The Texas After Violence Project (TAVP) is an independent, Austin-based, nonprofit organization. TAVP’s oral history archive documents the effects of murder and capital punishment in Texas and aims to serve as a resource for public dialogue on alternative ways to prevent and respond to violence. The TAVP collection includes video testimonies and transcripts from survivors of violence; religious actors; law enforcement officials; legal actors; media witnesses; and activists and scholars.
The Texas Farm Workers Union (TFWU) was established in August 1975 under the leadership of Antonio Orendain. Wanting a union that was accountable to them, a core of Rio Grande Valley farmworkers supported the foundation of the TFWU. Despite the financial problems it faced, the TFWU was able to focus the media spotlight on the plight of farmworkers. They campaigned for the establishment of a Texas Agricultural Board and the right of farmworkers to vote on union representation, but legislation died in subcommittee. In 1977 union members started a 420-mile march from San Juan to Austin. To gain more public support for their cause, Orendain led forty union members on a historical 1,600-mile march from Austin to Washington, DC. However, unable to maintain firm financial backing, the union continued to have a sporadic existence until its demise in the mid-1980s. In addition to the correspondence of TFWU labor organizer Orendain, the collection includes promotional materials such as the newspaper El Cuhamil, a half-hour film titled Los Trabajadores Agricolas de Tejas and several phonodiscs of songs for TFWU written by Esteban Jordan. Other items found in this collection are posters, buttons, bumper stickers, and banners.
Founded in 1977 by Robert "Mort" Schwab, the Texas Human Rights Foundation is devoted to protecting the human rights of Texans, with the primary goal of ending discrimination against homosexuals, bisexuals, transsexuals, and persons living with AIDS and HIV. The collection includes correspondence, newspaper clippings, audio-visual recordings and other documents relating to the work of this organization between 1978 and 1992.
The Texas Resource Center represented Texas' death row inmates during their trials and subsequent appeals processes from 1977-1999. The Center lost its federal funding after passage of the Effective Death Penalty and Anti-Terrorism Act in 1996. The collection contains the legal records of these cases, and it is grouped alphabetically by the inmate's last name.
Tom C. Clark served as a U.S. Supreme Court justice from 1949-1967, presiding over some of the most well-known cases decided during the Warren Court period. The collection highlights court documents on desegregation, the constitutionality of school prayer, the Miranda rights, the expansion of 4th Amendment rights against unreasonable search and seizure, and other key civil rights decisions. Materials in the collection include case files, bench memorandum, briefs, and slip opinions from these cases, as well as personal correspondence and speeches by Justice Clark.
The Transcription Centre began its brief but significant life in February 1962 under the direction of Dennis Duerden (1927-2006), producing and distributing radio programs for and about Africa. The organization was created with funding provided initially by the Congress for Cultural Freedom (CCF) to foster non-totalitarian cultural values in sub-Saharan Africa in implicit opposition to Soviet-encouraged committed political attitudes among African writers and artists. The records of the Transcription Centre comprise scripts and manuscripts, correspondence, legal documents, business records, ephemera, photographs, and clippings. Particularly noteworthy is a large file of scripts and script fragments arranged topically as a broadcast and publishing resource, including material not represented elsewhere in the papers. Making up about a quarter of the papers, the correspondence series contains significant evidence of the Transcription Centre's efforts on behalf of African art, writing, and scholarship through broadcasting, conferences, and cultural festivals. The correspondence files include artists (Jimo Akolo, Julian Bienart) and writers (Chinua Achebe, Ezekiel Mphahlele, Rajat Neogy, David Rubadiri), as well as academics and other scholars (Ulli Beier, Sillaty K. Dabo, Gerhard Kubik, Margaret Laurence, Ivan van Sertima). The extensive body of correspondence with Wole Soyinka is especially noteworthy.
Teodoro Cantos was a Philippine national who served as a member of the Japanese Civilian Army during World War II under the name of Teodoro Tatishi. Following the war he was accused of murder and treason and tried in the International Military Tribunal for the Far East and appealed in the Supreme Court of the Philippines. Tatishi argued that he could not be tried in this court because he was a national of the Philippines and therefore a U.S. citizen. The U.S. Supreme Court agreed to review this case, but then dismissed it as moot when the Philippines gained its independence. The collection includes the documents, exhibits and transcript of evidence of his war crimes trial. No finding aid is available for this collection.
Better known as "The Justice Case", Case No. 3: U.S. v. Joseph Alstötter et al. was a war crimes trial specifically for members of the German judicial system. The defendants included nine officials in the Reich Ministry of Justice and several prosecutors of the People's Court and the Special Courts. As representatives of a Nazi judicial system that persecuted Poles, Jews, and others in occupied territories, they were accused of war crimes and crimes against humanity. Case No. 3 was heard by the United States Nuremberg Military Tribunal (NMT) III and was part of a second set of twelve trials that focused on the mechanisms of Nazi aggression. The bench notebooks of Judge Mallory Blair, a Texas judge appointed to the Tribunal by U.S. President Truman, include procedural materials, testimony, and personal notes relating to Case No. 3, U.S. v. Josef Alstötter, et al., jurists of the Reich Ministry of Justice.
The U.S. Latino and Latina WWII Oral History Project Collection is the product of an initiative that began in 1999 to document the experiences of Mexican Americans during WWII. The project is a joint initiative between the Center for Mexican American Studies and the UT School of Journalism designed to highlight the contributions of Mexican Americans that are not always recognized in traditional histories of the war. Individuals interviewed served in the U.S. armed forces during the conflict, whether as soldiers, nurses, technicians, or members of the civil service. The project may also be accessed through its own web page (http://www.lib.utexas.edu/ww2latinos/index.html) for additional information. The collection contains 400+ oral history interviews, including audio and video tapes and DVDs, transcripts, indexes to the interviews, narrative stories produced from the interviews, photographs, correspondence, and other documents from the U.S. Latino and Latina WWII Oral History Project.
The Women's Caucus for Gender Justice's (WCGJ) documentary footage for If Hope Were Enough contains the documentary production in English, Spanish, and French as well as raw footage of panels for the Preparatory Commission of the International Criminal Court (ICC Prepcom) and interviews with survivors of gender-based violence conducted for the documentary. If Hope Were Enough documents the ways in which women have worked to bring accountability for crimes of sexual and gender violence in conflict and non-conflict situations around the world and the struggles of gender-based violence survivors in Korea, Bosnia and Herzegovina, Rwanda, Afghanistan and Mexico.