of Victorian women, v.23, no.1 (1993):11-31
Famous Photographers Magazine, v.24, nos.3/4 (1994):152
Farther Off From Heaven (Inge), v.25, no.2 (1994):38, 41-54
Fasciculus Temporum (Rolewinck), v.20, nos.1/2 (1990):130-31; v.21, nos.3/4 (1991):60, 61-79, 70
Faulk, John Henry, N.S. no.27 (1984):13
Faulkner, Jack, v.20, no.4 (1991):26
Faulkner, Mrs. Jack, v.20, no.4 (1991):26
Faulkner, Mrs. William, v.20, no.4 (1991):26
Faulkner, William
collected works, v.25, no.4 (1995):51
Collins (Carvel) Faulkner Collection, v.20, no.4 (1991):16-35, 16, 23, 26, 31, 32, 33
Contempo magazine and, N.S. no.27 (1984):31, 33-34
photographs of, N.S. no.27 (1984):35; N.S. nos.44/45 (1989):56; v.20, no.4 (1991):26, 33, 83
photography by, v.20, no.4 (1991):32
relationship with Meta Carpenter, v.20, no.4 (1991):30, 32
Royal Street: New Orleans, N.S. no.13 (1980):27-30
Faulkner (William) Collection
burned fragments, N.S. nos.44/45 (1989):cover, 57-77, 61, 64, 67-68, 71-72, 75-76
conservation of, N.S. nos.44/45 (1989):cover, 56, 57-77, 61, 64, 67-68, 71-72, 75-76
description of, N.S. nos.44/45 (1989):57-59
Faulkner: Novels 1930-1935 (Faulkner), v.25, no.4 (1995):51
Fauré, Gabriel (1845-1924)
Chanson d'Ève, N.S. nos.25/26 (1984):51-53, 53, 54
correspondence with Vuillermoz, N.S. nos.25/26 (1984):57, 61-65
correspondence with Faure, N.S. nos.25/26 (1984):57-61
Fugue à 3 parties, N.S. nos.25/26 (1984):54-57, 55
Pénélope, N.S. nos.25/26 (1984):58-62
photographs of, N.S. nos.25/26 (1984):50, 63
Fauré (Gabriel) Manuscript Collection, N.S. nos.25/26 (1984):50-67
Faure, Gabriel (1877-1962), N.S. nos.25/26 (1984):57-61
Faurot, Jeannette, v.27, no.3 (1997):52-53
Faux Départs. See All Strange Away (Beckett)
Fawn, v.25, no.3 (1995):72-73
Feisal, Prince, v.20, no.3 (1990):24
Feldman (Lew David) Lecture in Bibliography
censorship in eighteenth-century France, N.S. no.6 (1973):24-41, 24
speech by Sir Frank Francis, N.S. no.3 (1971):29-44
Felipe, León, N.S. no.27 (1984):104, 105-13
Fellini, Federico, v.23, nos.2/3 (1993):93
Fénéon, Félix, v.21, nos.1/2 (1991):108-10, 110
Fenêtre ouverte (Picasso), v.21, nos.1/2 (1991):43
Ferguson, William B. III, N.S. no.1 (1970):50, 51-52
Ficke, Arthur Davison, v.20, no.4 (1991):80
Fiction. See Novels; and specific authors and titles
Fields, W.C., N.S. no.24 (1983):22
Fifteenth century
editing of printed texts, v.20, nos.1/2 (1990):127-49
Froissart's "Chronicles," N.S. no.22 (1983):51-65
printing, N.S. no.10 (1978):13-36, 15, 24
Film directors
Norman O. Dawn, v.20, no.3 (1990):97-121
Gone With The Wind, N.S. no.24 (1983):75-81, 84
Film (magazine), N.S. no.28 (1984):130-31, 131
Films. See also Film directors; Gone With The Wind; Screenwriters; and specific film titles, actors, directors, and screenwriters
Stan Brakhage as avant-garde filmmaker, N.S. no.17 (1981):85-103
conservation of, N.S. no.19 (1982):172-74
Norman O. Dawn and, v.20, no.3 (1990):97-118
exhibits on American avant-garde cinema, N.S. no.16 (1981):7-8
movie posters exhibit, N.S. no.14 (1980):10-11
Selznick's Since You Went Away, N.S. no.24 (1983):108; v.26, no.3 (1996):83-109
Smithers and, N.S. no.19 (1982):141
special effects, N.S. no.24 (1983):57-58; v.20, no.3 (1990):97-118, 99, 102, 105-06, 108-09, 113, 114
