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Celebrating the Life

UT Collections

55 results, page 6 of 6 55 results
  • The Texas Farm Workers Union (TFWU) was established in August 1975 under the leadership of Antonio Orendain. Wanting a union that was accountable to them, a core of Rio Grande Valley farmworkers supported the foundation of the TFWU. Despite the financial problems it faced, the TFWU was able to focus the media spotlight on the plight of farmworkers. They campaigned for the establishment of a Texas Agricultural Board and the right of farmworkers to vote on union representation, but legislation died in subcommittee. In 1977 union members started a 420-mile march from San Juan to Austin. To gain more public support for their cause, Orendain led forty union members on a historical 1,600-mile march from Austin to Washington, DC. However, unable to maintain firm financial backing, the union continued to have a sporadic existence until its demise in the mid-1980s. In addition to the correspondence of TFWU labor organizer Orendain, the collection includes promotional materials such as the newspaper El Cuhamil, a half-hour film titled Los Trabajadores Agricolas de Tejas and several phonodiscs of songs for TFWU written by Esteban Jordan. Other items found in this collection are posters, buttons, bumper stickers, and banners.

    Benson Latin American Collection
  • The Transcription Centre began its brief but significant life in February 1962 under the direction of Dennis Duerden (1927-2006), producing and distributing radio programs for and about Africa. The organization was created with funding provided initially by the Congress for Cultural Freedom (CCF) to foster non-totalitarian cultural values in sub-Saharan Africa in implicit opposition to Soviet-encouraged committed political attitudes among African writers and artists. The records of the Transcription Centre comprise scripts and manuscripts, correspondence, legal documents, business records, ephemera, photographs, and clippings. Particularly noteworthy is a large file of scripts and script fragments arranged topically as a broadcast and publishing resource, including material not represented elsewhere in the papers. Making up about a quarter of the papers, the correspondence series contains significant evidence of the Transcription Centre's efforts on behalf of African art, writing, and scholarship through broadcasting, conferences, and cultural festivals. The correspondence files include artists (Jimo Akolo, Julian Bienart) and writers (Chinua Achebe, Ezekiel Mphahlele, Rajat Neogy, David Rubadiri), as well as academics and other scholars (Ulli Beier, Sillaty K. Dabo, Gerhard Kubik, Margaret Laurence, Ivan van Sertima). The extensive body of correspondence with Wole Soyinka is especially noteworthy.

    1979-1983, (bulk: 1960-1977)
    Harry Ransom Center
  • The U.S. Latino and Latina WWII Oral History Project Collection is the product of an initiative that began in 1999 to document the experiences of Mexican Americans during WWII. The project is a joint initiative between the Center for Mexican American Studies and the UT School of Journalism designed to highlight the contributions of Mexican Americans that are not always recognized in traditional histories of the war. Individuals interviewed served in the U.S. armed forces during the conflict, whether as soldiers, nurses, technicians, or members of the civil service. The project may also be accessed through its own web page ( for additional information. The collection contains 400+ oral history interviews, including audio and video tapes and DVDs, transcripts, indexes to the interviews, narrative stories produced from the interviews, photographs, correspondence, and other documents from the U.S. Latino and Latina WWII Oral History Project.

    English, Spanish
    Benson Latin American Collection
  • The Unintended Portraits of the Meninas de Sinhá (Black Brazilian Women Elder Activists) collection is comprised of photographs and audio recordings of the group Meninas de Sinhá in the northeastern state of Minas Gerais, Brazil. The group was created in the late 1980s by Valdete, a community leader and activist in the city of Belo Horizonte. She observed older women in her peripheral neighborhood of Alto Vera Cruz leaving the local clinic with large quantities of anti-anxiety medication. Believing that pharmaceuticals were not a solution, Valdete brought the women together to understand their anxieties. Hearing familiar stories of emotional and physical struggle from this older generation of women, she formed this community of support to improve these women’s mental wellbeing by expressing their emotions through song. Each photograph is also accompanied with an audio file and transcripts of each member’s response to the question: “What is the group for you?"

    Latin America
    Harriet Tubman Literary Circle
  • The Women's Caucus for Gender Justice's (WCGJ) documentary footage for If Hope Were Enough contains the documentary production in English, Spanish, and French as well as raw footage of panels for the Preparatory Commission of the International Criminal Court (ICC Prepcom) and interviews with survivors of gender-based violence conducted for the documentary. If Hope Were Enough documents the ways in which women have worked to bring accountability for crimes of sexual and gender violence in conflict and non-conflict situations around the world and the struggles of gender-based violence survivors in Korea, Bosnia and Herzegovina, Rwanda, Afghanistan and Mexico.

    English, French, Spanish