Fin de partie/Acte Sans Paroles. See Endgame (Beckett)
"Finest Adventure: Scholars at Work" (exhibit), N.S. no.22 (1983):7-8; N.S. no.23 (1983):7-8, 51-61
Fingerprinting, N.S. no.14 (1980):25-33
Finnegan's Wake (Joyce), N.S. nos.20/21 (1982):159-70
First Book of Urizen (Blake), v.27, no.3 (1997):57
First Christmas, from "Ben Hur" (Wallace), N.S. no.11 (1979):24, 25
First Lady Chatterley (Lawrence)
conservation of, N.S. nos.44/45 (1989):40, 41-55, 43, 46, 51-52, 54
description of manuscript, N.S. nos.44/45 (1989):41-42, 44-48, 46
treatment procedures, N.S. nos.44/45 (1989):44-55, 46, 51-52, 54
First Love (Beckett), N.S. no.28 (1984):147-49, 148
Fitzclarence, Lieutenant Colonel George, v.27, no.3 (1997):68, 98
Fitzgerald, F. Scott
Great Gatsby, v.21, nos.3/4 (1991):40-59
letter to Joseph Hergesheimer, v.21, nos.3/4 (1991):55
memo about Gone With The Wind screenplay, N.S. no.24 (1983):35
photograph of, v.21, nos.3/4 (1991):40
screenwriter for Gone With The Wind, N.S. no.24 (1983):34-35
Fitzgerald, Robert, v.25, no.2 (1994):91, 93, 96, 98, 101
Fitzpatrick, Brian, N.S. nos.42/43 (1988):63, 65
Five Hundred Scorpions (Hearon), v.25, no.2 (1994):10
Fizzles (Beckett), N.S. no.28 (1984):160, 161-74, 163, 166, 171, 173
Flair (magazine)
covers, v.25, no.4 (1995):cover, 12
State and Fate of Publishing: A Flair Symposium, v.25, no.4 (1995):1-131
Flaubert, Gustave
friendship with Maxime Du Camp, N.S. no.19 (1982):19-21, 50-51
Lutte du sacerdoce et de l'empire, N.S. no.2 (1970):36, 37
photograph of, N.S. no.19 (1982):20
travels with Du Camp in Egypt, N.S. no.19 (1982):25-26, 30-32, 45-46
Flawn, Peter, N.S. no.4 (1972):8
Flea of Sodom (Dahlberg), N.S. no.14 (1980):48, 56-64
Fleischberger, Johann Friedrich, v.26, no.3 (1996):28, 30
Fleming, Richard T.
photographs of, N.S. no.6 (1973):10, 12
tribute by Joe B. Frantz at memorial services, N.S. no.6 (1973):16-23
University of Texas Writers Library, N.S. no.6 (1973):11-15
Fleming (Richard T.) Library of The University of Texas Writers, N.S. no.6 (1973):11-15
Fleming, Victor
director of Gone With The Wind, N.S. no.24 (1983):76-78, 84
photographs of, N.S. no.16 (1981):6; N.S. no.24 (1983):77, 78; N.S. no.36 (1986):6
Fleurs du mal (Baudelaire), N.S. no.27 (1984):47-59, 52, 55
Flonzaley String Quartet, v.25, no.2 (1994):30, 31
Flores, José Moreno, Ametrallando, v.22, no.3 (1992):82
Florimi, Matteo, Chi non sa impari, v.23, nos.2/3 (1993):142
Flynn, Robert, v.26, nos.1/2 (1995):235-36
Focus, v.24, nos.3/4 (1994):155
Foirades. See Fizzles (Beckett)
Folch y Costa, José Antonio, Poesías, N.S. no.5 (1972):45
Folmer, Fred, N.S. no.8 (1974):6, 7
Fontaine de Narcisse (Brancusi), v.21, nos.1/2 (1991):118
Fontaine, Joan, N.S. no.24 (1983):107
Food for Peace Program. See PL-480 Program
Fool (Luzzati). See Buffone (The Fool) (Luzzati)
For the Term of His Natural Life, v.20, no.3 (1990):112-15, 113, 114
Forbes, James, v.27, no.3 (1997):92, 95-97, 95, 97
Forbes, Lou, N.S. no.27 (1984):85
Ford, Charles Henri
HRHRC holdings, v.23, no.4 (1993):27, 31, 33, 34
photographs of, v.23, no.4 (1993):29, 33, 36
relationship with Djuna Barnes, v.23, no.4 (1993):27-35
Ford, Ruth, N.S. no.2 (1970):87
Forster, E.M.
drawings of, N.S. no.23 (1983):62, 74
letters to M.L. and J. Darling, N.S. no.23 (1983):64-71, 67
"Liking Being Alive," N.S. no.23 (1983):75-79
on love, faith, and coming to terms with being a godfather, N.S. no.23 (1983):63-73
portrait of, N.S. no.23 (1983):cover
Fort, Paul, v.21, nos.1/2 (1991):29
Foster, Jeanne Robert, v.21, nos.1/2 (1991):42, 90, 114
Fotofreund Jahrbuch, v.24, nos.3/4 (1994):156
Foulois, Benjamin, N.S. no.19 (1982):128
Fowles, John, v.22, no.4 (1992):9, 11
Fox, Charlie, v.24, nos.1/2 (1994):38
France. See also headings beginning with French
censorship in eighteenth-century France, N.S. no.6 (1973):24, 25-41
puppet theater, N.S. no.41 (1987):42, 44
Francesca da Rimini (D'Annunzio), v.23, nos.2/3 (1993):131-33, 132
Franceso da Milano, La Canzone de li Ucelli, N.S. nos.25/26 (1984):121-27
Francis, Kay, N.S. no.24 (1983):20
Francis, Sir Frank, N.S. no.3 (1971):29-44
Franco, Giacomo, v.26, no.3 (1996):23
Franco-Prussian War, N.S. no.30 (1985):10
Franklin, Benjamin, v.20, no.3 (1990):64, 65-73, 69
Franklin, Malcolm, v.20, no.4 (1991):26
Franklin, Mrs. Malcolm, v.20, no.4 (1991):26
Franklin, Miles
correspondence with Grattan, N.S. nos.42/43 (1988):69, 77-101
Grattan's trips to Australia and, N.S. nos.42/43 (1988):61
photographs of, N.S. nos.42/43 (1988):74, 86, 127
Ten Creek Run, N.S. nos.42/43 (1988):79
Frazee, Harry H., v.25, no.1 (1994):124, 126, 127
Frederics, John, N.S. no.36 (1986):33-55, 39
Free Briton, v.25, no.3 (1995):20
French literature. See also specific authors
"Baudelaire to Beckett" exhibit, N.S. no.9 (1978):66, 67-73
exhibit on eighteenth-century literature, N.S. no.13 (1980):8
Lake (Carlton) Collection, N.S. no.9 (1978):66, 67-73; v.26, no.3 (1996):13-14
in The Modern Movement exhibit, N.S. no.1 (1970):46-47
French music
Debussy's Trois Ballades de François Villon, N.S. nos.25/26 (1984):69-99
Fauré (Gabriel) Manuscript Collection, N.S. nos.25/26 (1984):51-67
19th and 20th century manuscripts, N.S. nos.25/26 (1984):7-9
Frescoes, N.S. no.11 (1979):89
Freud, Sigmund, v.21, nos.1/2 (1991):142
Freyre, Gilberto, N.S. no.22 (1983):30-32; v.26, nos.1/2 (1995):96-101, 97
Frith, Francis, N.S. no.35 (1986):11-13, 12
"Frith in Egypt" (exhibit), N.S. no.11 (1979):7
Fritz Henle Collection. See Henle (Fritz) Collection
Froissart, Jean
"Chronicles," N.S. no.22 (1983):51-65, 55, 63; N.S. nos.44/45 (1989):116
illustration of, N.S. no.22 (1983):50
Froman, P., N.S. no.9 (1978):37
Front Porch (Inge), v.25, no.2 (1994):50-56, 60, 62
Frost, Arthur B., N.S. nos.32/33 (1985):134
Frueh, Alfred, v.21, nos.1/2 (1991):45
Fry, Christopher, v.27, nos.1/2 (1996):30-33
Fuentes, Carlos, Where the Air is Clear, v.25, no.4 (1995):106
Fugitive Pieces (Hutchinson), N.S. no.48 (1989):17, 22-25, 27-29, 32, 37
Fugue à 3 parties in F major (Fauré), N.S. nos.25/26 (1984):51-53, 55
Fuller, Loie, N.S. no.8 (1974):15
Fullerton, Morton
affair with Edith Wharton, N.S. no.31 (1985):7-18, 73-107
letters from Wharton, N.S. no.31 (1985):17, 20, 21-71, 68, 86, 98, 106
literary advice from Wharton, N.S. no.31 (1985):48-51, 66-67, 100-104
photograph of, N.S. no.31 (1985):10
Funny House of a Negro (Kennedy), v.25, no.1 (1994):109-14, 112-13
Furphy, Joseph
Howarth as editor of, N.S. nos.42/43 (1988):103-19
photograph of, N.S. nos.42/43 (1988):102
Rigby's Romance, N.S. nos.42/43 (1988):104-09
Such Is Life, N.S. nos.42/43 (1988):77-78, 81, 104-06, 109
Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69
Future of Man (Medawar), v.21, nos.3/4 (1991):85
Futurism, Italian, v.23, nos.2/3 (1993):83-87

G ^-top-^

"G.B.S. in Love" (exhibit), N.S. no.9 (1978):7
Gable, Clark, N.S. no.24 (1983):39, 39, 52, 78, 86; N.S. no.36 (1986):46, 50
Gabriel Fauré Manuscript Collection. See Fauré (Gabriel) Manuscript Collection
Gabriela Mistral (Samatán), v.22, no.3 (1992):25
Gaddis, William, v.22, no.4 (1992):8; v.26, no.3 (1996):9-10
Galileo, N.S. no.12 (1979):66
Gallagher, Gary W., Essays on Southern History Written in Honor of Barnes F. Lathrop, N.S. no.19 (1982):15
Gallico, Paul, v.26, nos.1/2 (1995):139-40
Galsworthy, John, N.S. no.6 (1973):61-73, 66-67, 72; v.26, nos.1/2 (1995):21-23
Game of the Goose. See Giuco dell'oca (Game of the Goose)
Gangoly, O.C., v.27, no.3 (1997):18
García, Genaro, N.S. no.10 (1978):13; v.22, no.3 (1992):68
García López, Elisa, v.22, no.3 (1992):148
García Lorca, Federico, N.S. no.13 (1980):12, 13-26, 15, 22
Garden Beyond Paradise (Rumi), v.27, no.3 (1997):8
Gardner, Edward L., Coming of the Fairies, N.S. no.8 (1974):31
Gardner, Erle Stanley
biographical material, v.22, no.4 (1992):8
exhibit, N.S. no.6 (1973):6
writer's study at HRHRC, N.S. no.6 (1973):9-10
Gardner (Erle Stanley) Collection
description, N.S. no.6 (1973):9-10
Erle Stanley Gardner Room, N.S. no.6 (1973):9
exhibit from, N.S. no.6 (1973):6
Gardner (Erle Stanley) Room, N.S. no.6 (1973):9-10
Gardner, Stephen, N.S. no.5 (1972):6
Gardner, W.H., N.S. nos.46/47 (1989):61, 86
Garfias, Pedro, N.S. no.13 (1980):22
Garibay, Angel María, Poesía Náhuatl, v.22, no.3 (1992):46
Garrett, Jenkins, N.S. no.4 (1972):72-74, 72
Garrett, Oliver, N.S. no.24 (1983):33-34
Garrett, Oliver H.P., Story of Temple Drake, v.20, no.4 (1991):cover, 31
Garvin, James Louis
correspondence with Bell, N.S. no.10 (1978):47-54
journalism career of, N.S. no.9 (1978):13-27; N.S. no.10 (1978):45-47
photograph of, N.S. no.10 (1978):44
Gassner, John, v.25, no.1 (1994):127-28
Geisel, Theodore, v.25, no.1 (1994):45, 47, 48
Gellhorn, Martha, N.S. no.2 (1970):88
"Gendered Territory: Photographs of Women by Julia Margaret Cameron" (exhibit), v.26, no.4 (1996):7-8
Genet, Jean
Haute Surveillance, N.S. no.14 (1980):67-99
photograph of, N.S. no.14 (1980):66
Genevan Psalter, N.S. nos.25/26 (1984):29, 30-32, 35-36
Gentiana bavarica, N.S. no.11 (1979):cover
George, Roy, N.S. no.23 (1983):12
George III, v.20, no.3 (1990):68-73, 70, 73
George Gershwin (Goldberg), v.26, nos.1/2 (1995):210, 212
George Sessions Perry Manuscript Collection. See Perry (George Sessions) Manuscript Collection
Georgian Poets, v.23, no.1 (1993):107
Gepp, Sir Herbert, N.S. nos.42/43 (1988):66, 67
Gerard Manley Hopkins Archive. See Hopkins (Gerard Manley) Archive
Gernsheim, Alison, v.24, nos.3/4 (1994):6
Gernsheim, Helmut, N.S. no.48 (1989):107; v.24, nos.3/4 (1994):6
Gernsheim Collection
carte-de-visite, N.S. no.4 (1972):65
description, N.S. nos.44/45 (1989):135-36; v.24, nos.3/4 (1994):7-35
Peter Henry Emerson's photographs, N.S. no.5 (1972):69-81
exhibit of nineteenth-century photographers, N.S. no.3 (1971):11-12, 12
photography serials holdings, v.24, nos.3/4 (1994):7-411
Robinson's "Bringing Home the May," N.S. nos.44/45 (1989):135-47,
N.S. nos.44/45 (1989):137, 142, 145-46
significance, N.S. no.15 (1981):6-7